Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

Hutsulyandiya 2D family fonts comprise folk ornaments found on Hutsul ceramics of the mid 19th to early 20th centuries. Hutsulshchyna is an ethnic region in the Ukrainian Carpathian Mountains where folk art and indigenous culture preserve up to nowadays. All images are to the maximum approximated folk prototypes. The graphics are characterized with grotesque, stylization simplicity, surprising plot moves. The font cheers up and evokes positive emotions.

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

URW Urban follows the trend of pattern fonts. Each character has been provided with an individual pattern created with a special stamp technique. To create a vivid typeface, there is a stylistic alternate for nearly every character. In this way the grotesque has a modern, unconventional look. URW Urban reflects a metropolitan lifestyle and is perfect for themes like party, music, sport and film.

Hello friends! The 'Aromanis' font is coming, a playful and sweet font in two variants: Regular and Shadow. Aromanis font comes with a complete package of uppercase, lowercase, numeric, punctuation, multilingual characters, and some of the alternative glyphs to add an extra to your word. It's perfect for branding, logo, invitation, greeting card, packaging, graphic tee, poster, anything that you need to make a playful, fun, neat and sweet effect in your works. Happy creating :)

Mozer is a semi-condensed neo-grotesque type family of 16 styles ranging from Thin to Black matched with true italics. With a generous x-height, economical width, moderate contrast and overall solid appearance this typeface shows an uncompromising legibility merged with a contemporary spirit that has not lost its individuality, even in the small details like the discreet ink traps. Mozer covers Extended Latin, Cyrillic and Greek and is suited with plenty of OpenType features, such as localisations, ligatures; four type of numerals including figures and tabular; case-sensitive forms; alternatives etc. Mozer comes accessible and closer to all designer’s needs. Features: • Over 790 glyphs in 16 styles (Thin to Black); • Extended Latin, Cyrillic and Greek scripts for more than 130 languages; • Tall and balanced x-height; • Semi-condensed width proportions; • Moderate contrast and vertical stress; • Neo-grotesque characteristics and terminals with humanistic flavor. Designers: Ani Petrova, Mirela Belova, Nikolay Petroussenko

CA Normal Serif is the perfect companion to its grotesque brother CA Normal. But it is not just a serifed equivalent. It has a character of its own while preserving the principal proportions and the idea of quirkiness. It was not the aim to build a typeface that can immediately be identified as a relative of CA Normal. The intention was to create a matching typeface in aspects of aesthetic and concept. Whereas commonly serif-companions to grotesques are old-style or slab-serif, CA Normal Serif is situated between modern and slab-serif typefaces. CA Normal Serif is a little bit of an uncomfortable typeface. Nothing is smooth and cozy. It picks up elements of classic newspaper type as brought to us by Chauncey H. Griffith's legibility group, sharing the flavor of abrasive details and "slabbish" serifs. But the proportions are more condensed than the ones of its predecessors giving it a bit more elegance, which moves it closer to the aesthetic of "Scotch Romans".

Niveau Serif - the companion of Niveau Grotesk - is a type family of six weights plus matching italics & small caps. It was designed by Hannes von Döhren in 2013. Influenced by classical nineteenth century engravers faces, the fonts are based on geometric forms. Niveau Serif has a contemporary feel and combines the clearness of a Sans with the elegance of a typeface with serifs. Niveau Serif is equipped for complex, professional typography with alternate letters, arrows, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua. The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Rothorn™ is a modern, minimalist geometric sans with its own personality derived for subtle design details, such as cut diagonal corners, pointed t, very small contrast and closed aperture. The letterforms give the typeface a lot of charisma, keeping a very minimal, clear and well balanced look at the same time. Its powerful and sharp shapes together with the variety of weights from Hairline to Black make it a perfect choice for headlines and branding. Generous x-height, careful spacing and distribution of weights give it a color and legibility great for long paragraphs of text. Rothorn is a geometric member of a large type system including such families as Montreux Grotesk (Swiss-style grotesk), Lütschine (narrow headline family) and Conthey (narrow headline unicase family). The Rothorn family consists of 10 weights with corresponding italic styles, giving a total of 20 styles. Italic styles were hand drawn to get sharp and fine letter shapes. It includes a 2-axis variable font letting you adjust the weight and italic slant to your exact needs. The family has extended latin language support, as well as broad number of OpenType features, such as, case sensitive forms, ligatures, contextual alternates, lining, oldstyle, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

The starting point for Wildcat was the 3×5 squared grid popular for tiled lettering and American sportswear typefaces. However, Wildcat breaks free of the net whenever necessary. This typeface comes across as tough, it has no soft curves, and evokes strength and confidence. Unlike other collegiate-style fonts, Wildcat includes a real lowercase which makes the face particularly usable and adaptable. Wildcat also contains a full complement of Latin Extended-A characters. Three fonts are included in the download; Regular, College and Outline. The College and Outline fonts share identical spacing and kerning, so can be overlapped to create bicolor artwork.

