Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

Dem Bones is a bit of fun-display alphabet (capitals), numbers and punctuation assembled out of the sort of knobbly ended bones that dogs used to gnaw on in all the best childrens cartoons and comics. Thing Gnasher and Gnipper or Spike and Tyke. Dem Bones is particularly apt at Halloween, but can introduce some un at any time of the year...

Dialog is my first sans serif. I had made some attempts earlier, but they didn't satisfy me. Dialog was, on the contrary, so inspiring that I made 19 different fonts of it, the most complete typeface for several years. I usually prefer typefaces with serifs, but I don't miss them in Dialog. The name needs no explanation. Dialog was released in 1993.

During the early years of the 20th Century, America's fascination with automobiles was just beginning. The cover for a 1916 piece of sheet music for the comedy song "On the Old Back Seat of the Henry Ford" had the title hand lettered by a round nib pen in an Art Nouveau style. This is now available digitally as Running Board JNL.

Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use in an early IBM® laser printer, Arial has become a staple for textual content. While it is widely believed that Arial's design was based on Helvetica, it is more accurate to consider Monotype Grotesque as its ancestor.

Introducing our new exploratory Sansdiego, this typeface inspired by European empire-era forms of writing. Sansdiego typeface is perfect for classic Victorian themed designs, beer packaging, whiskey, barbershop, pomade, tattoo studio logos and so on. This font comes with additional effects: Normal - style - double - Shadow, packaged as a layered font. Sansdiego is an all caps font, carefully crafted with a great ornamental taste.

Welcome to the spooky world of Hypestone, the creepy and fun display font that's perfect for horror and Halloween styles. With its strong and captivating characters, Hypestone exudes an air of mystery, horror, and fear that will send shivers down your spine. But don't worry, we've added a playful twist with alternates and ligatures, making the glyphs organically spooky and delightfully creepy.

An irresistible design by my (11 year old) Granddaughter; it brings that child innocence to font design. When she first showed it to me I was so impressed I could not resist I had to make it into her very own font. Alexandra is also the designer of the font flag and says she is working on new font ideas.

Bellinzo sans serif font is a set of 3 weights and it is good for making creative displays and it has urban / street wear touch. It’s a lovely and unique sans serif font, allowing you to make each word look completely stylish! Bellinzo is the unique typeface for creating elegant headlines, fashion magazine covers, book covers, templates and creative displays and logo designs.

Basketto is a carefully crafted, handmade sans serif font. Completely built from scratch in Adobe Illustrator. The glyphs are nice and bold, with sharp corners. Use Basketto for your product packaging, out of home adverting, food truck posters, festivals or the travel industry. This is my official font debut, I would love to hear from you to see my font on your product!

Cool Crayon is a nice typeface I created with the black crayola from my 3 year old son's crayola box. It was broken (because he tends to throw them around), but I managed to get the glyphs onto a sheet of paper. Cool Crayon is similar to Crayon Crumble, but is rounder and thicker. Cool Crayon comes with extensive language support.

The chamfered block style of lettering has been a workhorse for years. From the early signage of the 1800s to military markings to the techno fonts of the 1980s and beyond, its clean and simple look gets the message across easily and boldly. Industrialist JNL and its oblique partner were modeled from the title on a piece of sheet music from the 1940s.

Printers Impressions JNL is an assortment of various letterpress ornaments, corner pieces, catch words and other designs, along with some shipping labels with perforated edges; all re-drawn from vintage source material. For the shipping labels, print them in red and you will recreate the standard form of gummed label so popular for years before self-adhesives took over the market.

A whimsical and fun calligraphy style font that is perfect for informal and fun occasions. The design was inspired by a series of scrapbooking style fonts that I have been exploring over the past couple of years. Inspired by a hand lettered sample in a lettering how to book. Contains language support for both Latin-based and most Eastern European languages.

Ring-bearers across Middle Earth will be kissing their Sorceror's Stones, when they hear the news of the debut of this magickal collection of fonts, suitable for Incantations, Faerie talk, Books of Magic and fantastickal Arias. Coincidentally the official font of Scott Sava's DREAMLAND CHRONICLES (how didja guess?), Dreamland is also suitable for any chronicles you may have of your own.

