FS Koopman is a hard-working typeface. A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

Sans serif characters re-drawn from old newspaper headlines (and used in the design for Late Breaking News JNL) were given a slab serif treatment in order to create a condensed type face with both grotesk and block influences. The end result is Tabloid News JNL, which is available in both regular and oblique versions.

Strongbox JNL is based in part on an incomplete sample of an old wood type alphabet seen on an image sharing site. Commonly known as a grotesk (or grotesque) face, this style of sans serif lettering is well-suited for headlines, display work, price cards or anything where a bold, condensed typeface is needed.

AZ Dramamine font has some inspiration from A&F tee-shirts, but mostly it is completely original script. This font was designed for use as a worn and antiqued headline.

Timeless Renaissance looks, gently updated. For novels and billboards alike. Allrounder Antiqua is an old-style serif member of the Allrounder superfamily. A timeless typeface based on classical proportions, Allrounder Antiqua is perfectly suitable for advanced book and editorial design well as packaging and branding. True: its main purpose is to set flawless body copy and to generate an evenly textured page—but its refined shapes work fantastically in display applications, too. Some details, such as the small and sharp bowl of the lowercase a, are fully appreciated in large sizes only. If you need a sophisticated serif typeface for packaging, food, fashion, consumer goods, or lifestyle branding, Allrounder Antiqua is up for it. It's also apt as an outstanding corporate typeface, be it for a more conservative venture or the latest hipster start-up. This classy serif typeface comes in four weights with corresponding true italics. Just like its sans-serif counterpart, Allrounder Grotesk, Allrounder Antiqua is equipped with plenty of Opentype Features like small caps, six sets of figures, case-sensitive forms, superiors, fractions and many ligatures. You will find alternate letters with swashes within this extended character set, as well as all the accented glyphs necessary to support more than 200 Latin-based languages. Historical Background The (French) Renaissance-influenced typeface started as Moritz Kleinsorge's graduation project within the "Expert Class Type design" course of the Plantin Institute for Typography, located in the famous Museum Plantin-Moretus in Antwerp, Belgium. There, Moritz Kleinsorge decided to create a revival of Robert Granjon's "Ascendonica Romain", described as "a beautiful face; typical of Granjon's mature style" in the inventory list of available material. "To touch punches and matrices cut by Robert Granjon back in 1567 was an invaluable inspiration", Moritz explains. Over time, the typeface moved away from being a true revival. Rather, it evolved into a Granjon-inspired typeface. That typeface is now available as Allrounder Antiqua. Perfect Pairing: Allrounder Antiqua + Allrounder Grotesk Allrounder Grotesk is the ideal complement to Allrounder Antiqua. They both share common vertical metrics and a common color. This allows you to pair both typefaces within the same layout—even within the same paragraph—without creating visual disruption. Head over to the Family Page of Allrounder Grotesk to get more information about this typeface. Design Trick: Bilingual Design With the Allrounder Superfamily Combining Allrounder Grotesk with Allrounder Antiqua is an ideal approach for bilingual designs, wherein both languages get the same emphasis yet are distinguished with two different typefaces. It's also best practice to set headlines in a different typeface than the body text if they harmonize with each other. Allrounder Grotesk and Allrounder Antiqua provide you with the perfect pair for this purpose.

The unusual hybrid of square letter forms mixed with Art Deco-influenced ones in the digital typeface Common Area JNL is brought to you by the hand lettering found on a vintage piece of sheet music for "William Tell". The typeface is available in both regular and oblique versions.

Gilmer is a fresh, geometric, sans-serif font family inspired by iconic typefaces like Futura and Avant Garde. Gilmer has a big x-height value, ​geometrical letterforms, sharp edges, and very small stroke contrast as the neo-grotesk fonts from the 20th century. The typeface is versatile and can be successfully used in magazines, posters, branding, websites, etc.

