Vicentina has been created starting from gothic cursive calligraphy, widely used in Italy during XIV century. The ductus of Vicentina has been derived from the documents redacted by Master Domenico Dominici from Vicenza, while most of the inspiration comes from books preserved in the archives of Orvieto Cathedral (Archivi dell'Opera del Duomo di Orvieto). As a result, Vicentina takes form with an elegant, but fast and simplified ductus respect to gothic graphs, rich in ligatures and with over 400 OpenType glyphs, in perfect harmony with the rules of readability of a modern typeface.

Adelya - Elegant Signature Font is a free-flowing monoline, the two style typeface exploits the common letter-to-letter transitions of the typical cursive hand by utilizing two style points controlled within the machinations of OpenType Contextual Alternates. It can be used to create almost all types of design projects like print materials. Just use your imagination and some graphic design set in Extras, your project will become more alive and look great than ever with one of the Adelya font.

Introducing our product Shorthair Signature! signature with which you can achieve a Cursive lettering feeling. It is slender, feminine and friendly. Shorthair Signature is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Shorthair Signature Includes: Uppercase, lowercase, numeral, punctuation & Symbol Stylistic alternates Stylistic Set01 - Stylistic Set02 Ligatures PUA Encoded Characters Fully accessible without additional design software. If you have any question please do not hesitate to contact me : info@sizimon.com. Thank You!

ITC Clover is the work of California designer Jill Bell. ITC Clover's design is even, rounded, and friendly. It has the look of the loopy cursive writing taught in grade school, although its shapes are much more controlled. Capitals are decorated with generous loops and curlicues, which combine with a lowercase alphabet that is only reserved in relation to the capitals. The letters almost dance across the page even when they are static, and they bring their own dynamism to any animation.

It is critical to ensure that your design appearance represents the messages you deliver. However, it can be such a difficult task and time wasting to create a personal, lovely design. Therefore, Victoria Smitter is the answer to what you need. Victoria Smitter is a visually beautiful handwriting font which is perfect to show modern, elegant impressions in a personalized design to impress your customers and to make your messages more prominent than the others. It is designed in a cursive way in which the letters are connected to each other. Details on each letter and cursive wipes on the edges show high contrasts. Furthermore, this font is suitably applicable for big text sizes for better legibility. In addition, you can enjoy the available features here. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Victoria Smitter fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

OkayCursive began over coffee, in a local flower shop, where my wife takes a floral arrangement class. I discovered a book there, with old photographs from Paris of flower shop displays. What caught my eye in the background of one of these photos, was the hand-painted lettering on a sign. Inspired, I quickly sketched some of the letters on a napkin and stuck it in my pocket. I began to sketch more over the next few days, looking to construct a full-out cursive font with this distinct French look. I wanted my design to be creative & free flowing, but I also wanted it to be at least somewhat proper. So, I consulted some schoolbooks for reference on the correct cursive forms. After more drawing, I began to create the final vector art. Gradually, these ideas -- plus many hours of careful kerning and metrics -- came together to form OkayCursive. Use OkayCursive any time you want fancy, legible, and luxurious text. Works great if you are designing a logo, or use it to create some beautiful titling. Use it for advertisement copy, or even for short to medium-length bodies of text -- go ahead and have fun with it. OkayCursive is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments & publications.

"The Amy Winehouse Script" unveils a unique window into the artistic and personal world of the iconic British singer and songwriter, Amy Winehouse. Renowned for her soulful voice and heartfelt lyrics, Amy's handwriting, a lesser-known facet of her life, offers a captivating story. Amy's script mirrors her artistic and unconventional spirit, marked by artistic flourishes and cursive elegance, echoing her expressive personality. Her cursive style, chosen for its fluidity, mirrors her singing, creating a deep connection between her music and script. Her individualistic script is characterized by varied letter sizes and shapes, reflecting her nonconformist nature and her desire to stand out. It can be messy, much like her turbulent life, representing her emotional journey, marked by highs and lows. Amy's handwriting evolved with her emotional state, sometimes appearing chaotic during difficult times. It's important to note the limited public samples, making it challenging to draw definitive conclusions. "The Amy Winehouse Script" invites you to explore uncharted territories of her life and artistry, offering fresh insights into her unspoken expressions and enduring intrigue. In every line, you can hear the music of her words and the story of her script, reminding us how art transcends boundaries, leaving an indelible mark.

Layal is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Layal employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Layal family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Layal is available in normal, bold, black, light, and extra light, each both in regular and italic styles.

