Inspired by the first Swiss banknotes, Fiducia is a four weight display typeface. Linked through a common theme, this family is a collection of four styles of typography, Serif, Modern, Slab and Sans. Connected through common vertical proportions, the styles can be combined and mixed to create diverse layouts. These four styles include a range of Opentype features, they all share a range of numerals and each weight equally features its own additional option, for example adding a titling style in the Serif weight or Small capitals in the Sans.

Egyptian ephemera is a typeface inspired from basic block lettering, widely used in art and craft of sign writing. 5 styles available from light to bold. and for the first time it is also available as variable fonts. One of the uniqueness of this font is the small spur on each stem, and the terminal, which intends to simulate an entry and end brush stroke. OpenType features support such as Smallcaps, Tabular Figure, Superscript, and 2 alternate of ampersands. This typeface was created for Display needs, such as headlines, signage, logotype, badges design, packaging, etc.

The Bitstream version of Monotype Rockwell, 1934. Twentieth-century design influence is revealed in strokes of more even weight than in the original nineteenth-century Egyptians or Slab Serifs. Rockwell is a prime example of this twentieth-century approach. It seems to be a simple Constructivist geometric sans with strong square slab serifs added to. Angular terminals make its sturdy design particular sparkling. It is a strong face for headlines and posters, and is legible in very short text blocks. Cyrillic version was developed at ParaType in 2000 by Isay Slutsker and Manvel Shmavonyan.

No: Jethro Bodine didn't design this typeface although, to look at it, you might be tempted to think so. Rather, the pattern was a product of the fertile imagination of famed lettering artist Alf Becker. The lowercase letters are the same as the uppercase, but angled differently so, if you want a randomized appearance, you can activate Contextual Alternates and the font will do the shift-key double-clutching needed. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Moldovan and Romanian.

Orev Edge is altered modified from the form of the original "Orev" typeface. We added curved line in both inner and outer edges, including the structure of typeface. Import to be more friendly, the font family has smoother terminals that harmonize with the newly-added curved lines. With all of these features , "Orev Edge" is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Autor is a medium-contrast sans serif font with a dynamic stroke modulation. Its clean look and angled terminals give your designs a ‘sharp’ and contemporary feel. Autor Family comes in 7 weights, ranging from Thin to Black, with matching italics, resulting in a total of 14 styles. Autor is well-suited for editorial design, body text in books and magazines, headers and titles. It can also be used—as a display font—for logotypes, branding, advertising and publishing. The font includes a character set containing more than 400 glyphs that support over 200 languages.

Zially is a new handwriting typeface built with modern OpenType features with PUA encoded glyphs. This is a smart font that works with popular design software like Photoshop, Coreldraw, Illustrator, Microsoft Office, Cricut, Surecut even Silhoutte software, and more. This freehand typeface welcomes you to use it for various purposes such as logos, cards, wedding invitations, headings, signatures, t-shirts, letterheads, cutting stickers, hot stamping, signage, labels, posters and more. It's craft friendly!!!! OPENTYPE TECHNOLOGY: - Stylistic alternate - Standard Ligatures - Discretionary Ligatures - Initial form - Medial form - Terminal form - Numerals - Punctuations

The Delima font family has something of the Clarendon or Ionic influence but is distinguished by a lighter serif treatment. The contrast between thick and thin strokes is not pronounced, weight stress is vertical. Delima's serifs are short but strong, allowing close letter spacing to give good economy. Lowercase x-height is very generous, internal counters are open. This combines to give Delima excellent legibility in small sizes and an overall even colour when set in text. Delima works well for magazines, periodicals and display work in advertising, flyers and catalogues.

Wolfsbane is a brush script that is beautiful and unique, it is a model of modern calligraphy typefaces, in combination with a calligraphy writing style. Font features: - Contextual swashes - Contextual Alternates - Standart ligatures - Discretionary ligatures - Initial Forms - Terminal Forms - Stylistic Alternates - Stylistic sets Font file included: Wolfsbane OTF Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

This script font was inspired by the “Ronde” French script. It was in use from 1700s to 1900s (until 1960s in special circumstances) for registers, legal documents and texts, certificates, labels and other documents that must be particularly legible. Today in France, it is still being used for menus, advertising, and labels. The present version is a late 19th Century pattern. This font supports very strong enlargements as well as small sizes. When printed, it remains perfectly legible and elegant from 9/11 pts even if using an ordinary inkjet printer.

