British type designer Neville Brody created this display FontFont in 1993. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife, poster and billboards as well as software and gaming. FF Harlem provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Miracle Script is modern logo typeface. This font will be suitable for t-shirt printing, name-card design, branding projects, product packaging, quotes, logos, book covers, and all other lovely projects. Miracle Script will further power your design with the included extruded weight. For more information you can contact me : donis4design@gmail.com

Argenta is handwritten and fresh. The casual spirit of this face is evident, but complemented by very specific typographic details. A playful script with an immensely useful array of alternate characters. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.

ITC Schizoid, from designer Frank Marciuliano, displays a stroke contrast which could not be larger, abrupt and uncompromising. Fine strokes turn into thick bars and create angular, consciously awkward forms. Nervous, unbalanced and amusing, Schizoid is an appropriate name for this font. The experimental ITC Schizoid is best used for headlines in print.

In Issue Number 84 of Push Pin Graphic, Seymour Chwast offered up this rather odd variant of his own extrablack, superbold in-your-(type)face, Blimp. Not recommended for body copy, but makes interesting and unusual headlines. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Geodot is subtly faded with a bold graphic appearance. Inspired by atomic structure, it is defined by a harmonious arrangement of tiny spheres. Since the appearance varies widely depending on scale, this font has many possible applications. Geodot is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments and publications.

This imaginative and unusual serif text face was developed by Jeff Levine from an old Ray Larabie design. Improved and updated, it is exclusive to Stella Roberts Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Introducing handwritten style font called Mutually Beneficial. For feeling like a handwritten style vibe, this font comes with more than 40+ ligature sets and full alternate in the uppercase characters. Mutually Beneficial font is perfect for branding, headlines, subtitle, wedding invitations, greeting cards, signature name, logotype, handwritten quotes, advertising, social media post, etc.

Gumley - a font which has a fresh natural look and feel inspired by nature, at the same time it has a gummy feel which would fit very well on packaging design. With a little inspiration every product can look awesome with this font, starting from kids magazines to logos and package design.

Revain has the power to be mindful of typographic design. Equipped with an OpenType feature that can make a variety of style choices, namely: Small Caps, Stylistic Set 1 (for Uppercase), Stylistic Set 2 (for Lowercase). All characters have been PUA Encoded so that they can be accessed on most software in general.

Introducing new fonts! its called Pixelfy. Pixelfy is hand made pixel font. perfect contour, shape and square. this font its very perfect match for your project. 8bit games, chiptunes music, vaporwave design, digital ads and quotes. What's inside the fonts ? Uppercase Lowercase Numerals & Punctuation Multilinguals Support Opentype Features Stylistic Alternates Thank you!

No, I don’t have a fictional friend, nor an imaginary one. Never had! But that name popped up in my head and I used it for this font. Fictional Friend font is a handwritten ‘comic book’ font - sort of. It’s very legible, soft and rounded and comes with all the accents you want!

Gyroscope is an all caps display font duo consisting of two styles - Serif and Sans Serif. Both of them can also be bought separately. Gyroscope has elegant and well balanced curves of letters perfect for logos, headlines, magazines, or even longer texts. There are selected ligatures you can use for a better look. Features: 2 Styles: Gyroscope Sans & Gyroscope Serif Basic latin alphabet A-Z 43 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Case sensitive glyph Enjoy Gyroscope!

This is what you get when you mix monoline rounded letters with some bracketed serifs and finish it off with a sprinkle of ornamental appendages. The result is very readable, rather original and quite charming. I have fixed some inconsistencies in serif designs across the weights, cleaned up the serif connections - and added a fourth weight. But I have kept all the wonky curves and slightly differing stroke thicknesses, as they are so integral to the charm. Kevin King says: "I guess all type designers at some point think 'Well, I'll just have a go at a standard text face...' There is a long story here somewhere, suffice it to say that I started with the thinnest version - typical. I wanted to make a standard serif text face - until I saw it in print and thought "Yuk! it looks like everything else!" - still does really but with twiddles and pooneys..." If you find the "twiddles & pooneys" too much you can tone them down with the OpenType Stylistic Alternate feature (which will make sure they don't appear on three consecutive letters) or remove them completely with the OpenType Swash feature. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

EngelNewSans is sans serif family of 12 weights and an upgrade of the typeface Engel also published by Die Gestalten Verlag. The project began with an extension to the original Engel character set and freshening up the typeface to suit the OpenType format. EngelNewSerif came about as a sibling to EngelNewSans as a corresponding serif family also of 12 weights, matching those of EngelNewSans. Both families are designed for a wide usage in running text and headlines. EngelNewSans is an evolved version of the original Engel typeface, which undergone improvements to the individual letterforms and the overall look which resulted in this sans serif type family with a more mature confident character and with softer, rounder and more harmonious shapes. The characteristics between the two could perhaps, very fittingly, be compared to a person showing different sides to their personality at different stages in life. With EngelNewSans portraying the more mature role while the original Engel shows traits of a cool teenager with rough edges, not yet fully developed. To make the light weights function with serifs attached for EngelNewSerif, the same low stroke contrast as seen in EngelNewSans was applied. Further discovery found that the serifs and the stem width had to be optically similar for the light weights not to appear too fragile. In the heavy weights however, the stroke contrast was higher than in the Sans versions, this was done to open up the counters and make room for the serifs to breathe. The intention of the families is to motivate an element of play and give the designer a larger selection to work with.

