Geometric sans fonts in the Bauhaus tradition were the inspiration for the design of FF Mark®, for example the Universal font by Herbert Bayer, Erbar® Grotesk, Kabel®, Neuzeit Grotesk and of course Paul Renner's Futura®. From an aesthetic point of view, FF Mark is a descendant of these classics of German typeface design that intends to meet the needs of modern communication. Hannes von Döhren and Christoph Koeberlin had the support of the entire FontFont Type Department in the design of FF Mark, including Erik Spiekermann, who took over the artistic direction of the project. The teamwork resulted in carefully planned, balanced forms, which are responsible for the harmonious overall impression of the font. The capitals are not based on Roman square capitals; rather, they have a uniformly wide letter form in a comfortable ratio to the x-height. Thanks to the x-height, which is significantly larger compared to the historical models, FF Mark is also very legible in small sizes. This makes it a very flexible font in terms of its range of applications. A contrast in the stroke width is barely noticeable. At the same time, light modulation supports readability, especially in the bold styles in small sizes. The uniform line ends are obvious for a contemporary sans family nowadays (unlike some of the historical precedents, which evolved over years). Other details from the predecessors are consciously maintained and provide for added individuality in FF Mark. For example, the limbs in the uppercase "K" and "R" are offset slightly from the stem. Alternative characters with crossbars are available for the numbers "0", "1", "7" and the uppercase "Z" and the lowercase "a" also has an alternative with an open form. German typesetters have the option of uppercase umlauts with points that are set lower, as well as a long "s" from the Fraktur. And last but not least, FF Mark has the very characteristic ft-ligature of Futura. FF Mark is available in ten finely tuned weights ranging from Hairline to Black. A Book style for text setting further emphasizes the well-rounded features of this contemporary typeface. When the font was published, it also included ten carefully designed cursives for all weights. Users also have the option of various numeral sets with old-style and uppercase numbers as well as small capitals. FF Mark also has some geometric shapes and arrows based on the features of Futura. FF Mark is a modern, full-featured, geometric sans serif that you can use without hesitation for large projects in headlines as well as in texts. FF Mark's design is a nod to the historical models and transports their charm, elegance and in some cases unusual design applications into a modern font family equipped with the most current typographical features. NEW: the new FF Mark W1G versions features a pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet and also several based on Cyrillic and Greek alphabets.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

A decorative display font great for large header-like usage. Available design only with versals caps.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Cat Fight is small decorative font family containing two "weights". They are not weights in actual meaning, as they differ by style but to secure safe OTF usage in all OS, they are named as Regular and Bold. Cat Fight is ideal for lively and cheerful usages on posters, packages, labels, website titles, book covers and other similar situations.

“Aeternus”, a new geometric Sans Serif typeface, with matching italics. The combination of several weights, provides versatility in any text usage. Developed in a range of nine weights from thin to heavy, with a matching set of italics, Aeternus has been designed to optimize the space and preserve the legibility in any text size. Use effortlessly this typeface for titling, contemporary branding, web design, UI/ UX design, clothing, large print formats. Specifications. - Files included: Aeternus Thin, Aeternus ExtraLight, Aeternus Light, Aeternus Regular, Aeternus Medium, Aeternus SemiBold, Aeternus Bold, Aeternus ExtraBold, Aeternus Heavy with corresponding italics - Formats:.otf - Multi language support (Central, Eastern, Western European Languages)

Besides all the display and script typefaces I design, my real passion is to design typefaces for copy. Safran is the first of my sans serif workhorse families available from Myfonts. Starting from a light version there are nine weights up to the strong ultrabold. All with italics. What was the inspiration for designing the font? I wanted to create a clear and elegant typeface with a wide variety of weights and proportions that are easy to use in corporate branding and magazines. What are its main characteristics and features? contemporary humanist legible sans serif Usage recommendations: corporate branding, magazines and other publications Elegant, clear and very legible.

InkyPinky - a lovely & playful handwritten font inspired by kids cartoons & sketchbooks, completely handmade and developed with perfection The typeface is actually simple in design but with a touch of uniqueness, it can be perfectly useful for designing posters, flyers, cartoons, comics, graphics, logotype, web, and display usage. Please see the examples shown above to get an idea about the capability of this typeface. InkyPinky comes with a total of 252 glyphs having Extended character sets including Western European, Central European, and South-Eastern European character sets having support for 19 languages: Afrikaans, Albanian, Catalan, Croatian, Danish, Dutch, English, Estonian, Finnish, French, German, Italian, Lithuanian, Norwegian, Portuguese, Slovenian, Spanish, Swedish, Zulu.

Geyalu is a playful display font, relaxed but still elegant, a beautiful font made with natural handwriting, making your project look natural and charming, in its application this font is really fun you can use it as a text sentence or title and it still looks beautiful, very fitting for your project that requires writing Hands that are natural and pleasing to the eye of course. This typeface is ideal for usage in a variety of unusual graphic projects, including games, book titles, outdoor activities, posters, banners, quotes, branding, and other unique projects. So, what are you waiting for? Get this font right now!