Designed at ParaType in 1994 by Tatiana Lyskova. Based on Carola Grotesk of H.Berthold and Bauer type foundries (early 20th century) and Boutique of Haas type foundry (Munchenstein, Switzerland). Bold style based on Herkules of H.Berthold foundry (early 20th century) was added for ParaType by Manvel Shmavonyan in 2002. For use in advertising and display typography.

Designed by Wilhelm C. Pischner, Neuzeit-Grotesk first appeared in 1928 with the font foundry D. Stempel AG. In 1966, Neuzeit S was introduced by Linotype-Hell AG, intended for large bodies of text and predecessor of Siemens corporate design. Neuzeit S is timeless, combining strength of form and objectivity and legible even on inferior papers.

Unisketch is an homage to my favorite font Univers when I was at design college. Univers is a neo grotesk font by famous Swiss typeface designer Adrian Frutiger. Unisketch, with its worn, misaligned and slightly tilted characters, still retains some of the qualities that workhorse body copy requires: It is legible at small sizes and produces a compact ‘Schriftbild’.

The Book of Kells is a handwritten Irish text which dates back to the 8th century. Kris Holmes and Janice Prescott digitalized some letters from this book and some from a Grotesk font in the style of Frutiger. A computer filled in the blanks and the designers then gave the font its finishing touches by hand.

PSZ Alpha was designed by Patrick Siegfried Zimmer in 2023. It is a modern typeface designed in a sans serif-grotesque structure and it has been created by taking inspiration from the leading Grotesk fonts that have been designed at the beginning of the 20th century. PSZ Alpha is designed to give results in both screens and editorial designs.

Adria Slab is a smooth slab serif typeface that comes in seven weights and charming upright italics. Try combine it with its super friendly family member Adria Grotesk. Enjoy making great typography with a vast choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.

AZ Rough Fart font was created out of a need for a typeface that would compliment a rough outlined Tee-Shirt design. For use as a headline or subhead in your design.

Some time ago I stumbled upon a little book called 'De Sprookjeshoorn' ('Horn of Fairy Tales') by Anton Eijkens (1920 - 2012). It was published in 1946 and contains several authentic and unique fairy tales - unfortunately unreadable to modern children, as the language used is out of date. What caught my eye was the handwritten font on the cover of the booklet. Closet Skeleton is a fairytale font inspired by the one I found on the cover of De Sprookjeshoorn. It comes with several curly alternates and some end-ligatures as well. I added an 'old fashioned' ampersand and a modern one, so you can choose which one to use. Apart from that, Closet Skeleton comes with a closet choc-a-block full of diacritics.

The design of Kristall Grotesk is based on a cut by Wagner & Schmidt, Leipzig, from the 30s of the last century. The basis for the digital version of the Stiftung Werkstattmuseum für Druckkunst , Leipzig was the standard font (28p) of the manual cuts as offered by the font foundry Johannes Wagner, Ingolstadt. The implementation was deliberately created as a replica to create a faithful reproduction as a starting point for the design of other design sizes. The present Kristall Grotesk is therefore a headline design. The appearance of the typeface can be varied by a number of alternative forms of capitals, which, according to the taste of the time, contain either pointed or flat formations. Designer: Hausschnitt Johannes Wagner, Leipzig, Redesign Elsner+Flake, Hamburg Designdate: 1937, 2009 Publisher: Elsner+Flake Design Owner: Stiftung Werkstattmuseum für Druckkunst , Leipzig Original Foundry: Wagner & Schmidt, Leipzig

Nora Grotesque is a modern sans serif type family of five weights plus true matching obliques, all completely equipped with opentype features, fractions, lining numbers, old style figures, capsular numbers, superscript and inferiors. It has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features in multiple languages, support Central and Eastern European as well as Western European languages. Working on Nora Grotesque type family, we've aimed to create a modern geometric grotesk with the widest implementation range, a reliable workhorse. Nora Grotesque is equipped for complex, professional typography with a high x-height for maximum legibility and a powerful personality then other alternates. We've been especially careful working on the uniq geometry of each glyph, both from the point of view of visual correctness and forms continuity.

