Beauty Kindness is a beautiful display typeface that’s perfect for creating gorgeous headlines and designs with personality. This font makes an excellent typeface for vintage graphics, and the clean lines, elegant look to logos, wedding invitations, editorials, and more. The beautiful and romantic aesthetic of the font will elevate a wide range of design projects to the highest level.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

Nice One is the font with a modern, clean and semi formal looks. We have three styles on Nice One; light, regular and bold. The characteristic of the font is tall, neat and thin almost like a serif font. Try this font on your book, magazine, or poster and believe me your work will be the nice one! :)

This font was created from scratch in a simple, strong, and unique style. No other fonts were used as references. Its name was inspired by the shape of the first letter, A, that flashed into being. Sails next is perfect as a display font for posters, flyers, and magazine headings. The font family consists of the regular font only.

Introducing NewModern: Sawdust's inaugural typeface release, now making a comeback from our exclusive archives through the esteemed MyFonts foundry. Originally crafted for the renowned 'HypeForType' type foundry, this font represents a seamless blend of tradition and innovation. With a fresh perspective on the classic Didone genre, often referred to as 'Modern,' NewModern encapsulates the essence of contemporary design.

The devil does indeed find work for idle hands. This was designed by Dan X. Solo about with no excuse whatsoever. The name comes from the fact that a circus that we regularly did work for used it in one of their programs, the only time it was ever used as far as we can recall.

Brumers is a fun sans serif font. Inspired by the curves of a bear. The basic concept is actually hand-drawn. Then, I developed and improved it in the next process. It comes in six styles, which makes it easy to choose according to the project you are working on. Brumers is perfect for headlines, branding, and many more.

Epiphany is an elegant serif with wide proportions and an unusual stencil effect. This communicates honesty with an understated refinement. Suitable for headlines and shorter paragraphs of text. The design uses several repeated forms that give it a forward-moving rhythm, for example the small ‘flicks’ on the lower-case letters and the tails on g and y.

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

This typeface family includes Spanish Roman letters and “Griffo” style italics, both hand-drawn by Francisco Lucas in Madrid, 1577. The letters, sometimes slightly mismatched in size or off the baseline, capture the look and feel of sixteenth-century printing. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.

If you grew up in the north, you may have stomped out letters in the fresh snow during the winter. Memories of such winter fun helped inspire this typeface. If one can do the typeface with shoes or boots, one can also do it with bare feet and hands. Non-human variants are possible, such as bird tracks.

BluHead Studio LLC is pleased to announce the release of 7 fonts from the Churchward Freedom family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward's extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis.

This is an experimental type, something of retro-futurism and modern robotics in one package, with letters of unexpected proportions and forms. It was inspired by the glorious imagination of the past, but it holds in itself themes that are bound with the future. The DBL Cheque family consists of incredible 22 styles, filling every need for demanding designers.

Insomniac is a tall, narrow, handwritten typeface. A little rough, a little shaky, a little uneven. The idea for this font came to me in the middle of the night - hence the name. Insomnia is an all caps font, but upper and lower case differ and glyphs can be freely interchanged. Comes with a diacritics dream team.

A quirky and unusual Art Deco monoline typeface can be found within the pages of the Esterbrook Drawlet Pen instruction book [circa the 1940s]. Drawlet was the direct competitor to Speedball Lettering pen nibs. This unusual type design of varying width and character shapes is now available digitally as Oddly Deco JNL, in both regular and oblique versions.

Mic32 New is a revival of the of the original Mic32 released in 2004. Keeping its futuristic appeal, this popular font has been re-drawn from the ground up, with new spacing and kerning. A range of Opentype features have been added, and the new version includes small caps, tabular, proportional and old style numerals and ligatures.

Based on electrical circuitry, David Philpott's Circles typefaces are oddly legible, even though one might think they were destined for display usage only. The circle is the base form, repeated throughout the design. Originally drafted during his time at the Massey University School of Design, subsequent refinements have turned Circles into two complete fonts with a full character set.

In one of our yearly type hunts, we came across the ancestor of this font, much wider and more decorative, with fine outside shading. Condition was poor so we did the obvious, cutting out the excess decoration and condensing the face optically. It reeks of dancing girls and drunken sailors and other colorful attributes of Old San Francisco.