This work is inspired by creatures that I have drawn for my six year old boy. The monsters can be found at chrismetcalfe.com. I wanted to take their hair/fur and translate the fun attitude to type. To be honest I think this font is used best as display type. However the fun attitude lends to many usages without structure.

The Classic Charles Rennie Mackintosh Font has been a massive seller over the years. Its use in the Hollywood motion picture "Spider Man 2", has now been emulated by the branding of the the new Fox TV series "American Horror Story". Very unusual for the horror genre, this slightly tweaked version of the classic original mirrors how the show's producers have used it.

This ‘pear-shaped’ typeface literally defines its original design inspiration in the first capital letter. The clean-cut lines and uniquely curved letterforms, combined with a thoughtful mix of squared & rounded terminals, all help make Avocado Sans such a stylish and legible font, very easy on the eye. Available in two practical weights, Light & Regular, each offering alternate style options.

Inspired by an image of the chamfered block lettering of a semi-faded “ghost sign” for the Thomas Drug Co. in Thomas, Oklahoma, Local Druggist JNL is available in both regular and oblique versions. “Ghost Signs” are the visible remnants of hand-painted signs on buildings where the original business had long closed or moved, yet the lettering had survived the passing years.

We have created this font as a complement for the 825 Karolus. It is a set of decorated letters in the style of those used by the scribes during the early medieval era. It is inspired from a manuscript copy of "The Hobbit" (in Caroline style) that we obtained in the year 2000 as a present for our daughter’s 15th birthday.

Ring-bearers across Middle Earth will be kissing their Sorceror's Stones, when they hear the news of the debut of this magickal collection of fonts, suitable for Incantations, Faerie talk, Books of Magic and fantastickal Arias. Coincidentally the official font of Scott Sava's DREAMLAND CHRONICLES (how didja guess?), Dreamland is also suitable for any chronicles you may have of your own.

DF-Stromboli doesn’t look like it but in fact it is a script typeface. It was written with a coffee spoon, acting like a broad pen, in the ashes of the Stromboli volcano right on top of a scanner. This typeface evokes orientation and fear, the dichotomy of Stromboli’s personification. A tribute to il faro del mediterraneo: the mediterranean lighthouse.

Eckhardt Broad Sans JNL joins the growing collection of sign painter-oriented fonts named in honor of the late Al Eckhardt of Allied Signs, a good friend of Jeff Levine for many years and a talented sign lettering artist in his own right. This design is a sans serif approach to the lettering found in the Eckhardt Showcard JNL family.

In 1931, Morris Fuller Benton created the Stymie typeface for the American Type Founders (ATF). Stymie is a reworking of a slab serif type that was popular in Europe at that time, Memphis. For the past one hundred fifty years, slab serif types (sometimes called Egyptian or Egyptienne-style faces) have been a popular choice for headline text in newspapers, magazines, and advertising.

African Jazz is an informal and vigorous font that moves to the rhythms of Africa. Its angular shapes are reminiscent of the syncopated jazz beat that grew out of the heart of Africa. African Jazz has carefully crafted spacing and kerning, making it easy to use in any display setting. It also includes all punctuation, symbols, special characters and diacritical marks.

The first in a series of typefaces based on the work of legendary lettering artist Alf Becker, whose works appeared in Signs of the Times magazine for almost thirty years. Originally titled "Extreme Thin Gothic", this was Becker’s 185th design for the magazine. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Unnerving JNL is a distorted/distressed version of Adhesive Serif Letters JNL (of which the original design was modeled after some vintage gummed letters used for signage). This new variant evokes a feeling of apprehension, dread or fear and can be applied to any project with a spooky or sinister theme. Unnerving JNL is available in both regular and oblique versions.

Let's say a San Francisco punk group used letters from a theatre marquee to create a flyer in 1979 for one of their shows. Then the flyer showed up in the background of a newspaper photograph, and the photo, twenty-five years later, was enlarged and the lettering on the flyer was turned into a font. Santa Mensch has arrived.