Milan-based Leftloft studio has produced a third leg to its hit Etica font family: LFT Etica Mono. Meant to be a coder’s go-to font for everyday use as much as a designer’s way to invoke a certain genre, it is part of a broader and more versatile family that already contains almost 80 sans and serif fonts. LFT Etica Mono’s ten weights carry the same modern, recognisable DNA of the Etica family while hewing to the defined requirements of a coding typeface: space, density, distinct forms, and clarity. It uses the same instroke on the ‘c’ and open form of the ‘a’ for which the Etica family is famous, but adds something new in the form of an additional italic style. Monospaced fonts usually incorporate slanted letters as italics, as does LFT Etica Mono, but its default italics have warmer, cursive shapes while the alternate italics are simply slanted. The default ‘a’ is a simplified bowl and stem instead of a two storey shape; the ‘d, f, i, l, t, y’ and others gain an outstroke tail; the ‘e’ is one smooth stroke; and the default ‘k’ is looped. These characters have basic, slanted alternates if the cursive look isn’t desired, and includes a set of arrows and geometric shapes. The monospaced design, by nature, makes the typeface useful in coding and in low readability situations. And how does LFT Etica Mono work from the designer’s perspective? The starting point was the need for a monospaced Etica companion intended for technical applications: captions in graphic layouts, small text, confined or predefined space, and overall tone. Flat terminals and counters maintain the colour and versatility of the original typeface, but choosing between the organic cursive or blunt slanted alphabet will give every layout its own character. Of particular aesthetic interest may be the & and % symbols. Designed to be applied to the common visual environment, the new LFT Etica Mono font family completes a more complex system. One benefit is to give an expressive tone — less serious and more friendly — to something inherently technical, to bytes and bots, to encode the beautiful life.

Rasheda is a beautiful italic font. Inspired by classic cursive calligraphy from the Renaissance era in the 8th Century. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Amasis is a slab serif design which has been drawn with a humanist approach, rather than the traditional geometric construction associated with this style of letter. The result is a typeface that has an affinity with the Ionics, although in character it belongs to the latter decades of the twentieth century. The Amasis italic fonts, rather than being sloped roman or cursive in nature, are related more to the Old Style italics. Amasis works particularly well in small sizes where readability is important. Amasis has proved excellent for use on low resolution printers and for facsimile transmissions.

Lucida Calligraphy is a chancery cursive script typeface family designed by Kris Holmes and Charles Bigelow. It is a very legible and readable typeface, designed for use on screen and in print environments. Lucida Calligraphy was originally released in one weight. It is now available in five weights, from Thin to Black. Lucida Calligraphy is part of the Lucida superfamily of fonts from Bigelow & Holmes. Lucida is highly regarded for legibility and its extensive range of type styles. The Lucida Calligraphy typeface family has a Standard character set with 255 glyphs supporting the basic range of Latin languages.

Rutherford is clear, robust and authoritative, and reads well at small text sizes while also having the required heft for larger headlines. A wide range of weights makes it a versatile choice for magazines, branding, brochures and advertising. A slightly condensed obround serif with squared stroke terminals. The t, j and f curve around to harmonize with the terminals on the a and g, as does the tail of the Q. The italic incorporates cursive forms on the ends of the lower right and upper left strokes, and uses a single-story a. Includes full European Latin support and alternate designs for the Q and g in all weights.

Flowing like warm honey, Mielle® CF is a playful cursive script perfect for logos, signage, and posters. Automatic ligatures and contextual letters flow across Mielle's six weights. Mielle® CF pairs well with simple, elegant typefaces that won’t compete for visual attention, such as Artifex CF and Artifex Hand CF. Please note that some contextual glyphs may not appear in the generated previews, but will work correctly in the full typeface. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The Mutamathil Taqlidi type family is the largest size member of the Mutamathil type style. It has one glyph for every basic Arabic Unicode character or letter and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. With each glyph being slightly symmetrical around its vertical axis, this family is only suitable for right to left ordering. The Mutamathil Taqlidi family includes all required Lam-Alif ligatures and uses final position glyph substitutions, ligature substitutions, and marks positioning. Text strings composed using types of this family are non-cursive with stand alone isolated glyphs. The Mutamathil Taqlidi family includes both Arabic and Arabic-Indic numerals, all required diacritic marks, in addition to all standard English keyboard punctuations and major currency symbols. The fonts in this family support the following scripts: Arabic, Persian, Urdu, Pashtu, Kurdish, Baluchi, Kashmiri, Kazakh, Sindhi, Uyghur, Turkic, and all extended Arabic scripts.

