Gramma is a compact sans with big x-height, a robust and balanced typeface that work well both for headlines and main bodies of text. The initial constructions, assembled from a few well-defined geometric modules, were later polished into more organic forms; the letters’ arches are quite squared, and the counters and other internal negative spaces push outward, creating a tension that balances the forms’ compression. Gramma’s most evident characteristic is its “bird-beak” terminals (present in many letters, including the c, e, f, s...) that replicate the unconnected junctures between stem and curve, visible in the a,b,d,g,h.

Introducing Glatic Typeface, a fancy bold font. Its unique construction is inspired by nature and all things beautiful. It's meant for graphic designers and typography professionals to get more done with style in mind! This font will go well with logos, headlines, titles, and minimal layouts. Features. - Fonts can be read from a much larger distance than regular fonts - Elegant letters give the impression of luxury - Smooth curves for elegant typography - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Recommended use Play with your letter spacing to add more class to your designs.

Introducing MUNISH, a playful and nostalgic font that is in style. It has an unique 1970s feel because to its massive curves. MUNISH seems really at work among those vintage designs, logos, and brands. It has separate lowercase and uppercase letters, numerals, punctuation, and multilingual letters, in addition to punctuation. Ligature typefaces are useful for anything you can think of! 2 Styles Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

This script font is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will have a very even rhythm due to its consistency on the stroke’s angle and spacing. The words can receive a dramatic touch by using the wide range of glyphs with curly and refined ornamentation. There are lots of caps and number variants dressed up with a variety of swashes. Also, two sets of versatile ornaments will be found: a first set of ending flourishes that match with any lowercase letter and a second set of independent flourishes to be placed around the words. Quarzo will give a great sophistication level to invitations, cards, tags, menus, advertising and packaging. Its character map covers Western and Central European characters.

Rodinia displays my love of the carnival and the Slavic culture.

Proudly Present Arfelick Feather. This Fonts Comes is a bold connected script font with a clear style and dramatic movement. Every single letters have been carefully crafted to make your designs looks better. inspired by urban script fonts with beautiful letters that create fonts that are modern, tendy and elegant. Arfelick Feather came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Best Regards Ergibi Studio

Vanitas is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. Stylistically, Vanitas’ alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complimented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas’ sharp characteristic through each style. Features include: Precision kerning Standard Ligatures set including ‘f’ ligatures (fb, ff, fh, fi, fj, fk, fl ffb, ffh, ffi, ffj, ffk, ffl, ffy, ae, oe, AE, OE) Discretionary Ligatures set including (st, ct, No) Alternate characters (H, A, AE, Q, $, h circumflex, ¶ and numero sign) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Tabular Lining, Proportional Lining, Tabular Oldstyle and Proportional Oldstyle Figures Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Chilada is an outrageous display family by designer Patricia Lillie for Image Club. Across four versions, the decorate treatment inside Chilada's letters becomes more intense. Chilada characters exude an energy of their own. Their design could be described as a cross between Bank Gothic and Neuland, with a spoonful of funk mixed in. Big and chunky, Chilada's forms are made up of straight lines only. There are no curved elements. The resulting design is angular and cuts a good figure on the page. Of the Chilada family's four members, the basic font is named Chilada Uno. Uno is Spanish for one!" The forms of Chilada Uno's letter are solid black-or whatever color you choose to set them in! Chilada Dos, Tres, and Quatro each offer their own decorative treatments: Chilada Dos's letters sport a zigzag inline, Chilada Tres is decorated or an ornamented leaving leaves more black from the letters than white, while Chilada Quatro's level of decoration is just crazy. Its letters are made up more more from white space than from black marks. Chilada Quatro is almost an outline font!"

An old brass stencil of the word 'large' was spotted for sale in an online auction. What set it apart from many other vintage stencil items was the beautiful, hand-punched Western letters with a diamond-shape center. Those five letters served as the basis for Old Chisholm JNL, which retains the look and hand-made charm of the original metal stencil.

