Ambitious is the perfect choice for adding a cute and energetic twist to your creative projects. With its combination of uppercase and lowercase letterforms, Ambitious offers versatility and allows you to create captivating typography that stands out. Whether you're designing posters, children's books, social media graphics, or any other lively project, this font will infuse your work with a sense of joy and excitement. The font includes a comprehensive range of characters, including numbers and punctuation marks, ensuring flexibility and compatibility across various design applications. It also supports multiple languages, enabling you to communicate your message effectively to a diverse audience. One of the standout features of Ambitious is its PUA Encoding, which grants easy access to all the special characters and glyphs. This means you can effortlessly incorporate unique flourishes and creative elements into your designs. Embrace the playful spirit of Ambitious and let your imagination soar. Whether you're working on personal projects, branding, or any other creative endeavor, this font will bring a cheerful vibe to your audience's experience.

Bloem, two new fonts with oodles of character designed by Carine de Wandeleer. Its slight bounce and intentional irregularity gives your words a wonderful flow. The thick and thin strokes in this typeface combine balance and harmony. This new font family includes a sans regular and a script font. The script has OpenType features such as Stylistics and Contextual alternates, Swashes, Ligatures, up to nine Stylistic sets by letter that allow you to mix and match pairs of letters and  a Central European language support to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. All OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. Bloem Sans is a complementary handmade font, that works in harmony with Bloem script to create accurate typographic designs quickly! Bloem looks lovely on wedding invitations, greeting cards, logos, business-cards, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Westblue is a captivating sans-serif display font. Crafted in bold style and intricate brushwork, this font is a versatile choice for designers seeking a perfect combination of impact and creativity. The characters in Westblue command attention with their substantial size and clean, sans-serif lines. What sets this font apart is the meticulously added brushed details, which bring an organic and handcrafted touch to each letter. These details create a sense of dynamism, making Westblue ideal for projects that demand both modernity and a hint of artistic flair. In addition, enjoy the features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Westblue fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Brecksville is a condensed grotesk typeface that takes inspiration from early German designs of the mid-19th century. It was designed as part of my current research into grotesk typefaces and different letterforms, as part of my dissertation research, “Perfected Letters: German Grotesk in the Nineteenth Century”, which focuses on the role of German design in typography. The Brecksville font family provides a wide range of weights, ranging from light to bold for both its rounded display style and more rugged sharp style. Both its styles feature the same horizontal proportions and metrics so they can freely be combined with no spacing issues. Brecksville's visually punchy condensed style and sharp edges, allows it to stand out on the screen – at almost any size. Its black composition also brings out the details needed in magazine and tabloid headlines, while maintaining readability throughout. The rounded display version is ideal for posters and other uses where you want something eye catching but not too hard on the eyes.

Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the ‘t’ and the ‘f’. The ‘t’ is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The ‘f’ also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive ‘s’, is much narrower than its bottom. The ‘a’, ‘b’, ‘d’, ‘g’, ‘p’, ‘q’, and ‘u’ are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicità as follows: “These idiosyncrasies suggest that Semplicità might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.” Free demo font available. For more information about Simplo, download the PDF Specimen Manual.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic. Featured in: Best Fonts for PowerPoints

Pentay is a Slab Serif typeface family with 10 styles designed especially for editorial design and publications in general. The proportions of the font as well as the metrics and the kerning have been carefully calculated to obtain maximum readability. The fonts also have a complete set of lowercase alternatives and advanced OpenType features. Pentay fonts are also available in Sans Serif versions that complete a typographic system for editorial and corporate design.

Fledermaus (meaning 'Bat' in German) was a cabaret theater from Vienna. The original Jugendstil decor was designed by Josef Hoffman and several posters, advertising performances, were designed by other members of the Vienna Workshop. Fledermaus font was based on a 1907 poster by Bertold Löffler. Since only a few glyphs were available, I designed the missing ones myself. The lower case consists of small caps and the font comes with extensive language support.

Pentay is a Sans Serif typefaces family with 10 styles designed especially for editorial design and publications in general. The proportions of the font as well as the metrics and the kerning have been carefully calculated to obtain maximum readability. The fonts also have a complete set of lowercase alternatives and advanced OpenType features. Pentay fonts are also available in Slab Serif versions that complete a typographic system for editorial and corporate design.

A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.

Milano is definitely in the upper echelon of display typography with its superb, engraved chromium style, italic lowercase and extravagant initials. The lowercase is designed to be closely set. From the talented hand of British designer David Quay.

