Introducing our new exploration of a brush font, Hughoney . This freestyle script font is created by creative randomization the letter shapes. Gives minimalist, sweet, elegant and solid looks to your creative projects. This font has a lot of feature that you can apply as you need. The features in this font have a consistent adjustment with the basic letters. This sweet brush font is suitable for your poster, quotes, t-shirt design, menu, product design, invitation, etc. Very recommended for Headline or your display. We hope you are interested.

Lerum this is elegant stencil font. Classic serif, bold weight, stencil style, it all carries this font and with it in highlight the main thing, make a title or logo and much more. It can also be more expressive and playful, thanks to the many alternates that are harmoniously combined in this font and make it more attractive and expressive. Try to change the alternatives, ligatures and you will get a lot of options for your project that will make it unique. This font is easy to use and has OpenType features.

“Mayari" is an elegant and expressive display typeface that is inspired by the characteristic and vibes of female warrior in Filipino Mythology named: Mayari. Mayari is the “goddess of moon”. This typeface holds the perfect balance of expressiveness as a display whilst also holds well of being a body type. This typeface is best used when you want to express elegance, class and sophistication in your designs. *This font includes letters, numbers, multi-language, and all essential marks needed. * Two(2) weights are currently available for this typeface: Regular and Italic

Cursed Stone is a spine-chilling display font that will transport your designs to a realm of dark enchantment. Designed in large letters and with a bold weight, this typeface demands attention and exudes an aura of haunting mystery. Each letter is meticulously crafted with eerie stone texture details, adding an ominous and cursed touch to the font. The large size of the letters enhances the font's imposing presence, making it impossible to ignore. The stone texture details in each letter of this font bring an authentic and sinister feel, as if the font was chiseled from the depths of an ancient cursed monument. These haunting details add an element of mystique and darkness, immersing the viewer into a world of malevolent enchantment. The combination of bold weight and stone texture gives Cursed Stone a rugged and formidable look, evoking images of cursed relics and forbidden ruins. The letters appear to hold secrets from the past, carrying a haunting energy that captures the imagination. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Cursed Stone fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any horror-themed project. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sprig is a dynamic font that combines in-your-face chutzpah with contemporary brushstrokes. The character shapes are contained, yet give a feeling of casual, off the cuff ease. In some, subtle ways it pays its respects to the sign painters of the 30s and 40s The font comes in three styles: - Display, with extravagant upper case characters and some opentype features - Text, with more contained upper case characters (suitable for "all caps" use) and some opentype features - Professional, where OpenType features include alternative upper case characters (both the TEXT the DISPLAY caps), as well as a number of ligatures. (For use in applications that access OpenType features.) What this means is that Sprig Pro combines all the characters of Sprig Text and Sprig Display in one font and it also has additional ligatures. Sprig Pro contains over 283 characters, while all styles of Sprig contain a full upper and lower case character set, punctuation, numerals, symbols and accented characters for both all characters that they contain. It has all the accented characters used in the major European languages. The Sprig User Guide provides you with more information on how to use Sprig Pro.

We’re really excited to unveil our all-new line of ‘HAND SHOP FONTS’. As the name suggests, these are fonts that have a hand-made or hand-typography feel reminiscent of shop signboards from the past with an attentive focus by the shop owners, always looking to discover exciting and unique ways to promote their products or services. While for decades typography has strived hard for perfection, one of the routes taken by the typography world as a whole has been to eliminate any form of ‘human imperfection’ in the typesets, but what about the times when you DO want to send across emotions of a personal human touch through your fonts? We did a step back...these fonts will give your shop-signs a personal touch, telling your buyers that they will get personalized attention, be it through an online or an offline business…We hope you love them as much as we do. The “Hand Shop EXTENDED Pack” containing a total of 14 fonts from the “Hand Shop Banners & Elements Pack” (3 fonts) , the “Hand Shop Typography Pack 01” (8 fonts) and the “Hand Shop Typography Pack 02” (3 fonts)