Italiano Fushion is part of an expanding project on which we have been working for several years and which we are committed to in the future. Like the first two, this one too starts from the study of the great Futurist adventure of the early 1900s by great artists such as DEPERO and MARINETTI, who twisted the world of typography with shapes and colors. Italian Fushion is made up of almost 2,000 glyphs for each weight and in addition to hundreds of alternatives mainly, such as initials and endings of each word but also different alternatives for the letters I, J, Y. Thanks to the characteristics of Open Type, you can change them in automatic many of the alternatives, use it as a simple text font by changing only the I's and J's that have the typical capital dot, and giving the text a more fun breath to the composition. Italiano Fushion is suitable for large texts and to get the most out of it it is compulsory to transform the text into UPPERCASE text using the tabs of graphic applications such as Illustrator, or activate the Alternavive tabs and the various options of SS. Ideal for creating Logos, Head Lines, Web Titles, Posters, Epub Covers, Tatoo Projects, T-Shirts, Drink Labels ... Thanks

Looking for a big, bold and curvy font? Here’s Black Damon! She is a hand-drawn typeface with explicit curves and angles that still retains softness and has a handcrafted feel. All glyphs are handcrafted by illustrative designer Zeptonn. She might not be your best friend for body text, but still, she won't hesitate to perform well under pressure. She will make an interesting yet unusual partner for headlines. Awesome and distinctive in use for titles, displays and fresh illustrations. Prepare to make a statement!

ITC Zinzinnati is based on a font called Ohio, released in 1924 by Die Schriftguss A.G. Typical of the Plakatstil letterforms of the time, the original font had a rough outline, as if drawn with a brush. Nick Curtis has smoothed the rough edges, which enhances the design's playful curves and engaging charm. As for the name: it's the punchline to an old vaudeville routine that starts with the question, Name a city in Ohio that begins with a 'Z.'" Pie in the face, comin' atcha!"

Toshiko is an experimental typeface which mixes techno and traditional designs, creating a straight edged but curly serif font. The characters themselves are very carefully crafted, with precise, accurate lines and predictable forms, but the serifs, as well as the indecision between curved and square corners, gives the font an impression of unpredictability that shows off its creative freedom. Whether you’re looking to brand something technological or express rebellion, Toshiko can create the mix of conformist and nonconformist that will draw readers into interest and attentiveness.

Crypto-typography - the passion for unknown, weird and unusual character shapes - is a disease commonly affecting type designers. Cosimo Lorenzo Pancini has celebrated it in this typeface family, aptly named Hagrid after the half-blood giant with a passion for cryptozoology described by R. K. Rowling in her Harry Potter books. Extreme optical corrections, calligraphic counter-spaces, inverted contrast, over-the-top overshoots: all the inventions that abound in vernacular and experimental typography have been lovingly collected in this mongrel sans serif family, carefully balancing quirky solutions and solid grotesque design. Hagrid is a typeface designed for editorial & display use, bringing dynamism to the printed and digital page thanks to its extreme contrast and unique details. It has been developed in a range of six display weights ranging from the monolinear and more traditional thin to the expressive heavy weight. For better readability in small sizes and on the web, a companion text family has been developed, with a slightly different selection of weights, wider metrics, and fine adjustments to keep the dynamic expressivity of the design without sacrificing legibility. This is evident in the design of italics: while the display italics sport a cursive feel with calligraphic terminals to lowercase letters, the text design is more restrained, with a more classical geometric grotesque slanted look. Given the crypto-typographer love for foreign specimens of letters, special care has been put into making Hagrid ready for multilingual projects, giving it an extended character sets covering over two hundred languages that use Latin, Cyrillic and Arabic alphabets and adding a selected range of OpenType features to handle alternate forms and stylistic sets.

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended for use in display sizes, it is also quite legible in text and is well suited for editorials. Fox Grotesque is released in OpenType format with extended support for most Latin languages and includes some opentype features – proportional/tabular, lining/oldstyle figures, slashed zero, ligatures, fractions.

Qia Display is a modern high-contrast display font with bright positive character. Clean forms and a bit curly letter ends creates a friendly mood in any designs Qia Display will be perfect for many projects: logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, or whatever project you’re working on. This gorgeous font includes all lowercase and uppercase characters, numbers, punctuation, an array of standard ligatures and a selection of international characters as well.