Buchmann is Display Font This font describes about about fear, bold, taft, manly, hard, power, stiff, mighty, brave, gallant, rigid. FEATURES - Uppercase letters - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Buchmann works great in any branding, magazines, poster, social media posts, clothing, advertisements, product packaging, product designs, label, quotes and any projects. Enjoy using! Thanks. HIRO.std

Coquillage is French for seashell or shellfish. Since I’m going to France this year for a camping holiday with my family, I thought it was a good idea to give this charming connected script a ‘holiday name’! Coquillage was handmade with a Japanese pen. It is a lovely connected script and comes with double-letter ligatures and a full range of diacritics.

In the March 16, 1936 edition of “The Film Daily” (a trade publication for the film industry) the magazine ran an ad for its Year Book. The ad was set in a slab serif typeface similar to popular designs such as Karnak, Stymie, Beton and the like. Redrawn digitally as Trade Paper JNL, it is available in both regular and oblique versions.

Over the years I have bought many books and music CDs in persuit of my passion for African and Latin (and especially Afro-Latin) cultures. I've noticed that a great number of these books and CDs feature either of two popular display fonts that are, in my opinion, very much overused. As an alternative, I designed Tambor. The Tambor family includes seven styles.

Stgotic, designed in 2006, was the first digital font designed by Daniel Hernández. It is a blackletter typeface designed for low resolution screen devices. Stgotic was designed to be seen at 8 pts (and multiples of 8). In the year 2006, it was recognized as the best screen font by the TipoGráfica magazine in the context of the Bienal de Letras Latinas.

Calissa Pro is a multilingual, handwritten stylish copperplate calligraphy font, a sort of upgrade to issued earlier this year Calissa font. This file contains over 1800 glyphs and has many open type features including: fancy swashes, alternates, ligatures and lettering - all easily available at the click of a mouse. To make the most of this font an open type aware software is required.

This script is made for mimicking handwriting with a fair amount of ligatures: there are more than 700 ligature pairs (or even more characters; I never really counted them) to help you to make very, very convincing lines of text without ever lifting a pen! It’s been a bestseller in FontShop for years, and now it’s available here as well!

This contrast serif typeface is good for display use. Bandera Display Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines. It works well with Bandera Cyrillic (slab serif), Osnova Cyrillic (sans serif) and Bandera Text Cyrillic (serif) fonts. Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Hello dears! My new font with unpredictable stroke width looks very fresh and interesting. Have fun :) Feather will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Test it out below to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Collega signature font is made to resemble hand scratches. Collega offers beautiful typographic harmony for a variety of design projects, including watermark, logos, branding, wedding designs, social media posts, advertisements, product designs, magazines and others. Collega contains Ligatures and Multi-lingual support. We can't wait to hear your comments and we are very grateful for your visit to our store. Happy designing!

The letters possess some of the most characteristic features of this type of font, used for communication and advertising in various mechanized and motor sports, as well as in the gaming industry. The technological-engineering constructiveness is achieved through the strict geometry of the forms, and the sporty competitive look is stylistically expressed through the slopes and contrasts of the beams.

It took the Italian designer Antonio Pace more than five years to create Linotype Gianotten™, a successful new interpretation of the classic Bodoni types. To re-draw the 200-year-old characters for the world of modern digital technology, Pace studied Giambattista Bodoni's original punches at the Bodoni Museum in Parma. He felt that previous Bodoni interpretations were not well suited for body texts, so he focused his study of Bodoni's "Manuale Typografico" on the types made specifically for text sizes. Consequently, his Bodoni has strong hairlines, rounded transitions and shorter, fluted serifs - elements that help to achieve readability by providing an overall tranquil effect. This contemporary, highly readable family is an excellent choice for text settings in books, newspapers, and magazines. Incidentally, the name Gianotten has nothing to do with Bodoni, but was chosen by Pace and Linotype to honor Dutch typographer, Henk W. J. Gianotten."