Poacher is a hand-drawn font inspired by the popular Hand Of Sean font, by the same designer. It has a looser, fun feel and is great for applications aimed at children. Great for kid’s books, classroom hand-outs, annotating sketches and notebooks. Great for use on natural, organic food / product packaging.

Comicartoon is a playful and cheerful display font that captures the magic of cartoons from a distant era. You can use it for cartoon related designs, children games or just any creation that requires a lovely touch. Get inspired by its beautiful charm, and turn any design project into a stand out!

Hay Billy is cute handwritten font. It is bouncy, charming and perfect for many design projects or crafting ideas, Hay Billy perfect for large design project like Tshirt, Advertising, bags, quotes, food , poster, fashion, custom sticker, magazine, and many others. It completed with numbers and punctuation. Multilingual support, and came with PUA encoded.

Hello! Do you need a weird font for your lettering, invitations, or banners? Please try it. There are a lot of ligatures and multilingual glyphs. What you will get: * Uppercase (lowercase glyphs are same) * Multilingual support * Numbers and symbols If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

Andralis was designed by Ruben Fontana in tribute to the designer Juan Andralis. Its handcrafted, strong and robust appearance, maintains at the same time a friendly and human tone. It was specifically designed to perform well in long texts, also offering excellent results in headlines. Andralis is a Trademark of BauerTypes SL

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

High Cut came about by this found object I stumbled upon, while exploring an abandoned building, which had this word "High" cut out of it in a similar stencil design. I thought it would be a fun challenge to create an entire typeface inspired by this found object. Enjoy this new stencil typeface!

Superstar Grotesk is a free interpretation of the first Cyrillic versions of Royal Grotesk and Akzidenz Grotesk, later the "Roublennaya" typeface is the same irremovable pop artist who lingered in the top of the typographic charts until the digital era, and formed the image of the Cyrillic alphabet in the 20th century.

Drillepind is a kidder in danish. You know, someone who teases, without being rude. Once you start typing with Drillepind, you will notice that the font does the same, in a playful way. You never know what happens next, when using the font - but you do know that it'll be loads of fun!

Designed after the sixties neon sign of an arthouse cinema in downtown Zurich, Studio 5 is now a typeface for many applications. The three different styles include old style numbers and alternate characters for titling. All styles have the same metrics. Bold and open styles can be layered for neon sign effects.

Angular Old Style by Viktor Kharyk is usable as display font, for non-formal texts, especially poetry, for children books and virtual games about adventures, history, and pirates and includes some original ornament set. By stylistic it connects with Italian Renaissance, Czechian types of the first half of 20th century and cut technology.

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Electrical Tape is a mono-case display type. The idea came from generating custom letters using pieces of electrical tape. The over all design was then influenced by the graffiti subgenre as well as a hint of constructivist influence. Recommended applications of the font are for display purposes as well as digital media.

LTC Holly Leaves consists of three ornament fonts. Holly Leaves A is a solid color set of holly leaves borders. LTC Holly Leaves B is the same ornaments but with just the leaves and LTC Holly Leaves C is just the berries. B & C can be overlayed for a two color effect.

The Royalstaf Sans Serif font incorporates a unique, modern style that can be used in a variety of design projects. Royalstaf consists of 6 fonts from Thin, Oblique to Bold. Royalstaf helps give your project a different feel with such beautiful alternatives and ligatures, commitment to the same line thickness is Royalstaf character.

Power Smash is a cool and bold display font. Whether you use it for cartoon-related designs, children’s games, or just any creation that requires a playful touch, this font will be an amazing choice. Whats Included ? Uppercase Lowercase Symbols Numerals European Multilingual Also Outline, Shadow One, Shadow Two Thank for stopping by.

Introducing new fonts! its called Pixelfy. Pixelfy is hand made pixel font. perfect contour, shape and square. this font its very perfect match for your project. 8bit games, chiptunes music, vaporwave design, digital ads and quotes. What's inside the fonts ? Uppercase Lowercase Numerals & Punctuation Multilinguals Support Opentype Features Stylistic Alternates Thank you!