Basile is the conclusion of a process that began with the learning of italic handwriting in a roballos-Naab studio course. In this workshop I developed a variation of chancery handwriting which had a more pronounced wider than its historical model. While making the digitalization, the forms were modified to obtain a similar spirit to the one in the handwriting, but thinking about the text in small sizes. Also incorporating three sets of forms enlarged the family: italic, swash and extra swash. And the addition of initials and terminals sets.

Introducing Edmont is a vertical high and tall typeface that's great for headlines. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Respect! Our tribute to hand lettering culture. This exuberant new script font family draws inspiration from the traditional craftsmanship of sign painting and brush pen calligraphy techniques. Our aim was to create a modern interpretation of brush script, which referenced old-school hand lettering but also adds some contemporary forms, terminations and swashes you might expect to find in street art. The slanted angles and curved steams are designed to give this font an active energy, plenty of attitude and a courageous/brave character. We recommend to combine Timberline with: Turquoise

Kaleko 205 Round is a rounded variation of Talbot Type font Kaleko 205. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded terminals give it a friendly, approachable look. The Kaleko 205 Round family comprises of six weights and is closely related to Kaleko 105 Round. The most notable differences between the two variations are the two-storey lower case a and g in Kaleko 205 Round, where they are single-storey in Kaleko 105 Round.

In the DR Krapka Square typefamily, the pixel has a square shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Square-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts. If you want to use fonts with a different shape of pixels, there are also typefaces from DR Krapka family: DR Krapka Round, DR Krapka Rhombus.

Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale. Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit.

Alphaluxe is a distinctive new typeface from Wesley Poole of Hawai’i. This vertical script packs a velvet punch. It compels attention like the best of the futuristic Moderne scripts from the 1930s, (refined by the 1950s) with none of the bulk. The shapes are strong, their rendering light. Fortunately, Mr. Poole can't break his addiction to elegance and sophistication. It's a classy alphabet. but not self-conscious or stereotypical. Contributing mightily to this effort is Rod Cavazos (Psy/Ops, San Francisco). Among today's typefaces, Alphaluxe is a rare achievement.

With its solid slab form, mixed with subtle curved terminals, Arbour is a unique font with the versatility to work in many different scenarios, from branding to digital applications. It comes in 7 weights, from a delicate extra-light to a solid, strong black, with matching italics for each upright. Arbour may have a serious look to it but it also has a playful side. The light weights are great for calling out text and the heavy weights are perfect for that new brand you are working on.

Galaxus is an edgy display font defined by its tight spacing, sleekness, and short descenders. Curvature is limited throughout the character set with straightened lines dominating the interior. Traditional diagonals in capitals like M, N, W and Y are given the straight treatment to maintain vertical emphasis. This styling along with the contrast between thick and thin make for a unique look. Galaxus would work well in a logo, on sports apparel, or in a video game. This family is equipped with Basic Latin, Extended Latin, diacritics, punctuation, kerning, and comes in 4 versions.

This variation of Tangential (see also the Standard & Semi Serif variants) continues with the angles that give the typeface its name; however, the square terminals are half-rounded to create a softer and slightly more fluid styling. The Tangential style I envisaged for the family is complemented by the prominent use of negative space throughout, most apparent on the drop-shaped ‘o,’ which is a key feature of the typeface and a letterform I'm particularly pleased with. Available in 2 weights, Regular & Bold, in both OpenType OTF & TrueType TTF formats.

Madley is a contemporary slab serif typeface. Featuring monolinear stems, elongated block serifs and teardrop terminals, the type family goes from a delicate Hairline weight to a heavy Black weight. Because of its range in weights and extensive Opentype features, it’s a perfect font for both text and display text settings. Alternative features include a wide array of swashes assigned up to 11 for select characters, combining ligatures in capital unicase settings, and stylistic alternates for some letters. To see more, please check out the User Guide and Specimen booklet.