XyloScript is my first script with a woodcut look to it. Still, it is very elegant. Xylo is Greek and means “wood”. This script is another one I designed in the tradition of the 18th-century English calligrapher George Bickham and the 19th-century American calligrapher Platt Rogers Spencer. I like it, your very crafty Gert Wiescher BTW if your font manager tells you that the font is corrupted, just ignore that! This script is very complex and that’s causing some font managers to say the font is corrupted. I have tested it and it works fine!

✒️Radja Wolly✒️is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and stencil tyle. Supported by alternative options such as swash, ligature and alternative characters, making The Radja Wolly Typeface very easy to create designs with strong or vintage themes. In addition, The Radja Wolly Typeface font is also supported with multilingual characters that can be used in several international languages. The Radja Wolly Typeface is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Some words from the designer... Like a tree rooted in ancient philosophy with branches reaching into the new age, ITC Holistics encompasses 82 pictographs of astrology, healing, magic, nature and spirituality. In an illustration style that originates from hand-carved rubber stamps, west coast designer Teri Kahan shines new light on these timeless symbols. ITC Holistics is functional collectively and individually for graphics and logos. As with Teri's companion font ITC Connectivities, ITC Holistics can also be used as a divining tool. Just type your name in caps and lower case and see what the images tell you!

This font is named "Halloween Party". This font was intentionally made to add to the excitement of the Hallowen event that will soon arrive. This "Halloween Party" font is very scary because there is blood on it. This font is perfect for adding to the excitement and mysticism of your Halloween event. In addition to Halloween events, this font can also be used as a movie title, book title or something else that is horror, can also be used to write quote words, tell mystical things, or as a horror and mystical pickle invitation card, and others.

Oracul is a modern display font with Bohemian motives. The font is created in a psychedelic retro style and decorated with the stars. Oracul includes stylistic alternates and ligatures. The font is suitable for the design on the theme of astrology, mysticism, spirituality, witchcraft, magic, esotericism, fortune-telling, tarot. Oracul has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Oracul font includes stylistic alternates for symbols: E, H, I, J, L, O, Q, T, U, Y. There are also ligatures: MA, RA, KA, XA, AA, AM, RM, OO.

I raise chickens for eggs and meat. I usually buy fertilised eggs online and place them in my incubator, which says that it is 'fully automatic'. Of course I added that rather random introduction to tell you how I came up with the name for this new font... Fully Automatic is a handmade cartoon font: I used a sharpie pen to draw the glyphs onto rough paper. The result is a wobbly, yet quite clean cartoon font. Fully automatic comes with extensive language support and two sets of alternates for the lower case glyphs that cycle as you type.

Unleash Your Joy with Rastely Dive into the fun with Rastely – Funky Typeface. It’s a joyful escape, perfect for creative minds. Inspired by psychedelic vibes, this font keeps it chill. Its playful curves promise a good time. Every letter brings a smile, designed for fun at first sight. Playful to the Core Rastely isn’t just a font; it’s a party invitation. Crafted with a relaxed approach, it’s easy-going yet bold. Let each character tell a story of cheer. Imagine your projects with a touch of whimsy. Moreover, its easy legibility makes it perfect for all ages.

What's that, bub? Looking for a whole train full of whupass? A six pack of adamantium shred? Listen, are you talking to me or chewing a brick? Either way you're gonna get all your teeth broken. And if you think that's all just Tough Talk, make your move, bub. (Our new font, ToughTalk, put the words in Wolverine's mouth in the pages of Steve Skroce's WOLVERINE: BLOOD DEBT, but don't tell the short Canadian over there, he's likely to get upset at the mere suggestion that people put words in his --) What? No, I didn't, uh, say you were -- ulp -- short...

Bobbi Bee won't stop popping her bubblegum, even though that's not very ladylike.

