Are you ready to elevate your design game with the unique counterless 21st Century Art Deco typeface, Pound? Pound is not your average typeface. Its bold, beefy design is perfect for pounding out meaty phrases with confidence and vigor. With its counterless design, Pound stands out from other typefaces on the market, making it the perfect choice for designers looking to make a bold statement. One of the key features of Pound is its letter pair ligatures, which interlock and break up the monotony of plainly repeating characters. You can turn off your application’s “standard ligatures” function to disable this effect. In addition to its unique design, Pound is also available in a simpler Web style for situations where less detail is required. So what are you waiting for? Take your designs to the next level with Pound, the counterless Art Deco typeface that packs a punch. Get ready to make a statement and stand out from the crowd. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Part of the extended Rahere typeface family, Rahere Slab is a humanist slab serif (or Egyptian) in six weights from light to extra bold with corresponding italics. Rahere Slab – like its sibling Rahere Sans – features subtle detailing, giving the typeface a distinctive, warm appearance without distracting the reader. Legible at large and small sizes, Rahere Slab is a versatile, workhorse typeface that is suitable for a wide range of applications such as information signage, packaging, annual reports, advertising, brochures, catalogues, screen text and visual identities. Slab serifs are ideal for projects that need to convey a sense of authority tempered with diplomacy or messages that just need some serious oomph – and Rahere is a great slab for the job. The italic lowercase is more cursive and expressive than the roman and when they’re used together it displays enough character to create emphasis without looking out of place while harmonising admirably. Set on its own (for example, pull-out quotes), the italic exudes a charm that draws attention to the text. The character set covers most European languages plus Vietnamese. Each weight contains lining & non-aligning numerals in both proportional & tabular spacing. The tabular numerals share the same width across all weights and styles (matching Rahere Sans too) – indispensable for financial tables in annual reports. If a companion sans serif is needed, Rahere Sans is the perfect partner. They are both part of the extended Rahere typeface family and have been designed to complement each other beautifully. The typeface is named after Rahere, a 12th-century Anglo-Norman priest, who founded the Priory of the Hospital of St Bartholomew, London in 1123. In 2007 I was successfully treated at Barts for relapsed testicular cancer so I’m indebted to all the doctors, nurses and support staff who work there. A special shout out to Orchid Cancer – a UK charity that helps men affected by cancer – who funded the research for my treatment.

The eText fonts from the Monotype Baskerville have been specially tuned by our type design experts for a better on screen readability for instance in PDFs.

This is what my good friend and painter Vincent’s handwriting looks like. I have put in a couple of ligatures and I hope you like it.

Rosie is a chunky but elegant pen script with useful OpenType features. In non OpenType-savvy applications it still works beautifully as a fully joined script.

MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!

Stop using Times new Roman in children's books! BrunoBook is here to stay. A complete character set with numbers and most (but not all) special signs.

This is an extension of Alquitran, but now converted into a family from the Thin to the Black Line, it contains dingbat, inspired by the Pichação!

This Little Piggy is a cute, kiddy-style font. A little haphazard, a little messy, but funny and happy. Great for wishing-well cards or books.

Windlesham is a more traditional sans serif version of our Guildford typeface. Windlesham contains all the high-end features expected in a quality OpenType Pro font.

An antique hand-cut brass stencil of the phrase "No Hunting on These Premmises" (with the word "premises" misspelled) was the model for Brassmark Stencil JNL.

AZ Claire was inspired by hand scripts, but with the necessity for a bolder look. This font was designed for use as a fun bold headline.

Looking similar to a Deco-era classic typeface, Van Alt JNL has slightly different character shapes, but pays due respect to its inspiration by the original...

Gusto is a mixture of San Serif and Humanist style fonts together. We put the craft into the character. It's a unique option available for you.

Kardust TS is a part of Kardust family, which is born from it skeleton to suit Transportation and Sport, but it will suitable for any purpose.

An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.

Browny Joy is lovely modern calligraphy font inspired by beauty natural handwriting What's included: - Browny Joy.otf - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Shareholder JNL could possibly be found on a stock certificate, but in truth, it's based on hand-lettering found on some old sheet music entitled "Sharing".