Mynaruse Royale is an expansion of Mynaruse Titling. It features script capitals and widely tracked and smaller titling capitals. Mynaruse Royale has plenty of character and, with its powerful and sharp serifs it draws in the eye. Mynaruse Royale is useful in settings that call for titling with an extra touch of elegance, such as a storefront, wedding program or formal invitation. Mynaruse Royale contains a number of OpenType alternates, including alternate forms for the capitals that are large, drop cap like capitals instead of the calligraphic script capitals found in the default forms. Additionally, there are non-widely tracked lowercase forms that work well with the included alternate characters and ligatures. The lowercase forms are 80% smaller in height than the Mynaruse lowercase forms, so the families are not interchangeable, but they can be used together. The calligraphic script capitals could also be used separately as drop capitals. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.

BAR SADY is a revival of a typeface based on famous lettering from "BAR SADY". The project was implemented as part of the Warsaw Participatory Budget 2023. Mateusz Machalski & Małgorzata Bartosik were responsible for the new digital version of the typeface. In the first phase, the original lettering was lifted, then extended to a full set of characters (A-Z). Finally, the bold style was created. The whole family is available under a free license.

Woodstock is a round, heavy, lovable serif display typeface. Just as music brought many together in the spirit of love during the 1960s and the Woodstock music festival, this face brings a smile to the eye of the beholder. Many traces of the hand can be seen in the curves and the joins of Woodstock's forms. Try using Woodstock in headlines, logos, or greeting cards, in point sizes from 12 on upward.

The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

Here's a lively new take on the swirly psychedelic type we all know and love, Spirit of '69 brings in some subtle dimensions of waviness to the vertical strokes, upslanted horizontal strokes, and alluring paisley shapes formed out of the negative spaces. This is a unicase font, in the grand tradition of the Art Nouveau lettering of the early 20th century, and the melty groovy fonts of the 1960s. Lots of fun and beautiful too!

I wanted to combine a classical antiqua with corners and edges. I was convinced this combination would create a new, a fresh design of types. At the beginning I used the forms from "Goudy Old Style", later I modified the sizes, the widths of the letters, the x-height and their forms in general. At the moment the Easton Family consists of 3 styles called Easton Serif, Easton Semiserif and Easton Sans.

Hi, Everyone! Want to make your branding bold with graffiti font? Then we’ve got the font for you! Introducing Streetbomber- A Grafiti Font Streetbomber is an urban font that echoes the classic tag lettering style. Use this cool and artistic graffiti font to breathe a street life vibe into your projects. This font is perfect for logos, printed quotes, cards, packaging, website or social media branding, and many more! Streetbomber includes multilingual options to make your branding reach a global audience. Includes: Streetbomber (OTF) Features: Alternates Standart Ligatures Stylistic Set Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Hello World, Introducing, Reghitta! is a stylish script font with 89 stylish ligatures that exudes elegance and charm. Its versatility makes it an excellent choice for various design purposes, including weddings, branding, social media post, quotes, prints, and more. No matter the project, Reghitta will elevate your designs to the next level, leaving a lasting impression on anyone who lays eyes on them. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates Ligatures Swash Slant Version Thank you a million times for buying and using this font for your projects. Enjoy this font and happy creating! Jinan Studio

Retro Drink Groovy Typeface by holyline. Retro Drink is inspire by 80s character and come with modern, groovy, playful and bold characters. This font comes in 4 style. Which consists of Regular, Outline, ShadowUp and ShadowDown. This font very easy to use and combine them with a trending design style. Retro Drink perfect for headline, sub headline, custom logo, packaging, quote, label , merchandise and all design you need for make the vibe more retro and anything for your creativity. And Retro Drink s perfect font if you want something new with your project, you can play the 4 font style and mix with your design, its very satisfy. Happy creating!

