Bartleby is a hand-drawn all caps display font. It has over 300 glyphs and several variations on the standard alphabet with all those €xtra pesk¥ foreign characters too. It is available in 3 weights regular, bold, black and as a family of all three.

Plz Script is a warm and friendly script font that can be used as body copy or for headlines. Great with Architectural Lettering or Plz Print. It can also be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea sans, with its neutral shapes, can be used everywhere. Like many recent sans serifs, its italic is a true italic and not a sloped roman.

Raimoo is a handwritten typeface. It is suitable for any design needs, branding, cover title, t-shirts, posters and more. The Raimoo typeface includes multi-lingual and currency support, numerals, and punctuations. It comes comes with standard ligatures, stylistic alternates and 3 stylistic sets.

Royal Stamford is a classy handwriting font with a distinctive curve, inside with some interesting features that are perfect for an authentic-style project . This font is perfectly suited for signature, stationery, logo, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design and more. This handwritten script font contains upper and lowercase characters, numerals and punctuation.It includes Contextual Alternates, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Swash. Features: - Basic Characters ( Uppercase and Lowercase, Numerals, Symbol and punctuation ) - Contextual Alternates, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3 - Ligatures - Multi-Lingual support - Swashes - PUA Encoded How to get access alternate glyphs with designing software to open type fonts, click here.

Fallen Angels Is a modern take on a classic serif style. The stylised capitals add romantic curves and a rebellious elegance to the strong standard character set. It's a bold choice of typography for logo designs, product packaging, album artwork, quotes, posters, apparel & more. Accessing Extra Characters • Alternate characters are available for E, F, r & k. These can be accessed by switching on 'Stylistic Alternates' or via a Glyphs panel. 6 icons are also included within the font (3 halo's and 3 stars) which can be accessed via a Glyphs panel. Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Fountain Persona is a font pack consist of 3 fonts. These fonts were created based on authentic hand writing with natural signature style. It worked well to combine these three fonts into one lettering. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 fonts uppercase & lowercase numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Glico Prime is a heavy, bold, standout sans serif with futuristic theme. It has few styles with 3 stylistic, This type of font perfectly made to be applied as a headline, logo, title, quotes which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular, inline & outline 3 stylistic set numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Donald DBXL Beekman lives on a ship in Amsterdam’s waters (well, the Amstel river, actually). Living on the water inspired him to design this ‘cruise ship’ typeface VLNL Decks. Available in several variations, it’s a fabulous cocktail of freshly caught fish typography. Decks is recommended for seafood restaurants, speed boats as well as slick city boys wearing overly expensive sunglasses or Ibiza sunset parties. Decks is the tiger prawn amidst sea foods. VLNL Decks has a distinct modern techno look but the rounded corners give it a warm and human feel. It is available in 3 monolinear weights (Light, Medium, Bold) and 3 weights with contrast between horizontals and verticals (Different Light, Different Medium, Different Bold).

The Orbi type system is a low contrast antiqua of elegant design with a well developed set of members. It consists of 10 roman and italic faces of different proportions and weights and 3 decorative calligraphic fonts. It also contains 3 additional fonts with various decorated initials. The roman includes small capitals. Thanks to its variety of styles the font is suitable for a wide range of applications - the basic styles are good for books and periodicals; the narrow styles work well in the columns and tables of business papers; the decorative styles are ideal for ceremonial typography where swashes, calligraphy and initials are usual. The fonts were designed by Natalia Vasilyeva. Released by ParaType in 2010.

The Bright Topic is a beautiful typeface based on manual hand writing. The natural flow with 3 styles weight make this font looks a real hand writing instead of typing a font. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : 3 styles weight uppercase & lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

Super fresh paintbrush style lettering with a definite graffiti slant. Reverse italic and highly detailed these hand-made letters, splats, swipes, numbers and symbols give an energetic human feel to your custom text. This font is an all-caps style with no real lowercase letters however the single font actually contains 3 full alphabets (78 individual letters) so you can mix and match to create endless unique letter combinations. Fresh Paint also includes several highly detailed paint splatters, brush strokes and swipes to use along with your custom lettering. All glyphs are created from hand made, painted letters, all splatters and strokes are made from real specimens & have sufficient detail to work even at very large sizes.

Whenever I've stayed in Munich my friend Michael Bundscherer and I go on a typographical expedition. When we talk about that, we remember the bygone world of sign painter. On one of the facades of a furniture shop in Munich, you can discover the lettering of the name in golden letters. This one convinced us because of the simple elegance Art Deco. These letters on the facade are in any case the character set, which forms the basis of this document. The missing (especially the lowercase letters and the numbers) were modeled. The "OPEN" called version tries to replicate the 3-D effect. The font is particularly suitable for shorter texts and headlines.

