"Devil Scream" is a very unique horror font, as it is equipped with ghost decorations and a witch's hat on each letter. This font is very easy to use because the letters and decorations will automatically appear when typing letters. "Devil Scream" is a display font with a horror theme that will add a horror atmosphere to your Halloween party celebration. In addition, this font can also help your work. This font can be used as logos, branding, banners, posters, prints, stickers, horror movie titles, book titles, comics, or others.

Introduce Sigmatone Inspired by old skool graffiti tagging, and street art, we created this Typeface, drawn in Procreate app, then vectorized and crafted carefully. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Conceived on a cold evening to the hot Jazz of the Eri Yamamoto Trio at Arthur’s Tavern in the Village, font Molly Louie is best described by the person for whom it was named. “Very intricate, like a whole little world in each of them” and “The solid is nice too, like little cut up sandwiches.” The detailed and solid versions facilitate a variety of two-color applications. You might not use this decorative display font at smaller sizes, but you are encouraged to let your imagination guide you.

The typeface Rough Stamp Times is designed from 2016–2022 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font based on the original rubber stamps from flea market. The font started from 50+ stamps (analog) and was finally digitalize and extended to 600+ glyphs (digital). 4 font-styles (Rough, Clean, Misprint, Impact) with 601 glyphs incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (9 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Rough Stamp Times ■ Font Styles: 4 (Rough, Clean, Misprint, Impact) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat:.otf (Mac + Win, for Print) + .woff (for Web) ■ Glyph Set: 601 glyphs incl. extras like icons (decorative extras like arrows, dingbats, emojis, symbols) ■ Design Date: 2016–2022 ■ Type Desi­gner: Manuel Viergutz

The typeface Anti Atom is designed from 2021 for the font foundry Typo Graphic Design by Manuel Viergutz as a political statement #antiatom #atomkraftneindanke The display font based on the original Anti Atom Sonne from Anne Lund. Thanks to Stefan Bergmeier for the Input. 4 font-styles (Sun, Cap, Mirror, Outline) with 375 glyphs (Adobe Latin 2) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for or #SMILE for as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! Font Spe­ci­fi­ca­ti­ons ■ Font Name: Anti Atom ■ Font Styles: 4 (Sun, Cap, Mirror, Outline) + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 374 glyphs (Adobe Latin 2) incl. 100+ icons (decorative extras like arrows, dingbats, emojis, symbols) ■ Design Date: 2021 ■ Type Desi­gner: Manuel Viergutz

Patrima is a contemporary typeface with roots in the past. Specifically in the late nineteen hundreds where decorative type applications were en vogue and dimensional aspects and shadings where heavily used. Patrima takes simplified cues from these designs to make the typeface contemporary and versatile. Its base is a squarish Sans which expands through diagonal hatching to a three dimensional body. The hatching is wide enough for screen applications down to 24pt while remaining detailed for decorative purposes in larger sizes. Patrima’s different styles can be layered for chromatic results or used – complementary – alongside. As a decorative typeface it lends itself to display applications and eclectic logo designs, it brings a vintage touch to any branding project and elevates contemporary editorial layouts. Patrima comes with a set of catchwords which enrich its typographic texture even further. They are easily accessible through OpenType’s Discretionary Ligatures feature.

This is a set of decorative numeric characters, which can stand alone with one another to create ordinal displays. Several of the shape sets can be used to create two digit numbers, up to 99. The triangle version can even be used as arrows pointing in specific directions.

Cowboya is a typography with concave Tuscan serif very contrasted and modernist inspiration with letters in small caps, includes 4 versions of the font that can be used by superimposed layers which results in multicolored typographic titles. For the design of this typeface I was inspired by the credit titles used in the black film directed by Frizt Lang in 1950 called "The House of the River", to the drawing of the original forms of the letters i added decorative elements to give the fonts a festive character, traditionally this type of decorative fonts that emerged in Italy in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. I have also rounded the sharper joints of the antlers and counterforms to create a contrast with the sharp Tuscan serifs which brings a modern background of retro inspiration and soft shapes.