Sally Garden - A Sweet Handwriting Font Duo. It comes with an elegant and modern style which is perfect to make any design stand out! This font ideal for elegant branding projects, greeting cards, packaging, social media, logo design and of course, wedding invitations. Sally Garden Type Features: Uppercase -Lowercase Numerals & Punctuations PUA Encoded Ligatures Suitable for Headlines, Logotypes, Signs, Posters, Letterhead, T-Shirt and many more. Support International Language Be sure to check out all the previews above by clicking on them and scrolling down to see all the fonts and ideas and inspiration for using this font duo. Hope you enjoy with our Font Thank You Graphicfresh

Rama Slab is an antique slab serif designed inspired by 1800s-style wood type. All glyphs have been designed carefully to be retro-looking to fill the viewer with nostalgia. This condensed font family with 18 styles is a great solution for posters, titles and anywhere you need impact. To complete your work perfectly, Gothic Extras family is ready for free. They include borders, ornaments and frames designed using vintage catalog of Hamilton in 1800s as a model. Incidentally, -r- has its alternative glyph that can be used with OpenType salt feature. Be sure to check out the sans serif style of this Rama series named Rama Gothic.

Punkaholic started out as a loopy, all caps display font with a semi condensed feel. Before completion some of the letters such as A and W were given a more traditional look and were penciled in for alternates. In the end, however, they were added as uppercase characters instead. For this reason most words in lowercase vary in appearance from their uppercase counterparts. This dichotomy between straight lined capitals and rounded ones makes for some interesting contrasts. Punkaholic works best in less formal settings such as café menus, t-shirts, or children’s publications. It comes in 3 styles and contains Latin, extended Latin, punctuation, and kerning.

Parto Font family is designed by Naghi Naghashian. This Font is developed on the basis of specific research and analysis on Arabic characters and definition of their structure. This innovation is a contribution to modernization of Arabic typography, giving the font design of Arabic letters real typographic arrangement and providing more typographic flexibility. It enables, moreover, the use of this typeface for decorative headlines. This step was necessary after more than two hundred years of relative stagnation in Arabic font design. Parto supports Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages. Parto Font is available in Regular and Bold. Parto design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. Parto is not based on any pre-digital typefaces. It is not a revival. Rather, its forms were created with today’s technology in mind. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Parto's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Parto was developed for multiple languages and writing conventions. E The highest degree of geometric clarity and the necessary amount of calligraphic references. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Diamant Handwriting is an upright handwritten font, which looks like a thick pen stroke. Form orientation is generally flowing horizontally, this is a reflection of composure in writing, we set the rhythm of each glyph so that the combination of high and low letters is very soft, try it, whatever you type with this font looks very calm. Activate the OpenType feature, because this font is equipped with ligatures (liga), Stylistic(salt), Contextual(calt) and initial alternates. We present all of this so that your writing is automatically setup, we also provide access to all alternates (aalt) features, this allows you to choose the glyph you like manually. We designed this font only for brand identity. Your brand will look different from other brands. You can also use it for short slogans to further amaze views and attract more customers to see you closer. 'Diamant' is another word of diamond that is often used in Europe, we give this name as a representation of the whole font as a symbol of luxury, brilliance and stability and comfort. We do not extend the theory and philosophy of this font, you better try it yourself, and you will be amazed. thank you

Thomas Jefferys (ca. 1710–1771) was the best-known map maker in 18th-century England, chiefly because he won (and hyped) the title “Geographer to King George III.” Jefferys was really more an engraver/publisher than a geographer, since he mostly relied on the cartographic materials of others. Still, his maps of the North American colonies were well known. Geographica is a legible, four-style serif family modeled after the neat hand-lettered place names and peripheral text on Jefferys’s maps. With its long serifs, tall x-height, and robust curves, Geographica somehow combines classic elegance with a whiff of coastline and sea. The italic styles have the slant and warmth of the hand-drawn source materials. And the typeface comes with a slew of distinctive map-based ornaments—including compass wheels and sailing ships. This evocative serif works well in both display situations and long blocks of text, whether on paper or screen. OpenType features include small capitals, numerous ligatures, and two stylistic sets of titling caps. Geographica offers full support for Central and Eastern European languages—more than 1,200 glyphs in all.

