Michiana Pro is my new, hand-crafted connecting script! I've been hand lettering cards and envelopes to my wife and family in this type style for years and decided it was time to make a font based on it. I typically start with a single thin stroke for each letter, then build up the weight of the heavy stroke, so there ends up being a lot of charming variations in terms of style and color. The overall finish is rough, yet friendly. Perfect for invitations, place cards, love notes, and with its large x-height, it sets nicely for text. I grew up running around the dunes and beaches along Lake Michigan in northwest Indiana, and I think the shoreline and dune grass has inspired my aesthetic. Michiana Pro takes the name from a small area along the lake between the Indiana and Michigan state lines. There are a lot of nice, modest homes nestled in the duneland forests. Thinking about what it's like back there, it's like having a bowl of steaming hot comfort food. So I hope Michiana Pro feels that way to you too. Michiana Pro features include: + extended character set for Western European language support + 1,205 glyphs + lowercase beginning and ending swashes + contextual initial and final letterforms + alternates for L, R, Z, f, g, p, t and y + 140+ ligatures + superior and inferior figures for unlimited fractions + ordinals (st, nd, rd, th) + 4 ornamental swashes + available in both OTF and TTF formats

Romance Breakin Vintage Serif Font is a type of serif font with a classic design inspired by the vintage era. The font has a characteristic bold line that looks elegant and gives a classy impression to every text display. The uniqueness of this font lies in its serif style, which gives an elegant and romantic touch to every word and sentence written with this font. With its advantage in providing a vintage and romantic impression, “Romance Breakin” Vintage Serif Font is suitable for graphic design such as logos, letterheads, posters, greeting cards, or designs for social media. This font can also be used for design projects that require a classic and elegant touch, such as wedding party designs, invitations, and vintage-style related products. Multilingual Support If you have any questions please don’t hesitate to contact me Thank you

Dr. Mohamed Font Combines the originality and modernity characterized by the strength of the letters and settings of theModulation marks used in the writing of newspapers, magazines, books, children's books and billboards easy to read and also features new combinations of letters make it was handwritten and this font contains the letters (Arabic - Farsi - Urdu - Latin).

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

Four letters for this font came from a puzzle in a 1983 Games magazine. After seeing them, I could not resist the temptation to do a complete set of letters made from push pins or tacks, a truly tacky font. Most of the letters on the lower case keys are alternatives--choose the one works best for your purposes.

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

Alergia Grotesk was made as a hybrid between a classical geometric grotesque and a linear antiqua. This typeface is characterised by a lot of details, which gives it a strong character. Unpredictable cuts in a letters “a” and “s”, or a double “g” in combination with a delicate contrast, makes Alergia Grotesk a good choice for many purposes from headlines to short flowing texts. A big range of width varieties allows to versatile use and can give a nice effect while mixing extreme varieties with each other in one project. The family consists of 10 weights, 3 widths and set of italics – together 60 styles. The whole family has a comprehensive set of characters. In addition to the Latin letters, Alergia Grotesk also has a full set of characters for Vietnamese, extended Cyrillic (with Abkhasian) and Greek.

At first glance, the lettering style of Technopen JNL seems to emulate the computer-age fonts of the 1980s. In actuality, this font is derived from an alphabet sample found in an instructional booklet for the Esterbrook Drawlet Pens. The Drawlet line was Esterbrook's answer to the iconic Speedball pen points sold through their chief competitor, the Hunt Pen Manufacturing Company. So, what seems to be late 20th Century typography is actually from vintage source material. In fact, the entire contents of the instructional booklet were copyright 1929! A few minor changes were made to the original A-Z alphabet and additional characters were added. The name Technopen is a shortening of the term 'technical pen', which is both a nod to the techno age of the 80s and the technical instruments of the past utilized for drawing and lettering.

