Amina was created using the DNA of Metrik. A neutral grotesque sans serif, chopped and remixed to create Amino. The ink traps have been raised to create a dynamic typographic language that makes Amina contemporary and dynamic. Amina works great for bold, typographic treatments and still maintains readability in body copy. Includes language support, stylistic alternates.

Neue Einstellung is a geometric typeface with simplicity and straightforwardness that stands out in small or large scale applications. Inspired by the Einstellung Effect, it embodies rigidity in the way it looks and the way it performs. It has been used by contemporary brands all over the world due to the clean and minimalistic feel that it promotes.

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

Trackpad is the work of British designer Timothy Donaldson, an easy, free-spirited typeface. Don't let the undisciplined style fool you. Despite its casual appearance, it has been carefully worked to ensure legibility even in small sizes and retain its handwritten appearance. The jagged features of Trackpad give text a pleasing texture and produce an informal yet striking appearance.

Koning transports high-contrast sans serifs into the present. Koning is the Dutch for king. Given the design’s elegance, this name should come as no surprise. It has been recognized with numerous awards: TDC Certificate of Typographic Excellence and Award of Excellence from Communication Arts both in 2018, and Gold from German Design Awards in 2020.

Our font (circa 1895) of this old wood type was made by Hamilton of Two Rivers, Wisconsin, but we have been told that another identical font was made earlier by W. H. Page, Greeneville, Connecticut. Hamilton became the final home of many of the old wood type patterns as the early companies went out of business.

Something New has been designed with logo designers and typographers firmly in mind. This feature-packed display font is a perfect addition to your design arsenal, ready for your next logotype, heavy heading or beer label. "A stylish mix of serif and blackletter" Great for; logos, branding materials, business cards, gift cards, t-shirt, print, posters, quotes, etc.

The Book of Kells is a handwritten Irish text which dates back to the 8th century. Kris Holmes and Janice Prescott digitalized some letters from this book and some from a Grotesk font in the style of Frutiger. A computer filled in the blanks and the designers then gave the font its finishing touches by hand.

Amerio is a rough font that was made by Subectype Studio. It features a brush made feel and looks so fun. Every single letter has been naturally hand written, making this typeface unique. It was scanned and put together as a font. The font suits best for big headlines, logos, posters, book cover, quotes and much more.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

This font was inspired by the embossed lettering on cigar boxes. The letters, or entire words, are often surrounded by raised dots, and that was our idea here. We drew this about 1997, and have been refining it ever since. All letters are on the lowercase keyboard; the end pieces and spaces are on the caps.

One of the most successful ornament fonts is CalligraphiaLatina. It is part of a trend that’s been quite popular lately: messed-up calligraphy. CalligraphiaLatina is a worldwide best-seller from IntellectaDesign. Besides the original CalligraphiaLatina, its family of fonts (13 different sets) represents a complete solution of intrincate fleurons and ornaments to use with several styles of artwork.

A self made bamboo or reed stick nicely cut down to a broad edged nib must have been the tool with which the designer Andrew Weed wrote his letters for the typeface Pine.Its irregular outline is the result of the flowing of the ink. Ideal for a headline or a poster which reflects the personal touch of the tool.

If it's at all possible to "Deco-ize" an Art Deco font even more, it's been done with Roney JNL. Named for one of the classic hotels built during the heyday of Miami Beach, this font is a stylized version of Jeff Levine's Metalet Modern; a design derived from an actual 1940s home movie titling set.

Maison is a mono-lined grotesque constructed using rigid elements to achieve a minimalist industrial feel in homage to the early twentieth century modernist design concepts.Originally created as a mono-spaced typeface family—with less optical corrections than its successor Maison Neue—Maison has been further developed to work equally in both mono-spaced and proportional alignments.

Sidelle is an amazing hand lettering script that is attractive and natural. Every single letter have been carefully crafted to make your text look beautiful. This font is suitable for invitations, branding, advertising, classic design, poster designs, and more. This font is PUA encoded so you can access extras from character map in most design software.

One of the most successful ornament fonts is CalligraphiaLatina. It is part of a trend that's been quite popular lately: messed-up calligraphy. CalligraphiaLatina is a worldwide best-seller from IntellectaDesign.. Besides the original CalligraphiaLatina, its family of fonts (13 different sets) represents a complete solution of intrincated fleurons and ornaments to use with several styles of artworks.

One of the most successful ornament fonts is CalligraphiaLatina. It is part of a trend that's been quite popular lately: messed-up calligraphy. CalligraphiaLatina is a worldwide best-seller from IntellectaDesign.. Besides the original CalligraphiaLatina, its family of fonts (13 different sets) represents a complete solution of intrincated fleurons and ornaments to use with several styles of artworks.