HaruNami (“spring wave”) fuses Japanese ornamentation with the Roman alphabet. All the motifs in the typeface are based on traditional Japanese wave ornamentation. HaruNami has a unique stylistic system that ranges from Simple to Ornate. The Simple font is a purely functional sanserif that is ready to use as text type. The three other styles, Decorative, Embellished and Ornate, progressively apply the wave ornamentation to the capital letters. HaruNami Complete ships as a unified OpenType font, and as a set of individual fonts. If you're using an application that supports OpenType features, we recommend using the Unified font. The three decorated styles will be accessible as feature sets. Otherwise, you can install the individual fonts and use them in any application. (It is also all right to install the Unified and individual fonts simultaneously.)

Joyful Turkey - Display Thanksgiving Font is a charming and playful typeface designed to embrace the spirit of Thanksgiving. Its quirky and rounded characters add an element of fun and warmth to your designs, making it the perfect choice for projects that celebrate this special holiday. This font includes seven delightful decorative variations with Thanksgiving-themed elements such as turkey, pumpkin, pie, leaves, and more. Ideal for Thanksgiving-themed designs, including invitation cards, birthday invites with a Thanksgiving theme, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more, Joyful Turkey brings a delightful and heartwarming touch to your creative projects. With its whimsical and cheerful style, this font captures the essence of gratitude and celebration, making it an ideal choice for designs that reflect the Thanksgiving spirit.

Anarckhie is a decorative slab-serifed typeface with a calligraphic origin. The horizontal elements of the upper-case letters are below their midpoint, and the x-height of the lower-case letters is unusually small. There is some variation in the weights of the horizontal, vertical, and diagonal elements. The small x-height makes this typeface appear smaller than its point size would indicate.

Marttabuck Script - The bold and straight-forward look script. This script comes with two types, the regular and special. The special type has its unique tiny slices which gives more personal touch and makes the font looks being customized. This font is suitable to use as a logotype, apparel, wedding invitation, signboard, sport club, motor / car, etc. This font has many opentype features like ligature, stylistic alternate, contextual alternate, swash, etc and support multi language.

Tabor Sinfonia is a blackletter typeface that marries the historic beauty of Gothic script with the rhythm and harmony of music. This decorative font is perfect for logotypes, artistic projects, and designs that require a touch of vintage elegance. The inspiration for Tabor Sinfonia came from a fascinating combination of medieval manuscripts and musical compositions.

Versals is based on Lombardic style letters which are sufficiently broad to allow for decorated piercing and flourishes. They may also form the basis of illuminated capitals. The face is presented as capitals with reduced copies in the lower case locations. It is a full latin set with, uniquely, a set of roman numerals.

Sheet music for a song featured in "East to West", a film starring Mexican bombshell Dolores Del Rio, had the movie's name lettered in a bold sans style with early Art Deco influences. East to West JNL preserves not only the name, but all of the characteristics of this wonderful bit of typographic nostalgia.

The October 5, 1935 issue of “Universal Weekly” (a publication detailing current film releases from Universal) was promoting the film “Remember Last Night”. Hand lettering used for this advertisement was an ultra-bold sans serif design with chamfered corners and some stylized characters. This is now available digitally as Road Work JNL in both regular and oblique versions.

Balaghat is a decorative but natural hand letter script. The distinctive feature of this font is its cursive shape and It’s like written with a brush with smooth strokes. We recommend this font for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

"Goblin Monster" is a font with a monster theme that is perfect for your Halloween celebration. This font is very easy to use and each letter is decorated with bats and spider webs which will add to the beauty of this font. The shape of the letters and the character of the letters is very unique and different. This font can also be used for book covers, movie or book titles, logos, posters, stickers and more.

Deliria is a decorative serif typeface that evokes a trippy feel from its wave-like body. The perfect balance between the flowing motion, and a fixed structure allows it to maintain readability while providing a unique aesthetic to your project. A great candidate for logos, single names, book titles and general decorative display. Combines well with simple sans or sharp serif fonts.

Bazinga is a fun and uncomplicated typeface, thanks to the rectilinear counterforms that accompany it, it is ideal to use in our most cheerful works, where fun, humor or childish naivety, is the essence of what is to be transmitted. It also has a set of decorative initials to personalize our beloved words, and a set of dingbats to decorate our works.