 Bobbi Bee is very proud of all of her 361 numbers, letters and alternates - all of which are chock full of summer sunshine and life. The font comes in a single weight (because she's perfect just the way she is.) She's cut out for a very special book title, logotype, or love letter. Keep Bobbi's hand firmly in yours in shopping malls, as she tends to get distracted and wander, and though it's hard, always remember to tell her how smart she is, as well as how beautiful.

A Tartufo is a truffle in Italian. I have to admit, I have never eaten one, so I couldn’t really tell you if they’re any good. I suppose they are, but you’ll have to find that out for yourselves! Tartufo font is a bit of a weird font. It was hand made with a rollerball pen on some very expensive French paper. As I was drawing each glyph, I figured I might as well include Cyrillic and Greek. Tartufo is not a text font - I’d use it for packaging, posters, book covers and T-shirts. Comes with a whole bunch of diacritics!

We would like to introduce a new font Maiolica. We were inspired by Italian ceramics and floral patterns on square tiles. We decorated the empty space of letters with geometric patterns. That's how this font turned out! Maiolica typeface includes three fonts: Decorative, Inline, Symbol. Mix and match them to get interesting design. The font is suitable for menu design, wedding invitations and cards, craft products branding and packaging (ceramics, floristics, soap making, natural cosmetics ect). You can create trendy lettering posters for your social media, photo overlays, printing clothes. Also use individual letters and symbols to create logos and monograms.

This slinky number will seduce you with its linking letters and special ligatures. Brimley's strokes are tight and sharp, and its characters are tied together with slender, whispy hooks. Although its elegance is timeless, this is a style that typifies lettering of last century's late '50s and early '60s. Chank Co. intern Tim Drabandt created Brimley with inspiration from antique type books. He named the font after Wilford Brimley. You know... the chubby old guy who tells you to check your blood sugar and eat your Grape Nuts and Quaker Oats. Haven't you ever seen Cocoon?

Was God an Ancient Astronaut? Are crop circles signposts for UFOs? Are we or are we not alone? Do you Want To Believe? We have No Idea. Nevertheless, we've put together a rather attractive little typeface -- by the name of Aztech -- which will undoubtedly add fuel to speculation vis-a-vis the existence (or non-existence) of Extra Terrestrial Intelligence. Yes, in our ongoing quest to spread enlightenment and dispel anxiety throughout the universe, we've created a font which will allow you to enjoy the concept of Alien Intervention without the embarrassment and discomfort of anal probing. Tell your friends.

FINALLY! We’re telling you for The Last Time! This is not a Threat! This is not a Negotiation! Refusal to cooperate with the terms of this font will be considered an Act of War! There can be no Dispute! The Crisp, Sharp hooks and corners of this typeface are Not To Be Reasoned With! Gosh Darn it, we have grown tired of asking and this is merely a formality precedent to the outbreak of hostilities. It’s a little corporate, it’s a little bureaucratic, but our lawyers insisted that we propose a settlement of compromise. Ipso Facto.

A title is something strong. Something that leaves its mark through time, in the memories and in the hearts. A title tells things about the content, its purpose, its meaning, its point. For your needs in strong titlecase letters comes Anthracite. Looking almost like they were carved out of raw wood in the 1820s, the letters of Anthracite will not only imprint well but they will also impress. Its carving gives a feeling of relief, or shades, of textures that will be unique every time you use it. The perfect font if you want to stand out and be read.

This time the font's name is meaningless. Maduki doesn't mean 'cool' in Swahili, nor does it mean 'cup cake' in Sranantongo. It is just a nice name. Maduki is a playful font, created with one of my 2 year old son's marker pens (the 'no stain, wash-out' variety), a couple of cups of coffee and a whole bunch of 'speculaas' cookies. Now you're wondering what speculaas is, right? I'll tell you later - in a couple of fonts... Anyway, there's not much meaningful to say about Maduki font. It is nice, it is cute and it comes with alternates!

