Named after the trendy New York City locale, SoHo Nights BF features sensuous curves and tapering lines that combine to create a unique new look that’s a little bit art deco and a little bit art nouveau. The font also exhibits attributes that can be described as cartoon-like, and even “spooky” when seen in short blocks of large text. Use SoHo Nights BF when your projects require that certain "air of mystique".

A 1990s-vintage Radiohead poster by Jermaine Rogers provided the go-by for this tight, trippy techno face. Jermaine's design, it turns out, was an adaptation of a Ray Larabie font, Dignity of Labour. This version cleverly combines stark geometry with Art Nouveau sensibilities to produce a kind of Digital DNA feel. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Arnold Boecklin is a true Art Nouveau font, evocative of outdoor cafes in the years prior to World War l. Arnold Boecklin seems to be telling a story, with its decorative curves and varying emphasis of strokes. The Arnold Boecklin font should be used for specific copy as in headlines or advertisements, bearing in mind its strong design. Arnold Boecklin is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

Secca Art recovers some of the expressive forms of early art nouveau and art deco grotesques — not copying it, but carefully adapting it for today. Secca Art is based on the Secca typeface family and is full interchangeable. Both are equal in weights, widths and word spacing, so you can decide to give your layout a more expressive or serious look. If you need Italic styles just use the Italics from Secca .

Here's a lively new take on the swirly psychedelic type we all know and love, Spirit of '69 brings in some subtle dimensions of waviness to the vertical strokes, upslanted horizontal strokes, and alluring paisley shapes formed out of the negative spaces. This is a unicase font, in the grand tradition of the Art Nouveau lettering of the early 20th century, and the melty groovy fonts of the 1960s. Lots of fun and beautiful too!

ITC Stoclet is the work of British designer Phill Grimshaw, an offshoot of the research and experimentation which led to the development of ITC Rennie Mackintosh. It is a condensed, angular typeface, and its sharp angles, swooping curves and long forms are reminiscent of Art Nouveau. The font includes a number of alternative characters which enhance its flexibility. ITC Stoclet is ideal for large, ornamental designs as well as short blocks of text.

The typeface Belwe, created in 1926 by German typographer and teacher Georg Belwe, has an uncommon style that is difficult to describe. It is a synthesis of many different genres: it is a slab serif with Art Nouveau style but also with many blackletter influences. The angled serifs on the ascenders and the calligraphic flourishes on the the upper and lowercase V, W, and Ys reference marks made by pens. There are also many other special characters that are unlike any other designs. Have a look at the fun lowercase a, the quirky lowercase f and g, and the unique C, F, L, and R for the uppercase. This design works especially well for display sizes, but is also good for short amounts of text. The mood and image suggested by this typeface is great for menus, invitations, and signs when you want to send a personal and friendly message. It's Art Nouveau roots also give it a place in history for designs from the Victorian period up through the 1920's and 30's

Johnny is the latest addition to the long line of popular psychedelic/hippy/funky art nouveau fonts representing the retro side of the Canada Type library. It is the digitization of a popular 1969 Phil Martin typeface that was known by two different names: Harem and Margit. The film type version had plenty of irregularities and quirks that made it seem like it was done in a hurry. In this digital version the errors have been corrected and the character set expanded to include international characters with built-in alternates, to be on par with what today's layout artists expect from a high quality font. This font saw a lot of use on record sleeves and music posters throughout the pre-disco part of the 1970s, which makes it a veteran of both the psychedelic and funk periods. This makes it the sharper, sturdier art nouveau contemporary personality of Canada Type's Tomato font. This font contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

The typeface Belwe, created in 1926 by German typographer and teacher Georg Belwe, has an uncommon style that is difficult to describe. It is a synthesis of many different genres: it is a slab serif with Art Nouveau style but also with many blackletter influences. The angled serifs on the ascenders and the calligraphic flourishes on the the upper and lowercase V, W, and Ys reference marks made by pens. There are also many other special characters that are unlike any other designs. Have a look at the fun lowercase a, the quirky lowercase f and g, and the unique C, F, L, and R for the uppercase. This design works especially well for display sizes, but is also good for short amounts of text. The mood and image suggested by this typeface is great for menus, invitations, and signs when you want to send a personal and friendly message. It's Art Nouveau roots also give it a place in history for designs from the Victorian period up through the 1920's and 30's

Enoway is a modern elegant typeface, which leans towards the Neue Nouveau style. The Enoway typeface was inspired by the early the Art Nouveau typographic designs, which was characterized by decorative designs and embellished stroke endings. The Enoway typeface has a high-contrast and a thin hairline, this gives the typeface a modern but nostalgic look. The Enoway typeface comes in two styles, Regular and Oblique. The Enoway typeface can be paired with a minimal sans serif or light script font, this combination will give your next project a modern and unique look. The Enoway typeface is very versatile and can cover a wide range of project such as: fashion branding, mastheads, magazines, feminine logos, facebook banners, wedding invitations, Instagram posts, websites, blog posts, pull quotes, editorials, product packaging, trendy social media posts, advertisements and much more. If you are looking for something modern and nostalgic for you next project, Enoway is the font for you. ENOWAY INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternate characters. Multilingual symbols. We hope you enjoy using the Enoway typeface.