Seluas Handmade is a bold and beautiful brush lettered font. It's perfect for using in ink or watercolour based designs or on its own as bold hand brushed lettering. Use it for websites, branding, weddings, social media, product design, stationery and advertising, etc. Seluas Handmade is versatile enough to add that natural nuance to any project where you need that to look real.

Merside - Premium Serif Font Merside - Premium Serif Font is a stunning typeface that exudes sophistication and elegance. The font's clean and crisp lines make it a versatile choice for various design projects, from high-end branding to classic book covers and posters. The font was crafted with the utmost care and attention to detail, resulting in a timeless typeface that will elevate any design. Merside - Premium Serif Font is the perfect choice for designers who want to convey a sense of luxury and exclusivity in their work. The font's classic serif style adds a touch of refinement, while the clean lines give it a modern twist. Whether you are designing a logo for a luxury brand, creating marketing materials for a high-end fashion label, or designing a product packaging, Merside will add a touch of elegance and sophistication to your project. One of the standout features of Merside - Premium Serif Font is its OpenType features, which include alternates and ligatures. These features give designers more creative freedom, allowing them to customize the font and create unique and eye-catching designs. The font also includes uppercase and lowercase letters, as well as number, punctuation, and symbol glyphs. Additionally, Merside supports multiple languages, making it an excellent choice for global brands. The font is compatible with a wide range of design software and platforms. You can easily install and use Merside - Premium Serif Font on your computer or device, making it a convenient and accessible choice for designers. If you are looking for a premium serif font that will make your design stand out, Merside - Premium Serif Font is an excellent choice. With its elegant and refined style, it is perfect for creating luxury branding, elegant design, and high-end fashion. This font will give your project a timeless and classic look that will never go out of style. In summary, Merside - Premium Serif Font is a stunning and versatile font that is perfect for designers who want to create high-end and sophisticated designs. With its classic serif style, OpenType features, and multilanguage support, it is a font that will elevate any design project.

Ever been tired on a Sunday? I have...and actually that was the feeling I had, when I started making this font. Nevertheless, when working on this font, my Sunday just got a whole lot better! Hope it'll make your Sunday (or any other day!) good as well! :)

At first glance, Handbills and Posters JNL bears a strong resemblance to Classroom JNL. True, they both share the visual qualities that are based on Franklin Bold Condensed, but this is where the similarity ends. Handbills and Posters JNL is a refined re-draw of the classic design, based largely on vintage typographic examples. There are also some character variances. Classroom JNL is a rougher alphabet with varying curves and lines, and resembles such letters traced and cut out of construction paper for a bulletin board display at school.

Usually fonts that are related to computers, space, future are not handmade, but rather digital made. Autoray is 100% handmade, and I am not sure which category it fits in. It has this futuristic and intergalactic look, but at the same time the handmade details are pointing in a more grafitti and comic way. I will let you decide where to go with Autoray! I have added 5 different versions of each letter, and they automatically changes as you type - and of course, there's multilingual support - and even intergalactic gravity! :)

This font is dedicated to the glorious flag of the U.S.A., "Old Glory". The family consists of two versions: a base and one called "composable" composed from a set of glyph (characters) that they can be inserted to pairs. One of blue color and one red for to obtain one glyph to two colors. As an example inserting "Aa" with a red 'A' and the a blue 'a' will produce a single letter 'A' colored to white stars in a blue field and white stipes in a red field, thus producing the most impact.

Brush lettered scripts have such a quick expressive quality to them and have amazed me since I was a little girl. The quick whip of the wrist can make or break a letterform so easily. They are filled with personality and visual flavor. Beckford Script taps into that association and brings a quick handed sassiness reminiscent of vintage travel brochures and old pulp and romance novels. But for whatever you might need this script for, you'll find it up for the task. Spice up your font collection and pick up Beckford Script today!

