Queenica - Sans serif font family - Multilingual supports, 12 Style If you're looking for a stylized sans serif font, Queenica might be the font you're looking for with its unique structure. Queenica is a distinctive modern sans serif font. It offers rich solutions to your creative projects with its alternative versions. You can easily use the sans serif font feature in many areas. You can create your text with normal characters and highlight bold characters and titles. This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large headlines, from classic to modern and bold styles. Well suited for books and magazines, magazine covers, editorials, headlines, websites, logos, invitations, branding, advertising and more. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms -Uppercase typeface -Lowercase typeface -Numbers -Symbols With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Hiatus bridges the gap between formal scripts used for invitations and more classic settings and casual scripts that exude a warmer tone. Like many formal scripts, Hiatus is fully connecting. Its low body height combined with generous letterspacing adds an elegant profile to lines of text. Like casual scripts, Hiatus has a warm, hand-lettered appearance with great rhythm. Solid in structure; Hiatus also sets well at smaller sizes. Type enthusiasts will enjoy the variety of options. For optimal text flow, both letters and ligatures have alternate versions programmed to come in at the appropriate place for both beginnings and endings as well as in various contextual settings. In addition, there are variations and flourished versions of almost every letter and ligature. Some ligatures have as many as 12 variations. Also included are fractions, a set of old-style numbers, and a set of ornamental flourishes. Hiatus is a unique contemporary script with the strength of a time-tested classic. Please note that this version supports a wider range of languages compared with the lower-priced version available through other channels.

Chercán is a spirited typeface created with a delicate sense of how readability doesn't need to be dull. Chercán wears a uniquely friendly voice, and its mature design makes it highly legible in small bodies as well as in the distance. Its balanced rhythm is the result of a slow pairing of qualities found in old classics admired by Gálvez, such as Copperplate by Frederic Goudy (1905) and Antique Olive by Roger Excoffon (1962). Chercán occupies a unique place in the contemporary type design shelf, by exquisitely combining versatility and elegance. Due to the delicate grey colors it gains within long texts, Chercán is good for immersive reading, where one wants to avoid readers’ eyes fatigue. It can be a great choice for setting texts that require a slightly informal atmosphere without losing authority. Chercán is the Chilean name for the melodious little bird Troglodytes aedon usually found all across the Americas. Available in Std and Pro versions with all the usual OT features, Chercán addresses all modern needs of the demanding typographer.

Black Drum is a rare revival typewriter face, made digital from analog samples gathered with great care by Coniglio Type. A time and place; type and life. Black Drum is contemporary designer type, made from the struck steel hammers of an Art Deco Period san serif face transferred from a mechanical 1926 custom editor Royal Portable typewriter. Anna Conroy of Type Heritage, LLC, Philadelphia comments on Black Drum and its new place in time today: “Wow! nice lookin’ face Joseph! —Perfect, somewhere between Cable; [Rudolph Koch, 1927] (which was about the first transatlantic telegraph cable) with its raised x-height; and Futura [Paul Renner, 1928]. Yup, it has that great “Monopoly Game” question mark -- and all on a period-piece typewriter! You should have no trouble grafting that sorely needed Euro symbol.” –And he very well did! Author: Joseph Coniglio Producer: Coniglio Type MyFonts debut: October 2021

After inventing a new metal typecasting procedure that allowed for the production of more detailed typefaces, the famous German typefoundry D. Stempel AG developed Kuenstler Script in 1902 - 1903. Originally called Kunstlerschreibschrift (artistic handwriting), this design was based on English copperplate script styles from the late 1800s. In 1957, Hans Bohn added the heavy Kuenstler Script Black weight to the family. Like intricate handwriting put to paper with a feather and an inkwell, Kuenstler Script makes almost any text look distinguished and elegant. Kuenstler Script is a joining script; and because of its fine hairlines and small x-height, it is best used at sizes above 12 pt. The typeface works well in advertising work and on invitations, greetings cards, business cards, and certificates.

Designed at ParaType in 1989 by Alexander Tarbeev. A modern replica of the typeface by Giambattista Bodoni, the Italian punchcutter and typographer of the late 18th century. Bodoni was a director of printing house of Duke of Parma in Italy. His early types were based on those of Fournier and Didot, but he developed the designs to become what are now considered to be the first modern typefaces. His letters have strong vertical stress, sharply contrasting thick and thin strokes and unbracketed hairline serifs. The contrast of thick and thin in Bodoni typefaces can produce a sparkling effect on a page: should be carefully used in texts; good for headlines and display. Condensed and decorative styles were added in 1993–97.

Auldroon was inspired by the pseudo-medieval fonts that were fairly popular in the late 19th century. Auldroon comes in two variants. Auldroon-Eld was designed first and is a bit more compact than the regular version. Both are decorative and distinctive and neither was created with a specific use in mind.

Midnight Workers is a Modern Sans-serif typeface inspired by freelancers who work late into the night to make a living for their beloved families. The simple and dynamic shape makes it very suitable to be used as headlines, logos, or other design needs that require a formal touch but still seem dynamic.

Gustav Jaeger's Becket typeface embodies a retro-medieval aesthetic. Base letterforms that might have been at home with a writer of Irish uncials have been streamlined according to late 20th century tastes to create a timeless effect. Becket is the perfect font to set headlines and logos for clients in the music industry.

Harpsichord (as I have named it) is from the late 1940s and was designed at Lucian Bernhard Studios in New York for Bernhard's Magnetype Collection. It was originally published as 'Community Low' along with 'Community Condensed'. Many of his Magnetype Fonts have been dormant which I hope to revive in the near future.