ITC Greengate is the result of a time-traveling, intercontinental collaboration--one between 21st century South African designer Richard Every, and early 20th century Scottish artist Jessie Marion King. Jessie Marion King (1875-1949) began her professional career as a book designer and illustrator, but over time her creativity found its outlet in many forms, including posters, jewelry, ceramics, wallpaper, fabrics, murals, interior design and costumes. After eventually settling in Kirkcudbright, Scotland, she founded Green Gate Close, a center for women artists. Although her style is reminiscent of the Art Nouveau artist, Aubrey Beardsley, King's aesthetic was an offshoot of the “Glasgow Style,” a Scottish hybrid of the Arts and Crafts movement and Art Nouveau. Often, her illustrations included hand lettering. It was just this kind of lettering that gave Richard Every his inspiration for ITC Greengate. When he saw some children's book illustrations that King created in 1898, he knew on the spot he had to complete the hand lettering as a typographic font. He began working on the typeface in 1996, but it took six years to be released as an ITC typeface. Every simplified and harmonized King's letterforms slightly and, most importantly, added a suite of lowercase characters. The result is a somewhat earthy Art Nouveau design, with a character quite distinct from typical digital revivals. Every's career has been as diverse as King's. He was born in Durban, South Africa and studied graphic design at ML Sultan Technikon in Durban. He's been an art director, freelance designer, the owner and manager of a nightclub and co-manager of a South African band. “Through it all,” he says, “typography has always been one of my passions.”

Paestum is a Latin typeface inspired by Greek inscriptions of the 6th and 5th centuries B.C. Its name comes, suitably, from the Latin name for Poseidonia, a former Greek city south of Naples whose two remaining Doric temples have been on antiquities tours since at least the 1700s. Others have scanned this terrain before, of course, but earlier designs failed to supply a lower case. Although Paestum includes complete upper- and lowercase alphabets, diacritics, numerals, and essential punctuation, it does not have many unhistorical glyphs -- such as currency symbols and the @ sign. Paestum comes with three weights: light, medium, and heavy.

Cast your stars like the ancient Pharaohs. Commonly known as the Zodiac of Dendera, this series is based on the symbols found on the roof of the temple at Dendera. It is believed that the Egyptians likely borrowed the signs of the zodiac from the Greeks, possibly in the Ptolemaic period. Containing 52 unique characters, the series includes the 12 zodiac signs, the 30 phases of the moon in its equatorial position, the Gods of the four winds, and the Gods of the five planets of Venus, Mercury, Mars, Saturn and Jupiter. NOTE: this font comes with an interpretation guide in pdf format.

Bookkeeper JNL is based on the lighter weight version of R. Hunter Middleton's 'Karnak', produced in 1936 for Ludlow. "Karnak" itself was based on the geometric slab-serif "Memphis", designed in 1929 by Dr. Rudolf Wolf and released originally by the Stempel Type Foundry of Germany. According to Wikipedia, "Karnak" "was named after the Karnak Temple Complex in Egypt, in reference to the fact that early slab serifs were often called "Egyptians" as an exoticism by nineteenth-century type founders." Available in both regular and oblique versions, Bookkeeper JNL serves well as both a headline and text type face.

The cover of the 1919 sheet music for "While Others are Building Castles in the Air I'll Build A Cottage for Two" had its title hand lettered in a wonderfully eccentric Art Nouveau serif design that typified the era. Also typical of the time was the habit of various songwriters to come up with wordy titles. This particular one checks in at fourteen words. Nonetheless, the sheet music's title inspired Air Castles JNL and its oblique counterpart.

Abalda adds to the number of “bad-taste” alphabets as seen on faded commercial inscriptions painted on neglected old houses. To enhance its warm character, some picturesque discretionary ligatures were added. Use it for posters, private invitations, or create a punchy company logo – the smell of old times will coin decent traditional look without a vulgar “Art Nouveau” cheapness. Yes, Abalda shares its overall proportions with Zeppelin 43, hence the whole family is a good choice to combine with.