Hello Sunrise Script is a modern signature font. It's perfect for every signature, business card design, branding project, product packaging, quotes, logos, book covers, and many other great projects. With a combination of elegant and casual styles, this font contains the complete set of lower and uppercase letters. Features: Alternative styles and ligature A-Z Character Set Numbers and Punctuation (OpenType Standard) · Accent (Multilingual Character). With an elegant and casual design, I hope this font can meet your design needs.

Letraflex is a bold retro-inspired typeface with a slightly futuristic style. The family is based on old computer lettering and Magnetic Ink Character Recognition, with a little contemporary twist including ink traps. Letraflex layered fonts provide users with a wide range of choices for any design project. This family is an excellent pick for eye-catching designs, including Headline, Poster, Branding, Logos, Concert, and any other heavy design! Take a look at this video to see Letraflex in motion!

Christmas Elegant is a modern and classic serif typeface with a unique style and modern look. this font is suitable for many projects, for modern or even retro vintage design, branding, crafting, sticker, sublimation, wedding invitation, fashion, advertising, vintage mood boards, logotype, packaging, titles, editorial design, and many more. Fall in love with its incredibly stylish and glam vibe and use it to create spectacular designs! This font is PUA encoded which means you can access all of the glyphs.

Hello Everyone, introduce our new product Donut Know is a Unique Display Font.This Playful Kids with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, Kids,book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs. That is Donut Know has charming, authentic and relaxed characteristic more natural look to your text.

Hello Everyone, introduce our new product Kiddiess is a Funny Brush Font Playful Kids with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, Kids,book cover, craft or any design purposes. This font is PUA encoded which means you can access all of the magical glyphs. It also features a wealth of special features including Ligatures glyphs and Alternate glyphs.

Presenting the Handwritten Font- Baby Nasha is a cute font, can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, multilingual support. This font can be used Such as logo branding, editorial design, stationery design, blog design, T-shirt design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. What is included : lowercase letters uppercase letters punctuation numbers multilingual

Behrens Initialen is based on the type graphics of the German architect and type designer Peter Behrens (1868-1940). The drawing of the original typeface is in tune with the Art Nouveau (Jugendstil) style in which Behrens worked. This is a light, delicate, somewhat theatrical typeface, the forms of which bear at the same time a certain shade of Gothic and modernity, and can be used, in particular, when there is a need to make a reference to medieval graphics while maintaining the modern style of composition. In the proposed version, the original initial graphics are used not only for uppercase letters, but also for Arabic figures, while for lowercase letters and for the base of other characters are used the letters themselves - without decorative framing. This feature can be useful for obtaining various effects when using both lower and upper cases in parallel, including when they are overlaid. The font includes the Latin, Cyrillic and Armenian ranges. Created by Ruben Tarumian in 2020.

Caribe is an expressive typefamily like the blue sky and bright Caribbean sun, designed by CFCG @andinistas. We love to design experimental fonts with a large amount of ligatures and swashes, drawn with special respect and study for what is handmade by ancient artisans. In this context, Caribe is an impressive typefamily of 5 fonts to create logos, posters, book covers, menus, labels, packaging, etc. The 5 Caribbean fonts add up to more than 1500 glyphs that serve to be mixed or independent, functioning as a springboard to encourage your creativity in the design of words, phrases or remarkable headlines of the elements that appear around them. Caribe Script has lowercase letters such as "b d f g h i j k l p q y z" with extremely short ascending and descending strokes achieving generous height x in: "a c e m n o r s u v w x". Caribe Script Produces visual attraction in words and phrases that need lowercase letters with sparing horizontal space width and bold stroke thickness, producing exceptional legibility in headlines or advertising texts. Caribe Script & Caps are based on ancient and multiple letterings from the 40s and 50s that were useful inspiration tools to produce visual pleasure. Caribe Words has more than 60 script words drawn diagonally generating greater intensity within a sentence. Caribe Shields & Digits has more than 50 designs each and they have containers and numbers designed to accompany words, phrases or drawings that serve to harmonize different writings. ENJOY more than 1500 glyphs: + Caribe Script: 743 glyphs + Caribe Caps: 507 glyphs + Caribe Words: 71 glyphs + Caribe Shields: 230 glyphs + Caribe Digits: 40 glyphs