Star Cursive is a connected letter script which is full of stars! Float with the stars, drifting through the galaxy! Use this star font whenever sparkle, glamour or a touch of the stars is needed. Star Cursive is extended, containing the full West European diacritics and a full set of ligatures, making it suitable for multilingual environments and publications.

Claude Sans is the work of British designer Alan Meeks. The conservative roman weight is complemented by a more extravagant italic. The proportions are based on those of the original Garamond typeface of Claude Garamond, from whom this type gets its name. Claude Sans can be used alone or combined with Claude Sans italic and bold weights.

A June 18, 1929 issue of the Hollywood trade paper “The Film Daily” ran an ad for a film called “The Power House”. The film’s title was hand lettered in an extra bold sans serif design with strong Art Deco influences. This is now available digitally as Deco Power JNL in both regular and oblique versions.

In the 1930s the WPA (Works Progress Administration) sponsored a Federal art project. Many posters were produced that featured government-sponsored cultural events, health and safety tips and various other topics. One such poster from Pennsylvania has the words “Work with Care” in a hand-lettered inline sans design. This became the basis for Asbury Park JNL.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Zapf Dingbats originally had been a selection of 360 symbols, ornaments and typographic elements from over 1200 designs. (For the first time a lady's hand is shown for the index symbol, the fist). The exisiting Zapf Dingbats offers a small selection out of this great offer. Therefore Hermann Zapf created new symbols for the set of the Zapf Dingbats, which are available today from Linotype as "Zapf Essentials?" 6 fonts with new and fresh symbols like fax, cell phone and internet symbols.

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Brick Lane is an picture font consisting of 52 detailed, hand drawn illustrations of people seen on Brick Lane, a street in the heart of the Bangladeshi community in the East End of London. It has over the last few years become the home of parts of the creative industries in London, mainly media, fashion and graphics. All illustrations are based on photographs taken on location over a period of time. The photographs are then hand traced to create high quality, detailed silhouettes.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Let’s not be frightened of the asymmetrical Kayino font. The character of this Groovy Retro font is intriguing and enjoyable. If your project calls for enjoyment, proceed with care. The foundation of Kayino was classical but modern music. A psychedelic-inspired look called Kayino was created using vintage objects and brash pop art typography from the 1960s. The fun and captivating character of the Groovy Retro font makes it the ideal option for designs like posters, banners, music, branding, logos, and more.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

The Tecn@ Dark&Light Triangle Background Nomenclature Font family is differentiated by the direction of the triangle tip in the 4 cardinal points. The family were designed to head, enumerate, indicate or highlight writings or design plans, for this reason, the characters are available only in capital letters and some signs or symbols that can serve such purposes. A triangle or empty character is included so that the user can use it overlaying any character of his choice or to be used alone.

Toward the end of the 1920s, Art Deco influences were starting to creep into modern design. The hand lettered title on the cover of the1928 sheet music for “Fascinatin’ Vamp” not only embraced the new Deco movement, but sent it on a wild typographic ride. Letters of mixed thicknesses and stylings made up the two word title, and this unusual group of letter shapes became the inspiration for Free Form Deco JNL, which is available in both regular and oblique versions.

Red Top is the UK name for the tabloid press, the scandal sheets of journalism, scourge of royalty, errant politicians and public figures, and celebrants of sex, celebrity and astrology: all human life is there as they used to say in the now defunct News of the World. For the budding media moguls amongst you – or for designers who want to make their headlines shout a little louder – here at last is Red Top the font. Splash it all over!

Rebeck Black is a typeface that evokes the best of two worlds, the classic and refined lines, the high contrast and forceful movements of the 18th century together with fresh strokes and risky characters that combine perfectly to place this typeface in the modern and avant-garde times of the 21st century. Created to be different, generate power and visual impact, it is ideal for use in identities, headers and all types of graphic pieces that seek to enhance the message.

Comicraft first created this font, based on the unique European lettering style of Ladronn, for the Marvel X-book CABLE in 1998. It was later upgraded for THE INHUMANS mini-series, and modified again for the HIP FLASK mini-series in 2002. In 2018, we Remastered it for the new LOST IN SPACE series from Legendary, with improved spacing and kerning, an additional Bold weight, and our patented Crossbar I Technology to automatically place the crossbar I in the right spots.