Straight from the beauty product ads of the 1960's comes Montez Pro, full of sweeping strokes which lend to a feeling of joy and elegance throughout its letterforms. It is the ideal font for display uses that require a little drama, "joie de vivre" or Joy of Life. The stylings of the standard typeset Montez Pro lend itself to holiday and celebration designs most effectively. And while it is usually a typographic no-no to set a script in all capitals, Montez Pro contains a small caps feature that has specially redesigned capitals that allow an appealing all capitals setting. Montez Pro is loaded with features to give you plenty of customisation options: - Stylistic Alternates offer variations of the L, t, and w-smallcap characters - Small Caps offer tailored back and normalized short capitals - 44 Ligatures to make typesetting more interesting - A Full set of Inferiors and Superiors for Limitless Fractions - Proportional and Oldstyle numeral sets

Multi is an extensive sans serif typeface family that consists of two subfamilies: Multi Text that comprises three weights (roman & italic) and Multi Display (seven weights, roman & italic). Vitality bursts forth from Multi. It has a distinctive ‘phrasing’ (in the musical sense), neither humanist nor glyphic, somewhere in between, exploring uncharted territory. Its design is pragmatic, yet not rigid, slightly tinged with tiny incised touches. This is clearly noticeable in Multi Display: the roman lowercase’s asymmetric stems are very softly tapered, with bevelled, sharp upstrokes. Furthermore, all weights consistently share these idiosyncrasies from Thin to Poster. With its lower contrast, wider proportions, shorter ascenders and descenders, Multi Text was purposely adjusted to meet all the requirements of a legible typeface for newspapers in paper and screen, as they were manually hinted. It also has a few new features, such as the outstrokes of the roman ‘l’ and the italic ‘a’, which bring a subtle calligraphic feel to the text flow.

Ruttar Signature, is a signature script with natural flow & style. This font has a natural looking ligature for the OpenType feature, making the font appear as close as possible to natural handwriting,Ruttar Signature is perfect for all projects such as, logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, special events or whatever. Ruttar Signature Comes With 679 Glyphs and OpenType Features are also added to this font. Ruttar Signature has given PUA encoded (fonts with special code). This font comes with language support: €Š‹ŚŤŽŹ‘’“”–—™›śťžźˇ˘¦§¨©Ş«­ÍÎĎĐŃŇÓÔŐÖŘŮ ÚŰÜÝ®Ż±˛´·¸Ľ˝ľżŔÁÂĂÄĹĆÇČÉĘËĚĀ ŕáâăäĺćçčéęëěíîďđńňóôőö÷řůúűüý˙¢àèêùˆ˚ąş»š The Features includes: Stylistic Alternates, Swashes, Ligatures, Stylistic Set. You can pick the alternate for all style. If There Any questions, Please Let Me Know, Your support and suggestion is needed, And I am Happy To Help You. Thanks For Looking,Hopefully Useful,And Good Luck For You.

Best Deals | Signature Typeface, is a signature script with natural flow & style. This font has a natural looking ligature for the OpenType feature, making the font appear as close as possible to natural handwriting,Best Deals | Signature Typeface is perfect for all projects such as, logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, special events or whatever. Best Deals | Signature Typeface Comes With 353 Glyphs and OpenType Features are also added to this font. Best Deals | Signature Typeface has given PUA encoded (fonts with special code). This font comes with language support: €Š‹ŚŤŽŹ‘’“”–—™›śťžźˇ˘¦§¨©Ş«­ÍÎĎĐŃŇÓÔŐÖŘŮ ÚŰÜÝ®Ż±˛´·¸Ľ˝ľżŔÁÂĂÄĹĆÇČÉĘËĚĀ ŕáâăäĺćçčéęëěíîďđńňóôőö÷řůúűüý˙¢àèêùˆ˚ąş»š The Features includes: Stylistic Alternates, Swashes, Ligatures, Stylistic Set. You can pick the alternate for all style. If you want other files that are not here, please let me know at malindocreative@gmail.com. I will be happy to help. Thanks For Support, Hopefully Useful.