Challenge is the work of English designer Martin Wait. The brush lettering gives the typeface a unique, spontaneous quality. Capitals should be set closely and lowercase letters overlapped to produce the look of authentic handwriting. Challenge is at the same time informal and authoritative and good for a variety of display applications.

Gold Standard got its start from a few letters found on an old Gold Certificate from 1882. From those few letters spelling out the word GOLD, the rest of the alphabet was designed to match. The lowercase design was based on lettering found on an old silver certificate from approximately the same year.

A cool looking bouncy font, with its unique characters, you can actually mix caps and lowercase letters in the same word. Sugar Shack allows you to be as creative as you want, it has its own designed animation built into the font. Experiment with the characters and you will be quite satisfied.

The inspiration for Dotmap came about while researching text size screen fonts for use on LCD and LED displays. Conforming strictly to a matrix there are no kerning pairs and all characters are positioned on a fixed increment providing the user an authentic grid effect. This font is suitable for screen or print.

MGN Humble is a sans-serif type that provides room for users to express their experimental and playful side. The pixelated strokes engage venturously with the need to communicate excitement; a perfect set for clothing, gaming, technology, and experimental poster use. Currently available in a beta version and to be developed further.

Roller Poster is named after Alfred Roller. In 1902, Roller created a poster to advertise the 16th exhibit of Austrian Artists and Sculptures Association, representing the Vienna Secession movement. The exhibit was to take place in Vienna during January & February 1903. The location is not mentioned because everyone in Vienna knew it would be held at the exhibit hall in the Secession Building at Friedrichstraþe 12, a few blocks south of the Opernring, near the Naschmarkt. Designed by Joseph Maria Olbrich in 1897, the buiilding has been restored and stands today as one finest of the many fine examples of Art Nouveau architecture in Vienna (see vienna_secession_bldg.jpg). Because of its dome, it is called “the golden cabbage.” The poster itself is unique. The word “secession” is in one type style and takes up two-thirds of the elongated poster. At the bottom of the poster are the details in a different lettering style. It is this second style at the bottom that is the basis for the font Roller Poster. In keeping with our regular naming conventions, we were going to call it Roller Gezeichnete (hand-drawn), but the wonderful play on both words and the shape of the three S’s in secession was too compelling. In November 1965 there was an exhibit of Jugendstil and Expressionist art at the University of California. Alfred Roller’s Secession Poster was part of that exhibit. Wes Wilson was designing promotional material at Contact Printing in San Francisco. Among their clients was a rock promoter named Bill Graham, staging dance-concerts at Fillmore Auditorium. Wilson saw the catalog from the UC exhibit and Roller’s lettering. Wilson adapted Roller’s letter forms to his own fluid style. The result was the poster for the August 12-13, 1966 Jefferson Airplane/Grateful Dead concert at Fillmore put on by Graham (BG23-1). Wilson continued to use Roller’s letter forms on most of the posters he did for Graham through May 1967, when he stopped working for Graham. The posters were extremely successful and the lettering style along with Roller’s letter forms were picked up by other artists, including Bonnie MacLean, Clifford Charles Seeley, James Gardner, and others. The Secession poster and the Fillmore posters have inspired a number of fonts in addition to ours. Among them are JONAH BLACK (& WHITE) by Rececca Alaccari, LOVE SOLID by Leslie Carbarga and MOJO by Jim Parkinson. Each is different and yet each clearly shows its bloodlines. Our font differs in two ways: 1) the general differences in the interpretation of the letter forms and 2) the modification of the basic letter form to incorporate the diacriticals within the implied frame of the letter, after the manner of the original design by Roller. We borrowed Carbarga’s solution to the slashed O and used it, in a modified form, for other characters as well to accomplish the same purpose. We recommend that you buy ours and at least one of the other three. According to Alaccari, a version called URBAN was released by Franklin Lettering in the 70’s (and is shown on page 51 of The Solotype Catalog). For comparison of our font to original design, see image files roller_poster_2s.jpg of original poster and roller_poster_2sx.jpg showing reconstruction using our font for the lower portion (recontructed area indicated by blue bar). Please note the consistency of character width. In the lower case, 23 of the basic 26 letters are 1/2 EM Square wide. The ‘i’ is an eighth narrower, while the ‘m’& ‘w’ are one quarter wider. All the Upper Case letters are 1/8 EM wider than the lower case. This is to make it easier to fill a geometrical shape like a rectangle, allowing you to capture a little of the flavor of Wes Wilson’s Fillmore West poster using only a word processor. We have also included a number of shapes for use as spacers and endcaps. If you have a drawing program that allows you to edit an ‘envelope’ around the letters to distort their shape, you can really get creative. I used Corel Draw for the gallary images, but there are other programs that can accomplish the same thing. The image file “roller_poster_keys.jpg” shows the complete character set with the keystrokes required for each character (see “HiH_Font_readme.txt” for instruction on inserting the non-keyboard characters). The file “roller_poster_widths.jpg” shows the exact width of each character in EM units (based on 1000 units per EM square). You will notice that the font is set wide for readability. However, most programs will allow you to tighten up on the character spacing after the manner of Roller & Wilson. In MS Word, for example, go to the FORMAT menu > FONT > CHARACTER SPACING. Go to the second Drop-Down Menu, labeled ‘Spacing’ and select "condensed' and then set the amount that you want to condense ‘by’ (key on the little arrows); two points (2.0) is a godd place to start. Let your motto be EXPLORE & EXPERIMENT. Art Nouveau has always been one of my favorite movements in art -- I grew up in a home with a couple of Mucha prints hanging on the living room wall. Perhaps because of that and because I lived through the sixties, I have enjoyed researching and designing this font more than any other I have worked on. Let’s face it (pardon the pun), Roller Poster is a FUN font. You owe it to yourself to have fun using it.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