Introducing Raqib, a distinctive and eye-catching font that gives any project a robotic, sci-fi edge. Raqib is ideal for creating futuristic and intriguing designs due to its bold font shape and distinctive robot style. Raqib is the ideal option if you’re working on a project with a sci-fi theme or want to incorporate robotics into your branding. Because of its bold design, it’s perfect for headlines, posters, and social media graphics, and its distinctive font shapes give your text a standout, memorable appearance. For those looking to stand out in the modern era and add a touch of innovation and futurism to their designs, the Raqib font is ideal. This font is a must-have for anyone looking to create designs that really stand out. Don’t miss this limited-time offer, get the unique and versatile Raqib font today and start creating designs that will be remembered. With Raqib, you can create stylish and professional designs, with a futuristic robotic look that’s sure to stand out. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Piskote, is an eye-catching display font that brings a touch of elegance to any of your projects. With a theme that is relaxed but still exudes elegance, Piskote is the perfect solution for creating designs that catch attention and give off a signature charm. Piskote’s excellent features will make your designs even more special. With the available ligatures and alternates, you can combine beautiful characters and bring interesting variations to your typography designs. Piskote also supports multilingualism, allowing you to reach a global audience and adapt this font to different languages. That way, you can adapt your design to the needs and preferences of your target market. With a relaxed yet elegant style, Piskote adds a special touch to each of your projects. Let this font be your creative partner in creating stunning and stunning designs. Get Piskote now and experience the beauty and charm it has to offer. Make each of your designs different and special with these display fonts. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Tropic Waters is a serif font with chic ligatures. Tropic Waters makes it easy to create stunning logos, advertisements, headlines, social media quotes, branding and more! This font has been carefully created to bring together timeless letterforms with modern ligatures. To take full advantage of this font, you will need to use a design program that supports opentype features - such as photoshop and illustrator. With opentype features enabled, the font will change and interlock as you type. You can easily access the diamond letters by typing in lowercase (a, e, i, o, u). Even without using the interlocking pairs, this font is a clean, chic serif that will bring a lot of interest to your designs!

Camila is a delicate and smooth Didone typeface designed by Paula Nazal. The family is inspired by concepts such as elegance, simplicity, femininity, and primarily based on Coco Chanel. A remarkable feature of this font is that it lacks teardrop terminals, characteristic of Didone typefaces. This font of thin serifs and soft finishes also includes italics, strengthening the concept of its design. A great variety of shapes makes Camila an ideal font for both display and small sizes. Camila is the perfect choice for branding and publishing projects.. This font family comes in 7 weights, ranging from Thin to Black, each with matching italics and includes a set of 426 characters that support 206 different languages.

Skaremoosh is display typeface that is wild and weird. It plays by its own rules, and so will you when you use this font. Included in Skaremoosh are standard ligatures, currencies, ampersands and footnotes consistent with the design. Skaremoosh is complete with alternates for each letter, and alternate ligatures for variation and stylistic choices. Skaremoosh is well suited for an informal look and feel for apps, games, fashion, posters, menus, graphic novels, and anything eye catching. This font was created after months of working on some very rule driven font projects. The need to just let loose was intoxicating - and the exact opposite of what I was doing. I really hope this font inspires some spirited designs!

Right Beginning is adorable and cute fonts, there are various variations in each upper and lowercase letter, making this font suitable for you to place and use in any of your projects or in any media you want, this font is surnamed script with cute and beautiful nuances. It also has a charming modern character, perfect for Halloween and Cristmast nuances. This charming font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. do not hesitate anymore start using this font. and Feel free to send any message you want to convey.

Barberry is a hand-made brush script typeface equipped with some decorative OTF features, made by Zakhar Yaschin (FontaZY). Barberry font contains stylistic alternates, initial and final alternates (which is duplicated by contextual alternates in the case when ini & fina are not supported), ligatures, titling alternates, small caps and large collection of swashes (additional variants - in Stylistic Set). The Barberry font is essential for hand-made lettering and design. The Barberry family also includes Barberry Vigniette font with over 200 icons and vigniettes in it. Barberry Letters supports most of Western languages (including Central Europian, Baltic and Eastern European languages) and also Cyrillic. Each lowercase letter has three positional versions of the design – basic (if the letter is in the middle of a word), initial (if the word starts with it) and the final (in the end of the word) that makes the set look more alive and expressive. Working with Barberry Letters you can enable and disable if needed such typographic tools as swashes, ligatures, small caps, titling alternates, stylistic alternates, additional swashes and the already mentioned initial and final alternates. If your design software does not support the use of the initial and final alternatives, they can be duplicated by contextual substitutions. There are more than 20 Latin and Cyrillic ligatures in the Barberry Letters. It works by default as the standard ligatures, but you can switch it off for design reasons or to select the more appropriate typographic solution in any particular case. Ornamental font Barberry Vigniette has more than 200 pictograms and vignettes that can decorate your typographic layout. All icons are drawn with a brush in the same style as the Barberry Letters. You can use them inside the text lines, or make the ornamental decoration for text, or use separately, without any letters. OpenType extensions of the Barberry Letters significantly expand the choice of typographical tools to design a better, more expressive layout. Choosing the optimal variant of certain letters in each case, you can receive a unique composition. Whether it is lettering for packaging or magazine headline, logotype or the name in the invitation – just one Barberry font-family gives you the very wide typographic possibilities.

