This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.

A great new display face. The slight serif gives extra character to this solid looking design, whilst the outline version has an open, clean look.

Missale Incana is a redesigned, new interpretation of a typeface from Herbert Thannhaeuser. Its a strong calligraphic roman typeface, well suited for headlines. OpenType features:

Legoix is a simulates scribbled letters - comes with ligatures to avoid repeating letters. You will need to use OpenType supporting applications to use the autoligatures.

See also other font families related: American Advertise 013, American Advertise 014, American Advertise 015, American Advertise 016, American Advertise 017, and American Advertise 019.

This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.

New Font for Armenian Designers. This is an Armenian handwritten font. The font is comprised of Armenian letters only All Caps, numbers, and minimal punctuation.

This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.

A heavy contoured all cap font, great for poster, school and sports, will also work in many other applications where a strong statement is needed.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

A wrecked, monospaced font containing 272 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Bay Ridge JNL, modeled from vintage sheet music lettering, is named for a neighborhood in the Southwest corner of the borough of Brooklyn, New York.

Paola is a redesigned, new interpretation of a typeface from Carl Rudolf Pohl. OpenType features: Central European faces Ligatures & contextual alternates Proportional & mediaeval numerals Fractions

The ALDOGIZIO family is a new slab-serifs typefaces family inspired by Aldo Novarese' Egizio. It can be use for text as for titling applications.

A wrecked, monospaced font containing 273 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

48 whimsical hearts and swirls, some solid, some line but lots of little graphics for your Valentine needs. Many ways to say "I Love You".

Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.

Subway Ticker is based on a 5x7 grid, electronic display observed on a New York subway train in February 2005 en route to Coney Island.

A wrecked, monospaced font containing 261 ligatures, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Borba Sans is based on Borba . It is really readable sans serif typeface which may be used whenever you need a stylish and modern typography.

DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –

This new font family full fit all your comic balloons, onomatopoeia and... SCREAMS! Comes with Regular, Italic and Bold Italic with a great organic look.

Distinction Is a brand new font from Great Lakes Lettering. A high contrast brush script with a ton of usefulness. Make you mark with Distinction.

Andale Mono was designed by Steve Matteson. It is a highly legible monospaced font designed with the needs of terminal emulation and software development environments.

In 1924 Morris Fuller Benton designed for ATF a new variation on his father’s design, Century Oldstyle. Century Schoolbook has become a synonym for readability.

Introducing Galisteo, a subtle retro-aesthetic serif typeface. This font will be suitable for display design projects and creative ideas that need to stand out.

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.

Boa bold is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round and clear.

One menorah that I have long found particularly appealing was named The Tree of Life Menorah, a replica of which I gave as a gift one holiday to a kindly old couple who were neighbors and became friends. It had a simple, organic elegance that I see in the best of Art Nouveau sculpture. To me personally, Judeism is a celebration of life, like the triumph of the flower that blossoms in the crack of the city sidewalk. Just as Hanukkah celebrates the rededication of the temple and the miracle of the oil, it celebrates the victorious quest for freedom of the Hebrew people led by Judah Maccabee. Hanukkah represents determination and courage and faith — and it represents the presence of God in the lives of His people. It is interesting to note that the founding of the Albanian nation in the early twentieth century grew out of the resistance of the Albanian people to the imposition of Greek language and culture in the aftermath of the dissolution of the Ottoman Empire. The typeface, HADASSAH, designed by Henri Friedlander (1904-1996), is my favorite Hebrew typeface. Thirty years in the crafting, I believe it is unsurpassed for its shear beauty, combining a subtle modulation of stroke with a simplicity and clarity of form. No doubt, that is why it has become so popular. For me, the Sîyn/Shîyn characters are especially satisfying. For a Hanukkah message in Hebrew, I would choose HADASSAH LIGHT for a headline and print it as large as I could. If, however, you are looking for a friendly, warm face for a seasonal message in a roman-letter based language, may I suggest BETHLEHEM EPHRATH. It will be as comfortable as a bulky, hand-knit sweater on a frosty afternoon and reflects the solid, encompassing, family orientation of this holiday. It was on the way to Ephrath that Jacob’s beloved wife Rachel gave birth to Benjamin and then died from her labor. It was to Ephrath that Naomi and Ruth returned and in Ephrath that we have the wonderful, heart-warming story of the marriage between Ruth and her Redeemer-Kinsman, Boaz. And it was to Ephrath that prophet, Samuel, went to find a new king and there in Ephrath that the prophet annointed a small shepherd boy named David. The Proverbs tell us to seek wisdom. Never underestimate the impact you have on others. Words of kindness can change people’s lives. The Talmud says that the highest form of wisdom is kindness. Be wise this holiday season. The font BETHLEHEM EPHRATH is based on the typeface Accent with the permission of URW++ of Hamburg, Germany. Like most display fonts, it is most effective at 18 points and larger. Like most script fonts, it is most effective when set with both upper and lower case. Although this font is readable in all caps (many scripts are not), that does not make it a good idea. Do so only with caution.

Multicolored Fonts Many years ago, when Xerox Corporation still had its own font department, I came to Los Angeles in 1985 to train the IKARUS program. One day Bill Kienzel, head of the Xerox font department at the time, said we should go to the Hollywood Hills together; he knew people there who were experimenting with multicolored fonts. After a little wandering through the winding streets of the many hills, we reached a somewhat overgrown, simple family house standing under trees. A group of very inspired designers were waiting for us there. They immediately showed us the works they created using photomechanical tricks. They were fascinating. The American colors and the whole look seemed noble and enchanting. The problem was that this process was very difficult to implement and required a lot of effort on individual letters. They dreamed of a colored font that could be used for normal typesetting. We thought back and forth about how to save the individually colored letters in a common font, but soon gave up because we didn't see a technical option. So this idea and the memory of the time in Hollywood lay dormant in the back of my mind for many years, until at the beginning of this year 2023 I received an order to produce an outline typeface and the story came back to me. Suddenly I knew how to solve the problem from back then: if only the areas that should have the same color in all letters were saved in their own separate fonts, they could be colored independently of each other and later placed on top of each other. I implemented this in the 5 fonts that are now available with the 3 variants “Outside”, “Middle” and “Inside”. Together with the background, 4 colors can be combined with each other. This method works in text programs such as Word or InDesign. In Photoshop or Illustrator, the individual surfaces can also be colored by converting them into paths if the additional “Complete” variants (which contain all 3 contours) are used. There is also a “Basic” variant that can be used to achieve special effects such as overlay, bleed, etc. The first 5 fonts in this series are all based on the principle of contouring. Anyone who claims that you don't need any special fonts because they can be created automatically from any font using common programs is wrong or is only telling only half the truth. Anyone who has ever dealt with this knows that many individual adjustments to the design are necessary after contouring. This has happened in the 5 fonts that are now available and have very different styles. The dream from back then has come true. The user can set any text, long or short, in multiple colors, freely design the color scheme and apply all the usual typographic settings. Volker Schnebel, November 2023