An elegant sans serif typeface with style. Fashionable, classy but still modern! Designed and shared by Vikers | RerdSystems. Perfect for logos, posters and more.

Strongloves is dry brush, hand-lettered script. It is suitable for design, element design, weddings, events, t-shirt, logos, badges, sticker, and awesome work.

Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.

JH Tania 2x is geometric typeface, including a double stripe & a black weights. It has a modern design ideal for logos / branding and titles..

Ontime is a modern handwritten script font! This font is perfect for shirt designs, websites, branding, quotes, children's designs, blogs, logos, invitations and more!

OpenAir is a display typeface unlike standard Stencil Fonts. Great for logos, short titles and comes with Old Style numerals as well some ligatures.

Dephiana is an elegant and bold stylish script font. Great for logos, wordmarks & signboard. Has several stylistic alternates that can be used as needed.

Quadrica is a stylish, retro script font. Its unique letterforms make this font perfect for logos, social media posts, packaging, magazine covers, and more.

Jumaplitan font special for retro modern style. Will be good if you use for something like logotype, retro logo, typeface, simple and clean design.

Butter Milky is script font with handwritten vintage calligraphy style, with OpenType feature include of the font. Suitable for design, element design, event, logo.

Big Duck is a decorative, metal and punk rock music inspired font. It is perfect for: Logos Posters Headlines Apparel Music covers & more Enjoy!

Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.

Constância Script, classic and elegant calligraphy. This unique, stylish and legible script is handy for logo, poster, headlines, invitations, cards and all display needs.

Lioness is a stunning script font with a strong character. It is suitable for logo, branding, packaging, apparel, wedding invitations, social media, and more.

Great sans text font family for all your needs, text, signage, logos etc. Very elegant and suitable for classic as well as formal design.

Introducing Manbokun – a typeface that has a unique letterform inspired by Japanese kanji typography. Suitable for headlines, titles, logos, logotypes, posters, brochures, and more!