You will see this in the old type catalogs as Dainty. Late in the nineteenth century, type founders developed a number of fonts with a "pen-drawn" look. They wanted to complete with the work of the hand lettering artists who were coming into their own, thanks to the new art of photoengraving

Hexide JNL was modeled and modified from an original design created by the late sign artist Alf R. Becker for Signs of the Times® Magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum of Cincinnati, Ohio for providing the reference material used to make this font.

A sales catalog sheet from the American Decalcomania Company circa the late 1940s-early 1950s provided some hand lettering that served as the inspiration for Sign Painter JNL. Emulating the look of characters made with a round pen nib, this Deco-style typeface conveys nostalgia and charm seldom found in advertising of today.

Mixed Drinks JNL derives its look from a set of gold foil self-adhesive letters made by a company called Cameo for the Schenley distilling company circa the late 1950s or early 1960s. The letters were used to personalize bottles of whiskey for your own bar or to give as a unique gift.

Lastik is a real work horse of a font. It includes 5 styles that cover all you need from Display Fonts to body copy. This font comes from the idea of an approachable, friendly fun serif font. The font takes inspiration from old scholastic materials from the late 90s and early 2000's.

Here is a faithful revival of Gothic Number Ten, released by the Cincinnati Type Foundry in the late 1800s. Not your garden-variety sans-serif, its quirky caps will warm up your headlines. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Oakland is a Streamline era design inspired by some hand-drawn lettering on a 1930's French poster advertising a certain brand of Car (Automobile for our American cousins). It's ideal for giving poster and design work that late 1930s to mid 1950s feel. Make a bold statement with this all capitals typeface!

An original script font designed by Victor Kharyk and licensed by ParaType in 2006. Based on Ukrainian Skoropis (fast handwriting) of 16-17th centuries. The font was named after Ukrainian Getman Bogdan Khmelnitsky, because the main sources and inspirations for the project were taken from collection of handwriting Universals (decrees) of that time -- the middle of 17th century. The shape of letters imitates flat nib quill handwriting with stress, bringing them informal liveliness. The Bogdan font character set contains Cyrillic, Old Slavonic , Glagolitic, Latin and Greek alphabets in two variants: Rejestrowy (Regular) and Siczowy (Alternate). The font is for use in display typography, but can work quite well for short text setting. Bogdan type is well suited for historical and cultural texts associated with Europe of 15-17th centuries

Cruickshank is a decorative typeface from the late Victorian period. The upper case includes several letters with swash strokes, extending well below the baseline, as found in the original design. Alternatives to the swash caps are provided. The lower case contains small caps of simpler design. The face was designed by William W. Jackson and released by MacKellar, Smiths and Jordan Type Foundry of Samson Street, Philadelphia, Pennsylvania in 1886. MS&J was founded originally as Binny & Ronaldson in 1796 and later known as The Johnson Type Foundry. Cruickshank has a strong late Victorian flavor without the extravagance of so many fonts of the period. In its simplicity and clarity, it may be seen as a precursor to the Art Nouveau style that would develop a decade later.

RRollie is a typeface family inspired on the proportions of the Roman capital in the Augusto's age, some of them can be seen in inscriptions of Pompeii; in this particular case, it has taken an inscription from a tomb of the year 15 AD. The subtlety of the serif is hardly insinuates, helping to strut the terminals of the stems. Ascenders and descenders are very short. The thickness variation is presented quite delicate, highlighting the light-dark passage and even the agile counterblocks of the typeface. These fonts can be used in many kind of graphic works by its strong personality, visual impact and readability. This font family include OpenType features: Standard and discretionary ligatures, small caps, case sensitive from, old style figures, tabular, diacritics for western languages and many others. Roberto Rollie (1935-2003) was an outstanding professional of Graphic Design, Photography and Visual Artist. He was involved in the creation of the career of Visual Communication Design at the Faculty of Fine Arts (National University of La Plata, Argentina), in the late '60s; he was a pioneer and great teacher too, who loved the Roman Capitals for its subtle and balanced design, especially for high readability and clever design. Those who, like me, knew him as a person and teacher, we are deeply grateful for having received their warmth and enthusiasm for graphic design.

I am not sure if there is such a thing as a Sunday Fish. But anyway, now you have a font with that name! My idea of a Sunday Fish is a lazy, goofy and kinda laid back one. One you'd like to play around with, and a friend for life - not that kind of fish that ends up on your plate! :) Sunday Fish has massive language support and 4 different versions of each lowercase letter, and these automatically cycle as you type! It comes in 4 different layered versions, which works well together - just play around with the layers and your favourite colours!

SVARAJKA is a classic script font inspired by the old copper plate font with a slight oversimplification of the case so it's less decorative. In addition to being classic, this font is also elegant, so it does not rule out the possibility for a simple and elegant modern design, and it will also be very beautiful for writing letters or as a font for weddings such as invitations or names of the bride and groom. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Guides to access all alternates glyphs : http://adobe.ly/1m1fn4Y Cheers!

Castellar is a capital letter typeface from John Peters, named after a location in the Alps. It first appeared in 1957 with Monotype. Peters modelled the design on the Roman script Scriptura Quadrata as it was used in the first two centuries of the Roman Empire. One distinguishing characteristic is the quadratic proportions of many letters, which are however mixed with circular and narrow forms. The original script was called Scriptura Quadrata because the ancient engravers used rectangular stone plates for their work. Castellar is a typical title typeface and is best used in large and very large point sizes to highlight its classic elegance.