by MaGo in Fonts Display Niceto Typeface is a sans serif display font family designed for logotype design. Using its different variations (included in 4 fonts) you may archieve unique headlines and phrases to emphasise your brand. It's cool and clean yet warm, and it may communicate many personalities, according to its different uses. This font family includes: Niceto Regular (286 glyphs) Niceto Smallcaps (381 glyphs, including alternates!) Niceto Shadow (286 glyphs) Niceto Shadowline (286 glyphs) This font is PUA encoded, so you may access ALL characters included, to be used on your design software. Please search for "PUA encoded fonts" if you are not sure how to access them! Under Type1 encoding, supports 64 languages. With all its possibilities, Niceto may be as flexible as your needs require, giving you all the freedom to design!

Berliana Monoline is typeface was inspired by handwriting using markers. While the name is a word other than Diamonds, namely jewelry worn by many women in the world. Diamond jewelry is so expensive and full of luxury. As regards with diamonds, this font was created to present the luxury of very beautiful diamonds. This font is suitable for wedding invitations, design, logo or branding, or as the font for the typography. Many features in this font such as ligatures, stylistic alternate, fina, swashes, etc with a total more than 370++ Glyphs.

Diorite is modern face built on classical letterforms -- but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard igneous rock of the same name, treasured by the ancient Egyptians for statuary.) The typeface has a relatively chunky, four-style family; the italics are true cancellaresca corsiva, also writ heavy. "The cancellaresca is of course a Gothic design," notes the designer. "Just use a broader pen, and you'll see!" Has four styles: regular, bold, cursive, and cursive bold.

A gentle breeze caressed his face as his body took on the easy posture of a dancer on break. Flickering sparklets of light sprinkled the glass-smooth surface of the aqua liquid on which he floated. His mind wandered; he was only days away from his scheduled departure date. This day was no different from a hundred other days he had spent melded to his windsurfer, skittering along the breadth of the modest lake, soaking up the sun's rays and forgetting about the entire rest of the world. Lake Quannapowitt, and the town of Wakefield, Massachusetts, were familiar to Steve, a long-time resident of the picturesque New England town. This is where he grew up; this is where he married and lived for many years; and this is the place he was preparing to leave, not one week hence. Not generally prone to nostalgia, it was in just such a state he nonetheless found himself once Zephyrus retreated, as was his custom, periodically, while patrolling the resplendent lake. Steve was going to miss the lake, and he was going to miss the town. How many hours of how many days had he spent exactly like this, standing on his motionless board, waiting for his sail to fill, and staring at the lake's shores, its tiny beach, the town Common with its carefully maintained greenery, and equally well-tended gazebo, the Center church - its spire shadow piercing the water's edge, like a scissor-cut the better to begin a full-fabric tear? Yes, he was going to miss this place - this town which all of a sudden had become a place out of time, just as he was about to become a person out of place. Once this idea struck him, he couldn't shake it. He was transported back in time four score years, now watching his ancestors walk along the shore. Nothing in view belied this belief - not the church's century old architecture, not the gazebo frozen in time, nor the timeless sands of the beach, nor the unchanging Common. Everything belonged exactly where it was, and where it always would be. This, he decided, was how he would remember his hometown. And this is when it occurred to Steve to design a typeface that would evoke these images and musings - a typeface with an old-fashioned look, reflected in high crossbars, an x-height small in size relative to its uppercase, and an intangible quality reminiscent of small-town quaintness. Wakefield, the typeface, was born on Lake Quannapowitt in the town for which it was named, shortly before Steve moved away. It is at once a tribute to his birthplace and a keepsake.

Prospera was designed without reference to existing roman faces. In its initial form, development was partially supported by a grant from the National Endowment for the Arts (Design Project Grant), as a design for use on 'low-res' digital output devices. Early releases had simplified detail in cross-bars and serifs, and hand-tuned bitmaps. As an original design, Prospera draws on principles of letterform developed during my studies of lettercarving (in Wales with Ieuan Rees) and Roman proportion. The design is idiosyncratic, perhaps more akin to Gill's Perpetua than to the monotonous corporate flavors so prevalent today.