In May of this year, I went to Japan with my (then 11 year old) son Sam. It was his dream to visit Japan, probably because of my tall tales, stemming from the time I was a tour guide! Sam really wanted to try all kinds of Japanese delicacies and one day, when walking around Tokyo, we came across a little stall selling Taiyaki. Taiyaki are fish-shaped waffle/cakes with a red bean or sweet potato filling. They are really delicious! This nice ‘oriental looking’ font was made with a broken popsicle stick and Chinese ink. You are now wondering why I always use Chinese ink and not Japanese ink. Well, I have a stash of the Chinese stuff and it’ll last me a lifetime!

Stolzl Display is an original font family designed for headlines, titles and subtitles. Based on the combination of contrasting shapes, the harmony of form and rhythm is fundamental to the design. Inspired by Bauhaus, Stolzl represents, not just the significant influence of this “crucible of modernism”, but aims at capturing its original idealism, commitment to creativity and experiment driven philosophy. Details include six weights, Cyrillic, 480 characters, alternative glyphs, manually edited kerning and Opentype features. Named after Gunta Stölzl, the Bauhaus’s only female master, Stolzl Display is the first subfamily of the Stolzl font collection to be released this year.

Sensual Initials JNL is a revamped and cleaned-up version of an old freeware font by Jeff Levine. Redrawn, and now utilizing the typeface French Art Initials JNL

Introducing of our new product the name is Relocation is Rough Brush horror font Bold handmade with ligature and Multilanguage support. Best for halloween poster, horror poster, childrenbook, cartoon, comic etc

The typeface was designed for ParaType (ParaGraph) in 1994 by Oleg Karpinsky basing on his original artwork. A decorative face in Op-Art style. For use in advertising and display typography.

Simple Fact is a family of 4 fonts and 2 sets of drawings. All fonts and drawing was made with the same inky pen, leaving a slightly blurred and rugged look

Quite simply, a classic country sampler alphabet with a sorry-I-couldn't-help-myself name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Textur Gotisch is a real historic blackletter that contains a wide variety of ligatures and offers, with the Lombardic letters, a sacral style. Ideal for documents like certificates for mediaeval games.

An entertaining typography, dense but at the same time very gestural. "Ding" is a sans font that contains different alternatives of letters, a Cyrillic alphabet and Dingbat, special for children's titles.

Designed at ParaType in 1990 by Tagir Safayev. Based on Courier typewriter face of International Business Machines, 1956, by Howard Kettler. The decorative styles were added in 1997 by Alexander Tarbeev.

☞ Bona Nova is a collective revival project of Bona typeface designed in 1971 by the author of polish banknotes Andrzej Heidrich. Besides giving the project a digital font form the aim was to expand the base character set: preparation of small caps, designing the alternative glyphs and multiple opentype features. Working together with the author we designed two new text versions: regular and bold – to give the family a form of a classic script triad. ☞ It is accompanied by three title versions and three contour styles under the name of Bona Sforza. All styles contains over 1200 glyphs. ☞ Bona Nova is an unprecedented typographic adventure for our team. We hope that our work will allow the cultural heritage of Bona and the work of Andrzeja Heidricha to gain new followers and fans. This project connected three generations of graphic designers who graduated the same school – the Academy of Fine Arts in Warsaw. ☞ Bona Nova isn’t only a typeface. We have also prepared a book about the project (including an interview with Andrzej Heidrich, my text about the digitalisation and a font specimen). The Bona Nova release party was a big exhibition (over 1000 guests). I’ve invited 26 graphic designers to prepare their own initials of Bona Nova – they were presented as posters on exhibition too. LINKS Bona Nova WEB Bona Nova FP Bona-Nova-(FREE-FONT) Bona Nova Book BONA NOVA IN THE MEDIA Typeroom Typography Guru Slanted Designalley Stgu Typografie Info Wikipedia Bona Nova is a non-profit project, all founds that we raise we reinvest to develop the Bona Nova project (new styles, Cyrillic & Greek, extend character set).

Bonning is a Roman face full of the spirit of the 1920s. It was inspired by a (real)estate agent's For Sale board seen in an old sepia photograph from that era and combines visual flair and period with good clear legibility. A range of Opentype features including alternate forms, old style numbers and fractions, as well as discretionary and standard ligatures are included. Three weights are offered, including a shadowed black form are offered, all in a choice of three widths. It's the ideal face for signage with a period feel, as well as posters, headings and feature paragraphs.