Fantera is a script typeface vintage style. Every letter has been carefully crafted to make your text look beautiful. This font is perfect for logos, badges, shirts, labels, clothing designs, etc. With Fantera, enjoy the wealth of OpenType features and let elegant fun and pleasure make you happy and increase your creativity! You can use this font very easily.

"Light Sunday" is a modern calligraphy font with beautiful lettering. Letter decoration is very easy to use because it has been specially designed. This font is perfect for all your types of work. This font can be used for summer, spring, back to school, logos, branding, banners, posters, prints, weddings, invitations, birthdays, boutiques, promotions, social media, quotes.

Unicorn is a super-condensed Display font with a subtle dramatic flair that works especially well in titles, headers and editorial design. It was firstly inspired by a lowercase set seen on a furniture ad in Domus (the architecture magazine) #192, from 1943. For maximum drama, use with a bright & smart colour palette. Appointed by the Unicorn. Of course.

Mataram is a vintage script font, created using a parallel pen, and then refined on a computer. You can use Mataram to create interesting designs, covers, shop and store names, and logos. The font Mataram is also perfect for branding projects, Apparel Designs, Product packaging – or simply as a stylish text overlay to any background image.

Hans Bohn’s Orplid, a shadowed sans serif font strongly influenced by the then prevailing Bauhaus style, and released by Klingspor in 1929, was revived and vastly extended for multilingual use. In addition, a filling style was made to easily accomplish colorful headlines, ads and posters. Both styles come with alternatives for A, M, N and W.

This typeface has been influenced by the ongoing traffic congestion in Melbourne, and its lack of functional and reliable public transport as a possible solution. The font shapes are square-edged constrained angles, reflecting the way the Melbourne population feels when using the public transport system or roads. Use as headings and body copy in any graphic situation.

El Franco is a family designed by Ethan Dunham that represents what Roman lettering looked like in the 16th century. Derived from a typographic sample of Francisco Lucas, 1577, this font captures the feeling of rustic times. It comes in two versions regular and distressed. The distressed version has been weathered to appear old and worn.

Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains 188 glyphs. Next Stop was designed for contiguous flow, and can be made pseudo-monospaced by using spacers in the fi and fl ligatures.

Originally designed in 2005 to be used in a brochure project, Jessica is a typewriter face with a sinister mood. Its peculiar original features have been retained but on the other hand, the font has had a monospacing treatment and some Open Type programming added for a more contemporary feel. The extended character set covers most European languages.

Introducing LeKick. Inspired by Fraktur script with a contemporary flare, LeKick is a blackletter display face. This font has been designed with a flat brush and ink, choose between two styles; Brush, which demonstrates the strokes and construction of each letterform, or Regular. The perfect typeface for typographic creations such as book covers, headlines, and banners.

“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”

Coronet is a non-joining script font first issued by Ludlow. The capitals have been drawn with a degree of freedom whereas the lowercase are more formal in structure. The ascending lowercase letters of the Coronet font are quite tall, descenders are short. Coronet is a useful script for informal occasions, such as invitations, flyers and greetings cards.

Sheila Hudson is modern script font, where every single letter has been carefully crafted to make your text look beautiful. With a modern script style, this font will perfect for many different project such as: quotes, blog headers, posters, weddings, branding, logos, fashion, apparel, letters, invitations, stationery, and more. This font includes alternate glyphs and beautiful swirls.

Don't try to find logic in this font, nor the harmony of the forms. It is meant to be crank. All the letters were first cut in linoleum and then digitized. Hence, everything is alive. You will find no uniform elements. We think this font will find its use in the hands of a brave designer.

“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”

WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

There has long been interest in the talismanic value of different numbers and their varied many - pointed stars or patterns. This font presents star designs with points numbering between five and twelve, in solid form, outlined, interlaced, and placed within a circle. Whether your interest is mathematical or mystical, We hope you will enjoy this collection of forms.

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

Hedley New is a reconstructed relative of Hedley, originally released in 2004. Building on its clean, original, simple charm, Hedley New has grown to be an elegant, clean, usable sans. Having been completely re-drawn, with new spacing and kerning, Hedley New is now an Opentype font containing small caps, tabular, proportional and old style numerals and ligatures.

WIPEU The President depicts the handwriting of a versatile and energetic man of vision at the highest stage. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Catty Funny is a cute and unique type of display font. The decoration in this font is very easy to use, because it has been specially designed so that it is easy to use. This font is perfect for promoting pet food, for writing posters, mugs, t-shirt designs, comic covers, book covers, logos, branding, banners, and more.

For decades, Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a source of inspiration for sign painters, graphic artists and designers. In later years, many digital revivals of Welo’s hand lettered typography have been made available. Western Trail JNL is the latest member of such digital fonts, and is available in both regular and oblique versions.