Queen is based on the designer's own hand. It is a handwriting font with a difference (just like Affable). It has all the vigor and spontaneity of a hurried note, combined with a skilled and precise joining of characters to give a true cursive script. This font comes in three styles, Queen Regular, Queen Black & Queen Lite. Use Queen for: -- invitations -- advertising material where an informal and personal mood is required -- greeting cards -- menus -- book covers Queen is fully professional, carefully letterspaced and kerned, with line spacing (leading) that allows for accents for use in European languages. All upper and lower case characters, punctuation, numerals and accented characters are present.

Mangaba is a condensed font designed to create a hand-drawn feel for texts in small spaces. It is great for packaging and labels as well as titles and other short texts. It has low contrast and high x-height. Blend well with other hand drawn, cursive and san serif fonts. Includes Latin characters, punctuation, diacritics and old-style numbers. It is a font inspired by the Brazilian cerrado, a region similar to the savannah, with low trees, with twisted trunks and exotic fruits, such as Mangaba. ?Mangaba Pro is perfect for bringing a natural and exotic touch to logos, packaging and even texts on social networks.

Script Typewriter Rough from Jeremia Adatte Studio is the very first complete cursive typewriter font ever made after the original 1960 Smith-Corona Electra 210 typewriter that comes with a unique script typeface design. It’s loaded with more than 270 ligatures to avoid letter texture repetition in a word (switch Discretionary Ligatures on) and is extremely detailed to imitate the subtle letterpress effect you get with a real typewriter. During the typewriting era, only a few models came with this rare type style that was created to imitate hand-lettering to add more personality in a correspondence. You can send letters around the world in more than 80 languages!

Ink Gothic is a contemporary slab serif with a split personality - a mix of heavy industrial with light typographic twists. Unique letterforms evolve the typeface into a class all its own. The Ink Gothic Alt styles add italic letter-styling and cursive loop appeal to the lowercase characters, taking the more refined stylings and giving them an elegant twist adding versatility and beauty. Stylistic Alternates are available for the b & k characters. The Ink Gothic Complete package bundles all of the versatile and elegant styles of the Ink Gothic, Ink Gothic Alt, Ink Gothic 3D, and Ink Gothic Inked typefaces into one powerhouse of a collection.

English Grotesque is based on the proportions of an early 20th century signwriter’s sans, emphasising the characteristic idiosyncrasies of type of the period. Sharing a similar Roman circle-and-square construction as Gill Sans or Johnston Railway, it has a wide T and W, a narrow S, and a long-tailed R. The Roman alphabet did not include a lower-case, and therefore early sans-serifs tended to base theirs on handwritten or cursive models, resulting in more even character widths. English Grotesque, by contrast, carries the more characterful proportions of the capitals through to the lower case. Available in six weights, with optional alternative versions for the Q, &, £ and J.

Released in 1993, Ocean Sans is a sans serif design created for Monotype by the talented Malaysian designer, Ong Chong Wah. The Ocean Sans font family has a distinct contrast between thick and thin strokes which sets it apart from the rather austere Grotesques with their more monotone appearance. Ocean Sans italic is an unusual design for a sans face, a strong cursive influence gives it a flowing rhythm not generally associated with sans serif italics. Ideal for text and display setting, the freshness of the Ocean Sans font family will give the user further scope in the design of catalogues, brochures, advertisements and flyers.

Sabine is an Arabetic type design with a calligraphic flavor. It follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Sabine employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. In Sabine Kashidah, Irsal, and Tasmim keying Tatweel (shift J) after certain glyphs will replace it with a long stroke glyph. In Sabine Tasmim, keying it a second time will replace glyph with a final form swash (Irsal) glyph. In Sabine Irsal all final forms are swash glyphs. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Sabine family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

Delikaat is made up of thin & thick strokes - a version of Cubo Font's former Delicate. Most cursive fonts intend to create the look and feel of real handwriting: many letters have a specific drawing, following other letters that come before and after, or its position at the beginning or at the end of the word. “Delicate” resolved that problem thanks to the OpenType technology, and offers many discretionary ligatures (group of pre-drawn letters), adapted to numerous combinations. Therefore, it’s not only a decorative and calligraphic writing, but also a fluent and energetically one. In order to make the most of it, please activate your software’s OpenType features.

Introducing Monalibra, an elegant vintage handcrafted font. Designed with a really clean and clear monoline cursive script typeface that is easy to read while keeping a sense of personality. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Sometimes we feel that we need something fresh, sometimes you may use something like an informal style, or even a little bit of spicy taste in a provocative message. Belha is a curly cursive typeface that can express a seductive atmosphere of casual style. All their glyphs were made carefully and were hand-drawn. The font contains different letter shapes, full of ligatures, swashes and stylistic alternates that can provide great flexibility for your designs. Belha includes diacritics signs for CE languages. It may be used for advertising, packaging design, flyers, posters, children books and many other purposes. How it will work, just depends on you.

