Sintesi Sans. Sans meets serif. Are you looking for a robust, contemporary but nonetheless an elegant font? Sintesi Sans might be exactly what you are looking for. Sintesi Sans builds together with Sintesi (SemiSerif) and Sintesi Semi an extended family. However each of the three member of the Sintesi-family accomplish the «synthesis» between Sans and Serif on its own way. Sintesi Sans scores because of its readability, robustness and contemporary style. It is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications. Worth mentioning is the particularly slim «Extrathin» style, which elegance is not to be outbalanced. Thanks to the good readability and the wide set of styles and glyphs, Sintesi Sans suits to a wide spectrum of applications. Download a free trial package of the extended family with a reduced character set – check it out! Download a free trial version of Sintesi Sans with a reduced character set. Check it out!

Cherry is a bold and smooth display family with connecting script “Brush” and supporting thin marker caps “Sans”. In addition there is “Extras” which is a set of strokes and ornaments designed to go with the fonts. Cherry Print is the same set with rugged outlines and eroded print texture. Cherry Brush has clear and smooth letter shapes with lot’s of character. It’s great for Logo, Poster, Headlines, Packaging or any Display use. Cherry Brush is equipped with plenty of contextual alternates and ligatures that keep the connections smooth. This feature is set in Standard Ligatures and it’s on by default. Cherry Brush is designed so that you can also use it to writ ALL CAPS. For more flashy initials try Swash feature. Cherry Brush is PUA encoded so you can access extra characters in most graphic design softwares. Cherry Sans is an all caps thin marker font with two size of letters (uppercase & lowercase). Cherry Sans is clean and legible. It’s designed to work with Cherry Brush but works just fine on its own too.

In the world of webfonts, Condensed proportions are key to maximizing your page's premium real estate while keeping your copy clean and catchy as you cut down to the essentials. Soon after the introduction of webfonts, I began to see Insigne's Le Havre used frequently for web headlines, not so much for its Art Deco look as for its more compact proportions. There seemed to be a need for a font that was designed to be used solely for the web's unique constraints. Enter Coegit Sans. Coegit is built specifically for web applications. Its highly Condensed forms range from thin--offering the greatest number of uses--to the attractive, accenting black. With three widths--Compressed, Compact, and the widest, Condensed --the family holds a total of sixteen fonts. The typefamily has also been hinted for excellent, onscreen display quality, even at small sizes. Overall, its lighter, humanist features provide the reader a more congenial welcome than its square, sans-serif counterparts can offer. Coegit is equipped for complex professional typography with stems, small caps and plenty of alts, including titling capitals. The face includes a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. The family also includes glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Coegit supports over 40 languages that use the Latin script, making the new addition a great choice for multi-lingual publications and packaging. While the advanced OpenType features of webfonts are not currently supported in many browsers, the near future promises wide support. As acceptance of these features grow, Coegit Sans will prove to be a versatile element for your wide range of web projects.

Based on Mr. Hubbard's own hand printing, Richfont Medium is an extremely casual design. Actually light in weight, it renders best at 14 point and above. Richfont Light and Bold are available from the designer.

Take your reader far away to a tropical morning, where the inviting aroma of a fresh roast introduces them to a gentle breeze and the first, warm light of day. Take them there with Barcis. This organic face with its tall x-height and neo-humanist attributes shows its free spirit through unique terminals, calligraphy-inspired strokes, and a rich variety of OpenType alternates All insigne fonts are loaded with OpenType options. Barcis is geared up for pro typography. The font features many numeral sets, with fractions, old-style figures, superiors and inferiors. OpenType-capable programs like Quark or the Adobe suite allow you to quickly change ligatures and alternates. You can see these options shown in the .pdf brochure. Barcis also features the glyphs to aid a variety of languages, together with Central, Eastern and Western European languages. In all, Barcis supports around forty languages that utilize the Latin script, earning Barcis the pick for for multi-lingual publications and packaging. Barcis features three different widths and seven weights from exceptional Light-weight to dense Black. Each of these individual fonts offers its own authentic italics and alternate glyphs as well. With its high versatility, Barcis is without a doubt an amazing titling font, a great choice for journals, a solid option for web use, or even for clearly defining your mark in logotype. Bring Barcis into your library, and use it to carry your audience away.

Sánchez Niu is a redesign of Sánchez—one of the first font families by Latinotype designed in 2011. In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc. At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning. Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power! This new version includes improvements that make it work well with longer text. Such improvements have not had a major effect on the look of the font, though. We have adjusted the original proportions and added a number of new characters as well as OpenType features such as small caps, oldstyle figures, tabular numbers and stylistic alternates. Sánchez Niu contains a set of 720 characters that support 219 languages. The font is well-suited for long text, headlines and logotypes, and it has been optimised for web usage. Sánchez Niu comes with two free fonts—Regular and Regular Italic! Corrections, digital editing and review by César Araya, Rodrigo Fuenzalida and Alfonso García.