Wine Cellar JNL is a bold, yet casual display face found on some 1930s-era sheet music entitled "Everybody Wants a Key to My Cellar". Since the subject of the song had a number of good times underneath the house, it's a fitting name for the font. The hand lettering for the original song sheet showed strong influence of the 1920s and the Art Nouveau style, and has hints of the popular metal type "Hobo" in its character shapes.

Elodie is an Art Nouveau inspired all caps font with some extra quirky characters. It was hand drawn with a brush pen. Elodie is designed for titles, short quotes, product names etc. Use lower-case letters for regular text, and then add a some special quirks to your writing by using the characters in the upper-case section. Multilingual support is included for Western, Central and Eastern European languages. Please test your characters in the font previewer before purchase.

The inspiration for this proto-Art Nouveau typeface showed up in the 1887 type specimen book of Farmer, Little & Co. under the name Vassar. Its bold, sinuous curves, which take unexpected turns now and then, make it the perfect choice when you want to command attention...in a dignified, Ivy League kind of way, of course. All versions of this font include the complete Latin 1252 and CE 1250 character sets, with localization for Romanian and Moldovan.

For decades, the Greenwich Village area of New York was a home for artists, poets, writers and free-thinkers of their time who were labeled "Bohemians" because of their non-conformist approach to life and the arts. Greenwich Village JNL is an Art Nouveau-influenced typeface with a Bohemian approach in its double crossbars on the A and H; all the while being a nice example of hand lettering found on a vintage piece of sheet music.

“I Don't like No Cheap Man” is a piece of early 1900s sheet music featuring its title hand lettered in a condensed slab serif design. The influences of the Art Nouveau era are clearly found in the many eccentric character shapes within the various letters of the original artwork. Recreated in digital type, Tightwad JNL is available in both regular and oblique versions – and its font name is a variant of the “Cheap Man” portion of the song’s title.

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

The 1913 sheet music for "There's A Girl in the Heart of Maryland (with a Heart That Belongs to Me)" may have had no shortage of words in the title - fifteen to be exact, but it also offered some nice hand lettering in the Art Nouveau style. Maryland JNL is a condensed typeface with an unusual twist. The "S" and "G" both have spurs on them, which is reminiscent of the preceding Victorian period and the popular spurred Tuscan alphabets of the time.

Boetia is an Art Nouveau period font which is designed to give some of the feel of ancient Greek lettering and design. It also echoes the lettering of the Psychedelic poster era and would be a great addition to any 60s font collection. The overall effect is both modern and classical at the same time, with readable, bold character forms perfect for posters or other titling uses. If you like our Hendrix or Pantagruel fonts you're going to love Boetia.

Summerisle was developed from a small sample of hand-lettered characters in one of the two theatrical posters for the cult movie The Wicker Man. The style combines elements of Celtic and Art Nouveau design with a bit of the feel of the late sixties paganistic theme of the movie. We've expanded it to a full character set while preserving the unique look. The name for the font comes from the name of Christopher Lee's pivotal character in the movie.

HGB Memento was designed to replace 12 bronze plaques with the names of those who died in World War I. The 12 plaques were stolen in 2016. Stone tablets were made on which the original writing was engraved using sandblasting. Memento is therefore suitable for commemorative plaques and for texts of a sacred nature. Extremely short ascenders and descenders allow very narrow lines. The design language of the Memento comes from the 1920s with echoes of Art Nouveau and Art Deco.

Sheet music for the 1910 composition "Good-By Betty Brown" has its title hand lettered in a thick and thin, condensed sans serif design reminiscent of lettering found in later comic strips and books of the 1930s and 1940s. Transcending both the Art Nouveau and Art Deco styles, Funny Papers JNL gets its name from the slang reference Americans of the early 20th Century gave the Sunday comics pages in their local newspapers, and is available in both regular and oblique versions.

Faithfully reproduced from my father’s design drawings made at The Municipal School of Arts and Crafts, Wolverhampton in 1939. Strong nostalgic influences of Art Nouveau and Art Deco. What caught my eye was the consistency with which each particular character was formed: every ‘R’ like every other, every ‘S’ the same. Tight letter spacing and loose word spacing characterised his titling but he didn’t trust himself to print without first ruling guidelines, a hint of which remain in this font.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric. Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles. This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

By the enchanted amulet of the all-seeing eye of Agamotto, by the Seven Moons of Munipoor and the beards of the eternal Vishanti, there are Strange Magicks in the Crimson Circles of Cyttorak that only a Sorcerer Supreme -- a Master of the Mystic Art Nouveau -- can comprehend. This font, transcribed by the Hoary Hand of the Host of Hoggoth, will admit you to the inner sanctum of The Ancient One. Not transferable. Void where Dark Arts prohibited by supernatural law.