Martin Wilke’s underrated yet influential deco classic from 1932 has both feet firmly planted in the high traditions of Western European calligraphy while carefully and subtly introducing some traits from the sweeping geometric/minimalist vision of the time. In a way, it was one of the representatives of the European anti-type typefaces of that era, when print media was searching for the elusive aesthetic balance between humanism and geometry. This typeface enjoyed some popularity in Germany for a few years, and went on to influence further type designs in Holland and Italy. After the second World War, the black hole that swallowed a big chunk of Europe’s print culture, new influences and technologies overtook the scene, and selective historical emphasis ensued, highlighting some of the era’s designs and overlooking others. Further selective picking in the digital era all but buried Wilke’s body of work - unfairly so, because he was just as important in German type history as Bernhard, Post, Schneidler, Tiemann and Trump. The original metal Wilke Kursiv came in one weight. This digital version goes a long way in expanding on that original offering. Now Wilke’s masterpiece comes in three weights, and with a full Pro treatment including swash caps, small capitals, five types of figures, automatic fractions, and plenty of other OpenType niceties. Each of the Wilke Kursiv Pro fonts comes with over 700 characters, and contains support for most Latin-based languages. Also available are three non-Pro fonts in each weight.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

First place in a spelling-bee competition, a Harvard University diploma or the Nobel Peace Prize? You can't go wrong with this classic Swedish calligraphy font, created by veteran designer Bo Berndal. He named Gertrud after his better half, but was also inspired by old handwritten documents: "Gertrud is a calligraphic letter design from the 16th century. I used it when I engrossed diplomas with a flat-nibbed pen in the 1980's. When I got my Mac I generated the typeface in Fontographer." Gertrud (the typeface) comes in three weights, with roman and italic. It is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premieres new fonts every month. Gertrud is our sixth introduction.

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited oldstyle into a 78–style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes—Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Selected as one of “Our Favorite Typefaces of 2013” by Typographica.org, Dark Angel is the first completely new take in decades on the traditional “blackletter” font style. It began its journey towards the light years ago when this style was born as a sketch for a new logo for the California Angels baseball team (renamed shortly thereafter the Anaheim Angels). The Angels logo never happened, but that sketch has risen from the dead and become the basis for this brand new font design—and was also the source for the name. It’s kind of blackletter in feel, but as a display font it’s so much more. It is far more legible than most “Old English” or “Gothic Script” styles, and incorporates many features never before seen in them, such as swashes, tails and a plethora of ligatures. Dark Angel can be purchased in its regular solid form, or as Dark Angel Underlight—a handtooled font. If these two fonts are purchased together, the Family package will contain a third font—Dark Angel Highlight. With this font layered over the basic font, you can achieve two–color typesetting when the highlight and the base font are assigned two different colors. Dark Angel has enough language support to make the builders of Babel envious—its 1,163 glyphs can be used to set copy in 59 different languages. From A to Z: Afrikaans, Albanian, Basque, Bemba, Bosnian, Catalan, Cornish, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Kalaallisut, Kamba, Kikuyu, Kinyarwanda, Lithuanian, Luo, Malagasy, Malay, Maltese, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romansh, Sango, Shona, Slovak, Slovenian, Somali, Spanish, Swahili, Swedish, Swiss German, Turkish, Welsh, and last (but not least) Zulu. PLEASE NOTE: Dark Angel is a cross-platform font which depends to some extent on certain advanced OpenType features, therefore it can be used to its full potential only with programs that support those features. ADDITIONALLY: When setting Dark Angel one should ALWAYS select the “Standard Ligatures" and “Contextual Alternates” buttons in your OpenType palette. Please see the “Read–Me–First!” file in the Gallery section.

Down in his secret underground font laboratory, mild mannered John Roshell was tinkering with his iPad when the Apple Pencil suddenly bit him and he found himself feverishly creating letterforms on the tablet... Before long his hand was burning and glowing with superspeed — his penstrokes were longer than one-eighth of a mile; he was suddenly able to letter a twenty-story omnibus with newfound fontastic strength and could create tremendous weights with more leading than an express train... And thus was born: ORIGIN STORY!