Marcelo's new typeface Emperator —based on his knowledge gained from instruction by master calligraphers— provides a fresh perspective on classic typefaces. Emperator comes in 3 variants that make your designs look elegant, legible and expressive. This font is perfectly suitable for a wide range of applications such as titles, wedding invitations, short text, logos, labels, book covers, posters, packaging, etc. Emperator's character set includes small caps (letters, figures and symbols), fractions, stylistic alternates, ligatures, mathematical symbols, etc.— more than 750 glyphs in all, supporting over 200 Latin-based languages.

Guttie Display Typeface says something about graphics and usability. People tell stories for a reason. We want to convey certain information, change a reader's opinion or make them feel something; Guttie Display Typeface helps you to do all this easily. --- It's all about visuals and functionality. For example, people will use words to convey information, convince readers of something specific, or share emotions they are feeling right now. --- - Fonts can be read from a much larger distance than regular fonts - Elegant letters give the impression of luxury - Smooth curves for elegant typography

Fonzie redefining versatility. With four charming styles seamlessly blended together, it offers the perfect balance between tradition and innovation. Fonzie's basic style embodies timeless elegance with a Space-saving Condensed form with a modern twist. The SS01 explores futuristic aesthetics with a geometric style, or embraces the sophistication and form of the Extended with the SS02 features, and for the SS03 it is added for those of you who like the extreme extended style that is now a trend.

Corda – an elegant serif family with an easygoing, flowing ductus. It is semi-contrasted and even in the heavier styles appears light and breezy. Pleasant for reading and in display sizes very attractive. Corda comes in ten styles, in OpenType format and with extended language support for more than 40 languages.  All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

This is a cute story about a mother and her son. :) About a decade ago my own mother got very interested in my work. She used to say my letters had so many swirls and dazzling swashes, and suggested my job seemed to be very fun. She wondered if she could ever try to make her own alphabet... Well, she is a civil engineer and a maths teacher, and appeared to be a little tired of exact sciences... I remember answering this, while she was listening with her typical tender look: -"Mamá... While type-design may be a really enjoyable thing to do, it also involves having a great eye and knowledge about the history of letters: nice curves and shapes require a meticulous study and, like it happens in many fields, practice makes perfect"-. Well, she raised her eyebrows at me. -"and so what?"- She didn't have any experience neither in the field of art nor in the field of graphic design so, I told her that if she really wanted to get into this she should borrow some of my calligraphic books from my beloved shelves in my office. So... she did. Some weeks after that, she came to me with many sketches made with pencils and markers: some letters where very nice and unique while others naturally needed some work. I remember she added ball terminals to all of her letters (even if they didn't need them) because that was one of the rules she imposed. After some back and forth, we had the basis for what would be today, ten years later, the seed of this lovely font Girasol. Her proposal was nice, something I was not accustomed to do, that’s why many years later I decided to watch it with fresh new eyes and finished it. While she was in charge of making the lowercase letters, I helped with the uppercase and also added my hallmark in the alternates, already seen in others of my expressive fonts. The result is an upright decorative font that follows the behavior of the copperplate nib with a naive touch that makes it really cute and useful for a wide range of products. Many alternates per glyph make Girasol a very fun to use font which will delight you. Above posters are a proof of that! This font is a gift for my mother, Susana, who, in spite of her exacts academic background, taught me that beauty can also be found in the imperfect. 1 NOTES (1) In my fonts I'm always in seek of the perfect curve. When I designed Erotica and Dream Script, I read about Fibonacci’s spirals!