A man purposes himself the task of drawing the world. Among the years, he populates a space with images of provinces, reigns, mountains, bays, ships, islands, fishes, rooms, instruments, heavenly bodies, horses and people. A while before he died, he discovers that patient labyrinth of lines traces the image of his own face. J. L. Borges. SL Borges is a homage to the genial Jorge Luis Borges, illustrious Argentinean writer who lived between 1899 and 1986. Sharply depicted by Augusto Costhanzo, SL Borges synthesizes to icons the big themes that obsessed him: the infinite, labyrinths, libraries, identity. But it although traces lines over the more human side of the writer, who loved cats, fervent politics and the taste of Tango. SL Borges abridges a sum of original iconographic illustrations in True Type format, which masterly synthesizes the most important themes of the grand genius of the literature. SL Borges takes part of the "Icons of Icons" Gallery, developed by SinergiaLab for Sudtipos

A casual sans that harks back to the very English style of book jacket and poster art of the late 50's and early 60's. The turned-in terminals are reminicent of Stephenson Blake's Grotesque 9, and the italic provides unique cursive versions of the lowercase characters. Available in a "narrow" version as well as two standard weights, this face lends itself to the wider letterspacing that evokes hot metal.

Inspired by classic sport logo lock-ups, Bandbox delivers with its heavy, streaming cursive letterforms. Bandbox's wide, gently-sloped script comes bundled with a collection of ligatures and 18 athletic swash banners, perfect for logotype, posters and t-shirt designs. Here's what's included in the single-weight typeface Bandbox: Upper (A-Z) and lower case (a-z) characters Numbers (0-9) Standard punctuation and glyphs Alternates, Ligatures and Swashes Multilingual support

Bingley is a beautifully old-fashioned, proper, and full of class body typeface. The British feel of this face comes from its inspirational source—a tombstone script from Oxford. The characters are squat and nearly square in proportions, even cursive comes with a pronounced breadth. Generous counters and pleasant stroke weight contrast ensure high legibility of any text set in Bingley. Pronounced serifs and drop-shaped terminals further enrich the experience.

Scratch was designed by Andrew Smith in 1995. It looks as thought many fine lines were drawn next to and over each other with a felt-tipped pen. Small bits of white peek out among the strokes and give the font its dynamic character. Flexible and sketchy, the forms are based on those of a classic sans serif cursive typeface. Scratch is meant exclusively as a headline or display font.

Explore a diverse range of 23 different handwriting styles with the new Go Font Yourself! Volume 2 Fontpak. This is a collection of 23 new, genuine handwriting fonts in OpenType format for Mac or PC. Fancy cursive or extrabold marker, stylish script or sassy scribbles; this fontpack is loaded a lot of personality. And if that's not enough handwriting styles for you, check out the original: GFY Handwriting Fontpak (Volume 1).

This is our first experience of creating serif fonts. It resulted in a modern slab serif family designed with symmetrical bracketed serifs for uprights and cursive serifs for Italics. Crafted with low contrast strokes, it makes this font versatile and can be used for text and printing. Counte contains many International diacritics and OpenType Features. It consists of 9 weight, going from Thin to Black with matching italics.

Introducing Tyloos Signature - Inspired by handwritten font cursive, signature font word that perfect for any design project you have! Tyloos Signature is perfect for winter sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title, movie poster, youtube thumbnail and more. Features : - Tyloos Signature.otf - Uppercase & lowercase - numeral & punctuation - Ligatures - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Ottbelix is signature monoline font. Clean and elegant, cursive, legible script font which can be used on a wide variety of designs such as: headlines, titles, headings, logos, branding, posters, invitations, books, and any other creative design. This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Flores del Sol is a cursive, calligraphic script font with swashed characters, ligatures and full latin and cyrillic support. It is elegant yet friendly and playful and is perfect for logotypes, floral and boutique themes, products T-shirts, scrapbooking postcards or even weddings and name cards. Hope you like this one, good luck with your creative projects! Any questions, feedback or customiztion request please contact me. Cheers, Roland

Introducing Wellbotth - Inspired by handwritten font cursive, signature font word that perfect for any design project you have! Wellbotth is perfect for sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title, movie poster, youtube thumbnail and more. Features : - Wellbotth.otf - Uppercase & lowercase - numeral & punctuation - Ligatures - underline swash - Multilingual Support --- Hope you enjoy with our font! Attype Studio