Kaleko 105 Round is a rounded variation of Talbot Type font Kaleko 105. It's a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded terminals give it a friendly, approachable look. The Kaleko 105 Round family comprises of six weights and is closely related to Kaleko 205 Round. The most notable differences between the two variations are the single-storey lower case a and g in Kaleko 105 Round, where they are two-storey in Kaleko 205 Round.

Staehle Graphia Script was designed by Professor Walter Stähle in the 1960s. It is a very vertical font in the style of the printing on private correspondence in the 19th century. The elegant and sweeping capitals of Linotype Staehle Graphia Script are particularly well-suited to the beginning of passages or lines while the capitals of Linotype Staehle Graphia are better for longer texts. Both should be used with a relatively small line width. The lyricism and liveliness displayed by the font makes it the perfect choice for artistic texts such as poems.

Foundry Flek and Foundry Plek are created on the same dot matrix grid system. Each family includes: light, regular, medium and bold weights – with a selection of dot patterns that can extend the grid vertically and horizontally. The underlying matrix common to each weight allows experimentation with overlays, and mixing weights produces varying effects. Foundry Plek used conventionally works well for serious correspondence, with a 'typewriter font' effect. Foundry Flek has an integral dot matrix grid as a background. With these two fonts a whole new graphic language can be explored.

Heraklion letters are drawn with their gravity in the metric vertical – instead of resting on a baseline, they dance acrobatically on a string. This allows for a more drastic variation among the glyphs, which no longer have a fixed x-height. In order to create a simplistic and mathematic character, shapes are constrained to circles and straigh lines. The design principles result in a playful expressive set that is surprisingly clear. “A choreography where the individual actors freedom of expression is enclosed in foundational rules that create interconnectivity and belonging.”

Aelita is a low contrast serif typeface in 6 styles. It's distinguished by lowercase character alternates that noticeably change the text pattern. The main character set is quite strict and is characterized by sharp and clear terminals and stiff junctions between stems and bowls. Alternates are more facile and calligraphic. Neutral design of the main character set makes the typeface suitable for scientific and literary texts. Alternates are ideally suited for science fiction, fantasy and art books. The typeface was designed by Natalia Vasilyeva and released by ParaType in 2014.

Baltex Holled is calligraphy font that has a lot of alternate characters such as swash in beginning and terminal, alternte and stylistic alternate. This font alredy PUA encoded so you can easly to find the all alternates characters even though you use software that can't accsess opentype characters otomaticlly so you can use with characters map software to switch it, you can see it https://www.youtube.com/watch?v=KV7n5nxmsLs. Baltex Holled font is perfect for logo font, title, headline, products packaging, branding identity, advertisements, media social post, and more.

Stipa willington is a classic font I built it with my relaxed hands with the design of a classic font but having a modern element in it. It makes it particularly suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, in fact for any design work that requires a clasik, formal or luxury. Try Stipa willington, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Acerola is a contemporary script font based on calligraphy with the pointed brush. The letterforms have a touch of chancery with a fresh look, full of details and offering great readability. It contains a various OpenType features and supports most Latin-based languages. Over 1200 glyphs make up this display font that can be used for all manner of applications. Acerola includes alternate characters, swashed capitals, terminal forms, ligatures, stylistic sets and small caps. Acerola stands out in any typographic composition and certainly will make your design looks like unique and handmade.

Biffo was designed by David Marshall and produced in 1964. The alphabet in handwritten style has the character of writing done with a broad tipped pen. The figures are round and flexible, even its vertical strokes have rounded edges, softening the look of the characters. The basic forms show parallels with a pear shape: generous in the lower third and thinning out as they move upward. Biffo is a unique, lively typeface perfect for personal correpondence and for communicating spontaneity. It is best for short and middle length texts as well as headlines.