SchmalfetteCP is the result of another collaboration between designers Jason Walcott and Rob King. King suggested that Walcott revive this wonderful and somewhat forgotten sans serif typeface from the mid 1950s. Originally designed by Walter Haettenschweiler in 1954, Schmalfette Grotesk was used for many years in the German magazine "Twen". The typeface was notoriously hard to acquire at the time and graphic designers in the USA often resorted to cutting letters from the Twen magazines and reusing them in their own designs. Later, when digital type came along several typefaces very similar were created that claimed to be digital revivals of Schmalfette Grotesk. However, they are actually only loosely based on the original. The proportions are different and in some cases a lower case was added. The original font was all caps. At Rob King's suggestion, Jason Walcott has strived to recreate the most faithful digital revival possible of the original Schmalfette Grotesk with the new version of SchmalfetteCP. In some cases small changes were made to accommodate today's digital needs (e.g. web fonts), but anyone who has ever searched for this typeface now has a version available that most closely resembles Haettenschweiler's original work. Schmalfette CP comes in OpenType format in both .ttf and .otf files and offers support for all Latin based and Eastern European languages.

Kaboom family contains 80 handmade glyphs depicting animals. It consists of two varieties: black as an outline and regular - with details. Inside you'll find monkeys, fish, birds, deer, pandas and other animals from the real world and fairy-tale. Illustrations can decorate invitations, t-shirts, children's texts, books, and posters.

Space Show and tell. This font is the no-nonsense choice in your design of clear and big display typography for many types of media – infographics, websites, menu cards, posters, web banners, logo, signs etc. The font has ligatures, unique alternates, hybrid and oldstyle numerals – and specially designed subscripts and superscripts.

Joe Kubert's son Adam has a story or two to tell as well; the AdamKubert font, based on Adam's own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel's ULTIMATE X-MEN series. Comicraft fonts are created BY comic book letterers FOR lettering comic books. Accept no substitutes!

Creeps is based on a series of drawings by Britton Walters. You can't escape the Creeps, they are everywhere! Be they looking at you funny on the bus or telling you about their collection of chicken bones in the break room at work. There is a little creep in us all.

Welcome to Magic Story! Magic Story is a beautiful and magical font. It was made inspired by vintage magical story book. This will bring you to the world of fairy tales vibes. Touch your craft and design projects with this fantastic font and create a lovely works you're proud of.

Hello, Introducing a vintage font "Antic Mosaic". It's a decorative typeface made of hundreds of mosaic tiles. Five included font variations will help to create different color combinations. Antic Mosaic supports most of the west european languages and also includes ukrainian cyrillic characters (check out the screenshot with all available glyphs).

The font family Brun includes two styles Regular & Clean. Brun is a casual, modern and hand brushed font. I've designed Brun carefully with the intention to preserve in its glyphs the original tell-tale dry brush imperfections and a bouncy baseline for a more personalized effect even more authentic. Brun Clean preserves the characteristics of a brush font without being dry brush stroke. As an exclusively Open Type release, with 575 glyphs and 35 ornaments, it has several special alternatives for all letters with lots of possibility an an infinity of combinations. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, swashes and stylistics alternates for each letter, beginning and ending letters. These lovely fonts have already an extended character set to support Central and Eastern as well as Western European languages. This will help your creativity and make it easier to make the impressive and elegant typographic work. This font is a perfect choice for greeting cards, posters, labels, t-shirt design, logos, and more. Brun was made to make your project more beautiful and attractive! Have fun with it! To activate the optional glyphs you may click on buttons in any OpenType savvy program or manually choose the characters from Glyph Palette. Enjoy it!

Browar is a display Grotesk typeface which has Latin & Cyrillic scripts. It comes in 1 weight and it contains 416 characters. Browar includes extended language support (+ Cyrillic), fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate, newspaper, display, magazines, game ui as well as for editorial design.