What's so funny 'bout peace love & understanding? Nothing really. Love and Peace is an Art Nouveau style typeface inspired by Eckmann-Schrift by Otto Eckmann in 1900. Love and Peace is filled with ethereal elegance and it's great for posters, magazines and psychedelic LP covers. Love and Peace is equipped with few Contextual Alternates and Standard Ligatures to prevent characters from colliding. In addition it has Stylistic Alternates for lowercase a, k, r and s, and Swash Alternates for ampersand and dollar sign.

In a career spanning the early 1900s through 1940, George M. Cohan wrote and produced over 50 plays, 300 songs and was also an actor, singer and dancer. Many of his works honored his Irish roots, and the cover of one piece of sheet music called “The Irish American” (1905) had its title hand lettered in a condensed Art Nouveau type design with tiny spurred serifs. This is now available digitally as Dress Rehearsal JNL, in both regular and oblique versions.

Baseball Dynasty™ is an all-caps Art Nouveau font with authentic, classy, turn-of-the-century styling that recalls the early days of baseball. It can be used for historical purposes such as documentaries, but it also lends itself to nostalgic marketing & packaging with its down home, good-old-days kind of vibe. Let Baseball Dynasty™ help you knock your project out of the park! Digitized by John Bomparte. **Breauhare’s Elephant Party™ font also appears in the “Granny’s” poster

Introducing Moderately, a chunky and friendly typeface that makes a bold statement. This high-impact font is specifically crafted for designers seeking a display typeface with presence, perfect for applications where large, expressive type is a must. The defining features of Moderately include a generous x-height, soft curves, and tight spacing, ensuring a punchy and fresh aesthetic. Moderately is a deliberate departure from your contemporary sans with nary a straight line to see, embracing the organic and dynamic qualities reminiscent of blocky Art Nouveau typefaces, notably inspired by the works of Alfred Roller. While drawing influence from psychedelic / Art Nouveau revival typefaces of the 1960s, Moderately strikes a contemporary balance, delivering a design that is both impactful and approachable. Each glyph in Moderately attempts to maximize its space within the em square, incorporating slim carve outs for counters and apertures. The name "Moderately" adds a touch of irony, as this typeface is anything but plain – it exudes affable confidence and subtle flair. Created with versatility in mind, Moderately offers broad support for Latin-based languages, ensuring its adaptability for a wide range of creative projects.

Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Introducing our new font Kinsale Display. A bold and strong looking display font that not only heavily inspired by the vintage/classic letterforms, but also some touch of modern twists and absurdities. Mouse-crafted with high attention to details; clean lines, sharp edges and tempting curves. Its wide and blocky letterforms make Kinsale is a great spacekiller. Suits best for title/headline, logo/logotype, packaging/label designs, etc. Packed with 300+ glyphs, weaponized with standard upper/lower case characters, numerals, punctuations, some multilingual letters, alternate characters, and ligatures. This font is a must have item for your designing arsenal. Get yourself one and start creating something cool! THANKS AND ENJOY!!!

This font was originally designed side by side with my first attempt at a semi serif typeface in 1997. The design made it through to full development only a couple years ago when our studio decided to complete the regular weight for a local project here in Bangkok. The face is a traditional serif with narrow stem (somewhat like sans serif) and industrial stroke. A good mix of Bangkok character where you can find Wat (old buddhist temple) next to futuristic high rise. This font was shown in Klingspor-Museum Offenbach, Germany, at a Typographic & Type Design exhibition Schrift in Form 3-26 September 2008.

PM Orchid is a soft, flowing Art Nouveau typeface with tons of ligatures and alternates. It comes in two handy styles - clean and printed. PM Orchid Clean has sharp, clean edges with slightly rounded corners. It is designed to be used with projects that require a clean edge like wedding invitations and modern layouts. PM Orchid Printed has the feeling of vintage letterpress printing. It's slightly rough distressed edges allow it to fit in with vintage style designs that have more tactile design elements.

"Shinobu" is an elegant psychedelic display font that combines characteristics of Art Nouveau and Modren San serif types. The name "Shinobu" comes from the anime character " Shinobu Kocho" from an anime called "Demon Slayer". Like "Shinobu's" characteristics, This exudes elegance and poshness while still having that quirkiness. This display font is intended to be used in big-scale designs such as headlines, posters, flyers, apparel, quotes, greeting cards, product packaging, album covers, movies, and more. *This font includes letters, numbers, alternates, and all essential marks needed.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).