The Artnoova typeface combines the inimitable mastery of the great styles of the early twentieth century and at the same time looks organic among modern ones. Like the famous Art Deco typeface, Artnoova is designed for a strong yet elegant typography. In addition, a balanced set of capital letters allows you to type large sections of text. All this allows the Artnoova font to be used in almost any area of ​​design, such as corporate identity, typography, posters, web design and other design areas.

Subroyal was inspired by the official logo of the City of Montreal. The idea came to us while reading an article about a revised version of this logo that didn't have any original typography. We realized it was our civic duty to bring the City logo to life, and the result is a fairly romantic font that reminds us of the many parks around the island, its fragile snowflakes, and its electronic music scene. Voilà! Montreal has its first custom-made (non-official) font package.

In an era of typographic neutrality, Pria Ravichandran adds spirit and flavour to the humanist sans, a genre that is known for legibility. Introducing Olivine. Olivine is a versatile type family that performs admirably across sizes. It is designed with maximum care ensuring legibility across various sizes, angles and distances. The sturdy shapes and the exaggerated ink traps fade to produce an even typographic colour and a lively texture in smaller text sizes. In larger display settings, the details become self-conscious and highlight the spectacular quality of the design. Olivine is neither experimental nor minimal, striking a balance between formality and friendliness. Olivine is clean as well as organic at the same time. Consisting of seven weights in roman and italics, the type-family address typographic hierarchy for texts of all kinds and sizes. Distinctive, yet neutral letterforms add personality to the type family. The counter-forms are large and open giving the design plenty of internal space which is balanced against the generous spacing of the characters. These features of Olivine make the reading process enjoyable in digital as well as the print medium. No squinting to read this type-family! If you are looking to add some flavour into your design, try Olivine. It is a trend-setting typeface that we predict is going that extra mile. Try before you buy, Olivine Medium and Medium Italic are available free for unlimited commercial usage.

Although originally conceived as a magazine face – with strong serifs and open character shapes for good legibility in small sizes, and compact letter forms optimized for narrow columns and tight headlines – Marat evolved into a comprehensive family for general use. This specific construction and the round forms of the letters create an elegant, soft and friendly appearance. The typeface suits a wide range of typography, e.g. editorial, brochures, packaging and corporate design. In particular, in bold weights it works surprisingly well, which is not always the case with serif faces. Marat includes oldstyle and lining figures (both proportional and tabular), a wide range of language support and various OpenType features (e.g. ligatures, case-sensitive forms, fractions, superiors and inferiors). It is the perfect companion for Marat Sans, a clean and lively sans serif typeface. Marat has been selected by the Type Directors Club of New York to receive the Certificate of Excellence in Type Design 2008.

Soothing is a signature font created in elegant modern handwriting, with a natural and stylish flow. This font has the perfect shape for your personal branding and business casual designs. This font is perfect for business cards, photography studios, signatures, interior designs, names of models, coffee late, traveling, weddings, cosmetics, jewelry. Start using this font to add an authentic and heartfelt vibe to any design project

Regt this is a military display font family , including three styles: regular, rough, pressed. This font is a wide specialization, it will be an excellent option for creating projects in the military style in both modern and vintage versions. It is great for creating logos, labels, branding projects, magazines, video game, flyers, posters and much more. This font is easy to use has OpenType features.

Challenge is the work of English designer Martin Wait. The brush lettering gives the typeface a unique, spontaneous quality. Capitals should be set closely and lowercase letters overlapped to produce the look of authentic handwriting. Challenge is at the same time informal and authoritative and good for a variety of display applications.

Gold Standard got its start from a few letters found on an old Gold Certificate from 1882. From those few letters spelling out the word GOLD, the rest of the alphabet was designed to match. The lowercase design was based on lettering found on an old silver certificate from approximately the same year.

Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

The name Grape Feud is obviously a wordplay, and is derived of the, sometimes, mistaken of the orange and the (often) purple fruits. But Grape Feud is also a playful and charming no-nonsense comic style font. The x-height is quite unpredictable, and I've added ligature for the most common double letter combinations.

LTC Athena brings a somewhat “lost” hot-metal typeface back from obscurity into digital Opentype format. In fall 2012, printing historian Rich Hopkins contacted P22 type foundry regarding some inked type drawings he had just uncovered from his acquisition of the Baltimore-based “Baltotype” company some 20 years ago. It is a rare face whose original matrices were destroyed and thought fully lost. The drawings included a full upper and lower case set, numerals, basic punctuation, and alternate forms of some letters. The design is a narrow deco-flavored design from the 1950s with a curious avoidance of straight lines in the stems and main strokes. The face has been expanded to over 340 characters by Miranda Roth and includes ligatures as well as a full Pan-European character set. It is released through the Lanston division of P22 in consideration of its earlier incarnation as a metal typeface.

Hand drawn serif typeface designed for one of our books. It has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand. Mrs Ant has an older brother. Mr Anteater was designed for headers for the same book.