This font family is perfect for those who want to make their designs stand out. It has a modern style with soft but firm characters, making it different than most other fonts you'll see on the market today! This fresh and cheerful theme will work well in any project - whether its posters or social media posts- as long as they have large print formats available (or anything else). With 5 choices of typeface styles, plus some cool free vector bonuses thrown into the mix too; there's no reason why anyone shouldn't give this amazing font bundle a try!

Texarkana JNL is based on classic condensed wood type from the 1800s, and is embellished with stars on the top and bottom for a decorative look.

Amaro Fleurie is the first decorative addition to my Amaro font. Yes the font can be mixed with all Amaro fonts. Enjoy and cheers to you!

Edelgotisch is a bold Jugendstil design that shows its strong blackletter roots. This typeface, along with a set of initial letters, was released by Schelter & Giesecke of Leipzig, Germany about 1898 and is very similar to Eckmann-Schrift released by Rudhard'schen Giesserie (later Klingspor) during the same period. One suspects they may have been in direct competition. The decorative devises of the initial letters for Edelgotisch have a simpler, bolder line than for Eckmann. In the initial letter set, the ligatures aesc (AE) and ethel (OE) were generated by embedding the ‘A’ and ‘O’ respectively inside the upper left corner of the ‘E.’ The accented caps were given similar treatment, with the exception of the cedilla. Regarding the I-diaeresis, we considered rotating the accent ninety degrees to avoid and possible misconstruction. On further reflection however, we realized it was silly and unnecessary. No one would look at the accented letterform and see anything but what it is. We have also included four decorative ornaments and a frame with each font.

Nutcase is a perfect example of a font that principally designed itself. I created a hexagonal template (the most economical form in nature by the way) and took out the center to increase the decorative element. I played around with it, creating some pleasing characters at first but it soon became clear it would translate into a complete alphabet, so I set to work applying the idea to both upper and lower cases. It wasn't all straight forward though, avoiding awkward characters and retaining legibility took a little perseverance but it eventually paid off. I thought of this primarily as a decorative display face but having tested it out, found it reads surprisingly well as body copy too.

The typeface One United Font is designed from 2020 for the font foundry Typo Graphic Design by mäd • madeleine maros × Manuel Viergutz as a political statement #leavenoonebehind The display font is inspired in the past and present. 3 font-styles (Bubble, Bubble Behind, Outline) + 1 icon-style with 390 glyphs (Adobe Latin 1) incl. 100+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (3 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Chalky Letters is a multilayered font collection, created for the chalk-lettering lovers. Letters and ornaments are carefully hand-drawn to resemble the authentic chalk effect. 4 different vintage typographic styles along with a variety of decorations and shadow effects make endless combinations. The collection gives the designer the freedom to use it in any typographic project he can imagine: greeting cards, labels, large scale prints, branding, packaging, signage, editorial design. Typographic styles: Chalky Letters Heading: All caps, old fashioned, serif, with 2 styles of decoration and shadow effects Chalky Letters Label: All caps, heavy, serif, vintage, solid and outline, with 4 styles of decoration and a shadow effect Chalky Letters Script: Simple modern calligraphic with terminal forms and 2 alternate styles of descenders. Combined with a shadow effect. Chalky Letters Note: All caps, simple, thin, old fashioned, with a shadow effect Chalky Letters Extras: 2 styles of ribbons, frames and ornaments. The font collection supports Central, Eastern, Western European, Baltic, Turkish and Greek languages.

The 1930s-era French alphabet collection entitled “La Lettre Dans le Decor & La Publicite Modernes” (which somewhat translates to “The Letter in Modern Decor and Advertising”) has page after page of attractive and unusual type interpretations. One particular Art Deco design puts an entirely different spin on the classic “rounded terminals and geometric design”. Unusual character shapes add a fresh new/old take to the “Streamline Movement”. The aptly-named Deco Francois JNL is available in both regular and oblique versions.

Inspired from Cambodia’s alphabet, Khmer. I tried to explore the visual of the original character in Latin characters. Inspired by 2 gothic fonts, Old London (for the modern/straight feel) and Berliner (for the dynamic between thin and bold line). The letters are made with pencil in a millimeter block book, then scanned into clean vector format. And the result can be use for Display or a Headline with traditional or ethnic theme, including film, game, event, etc.

