Tall, thin, grid, legible and handmade! What's not to like?! The font was made using a squared paper as a base for the lines. However, I managed to keep the free spirit of the handmade look, despite the guides. Play around with the 4 different versions of each letter and the swashes to make your text stand out!

Party Doodles Too is the companion font to the popular font Party Doodles. 29 fun icons including a tray of champagne glasses, appetizers, balloons, pinwheel, stork with a baby, ace of hearts playing card, top hat and tunes, dice, bowling ball and pins, gifts, party umbrellas, cakes, cupcakes, ice cream, lollipop, drinks, corkscrew, noise makers, banners and candy.

Scrawny is a long-legged beanpole of a font. Quirky, a little retro — and most certainly smile-inducing — Scrawny sports tall and thin characters with high horizontal crossbars to give a feeling of "cute shyness" and "warm fuzziness." Scrawny works great for banners, announcement text, labels, and anything else that requires something with a bit of whimsy.

‘Ted’ is a geometric typeface. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. It's tall shape, high middle line and form gives ‘Ted’ neo art-deco look and feel.

Balboat is a plain calligraphic face with a very small x-height, long descenders, and tall ascenders. Having the appearance of a pen-drawn sans serif, it has four styles: regular, bold, italic, and bold italic. Although Balboat is quite legible, it is condensed and may need to be printed at a larger point size than other typefaces.

Purple Bread is a Tall Handwritten Font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! This font only has allcaps letters. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

‘Every Cloud’ is a cute hand-drawn type family. The family has 4 different weights and a matching inline style. It has a tall x-height, and the edges are rounded and soft. It was designed with applications such as advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and social media, and marketing in mind.

Coronet is a non-joining script font first issued by Ludlow. The capitals have been drawn with a degree of freedom whereas the lowercase are more formal in structure. The ascending lowercase letters of the Coronet font are quite tall, descenders are short. Coronet is a useful script for informal occasions, such as invitations, flyers and greetings cards.

Nice One is the font with a modern, clean and semi formal looks. We have three styles on Nice One; light, regular and bold. The characteristic of the font is tall, neat and thin almost like a serif font. Try this font on your book, magazine, or poster and believe me your work will be the nice one! :)

Skie is a simple gothic sans serif with normal, condensed, and wide widths. Its distinguishing characteristics are the small x-height with tall ascenders and a minimal amount of contrast, while the apertures are semi-open to help in readability. The simple design keeps the appearance fairly neutral and presents a blend of modern and vintage qualities.

Developed from the simplest possible curves, Amy is a wide hand lettered style with tall straight ascenders and generously looped descenders. The capitals are centred horizontally with the lower case. A handful of ligatures helps copy to flow for easy reading and optional proportionally spaced numerals make the font suitable for quite lengthy chunks of copy.

Zokak is a first-of-its-kind ultra condensed Arabic typeface designed for display uses. The name means an alley in Arabic which comes from its very narrow letters, which makes it perfect in small spaces. Zokak has two main styles, the default style and the tall one to give more diversity and to be suitable for more uses.

Our Bruno Ace Pro draws its inspiration from modern automotive logotypes. This geometric sans-serif has a wide stance with a tall x-height for a strong look and appeal, as well as ease of legibility. The SmallCaps and extensive figure sets offer a more extensive range of use as well as a more intense vibe.

Lion & Hare is an ultra compressed, tall font family that portrays strength and power. The condensed characters maintain fairly square edges to give a more consistent geometric & industrial look to the font. The font family supports 27 languages and comes in 6 styles. Lion and Hare works fantastic for website headers, magazine layouts, logos, branding and much more.

Inspired by the grotesque fonts of the 19th century, Parkson is a tall sans serif typeface of 7 weights along with italic and several outline versions. The contemporary typeface aims to be one of the world's best condensed collection of fonts. Designed for optimum legibility, its clean, geometric look is perfect for logotypes, headers, titles and brochures.

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

Insomniac is a tall, narrow, handwritten typeface. A little rough, a little shaky, a little uneven. The idea for this font came to me in the middle of the night - hence the name. Insomnia is an all caps font, but upper and lower case differ and glyphs can be freely interchanged. Comes with a diacritics dream team.

Recently I have been watching some re-runs of Dexter. In season 1, Debra has a rough morning and complains she cannot make it through the day without eating a breakfast burrito. The name stuck, a font was born and the result is Breakfast Burrito font. It is a tall, all caps typeface with a little twist.

Dez Petranian is a story-telling fantasy friendly family of fonts. It is a warm face that looks like the spoken word, perfect for tall tails, fantasy-world adventure books, creative writing, and poetry. Dez Petranian includes multiple language support, nearly 1,200 glyphs, stylistic sets, and many alternates. Think of it as a warm souvenir of real story writing.

OverUnder is a two font family that plays with the capabilities of the Opentype feature of Contextual Alternatives to alternate two sets of characters. One set is on tall vertical slabs and the other set is on wide horizontal slabs, and when the sets are alternated, the result is a pattern that has a woven appearance.

Ebdus is a thin, modern, lightweight font, occasionally a little gawky and tall, sometimes a little plump and rounded. The font is available in 5 weights from Thin to Heavy but they all lean towards all things anorexia. It looks as good in copy as it does in headlines, it’s perfect for an angry letter to an uppity android.

Telegram is the work of British designer Timothy Donaldson, a casual style influenced by the ball and rod, or atomic, imagery popular during the 1950s. Donaldson called the typeface Telegram because it reminds him of dots and dashes. Telegram is a play alphabet which communicates an almost childlike innocence and is ideal for work directed at younger people.