DT PaperType has evolved and morphed over time from quite distant origins. I previously created DT Paperside. It was neither Papyrus nor SSI Countryside, but was inspired in some ways by the Papyrus form, although untextured and smoother, and had the more open dimensions and proportions, similar to that of Countryside SSi, with its larger easily readable lowercase body, and more consistent, shorter stems. DT Paperside had an open scripted feel which was pleasing to the eye and easy to read. DT PaperType has since been crafted from of the original Paperside font. The Organic flow and comfortable form of Paperside has been retained, but it has been shifted very much from the feel of a script font, into a quality, extremely readable, organic and friendly, serif font, retaining its clarity, while adding a great deal of pose and class. This font is primarily suited to body text, and as such is extremely readable. It does however also make an excellent Display font, and comes with a full set of over sized Caps that drop below the line to stand out on a headline when required. Paperside can also automatically enhance the first letter of most sentences, and changes other letters to suit their position within words, and the letters they appear beside. Now comes with an italic that curves and softens various letters. For best results, use this ‘smart font’ with Contextual Ligatures turned on. Mulitiple Stylistic Alternatives are included. Inspiration for this fonts predecessor (Paperside) came from two other fonts. Papyrus: designed by Chris Costello and created in 1982, it is a hand-drawn textured typeface, emulating texts written in biblical times. One of the most used (and misused) fonts of all times. Owned by Letraset, and currently published by the Internation Typeface Corporating (ITC). Countryside SSi: The serif font of an unknown designer, currently licensed by Southern Software Inc. Feel free to preview some other Dragon Tongue fonts that are yet to be released, at https://www.dragon-tongue.com/fonts

Arkham Land - Sans Serif Font Family - Multilingual - 12 Style Arkham Land Sans serif font family helps you create many alternatives in your creative projects with its 12 styles.With its elegant and strong structure, different weights, it is also assertive about being a highly readable font. It provides flexibility in the width of usage areas in your projects, from thin styles to Black styles. It is a timeless font family with is rich styles, multilingual supports and modern structure. You can use Thin styles in elegant and stylish projects, and Black styles in strong titles. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual options. Great for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Noyr is a font for display that requires a modern/futuristic appearance. Uppercase and Lowercase are available equipped with standard symbols and multilingual characters. This font is designed to be dynamic with today's style. All have been PUA Encoded. You can easily access each character in the software in general.

Skytree is a modern brush script. Skytree comes in two styles with a lot of stylish alternates characters that will make this font suitable for any design project. Feature Uppercase Lowercase Number & Symbol International Glyphs Alternatives Ligatures Swashes If you need anything else just shoot me on email dedukvic@gmail.com

Creamy Sugar is a modern handwritten monoline script. This font looks natural, stylish, and perfect for any extraordinary project that requires a handwritten feel. Its versatile style looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a customized touch.

Stranger Creature is a horror style display font. Inspired from horror and thriller movies, this font is designed for Halloween, horror, thriller and scary theme projects. Stranger Creature would be perfect for logos, quotes, apparel, comics, book covers, cards, posters, or anything that requires a horror or scary look to it.

To design the font Toppo I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. This family contains 6 different styles. In the Toppo family, every variety contains 3 alternative characters with automatic replacement.

Monotype Hei3 HK is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness.

Le Major is my new elegant serif font that will bring in your projects a touch of luxury and style. It's perfect match for logotypes, branding, wedding monograms and invitations, blog headlines and much more. Flip through all the previews and get inspired like I was while creating this font.

Fathyma is clean & fresh script with a stylish handwritten style make this font looks natural, classy and perfect for any awesome projects that need handwriting taste. With exaggerated strokes and an bouncy baseline, Fathyma has an unmistakable charm; perfect for logos, wedding stationery, cards, gift designs, product packaging and handwritten quotes.

Bake Sans is a captivating contemporary typeface that exudes style and personality. Crafted with modern and distinctive shapes and curves, this font offers the perfect visual consistency for your branding and communication projects. Elevate your designs with Bake Sans and make a lasting impression. Ideal for logos, websites, and marketing materials.

Arbeit Technik, a semi-mono condensed variation of the Arbeit Pro typeface, is designed specifically for technical drawings and user interface applications. With a Stylistic Set that allows users to remove the 'mono' style serifs, this typeface offers versatility and a clean, professional appearance perfect for a variety of design projects.

Introducing Holland Treasure, a hybrid font that merges script and sans serif styles. With two variations, Holland Treasure Display and Holland Treasure Regular, this font set is designed for both display and text purposes. Experience the modern luxury of Holland Treasure as it adds elegance and sophistication to your designs.