Autumn Melody is a modern calligraphy font that adds a classy and deluxe touch to your designs. The main pursuit of this font is to give you that authentic hand-calligraphy feel. Autumn Melodycomes with a full set of uppercase and lowercase letters as well as ligatures and beautiful letter alternates. The font provides several (up to15) alternates of some frequently used letters such as a, t, h, n, s, etc. The number and look (length, width) of the swashes vary depending on the frequency of this or that letter's usage. Autumn Melody is suitable for many projects related to the wedding industry (stationery, logo, etc.)

Robert's Script is a fresh brush calligraphy typeface with a smooth flow. The Family consists of two weights, Light and Regular. Its stylistic character is based on an elegant brush style. It can be used in various forms of communications. It contains OpenType Features such as Stylistic Alternates, Contextual Alternates, Standard Ligatures, Terminal Forms, Old Style Figures for numbers and Fractions. All European latin languages are covered with diacritics and special characters. For more details on the features and how to make the most out of this font, please refer to the OpenType guide at https://drive.google.com/file/d/1exEp9VcLM1rmrF9ptO2OWlQKKA-uyb4r/view?usp=sharing Cheers & Enjoy!

Bohemian Modern slab stencil display font Black–Out is a result of three things: the need for a distinctive ultra-black display typeface, an admiration for slab-serifs and Clarendons, and the love of systematic stencil type. Fusing all the desires together resulted in Black–Out. What was the inspiration for designing the font? Slab serifs + Clarendons + systematic stencil type = Black-Out! What are its main characteristics and features? It is a massive chunk of type, contemporary in nature while also harking back to the sun-drenched Modernism of California of the 1970s. Usage recommendations: Display type for use in materials that are meant to evoke a range of emotions.

Brewmaster was inspired by the Budweiser logo from the late 1800s and its updated revival in 2000, this style of script was very popular in the 1800s and could be found in use on old billeads and letterheads. Although Brewmaster looks accurate in detail to the Budweiser logo, this font has not been approved as official artwork for Budweiser. If you're looking for Budweiser’s official artwork it is recommended that you contact Anheuser Busch, Inc. and ask for their logo and usage guidelines. Companies are always changing their logo designs so it is always best to contact each companies advertising department for official artwork.

In the age where stationery is replaced by typing devices, Meltow brings back memories with the design created from the actual writing tools and then developed into a convenient-to-use set of font. It features Brush (written with larger painting brush), Script (smaller painting brush), and Hand (watercolour texture). It also comes with a Sans Serif design to befit a caption, a body and a headline. With the Rust option for a retro appeal and an all-round usage, a mix of Meltow and other types can bring you something new. Offering 25 letters in 4 options, Meltow is most desirable for your creative projects.

Radona is a blast from the 80’s that's rader than rad. Radona is the typeface version of Synthwave, an electronic music subgenre that takes influence from the 1980s but builds on it, resulting in a construct that lives in the minds of both those who have experienced it and those who haven't. Radona expresses a nostalgia for 1980s culture, attempting to replicate and appreciate the era's vibe, but extends it further with something new. This sans family has plenty of 80's flavor, but with some fresh twists to push it to the limit. Radona is a geometric sans-serif typeface. Radona has a few quirky characteristics, but it has a generally neutral tone and structure that makes it ideal for usage in print, especially when a contemporary look is desired. It looks amazing in both body text and headlines. The geometric grotesques that were popular in the 1980s served as inspiration. It's a typeface that's been crafted for usage in a range of design fields, from branding to packaging, and it can be used in anything from interfaces to apps. Radona is an excellent typeface for use on websites and other digital applications. Radona comes with a wide variety of styles and a large selection of stylistic alternatives, ligatures, small caps and other special features. Along with parachute pants, synthesized guitar riffs, and VHS scanlines, Radona brings back the 1980’s.

Please welcome Frock! It is a sans serif typeface for broad range of usage. It is designed with a slightly slanted oval shaped counters, medium contrast and based on American gothic typefaces with "not so formal" feel. The italic styles are flowy and almost true italic. Swash alternates for some uppercases and lowercases are useful for logo, display and poster. This family comes with 16 styles, uprights and matching italics, consisting of 8 weights from thin to ultra. It is also equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Proportional Lining Figures, Standard Ligatures, Discretionary Ligatures, Fractions, Numerators & Denominators. Each font has 770+ glyphs including swash alternates which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Frock will be suitable for many creative projects. This typeface will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more!