Introducing, Clephons is a captivating serif display font that exudes timeless elegance. Crafted as an all-capital typeface, this font is a homage to vintage letterforms, blending classic charm with a touch of modern sophistication. Perfectly tailored for branding, headlines, logos, and designs with a classic or vintage theme, Clephons effortlessly captures the essence of a bygone era. Its distinctive serifs and refined details make it a versatile choice for projects that demand a touch of retro flair. Elevate your designs with Clephons, where every character tells a story of refined aesthetics and enduring style. **Uppercase

Body graphic project at Behance Body is a type family designed for Zetafonts by Cosimo Lorenzo Pancini with Andrea Tartarelli. Conceived as a contemporary alternative to modernist superfamilies like Univers or Helvetica, Body tries to maximize text readability while providing a wide range of options for the designer. It comes in two variants (Body Text and Body Grotesque), each in four widths and four weights: regular and bold for basic typesetting, light and extrabold for display use. Body Grotesque applies to the sans serif modernist skeleton little imperfections and quirks inspired by our research in early 20th century type specimens. Curves are slightly more calligraphic and a light inverse contrast is applied to bold weights, giving the typeface a slight vintage appearance in display use. Body Text, on the contrary, challenges the modernist aesthetics maximizing horizontal lines and using open terminals for letters like “s” and “a” that appear normally dark in modernist grotesques. For both variants, the normal width family is slightly condensed in an effort to maximize space usage; the Slim width is provided for extremely dense texts or side notes while the Fit width is optimized for display usage as in logos, headings or titles. The Large width manages to look elegant in its light weight while becoming a valid heading or subtitle font in its extrabold weights. All the 64 fonts in the Body superfamily include a complete latin extended character set with small caps for over 70 languages, Russian cyrillic, open type positional numbers, stylist sets and alternate forms.

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Developed by Indonesian designer Fadhl Haqq, Ordina is a grotesque-style superfamily with no less than 90 styles to choose from. It supports Latin including Pinyin and Vietnamese, Greek and Cyrillic, complete with Bulgarian alternates. Choose from Ordina’s eight figure sets, fine-tune its appearance with stylistic alternates for key lowercase letters, and put the reliable yet stylish sans-serif workhorse to good use in virtually any typographic application.

Tide Sans Condensed is fresh, carefree, and just as good looking as its extended brother, Tide Sans. The Tide Sans family includes beautiful italics and an overall affable look lost somewhere between a humanist and a neo grotesque. Tide Sans does the work for you by providing a ridiculously large stylistic alternates set, fine tuned small caps, and a whole beach of alternate (amper)sands to feel between your toes.

Nora Art is based on Nora Grotesque . It transformed with variations of every letter by using different styles. This amazing font family is based on layer combinations and gives endless possibilities to make various designs. Each style could be used separate or merged in order to create any kind of design you can imagine! It is the perfect solution for logos, headlines and posters that really stand out.

Developed by Indonesian designer Fadhl Haqq, Ordina is a grotesque-style superfamily with no less than 90 styles to choose from. It supports Latin including Pinyin and Vietnamese, Greek and Cyrillic, complete with Bulgarian alternates. Choose from Ordina’s eight figure sets, fine-tune its appearance with stylistic alternates for key lowercase letters, and put the reliable yet stylish sans-serif workhorse to good use in virtually any typographic application.

Kantarell is a calligraphic sans-serif typeface rooted in the traditions of Roman square capitals. In all-caps Kantarell has a very grotesque look to it, while in small x-height letters sustains it's ortodox form. The family available in single style and works best in headline and display settings. Typeface supports: Latin characters with diacritical marks; Cyrillic charecters (Ukrainian, Russian); Variety of symbols for use in commerce.

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Vivala Unicase is a modern, rounded linear grotesque that is easy to read even in small font sizes. The composition of uppercase and lowercase letters results in a unique typeface. The new version contains five weights, including a boldface, which greatly expands the design possibilities. With an extensive set of characters and symbols, it is ideal for posters, t-shirt design, promotional products, car design, labeling, trademarks and headlines.

The grotesque workhorse: Substance fulfills the primary role of emphasizing content. Containing 8 weights + italics (800+ glyphs each) Substance is a workhorse with loads of subtle OpenType features (small caps, a choice of lining, tabular and old style figures, numerators, denominators, tabular figures and signs, fractions, ligatures), 21 currency signs and a diversity of symbols and arrows. Substance provides everything you need for demanding briefs like signage or corporate design.

Rottko is a strong, static grotesque. Round shapes tend to square. The smooth silhouette of the letters contrasts with the clear rhythm of the composition. Diagonal strokes are a bright accent. The font contains a standard set of Latin, mathematical symbols. Rottko is designed for poster slogans and bright headlines. This typeface suit for modern logo and branding. It's clear and memorable. The family set consist 12 style.