A graceful kid if ever you’ve seen one, Cabrito Didone joins the Cabrito family of fonts--a family designed to provide young infants with clear recognition of letter forms. The original letters were released as part of the children’s book about fonts, The Clothes Letters Wear. Now, this latest addition brings a new Didone flavor to the table. But don’t judge the book by its cover. While Didones can be stodgy in the way they deliver a sense of luxury, this stubborn goat of a Didone bucks the stodgy stereotypes with its high-contrast, carefree, flowing fun, taking a more calligraphic direction than most. Cabrito Didone joins structure and handwriting to create a flowing balance of both characteristics. It’s a unique combination of functional and friendly. Its 42 well-designed fonts give you plenty of easy-going, highly readable options to work with as you craft your design. The typeface has unique serifs that give the sense of ink pooling slightly at the points, drawn with a sharp nib. Cabrito Didone supports OpenType features and is packaged with upright obliques, alternates, ligatures, old-fashioned figures, and compact caps. Preview any and all of these features in the interactive PDF manual. The family member font also includes glyphs for 72 languages; over 600 glyphs per font await. Cabrito Didone is an excellent choice for websites as well as flyers and packaging. Like Cabrito, which is currently used by a number of visible brands, Cabrito Didone is also a great option for defining your brand. Grab a taste of the Cabrito Didone flavor--and those of the other Cabrito members: Sans, Semi and Inverto.

Show creativity and urban spirit with the Brong Geduny font, a display-themed masterpiece that presents a bubble graffiti style that is strong, bold, and fun. With uniqueness in every line, this font creates an unforgettable look for your design projects. Brong Geduny offers two complementary styles: regular for a bold look and outline for a lighter but still expressive touch. Its bubble graffiti style provides a touch that is so bold and vibrant, giving unmatched character to every word you write. This font not only provides a unique look but is also very functional. With multilingual support, Brong Geduny allows you to easily express your ideas and messages in multiple languages. Conquer your creativity with Brong Geduny, a font that will not only be the right choice for your design projects but will also be the talk of the online world. Immediately choose the appropriate style and create an extraordinary design with a truly urban touch!

World Madly - Display Font is a delightful and quirky typeface designed with an environmental theme in mind. This font exudes a sense of fun and playfulness with its rounded and condensed letterforms, making it a perfect choice for projects related to nature and the Earth. Featuring a remarkable array of ten alternative font versions, each inspired by elements of the Earth and plant life such as tree trunks, leaves, globes, roots, and trees, World Madly is purposefully created for Earth Day-themed designs. It seamlessly integrates into projects with themes centered around nature, green initiatives, and the Earth. This font is an ideal choice for creating designs like Earth Day-themed invitations, birthday invites, party decorations, logos, stickers, clothing, packaging, children's books, magazines, and more. With its crafty and playful style, World Madly lets you express your love for the planet and the environment in your creative projects, adding a touch of eco-consciousness.

Amarone is a spiky calligraphic display typeface with some old fashioned flavour. It was designed by Carl Crossgrove, and includes an extensive set of swash caps which allow for extra drama where needed. Crossgrove wrote each of Amarone's letters by hand using pen and rough paper, and has retained some of this visual texture in the final digital design. The typeface works well at small sizes, but when used at larger sizes this texture comes to the fore. Amarone's elegant, formal character can be modified with its swash caps, which allow the typeface to move from prim and ordered to wildly expressive. Amarone lends itself well to packaging, posters and editorial usage – or in any environment where designers need to evoke times gone by. The Amarone font features an extensive character set with support for over 130 languages, and a range of OpenType typographic features including ligatures, initial and terminal forms, figures, fractions and swashes.

When master letterer Hugh Gordon and his student, Ross F. George developed a set of lettering pens between June 16, 1913 and Sept. 1, 1914, they had no idea that their invention (which they named Speed-Ball®) would still be in use nearly a hundred years later. The C. Howard Hunt pen company [originally of Camden, New Jersey] became the original (and sole) distributor of these pens. By 1915 an instructional booklet entitled "Modern Pen Lettering" was produced, and it was copiously illustrated with examples of layouts, lettering techniques and an assortment of alphabets for the user to learn. Nouveau Poster JNL is Jeff Levine's interpretation of a sanserif design found within the pages of this vintage publication.