Introducing Madang Font is a sophisticated fusion of classic elegance and modern flair. With its meticulously crafted letterforms, it exudes a timeless charm that effortlessly captivates the eye. The balance between its refined strokes and contemporary elements encapsulates a sense of versatility, making it a perfect choice for a wide range of creative projects. Whether used in headlines or body text, Madang Font's graceful presence lends an air of distinction and refinement to any design, establishing itself as an essential asset for discerning typographers and designers alike. What’s Include ? 1. Uppercase, Lowercase, Number and Punctutation 2. Ligature and Alternates 3. Multilingual Support 4. Installed on Mac and Windows 5. PUA Encode Enjoy our Font.

Rotato Sans is a geometric sans-serif typeface that brings a fresh, modern look to any design. This minimalist but distinctive font is defined by its crisp composition and symmetrical elements — designed for optimal legibility at all sizes. Available in three different weights, Rotato leaves an understated impression of elegance & futurism! Currently available in three standard weights (more coming soon): Rotato Sans Bold – Strong and futuristic Rotato Sans Regular – Clean and crisp Rotato Sans Light – Elegant and modern FEATURES Three (3) Font Weights + Italics Numbers & Punctuation Special Characters Rotato Sans is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text.

France 1727, the book Le chemin Royal de la Croix is published. Centuries later the historical publication comes into the hands of Josep Patau, who uses its printed pages as a reference for a new digital typeface. Previously created for printing, those shapes adapt now to the screen and show the sophistication and authenticity of true Garalde types. Frenchute is a multipurpose typeface with 3 optical sizes. All the shapes were modified to cover different typographic needs. The diagonal axis and the moderate stroke contrast are taken further in the italics letterforms, where the design is far more expressive. The character set includes decorative forms and italic capitals with swashes, so the text looks prettier.

Versteeg was originally designed as a font that would work at a singular pixel level. In the spirit of this reduction, Versteeg was designed with an x-height of 3 units with capitals at 4 units. This extreme simplification is what makes Versteeg unique. After designing the square version of the typeface, creating a series of circular versions was a natural evolution. These versions have a resemblance to braille, but don't actually have a relationship with any braille characters. The width of each face is carefully designed to make sure that the letters will align perfectly in multiple lines. Versteeg is, for the most part, a display typeface, and isn't recommended for large blocks of text.

The Birthstone Family is a set of fonts that are not only diverse but perfectly compatible to interchange styles in a single block of text. There are 3 precious gems: Script, Casual, and Formal. Plus for added luster, there's Bounce (both Medium and Light weights) plus a Titling font— A truncated version that includes caps and ending swashed forms. You won't believe your eyes. All 4 styles are uniquely compatible to one another, but distinctly different. See how easily the fonts may change according to the needs of the look. The Pro version contains the three main styles: Script, Casual and Formal plus the lighter weight version of Bounce. You will also have lots of Opentype feature options.

Brush Up is the cool handpainted typeface you are looking for. Swiftly painted on paper and carefully translated into a font, it brings 3 glyphs for each letter and 2 for each number, plus variations for some punctuation marks. The font is nicely programmed to cycle these alternate glyphs when Contextual Alternates engines of applications are turned on. Or, you can always pick up your choices manually through a glyphs palette. Either way it will certainly turn out refreshing! Surprisingly versatile, Brush Up is available in two cuts – upright and oblique – and will greatly fit tons of purposes. Is it a headline? A small chunk of text? Maybe not that small? Ok, just Brush'em all!

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva. The fonts were based on Cyrillic version of Excelsior that was developed in 1936 in Moscow by professor Michael Shchelkunov, Nikolay Kudryashev et al., that in its turn was based on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Digital version was developed in ParaGraph (ParaType) in 1991. In 2012–13 designer Natalia Vasilyeva made some corrections in original digital data, extended character set and add bold italic style. The family was rereleased in ParaType in 2013.

Antikor is "mono geometric sans" family consist of 3 styles, 55 fonts with real italics... All fonts of family contains 800+ glyphs, and equipped with many typographic features. (Styles: Mono, Text and Display) Antikor Text is designed for those who prefer to use monospaced fonts not only in coding but in many different media of graphic design. The idea came from creating a typeface with monospaced aesthetic without disturbing aspects of monospaced typefaces . Antikor text has proportional spacing and precise kerning to avoid poor rhythm and track in reading text. It also provides wide range of useful features with extended glyph sets and opentype features. Antikor Mono is geometric sans monospaced typeface with all typographic features except spacing and kerning. As other styles it has many opentype features and extended character set including SmallCaps, Stylistic Alternatives, Scientific Numbers, Fractions, Oldstyle Numbers, Case Sensitive Forms, Arrows, Circled numbers and etc... It is designed to meet all the needs of the monospaced text medias... As Antikor is a versatile family, Antikor Display is a very alternative typeface with playful calligraphic curves. It is designed with the idea of creating a contrast and eye catching touch in display use of typography. It creates tasty contrast against the serious and solid monospace look. Each style has 11 weights ranging from Hairline to ExtraBold + real italics, consist of 22 fonts.