Christmas Wish is a cursive brush calligraphy style script that comes in two weights: a thin Monoline and a brush Calligraphic version. Contains Western, Eastern and Central European accented characters. There are 2 stylistic sets of lowercase letters b d h k l r s t and z. Also 2 sets for hypen and underscore for some flourishes in front, after and under some shorter words. You can view a more detailed, OpenType guide pdf here. For additional customizations extra ligatures (for logotypes for example) please email me at contact@rolandhuse.com Thank you I hope you like this font. Merry Christmas! Roland Instagram: @rolandhusedesign

Midnight Romance is a type of handwritten font that features an elegant and romantic handwriting style. This font is perfect for designs that require a personal and feminine touch, such as wedding invitations, greeting cards, or merchandise designs. The cursive strokes of Midnight Romance flow smoothly and gracefully, lending a touch of sophistication and charm to any design. The letters are delicately formed with an intricate attention to detail, making them ideal for designs that require a more refined and delicate look. Overall, Midnight Romance is a beautiful-handwritten font that exudes a sense of elegance and intimacy, making it a perfect choice for any project that requires a touch of personalization and romance.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

Good Love Song is a cursive font family. It is inspired by love, hearts, and USA’s script. It can be written in Carolinian, Sioux, O'odham, Southern Athabaskan, Hawaiian, Samoan, Dutch, Maltese, Aymara, Mapuche, Rapa Nui, and other Latin alphabet languages. This font family is cute and fun. It has many heart decorations. The strokes are drawn with a round cap tool, with no contrast. The form is upright. Parts H have capitals with High starts. Parts L have capitals with Low starts. Parts U are love line Unions. It can be used with the font Good Song.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst comes in four upright and italic weights, all equipped with a whole lot Alternates and Ligatures.

Mithic, a captivating handwritten script font, effortlessly combines fluidity and grace, breathing life into every stroke. Its meticulous cursive detailing reflects a perfect balance between elegance and informality, making it an ideal choice for projects seeking a touch of personalized charm. The individuality of each character in Mithic resonates with authenticity, conveying a sense of warmth and human touch. Whether used in invitations, branding, or creative displays, Mithic captures the essence of handwritten beauty, bringing a timeless and personal element to the world of typography. With its versatile nature and organic flow, Mithic stands as a testament to the artistry of hand-scripted fonts, offering a unique and enchanting presence to any design endeavor.

The typeface Ruano was inspired from “Lettera cancelleresca formata” by the Vatican calligrapher Ferdinando Ruano, carved and cast in 1926 by Nebiolo of Turin on the advice of Raffaello Bertieri who designed the capital letters and numbers, missing in the original. The difficulty of the design of this chancery font lies in its original vertical layout, bending the calligraphic harmonies to the Gothic style, thus distinguishing it from contemporary cursive alphabets.

Introducing Tyloos Signature - Inspired by handwritten font cursive, signature font word that perfect for any design project you have! Tyloos Signature is perfect for winter sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title, movie poster, youtube thumbnail and more. Features : - Tyloos Signature.otf - Uppercase & lowercase - numeral & punctuation - Ligatures - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Introducing Wellbotth - Inspired by handwritten font cursive, signature font word that perfect for any design project you have! Wellbotth is perfect for sale design, branding, logo, invitation, stationery, wedding, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title, movie poster, youtube thumbnail and more. Features : - Wellbotth.otf - Uppercase & lowercase - numeral & punctuation - Ligatures - underline swash - Multilingual Support --- Hope you enjoy with our font! Attype Studio

The slope and clear rhythm of the Hello January Cyrillic cursive script font will harmoniously blend in with the laconic design of your projects. Also, elements from the Hello January symbols font will be a good addition to it when creating logos. The font pair Hello January script font will look gorgeous on wedding stationery, love stories, branding materials, monoline logos, business cards, Insta quotes, elegant fashion sketches, and much more. Hello January script font contains the Cyrillic glyphs too. Hello January script is pretty monoline cursive font, plus a Symbols font with 36 lovely hand-drawn swashes and illustrations. Hello January script font contains a full set of uppercase and lowercase letters. Hello January Symbols is a font with over 36 hand-drawn elements, illustrations, and swashes that can help you to make your design unique and matchless. Combine and merge swashes and illustrations to create your own designs and make borders, frames, dividers, logos, and more (just use A-Z or a-z and 0-9 keys in the included Hello January Symbols font). A different symbol is assigned to each uppercase or lowercase standard character, so you do not need graphics software, just type the letter you need. Multilingual Support for 31 languages: Latin glyphs for Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. Cyrillic glyphs support Russian, Belorussian, Bulgarian, and Ukrainian languages.