ABC Dotted Tracing Font is a user-friendly typeface designed specifically to aid in early childhood education and handwriting practice. Featuring clear, dotted outlines of each letter, this font serves as a guide for young learners as they trace and familiarize themselves with the alphabet. The dotted lines help children develop fine motor skills and hand-eye coordination while practicing proper letter formation. This font is often utilized in educational materials, worksheets, and apps aimed at supporting kids in mastering the fundamentals of writing in a fun and engaging way.

Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

Stencil Project JNL combines a number of themes within the many decorative stencil designs re-drawn from vintage sources.

Athletic Dept This typeface is a hand drawn, vintage inspired athletic display font. This typeface was drawn on grid paper, scanned and vectorized in illustrator. The roughness and imperfections vary slight for each letter, giving your project an authentically handcrafted look. This typeface comes with Western European Characters as well as some special Characters. It also includes OTF, TTF & Web Font Files.

Wittingau is the original German expression for “Třeboň”, which is a beautiful town near my studio in South Bohemia. I love it for its calm and inspiring atmosphere and rich cultural past dating from the 12th century. The present typeface family is released as homage to Třeboň in the style of its greatest glory – Gothic Revival with classicistic decorativeness. Wittingau is excellent for music covers, book and catalogue jackets, invitations and posters. Contains many ornaments for creating decorative wallpapers.

It was in the beginning of 2008 when I designed a font named Quijote, its predecessor. In the middle of 2009, I looked at it again and thought it could be a good idea to make an update of it. Variables and Features: Quijote Sauvage Pro is the most complete variable. It includes all the ligatures, alternates and swashes. It has the OpenType function in order to alternate glyphs easily when running applications which support this. The font is also offered separately. Quijote Sauvage Standard has the right glyphs to get an equilibrium between wildness and softness. It includes standard and discretionary ligatures. Quijote Sauvage Stylistic has the sharpest glyphs. Its decorative traces are discreet in order not to have problems as regards legibility. Its upper case are less wild than the other variables. Quijote Sauvage Text is the most discreet of its partners. This one was thought in order to improve legibility. Its ascenders and descenders are shorter, so the words are easier to read in small sizes. Quijote Sauvage Contextual, Swash and Titling, are the ones with wonderful terminals. They decorate words, adding a wonderful look of wildness or passion.

Each character in this font is thoughtfully crafted using delightful musical notes, creating a visually captivating representation of the Christmas season. Functional As far as we know, this font includes basically everything you would want to write sheet music. Holiday Greeting Cards: Create heartwarming and visually appealing Christmas cards that resonate with the holiday spirit, featuring messages that sing with festive joy. Decorations: Craft eye-catching decorations for your home, office, or holiday party that capture the magic of Christmas in a unique and musical way. Gift Wrapping: Design personalized gift tags and wrapping paper that showcase the beauty of music, making your presents even more special. Digital Media: Elevate your online presence with Christmas-themed social media posts, banners, and website elements that spread the holiday spirit to your virtual audience.

Gin is a futuristic decorative font that combines calligraphy, graffiti and typography. This font is inspired by the street art called calligraffiti where it is abstract and elegant. This font is suitable for those who are anti mainstream and out of the zone, this is a new face in the world of fonts, for those who are against this font it will be considered broken but for those who are from the future, this font is an answer to futuristic design needs

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

Like another popular “doodle”, Atlantic Doodles can really liven things up. Give your scrapbooking, invitations, gift tags and other creative endeavors the attention they deserve with this versatile collection of 52 hand-drawn swashes, flourishes, spots, and decorations. Designed to coordinate with your favorite Atlantic Fonts. Atlantic Doodles shown with Catbird, Suntea, Rowboat, Mountain Goat, Merci, Once, Trailmap, Farmstand and Steamboat.

The pattern for this graceful, subtly modulated Art Deco typeface was designed by Willard T. Sniffin for American Type Founders in the 1930s. True to the original design, the Swash Caps version features Sniffin's twelve decorative variants. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.