Futura is THE prototype of a geometric or constructed linear sans serif and the font most commonly font of its kind used to date. Futura, very much influenced by the Bauhaus movement in Germany, was designed in 1927 by Paul Renner. Although being around for almost 90 years, Futura seems eternally young and fresh which also explains its continuous popularity with designers and typographers. Futura simply means efficiency and functionality documented by both its many usages as corporate type (e.g. Volkswagen, formerly IKEA, Vuitton, Shell, formerly HP, SMA and many more) as well as in various famous film projects (e.g. Kubrick, Anderson etc.). Futura’s iconic status was probably established when it walked on the moon with the Apollo 11 crew in 1969. It was used for the lettering of the plaque that was left up there. Now, URW has expanded its range of Futura styles by Futura Round with 14 additional styles.

A classical 20-th century's (1900s to 1980s) typewriter font for both text and large display usage, titles, signage... A new thicker version of Selectric (2016), as if typed using not a thin carbon ribbon but a coarse fabric one. Both are available on a different models of Selectrics. Made after rare enough samples of the same style used during 1980s in the USSR. Based on the actual letter proportions of the original typewriter Selectric (2016) (Cyrillic ball). This time not monospaced as before, but proportional. The single known so far previous typewriter vector typeface with this 'ink blotting' effect (similarly expanded serifs) as in Dodo (2008) is ITC American Typewriter (1974; by Joel Kaden and Tony Stan) and all its hand drawn analogs from 1980s (and perhaps before). Which, in turn, is resembling ATF Bulletin Typewriter's (1925, 1933; by Morris Fuller Benton) overall proportions, geometry, and even had some natural ink expands in its paper sample (but not by design, as I see it).

Amarone is a spiky calligraphic display typeface with some old fashioned flavour. It was designed by Carl Crossgrove, and includes an extensive set of swash caps which allow for extra drama where needed. Crossgrove wrote each of Amarone's letters by hand using pen and rough paper, and has retained some of this visual texture in the final digital design. The typeface works well at small sizes, but when used at larger sizes this texture comes to the fore. Amarone's elegant, formal character can be modified with its swash caps, which allow the typeface to move from prim and ordered to wildly expressive. Amarone lends itself well to packaging, posters and editorial usage – or in any environment where designers need to evoke times gone by. The Amarone font features an extensive character set with support for over 130 languages, and a range of OpenType typographic features including ligatures, initial and terminal forms, figures, fractions and swashes.

The geometric nature of this font family makes is suitable for presentations, headline and any other formal usage.

Brougham keeps its legibility with a strong presence. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets and manuals.

Habana Deco ML was inspired by a hand-lettered sign on the stucco exterior of a small pharmacy in modern-day city of Havana, Cuba. It, in turn, was based on the fat-faced Art Deco lettering of the late 20s and early 30s, especially the Futurismo posters out of Italy, as well as alphabets designed in The Netherlands, France, USA and even the Soviet Union. There are 24 stylistic alternate glyphs (SALT), many inspired by a variety of these sources, including a couple from the sign in the front of the Congress Hotel in South Beach, Miami. The others features of the Habana Deco include 363 glyphs, 184 kerning pairs (KERN), 14 ornaments and shapes (ORNM) and 15 discretionary ligatures (DLIG). This is a font with which you can have fun. The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements. Not suitable for MSWord.

Albion Signature is a value packed font of exceptional character, with lots of old world charm to make your next project personal and special. Containing over 2,200 glyphs, it’s large enough to handle any demanding project, big or small. It also contains over 400 flourishes in three sections (dingbats, geometric shapes, and misc. geometric shapes) in numerous styles, that can be used in endless combinations. It’s like several fonts in one. Everything you need to do a stellar project is included. A script font that lines up perfectly with a few extra endings and hidden treasures spread throughout. It also contains a complete easy to use PDF index, so you will be able to find exactly the glyph you are looking for fast. This font can only enhance the fonts that you already own, making them more versatile and useful. On its own, it is a very elegant calligraphy script, that will make every project you create look great. The capital letters overlap and intertwine just like in days gone by, for a unique style. Also included are tools that can give you very precise spacing, right inside a word processor. Usage: Photoshop styles, InDesign, personal promotion logos, monograms & signatures.... That’s where it shines, yet it’s still great for art, cards, fancy documents, really fancy labels & even notes to Mom. Imagine, most people used to write letters like these at one time. Now you too can have documents that look like the work of a studied penman.

London Boutique is a bold and cute script font that combines rustic charm and fine art elegance. Its cursive strokes and handwriting style give it a personalized touch that is perfect for adding a decorative flair to your designs. Designed with a focus on independent shop usage, London Boutique features fine swashes that add a touch of sophistication to any project. Whether you're creating logos, branding, or social media posts, this font is versatile enough to handle it all. London Boutique comes in four styles: Regular, Italic, Bold, and Bold Italic. This range of styles provides flexibility and allows for dynamic and creative designs. Use underscore _ anywhere in a word to make a swash. Example: Luxure_Shops Use multiple underscores to make different swashes. Example: Angel___Stars Use # before or after any letter to make an initial or finishing swash. Example: #loveletter# The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.