College Tantrum is my take on the college font tradition – an edgy, hard working attitude and a proud statement. The font comes with both lower case and upper case letters – plus a bundle of ligatures, alternate glyph sets and college sport dingbats. It’s also versatile as a poster font, for websites and for infographics. Play ball!

Looking for a tall, skinny, rounded serif font, with a fun hand-written feel? Look no farther than Garrulous! Garrulous is a mixed-case font, with the lowercase letters standing just as tall as the uppercase, so you can mix and match uppercase and lowercase in the same word for an extra fun look. It also comes with 32 double-letter ligature pairs, 17 uppercase and 15 lowercase, so you won't have the exact same letter twice in a row. As usual, the letters in Garrulous have been cleaned up extensively, to make everything sharper and easier for crafters and for any print projects. And I've included over 300 extended Latin characters for language support. Garrulous includes: - Standard characters A-Z, a-z, 0-9, and punctuation - 32 double-letter ligature pairs - Over 300 extended Latin characters for language support

Sildetas is an elegant high-contrast script face. Sildetas was conceived as non-connected, high-contrast and ultra heavy script, as best exemplified by the Black weight. However, it was too much of a temptation to design a hairline variant, and this exploration gave the family’s lighter weights an elegant, graceful feel. The script was modified further to use connected letterforms as the primary glyphs. With its unique swirled ball terminals, this versatile script draws immediate attention. The face glides and flows across the page and the swirling ball terminals provide an interesting diversion to the flow. The lighter weights have an almost spencerian look. Sildetas includes six weights and is a very unique script face. Lighter weights can be used for elegant invitiations. Sildetas can get the job done for many unique design tasks. Sildetas includes many useful OpenType features, including a set of non-connecting and titling alternates, ligatures, and two types of end swashes. Opentype features include simplified swashed stylistic alternates without ball terminals, swash endings, ending contextual alternates, discretionary ligatures, ligatures and five different stylistic sets filled with alternates. In total, there are over 60 alternate letterforms. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.

Rummy is powerful, precise, and packed with personality. Simple and initially unassuming, Rummy may seem a reluctant hero. But, when called upon, Rummy will lend you all of its considerable strength and versatility in order to win the day. Influenced by sports branding and 1940s film, Rummy is an underdog that won't let you down. Need more height? Try Rummy Tall!

Turn on the mirrored ball, and haul out the gold chains and white suits! This Disco dazzler is a new take on Bass Rainbow, designed by Saul Bass in the 1970s. Hip, hot and heavy, this typeface is ready to get down. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

FebDei is neat, meticulous hand printing in two weights, plain and bold, each with italics. It has little contrast and appears as if it was written with a pencil or ball-point pen. Unlike many other hand-printing fonts, it has tiny serifs. FebDrei was created in the process of making the fonts AllSmiles and BringInTheFrowns and can be used with them.

Deco Signage JNL was inspired by the cast metal letters of a German wall sign “Kaspar Stanggasinger-Haus” in an online display of European signage photography - and is available in both regular and oblique versions. Although the original age of the sign is unknown, the tall, thin monoline font it’s based on evokes a definite 1940s Art Deco design influence.

Canoe is a fun, all-caps font with a delightfully hand-written feel. It comes “water ready” to be used in the wild on the web, save the dates, and other design projects that need a homemade touch. Its characters are wiry and tall with crossbars that hit at varying heights. Canoe also includes 1st, 2nd, 3rd ordinal capabilities as well as fractions.

Huggy is a display typeface designed by Michael Parson and inspired by the work of Heinrich Heinz. Full of Art Nouveau flair, this two weight typeface is bold forceful but full of subtle features that give the design a unique personality. With a narrow width and tall aspect, it is perfect for setting text in tight spaces like posters or other titling situations.

Midnight Chalker is, well, a chalk(ish) font and it was (fro the greater part) created around the midnight hour. That’s usually when I get my inspiration. Midnight Chalker is a tall, eroded font - all caps, but the upper and lower case differ and can be mixed. Of course it comes with more diacritics than you can throw a chalkboard at.

This handy family takes its design cues from Beton, a slab serif designed by Heinrich Jost for Bauersche Gießerei in 1931. A number of characters have been softened by the addition of ball terminals, commonly seen on manual typewriter type in the 1950s. Both versions of this font contain the complete Latin A Extended character set, as well as extended ligatures and fractions.

Bolognia is a classic serif typeface with high-contrast leaning to the concept of contemporary typefaces. Bolognia has a tall x-height value, modern proportion, transitional serif and extreme stroke contrast with vertical stress. Available in 6 weights, this typeface is a good choice to provide clear solutions for a variety of situations and settings such as editorials and headlines.

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font. Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. Very bold stems. Pointed Apexes. Bars and some of the terminals which designed as a ball are very eye-catching. These features make a strong impact with nostalgic feel.

ADEQUATE is a basic geometric sans serif typeface comprising 6 weights plus a free italic with each. The family has modern, workaday letterforms with a tall x-height for clarity and legibility. Adequate does the job; it doesn't claim to be beautiful and lacks the fashionable mannerisms of many contemporary faces, but there is something timeless, perhaps elegant, about its mathematical simplicity.

ITC Caribbean is the work of California designer Jill Bell, earthy yet exotic. In her typeface experiment, Bell combined unusual angles and curves to produce tall, thin letters whose stroke style completes the suggestion of palm trees which this typeface brings to mind. The typeface contains capitals and small caps. The natural look of ITC Caribbean lends any work a human touch.

Hatchway is a monospaced display typeface with rounded corners, suitable for headlines and short passages of text. Hatchway has a tall x-height and unusually short ascenders and descenders. The family contains seven weights from Thin to Black and five widths from Ultra Condensed to Ultra Extended. This version (1.0) comes with Multiple Language Support, including Extended Cyrillic, and Opentype Features.