Foundry Context is a sans serif family designed to be universal in many contexts – hence the name. A ‘no-nonsense’ typeface, reminiscent of 19th century sans serif faces, Foundry Context has very round, pure letterforms, crafted without being over refined, and having minimal stroke contrast in the neo-grotesque style. A hint of personality has emerged from the very drawing of the proportions, strokes, and terminals, yet Foundry Context is still neutral enough to compete in the grotesk arena, and at the same time has something new to say.

Introducing our latest display typeface called RESIDUAL is a Strong Bold Display Font, Cool and Strong with can make your logotype become more interesting. Best Vintage font and multilingual support. inspired by the decorative arts and architecture movement. RESIDUAL fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more. It’s perfect for labels, quotes, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs,and window art.

Noyh Geometric Slim is altered modified from the form of the original “Noyh”(2015) typeface. We added sharp corners in apex, including the structure of typeface. Import to be more Corporate, the font family has flat terminals that harmonize with sharp corners. With all of these features , “Noyh Geometric Slim” is a prominent, eye-catching and unique typeface. It comes with 9 weights and italic type in order to suit for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

Bell is a facsimile of the typeface cut originally for John Bell by Richard Austin in 1788~ using as a basis the matrices in the possession of Stephenson Blake & Co. Used in Bells newspaper~ The Oracle~ it was regarded by Stanley Morison as the first English Modern face. Although inspired by French punchcutters of the time~ with a vertical stress and fine hairlines~ Bell is less severe than the French models and is now classified as Transitional. Essentially a text face~ the Bell font family can be used for books~ magazines~ long articles~ etc.

Sava is a calligraphic capitals and small capitals design by Jovica Veljović. Available in six weights--light, regular, medium, semibold, bold and black--it includes support for most western and central European languages, as well as for Greek and many Cyrillic languages. Typographic features include a series of non-standard ligatures and a large collection of specialized Byzantine ornaments. Influenced by the forms of medieval calligraphy, Sava is named after St. Sava, the first Archbishop of Serbia, who was famous as a peacemaker, and for his educational and charitable works.

Mansdefia is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of Italian women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Desirable Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Order a platter of sizzling Pork Chop, a sans serif from Font Kitchen. Rounded squared contours and horizontal terminals give this serif typeface a futuristic feel, while still remaining readable at smaller sizes. 10 weights are available with obliques, weighing in at 20 styles, each fresh cut and farm-raised. This font family is served with sides of expansive ligatures, kerning pairs, stylistic alternates, proportional and tabular figures, and versatile fractions. Pork Chop is a great way to add a calculated, futuristic, yet still approachable feel to your next project.

TWO LAYERED FONT: Be sure to get both the FRONT and the BACK! Maintaining simultaneous shades of whimsy and versatility is no simple feat, but the meticulously constructed Stately Gothic accomplishes just that, elegantly. Stately Gothic is a redrawn version of Grit Gothic. The strong vertical character of this stacking/layered typeface make it an ideal solution for use where legibility matters most: posters, logos, book and album covers, and so on. It is part of Grit History Series B along with Heirloom Artcraft, Worn Gothic, Grit Sans, and Grit Gothic.

Journal Sans Old School is a new, modernized digital version of the widely popular Journal Sans. The new typeface preserves the character of the geometric sans from the famous “Science and Life” magazine of the 1960s. The weight of the basic styles corresponds to the Journal Sans regular and bold from the Soviet linotype catalogs. Also, the original vertical proportions and character forms match the original. Cyrillic Alternates, Greek language support expand the range of font’s usage. Journal Sans Old School was designed by Natalia Vasilyeva and released by Paratype in 2019.

Manifold® CF is a utilitarian typeface inspired by the precision of a computer terminal, softened by contemporary design and rounded corners. Manifold's unified letterforms and tall x-height are great for user interfaces, or track it out for a sophisticated look. Manifold also offers wide language support, including Cyrillic script, Vietnamese, and Pinyin Romanization. Manifold® CF excels as a headline or display typeface, and pairs well with contrasting simple serifs like Artifex CF and Artifex Hand CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.