Monotype Hei3 PRC is a modulated and transitional Chinese design with structure, diǎn, piē and nà carry Song style, while horizontal & vertical strokes are relatively simple. This mix of ancient and modern elements with low contrast is something that you can find in wood carving: rigid while balanced with softness

With Marithan, every character is a hunk of hero inspiration. This superhero-style display font is the answer for projects that need great visual flair. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Gendos is a sans serif condensed font family that is designed with a simple but unique shape. This font family has 10 styles consisting of 5 normal shapes and 5 italics. Gendos font can be used for logos, book or magazine cover titles, product brands, or just for writing articles.

Moon Dream is a wide sans serif display font that has beautiful curves. Each end is made slightly rounded giving the impression of a comfortable and friendly. Moon dream provides a collection of glyphs with unique shapes. With alternative styles and ligature features, this font is perfect for complementing various projects.

Breviary - Display Typeface "UNIQUE serif modern font" likely refers to a typeface that combines elements of traditional serif design with contemporary and distinctive features. Serif fonts have small lines or strokes attached to the ends of characters, which can contribute to a more formal or traditional appearance. The term "modern" in this context typically implies a contemporary or updated style. Here's an explanation of the characteristics and significance of a UNIQUE serif modern font: -Serif Elements: Serifs are the small lines or strokes at the ends of characters, and they are a hallmark of traditional typography. In a UNIQUE serif modern font, these serif elements are likely to be present but may have a distinctive shape or style that sets them apart from more conventional serif fonts. -Contemporary Design: The "modern" aspect of the font suggests a contemporary or updated design. This may involve a departure from the more classical serif styles seen in traditional typefaces, incorporating modern design principles, cleaner lines, and a more minimalist aesthetic. -Distinctive Characters: A UNIQUE serif modern font is likely to feature characters with unique and individual design elements. This could include unconventional serifs, letter shapes, or other stylistic details that make the font stand out and contribute to its uniqueness. -Versatility: While serif fonts are often associated with formality and readability, a UNIQUE serif modern font may offer versatility suitable for a range of design applications. It could be used in both traditional and modern contexts, providing flexibility for various design projects. -Applicability to Branding: Fonts play a crucial role in branding, and a UNIQUE serif modern font could be an excellent choice for businesses or projects that want to convey a sense of tradition and reliability while maintaining a contemporary and innovative image. -Digital and Print Design: Modern serif fonts are often designed with both digital and print applications in mind. The clarity of the typeface, even at smaller sizes, and its aesthetic appeal make it suitable for a variety of design projects, from websites and apps to print materials like brochures and posters. -Attention to Detail: The uniqueness of the font may be reflected in the careful attention to detail in each character. This could include refined curves, balanced proportions, and other design elements that contribute to the overall visual appeal and readability of the font. -Available Features: Unique serif modern fonts may come with additional features, such as alternative characters, ligatures, or stylistic sets, allowing designers to customize the appearance of the text for specific design needs.

This luscious, loopy Lombardic face was inspired by an offering in the 1938 classic, Letters and Lettering by Paul Carlyle and Gus Oring. Suitable for formal or informal occasions. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Bralwood is a font that seamlessly blends modern sensibilities with classic vintage nuances. With a commanding display style, the font exudes elegance while retaining a nostalgic touch. Its letters boast bold and creative shapes, adorned with details that evoke the alluring essence of retro eras. What sets Bralwood apart is its delicate yet robust lines and sharp angles, lending visual strength to each character. Ideal for logo branding seeking to emphasize retro or vintage vibes, Bralwood imparts an exclusive and sophisticated feel to various design ventures. From posters to product labels and packaging, Bralwood adds a distinctive touch that captivates attention. With its ability to create enticing and captivating impressions, Bralwood stands as the perfect choice for designers aiming to convey powerful messages with a classic yet modern flair.