Empty Fridge is my crazy, wacky and totally unpredictable comic font. Forget about typographic rules, but play along with the goofiness in each and every letter!

Merry Bauble Letters is designed to complement our 'Merry Baubles' fleuron typeface. Quite simply, it's a set of Christmas Tree ornaments with letters painted on them…

Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.

Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.

Aeroboost is a sporty look with a strong and sporty feel, perfect for your titles, logos, typography, flyers and various design needs, making your designs more modern and professional. Aeroboost comes with these all caps making them look strong and bold, giving them a bold and modern feel, so enjoy creating any project that will showcase your main idea!

Silver Crown is an Ultra Condensend display font with minimalist characters. It's perfect for logos, name cards, magazine layouts, headers, or even large scale artwork. Silver Crown, a clean sans serif, offers you: 1. Upper and Lowercase characters (All Caps) 2. Ligatures (121 characters) and Stylistic alternates (9 Characters) 3. Multilingual Support (Latin Western Europe), Numbers and Punctuation

Following from the continued popularity of the original MB Deco, here is Nuovo Deco, its new and improved big brother. Nuovo Deco comes in three weights, Light, Regular and Bold. A full character set of Caps and lower case letters, alternate characters, plus some very nice Ligatures to give some added art deco style and a much wider scope.

The highest and windiest mountain of Provençe is the Mont Ventoux. That is where I saw a pretty windy signpost in a very windy typeface that inspired me to design Ventoux. I recently added a Small-Caps style to it and overhauled the font a little bit without destroying its shaky appearance. Your not so windy Gert Wiescher

Kinera is a display elegant serif . It seduces your eyes with its curves yet still looks serene and classy. Perfect for any kind of creativity you are about to start :). with a binder in it will add a very memorable impression to the writing you want. Note : Ligature can be active in CAPSLOCK File Included : - All Caps - Ligature

Record Store Stencil is based on classic stencil lettering from the first half of the 20th century. The font features Upper and lowercase, small caps, in upright, italic, and backslant. The font's multipart letterforms are ideal for color application. Available are two color variations, Black with Red accents and Blue with Red accents, with cycling activated through contextual alternates.

The six weight Organon Sans typeface is a stylish and feature-laden OpenType family which complements its sister Organon Serif, both components working in tandem to create an elegant, legible and thoughtfully designed suite of fonts which share similar cap & x heights, stem widths and ascender/descender values. Tapered stems give the Organon Sans fonts an attractively robust appearance.

A font with a strong architectural feel, inspired by those great commercial emporiums of a bygone era. To cap the crossbars, use [brackets] to enclose uppercase letters, {braces} to enclose lowercase letters, and the upright bar | between upper- and lowercase letters. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

This elegant semicursive face is based on the works of J. M. Bergling from his 1914 classic Art Alphabets and Lettering. Suitable for announcements, awards and invitations, or for distinctive and unusual drop caps. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Manito was designed by Garrett Boge in 1989. He employed a wide pen and angular, sturdy forms to simulate rough-hewn woodcut letters. The font, consisting of both capitals and small caps, provides an ideal graphic complement to collateral of a natural or environmental character. It is named after a native American word for 'Great Spirit'.

Atipla ND is a contemporary sans serif typeface. It works best at large sizes, with softened ink traps pair legibility with aesthetic, while its strict horizontal and vertical terminals give it a rigid yet friendly appearance. The typeface contains a stylistic set, case sensitive forms, symbols and arrows, and the font covers all Latin Extended-A languages.

Chocolatier is an all caps display serif typeface with soft edges. Includes ligatures, special alternative glyphs and old style figures. Chocolatier is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 36 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Chocolatier!

Skippy Sharp was drawn by Skippy McFadden in 1995 and faxed to Mister Chank Diesel. Chank completed the character set, added extensive kerning and created a very friendly, informal marker handwriting font. The font is also enhanced for OpenType use with Contextual Alternates for a more natural and organic handwriting style, and true Small Caps, too.

A new romantic serif typeface with Baroque initial caps that can be incorporated to complement the standard set or be set together. Inspired by European architecture of the seventeenth century, the decorative initials fit comfortably with today’s illustrative typographic trends. The standard set offers classic tradition with contemporary touches that can stand alone in display or text sizes.