ANTIO Greek Font is a brush font. ANTIO Greek Font is an all Caps marker font. Also, the font is a multilingual font with Greek (of course), Latin characters and diacritics. The style of this typeface is perfect for your modern graphic design needs. Food packaging, restaurant menus, coffee and bar menus, and food industry branding are some examples of the numeral applications of this typeface. The shabby-chic style of the font is perfect for your graphic design needs like social media quotes, blog headers, posters, art projects and why not packaging, and logotypes.

Quickat is a handwritten font, thick, condensed calligraphic style has several sets of terminal ornaments for decoration of phrases and titles. This font is drawn by hand with a pen following proportions based on the numbers of Perrin applied completely to the capital letter H and from this letter all the proportions of the rest of the alphabet are calculated according to mathematical formulas that I have been perfecting and putting into practice in my last fonts, is ideal for designing greeting cards or weddings, posters, flashy headlines or small texts.

We have created this family inspired by the old-fashioned stencil letters like those the French army used during the WWI to write on soldiers' clothes, blankets, signals, ammunition, supplies and so on. This is a Didone-style font. We offer two variants for the same font: monospaced or proportionally spaced. Our Open Type specification allows automatic substitution of letters to avoid repeating the same glyph when a letter is repeated (for example “ee” or “bb”)(Not available with accented characters and a few others like “Q” that are never repeated in common use).

Another jewel of the vast treasure of historical font designs was digged out and brought to life again. Due to the courtesy of the Quay Brothers, London, who yielded to me an age-old brochure of Albert Auspurg’s ‚Miami‘, released by Schriftguss in 1934, I was able to redesign this elegant font. This font which I called ‚Elbflorenz‘, a cognomen for Dresden, contains West and Central European type faces as well as those for Romanian and Turkish. To get access to the historical number sign please use either the OT feature additional ligatures or ordinals.

Hasan Ghada is an Arabic display typeface. It is useful for titles and graphic projects. The font is based on the simple lines of Modern Kufi calligraphy with new ideas for square shapes and geometric feel. It supports Arabic, Persian and Urdu. This font was designed in 2002 and the first version was released under name KactTitle in the typefaces group of King Abdulaziz City for Science and Technology (KACST), which supported the Linux operation system. In 2007, I developed this font and created five weights of it.

The roots of this font go back to 1967. A book title in trendy letters was created in a completely ingenuous way as a film prop for a Super 8 fun film. I drew the letters with felt-tip pen and poster paint without thinking too much about it. It wasn't until a good 50 years later that I realized, this was a first awkward typeface draft. The flower power vibe was captured here subconsciously. In 2019 I completed the few glyphs and created variants that I would not have thought of at the time.

Rantika is a cute brush font, created with additional bold on the strokes and mostly curved edges of the letterforms. This font comes from the manual brush stroke which has an informal stroke thickness that makes the font looks more natural. Bring the happiness with Rantika, make your design more cheerful because you can use this font for cards, apparel, merchandise, invitation, food or menu design, poster, cute quote, holiday design, and many more! Fonts featured : Uppercase Lowercase Numbers Punctuation Accented characters Stylistic set Ligatures Thank you for watching

Trouble never hangs around, when it hears this Mighty sound, These letters come to save the day -- Mighty Mouth is on the way! When there's Danger, never Despair; The Sound of Mighty Mouth is in the air! Now YOU TOO can shoot your mouth off with the Mouth Almighty of Mighty Mouth. Comicraft’s latest offering utilizes variable type technology, for user-adjustable bold, italic and BOUNCE in illustrator (or any other program that handles variable fonts)! CAUTION: You may wish you’d never opened it, this font has no control over your tongue!

Emporia JNL is a wonderfully decorative and vintage wood type named for a city in Kansas, and modeled from just a dozen images of individual type blocks spotted for auction online. The release of this typeface is also a milestone for Jeff Levine Fonts. The foundry started in January, 2006 with only ten releases, and has now grown to be an impressive library of unique lettering designs from the past. The collection also contains numerous original and novelty creations. Emporia JNL is proudly released as the 500th font design to join this extensive library.