Litza is a layered, condensed, all-caps cross stitch display type family. It is made up of 10 layers that show different stages of stitching and can be stacked, moved around, and coloured separately in order to create interesting effects. The ten layers come in 3 weights; Light, Medium, and Bold. The 3 weights can also be mixed with one another to create a vast range of combinations when stacking the layers. Litza has multilingual support and includes glyphs for a wide range of Latin and Cyrillic languages. The family also contains a set of ornamental borders and over 80 decorative symbols in the shape of various animals and objects. Combining the various Litza layers allows you to create eye-popping, intricate, experimental typographic compositions that are rich in detail - with ease. The condensed, geometrics sans-serif letterforms and playful nature of the Litza layering system give a contemporary feel - while at the same time retaining a nostalgic and tactile quality due to its reference to traditional needlework techniques and patterns. Ideal for use at larger point sizes where the unique, stylish effects can be best expressed - Litza will add a touch of intrigue and work best in headings and emphasised text for poster design, editorial design, packaging design, and motion design.

Alessyia is a classic style typeface font. This font has classic but at the same time a fresh look. "Alessia family" includes 3 font types: Regular ( Classic and elegant with straight geometric lines ) Grunge ( Dirty and messy ) Retro ( Hand drawn brush font with an uneven texture )

Verbindig is a modern serif style typeface. With over 45 joining ligatures and 3 different Styles it's easy to make a unique logo, headline or poster in seconds. Regular, Bold & Extreme Multilingual support Numerals & Punctuation Fun fact: Verbindig means connection in swiss german - yes I'm from Switzerland

Norline™ is a new bold sans-serif typeface created to be used for bold titles with 3 shapes into a display fonts way to make it legible for contemporary use. This type features a Latin Pro character set, covering multiple languages written with the Latin script.

Inspiring from space aircraft theme, Plutonian was made with simple geometric shapes and come with 3 different weights. With this typeface, you can use it for logo, title, magazine cover, headline, powerpoint templates design, signs, and many more. What's included? - Uppercase Characters - Lowercase Characters - Multilingual support.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. The elegant one of the family, Alinea Serif, is a transitional, a style represented by Caslon and Times. It is a contrasted typeface, strong stems and thin hairlines.

Disgrunged is a distressed grunge font, as you might guess, and industrial sans-serif in feel. The Disgrunged-1234 family has ink blotches and spills, along with misprinted letters, and the typeface has four versions (1, 2, 3, 4) giving increasing amounts of chaos, jumbledness and irregularities.

Made with 3 width sizes taking into account the width between each letter, and the harmony between each letter. Mixtures fonts impress with the density on each side. suitable for use in the use of display fonts, and designs such as posters, billboards, covers and others.

Callephane is our newest font. Its retro style is inspired by a unique design in the 60s. This fonts is perfect for any project, posters, clothing, labels, logos, badges, and many more, that would benefit from a retro look. Callephane has 3 styles: Light, Regular and Rough.

Mister Giacco Pro, designed by Diego Giaccone, is a simple stroke sans serif font designed with a solid structure that is ideal for corporate use, branding and any design where legibility and personality are required. It is available in 3 weights including small caps and italics.

To design the font Bobbin Cyrillic I was inspired by the You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from Mai 1960 till December 1973 in Poland. In the Bobbin Cyrillic family, every variety contains 3 alternative characters with automatic replacement.

Volante is a gorgeous condensed sans serif typeface that comes with various stylistic alternates and discretionary ligatures. It comes with multiple weights, from thin to heavy, with 3 extra outline styles. This is perfect to sweeten up your headlines, branding visual identity, editorial, poster, and etc.

Mister Twiggs is a comtemporary modern sans created by the American type designer Alex Kaczun. There are absolutely no curves in this elegant typeface. It has sharp corners with extra tall capitals and a narrow waistline. Mister Twiggs comes in 3 flavors: regular, thin and heavy.

Introducing our new item, "Rockrace". The font set which has 3 different styles that you can combine it as a headline, subheadline, and tagline. The techno style has a negative space in the middle letters, gives a modern touch. Suitable for sport, techno and minimalist theme.