KT Mogli is a Grotesque print design typeface inspired from automotive poster. KT Mogli is single style font for Headline & body copy. Stylistically it sits between the dynamic humanist sans and more rigid grotesk. The clear letterforms have broad proportions and are generously spaced. This font suitable with your projects such as poster, user interface, magazine, logo, apparel design, etc.

I'm thrilled to introduce Aether, a seriously cool typeface. Picture this: a sans grotesk vibe with some artsy inktraps and a dash of diamond-cut feature on certain letters. It's like mixing timeless human warmth with a touch of edgy-modern style. Perfect for adding that extra oomph to anything you're creating. Give Aether a spin and let your creativity run wild!

Kruda is a Handcrafted display sans with 3 widths and 5 weights with accompanying slanted version. inspired by a vintage grotesk on a worn out signs and this was an initial sketch for our typeface Naratif, but it went too far. so we completed the language support for LATIN, CYRILLIC, and GREEK. and decided to take the risk to release it.

This font contains images in two variants, that is: tiles (seamless, endless) and dingbats showing plants, leaves, blooms, frogs, butterflies and ants. Note: Please be aware that you may need to prepare those patterns in order to work with them in CAD-CAM or if you intend them for bolt cutter etc.

Dominatrix is a dirty little font who won't let up until you say the safe word. And I'm not telling you what the safe word is. This font comes with autoligatures so consecutive duplicate letters won't look identical. It also has more European characters than you can shake a leather whip at.

Middle Earth is a Medieval calligraphy serif font. With the historic charm of ancient manuscripts and the ethereal beauty of elven realms, Middle Earth typeface weaves tales of valor and legends. Variable font! Only one font file, but the file contains multiple styles. More info about Variable Fonts: https://mansgreback.com/variable-fonts

Books Script — this is a good-hearted font, which was created based on the books of the Soviet period between 1960 and 1970. This font is perfect for illustrators and books which are designed for children. Scope: emotionality, uneven rhythm, display, titles, illustrations, soviet, USSR, poetry, ipad apps, fairy tale, epic poem

Quetzal is a decorative font designed to look like letters formed by mosaic tiles in a Mayan or Aztec style. The font features two different character sets and customizable over-and-under decorative tails which can be added to any character to make hundreds of possible combination forms which nest together attractively.

Not inspired by any one thing, Candy Randy came about as an attempt to capture the feel of hours spent aimlessly perusing childrens' advertising and packaging from the early 1960s. It always reminds me a bit of Christmas and was named after an imaginary character in tales told to my youngest sister.

Zellige is a modular typeface inspired by the tiles that can be found in Southern Europe and North Africa. Made of ornamental geometric shapes, with two layers for improved legibility, Zellige reflects the luxurious and sophisticated flare of the mediterranean spirit of architectonical composition, employing the latin script into very baroque shapes.

Created by Jovica Veljović, the Agmena typeface family is a fine melding of digital technology and beautifully crafted Renaissance fonts. This typeface makes skillful use of proportion, form and spacing rather in the way that a practiced storyteller varies the timbre of his voice and deftly inserts longer pauses to bring his tale alive.

Unleash your design potential with Quasar Soft, a remarkable typeface that seamlessly blends modern aesthetics with a touch of playfulness. With a collection of 11 fonts at your fingertips, including 5 versatile weights and captivating pattern font inspired by mosaic tiles, Quasar Soft offers an endless array of possibilities to breathe life into your project

Lettering in a 1923 ad for Piera Nova, designed by Hernando G. Villa, inspired this delightful Deco offering. Like its namesake, this font is a talented teller of tales, both elegant and entertaining. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

This bitmap font is made of 97 icons to use to express this time of the year... You will find christmas tree, Santa, cake, stars, gobelin, and a lot more. They work well for background tiling, just as symbols, or for anything else. We hope you like them ! Best size in bitmap is 20pt.