VTC Bloke is a revival of Miller & Richard’s classic metal typeface, ‘Egyptian Expanded’, including the three-dimensional, ‘Open’ style that was later introduced to the family. The roots of this typeface stem from the UK, where William Miller and his son-in-law Richard had their initial foundry in Edinburgh, Scotland. In addition to the beautiful and timeless type designs, the foundry gained a reputation for offering super small type sizes, designed for Bibles, dictionaries, documents, etc. Slab Serifs (or Egyptian Serifs) started to gain popularity in the early 19th century. It’s around this time, due to emerging industrial technologies, and an ever-expanding advertising industry, that type designers started to really experiment with letterforms that could help their clients distinguish themselves from the competitor, and catch people's eyes. The size of posters and advertising space was getting bigger, and bigger, and so was the type. All original letterforms have been re-drawn and cleaned up, with some more modern glyphs and characters added in. VTC Bloke supports Adobe Latin 1 Language Support.

Astral Night - A Blackletter Typeface is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Astral Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more)

Impact wide was developed from the designer's original drawings for the production of 'Impact' metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled i and j dots of the original. Character maps show some useful alternative characters in both roman and italic. Included are a crossbar numeral 1, mirror quotes and some sorts which were cast in metal but never reproduced in digitized versions of the typeface. There is also a font-specific Euro symbol. (Impact is a trademark of The Type Museum, London).

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

The Stamnaki Greek Font is a 100% hand-drawn decorative font with which you can achieve a handwritten-type lettering feeling. Of course, the fun font supports a full set of Greek characters and an extended Latin character set with diacritics. Therefore, this multilingual font supports all the European languages. In addition, Stamnaki includes over 20 ligatures so you can achieve a hand-lettering aesthetic on the spot. Cleary, this font can cover from “hand-written” quotes to food packaging, merchandise, and branding projects. Also, it can be used on social media content, for poster design, and any other kind of graphic design that requires a hand-crafted feeling. The style of the font is perfect for your modern graphic design needs. Again, if you are into art and crafts, this is a fun font for you!

This is my interpretation of Edel Grotesk – a “lost typeface” from circa 1914 produced by Johannes Wagner GmbH of Ingolstadt, Germany. PG Grotesque is definitely not a revival, or even a faithful reproduction of that typeface as I was unable to source enough accurate references. What I have done is take the essence and unique characteristics of that typeface and brought this forgotten gem right into the 21st century. The full family features 99 fonts spread across 9 weights and 6 widths. PG Grotesque is also available as a single variable font so that you can fine tune the width, weight, and italic angle to your exact preference. Distinctive features include high-waisted capitals, a straight-legged capital ‘R’, and flattened arches in the ‘a’ and ‘g’ glyphs. Using PG Grotesque will give your typography a distinctly retro feel with its vintage heritage inherent in every character. You will find this is an incredibly versatile typeface with added value from its extensive language coverage along with small caps availability at the click of a button. PG Grotesque will prove to be a valuable asset in your type arsenal. Test drive PG Grotesque today – both the Regular and Italic fonts are offered as a free download. See full details and hi-res images at https://paulogoode.com/pg-grotesque Key features: 9 Weights 6 Widths 99 Fonts Small Caps Old Style Figures European Language Support (Latin) 550+ Glyphs per font

Tom Lincoln's award-winning type design work since the 1960s has been one way or another of expressing his fascination for the Roman majuscules inscribed at the base of the Trajan Column in Rome. This time he has really outdone himself by bringing us Roma, a definitive, contemporary, mature sans serif expression of those majuscules. With Roma, Lincoln is not satisfied with simply creating a proper "Trajan Sans". He goes on to make it a family of four weights, with built-in small caps and oldstyle figures, then he really goes to town with the options he makes available for shading and multi-color settings. Precise renderings of the Roma capitals are provided in different fonts that can function individually or be layered atop each other for two- or three-color treatments. The Roma family comes with extended language support that spans the majority of Latin-based languages. For more information on the design, complete character sets, technological features, and print tests, consult the accompanying PDF.

Inspired by the vintage brush typography, we proudly present Hadnich. the versatile script font. Carefully designed with the taste of old school sign painting which has the neat letterforms, attractive move and combined in modern form. Complete your font library with this cool brush font. Works perfectly for logo, signage, apparel, labels, poster, and many more! Make sure you get more variants of typographic design with a ton of alternates characters that you can access easily! There are stylistic sets 01-14, ligatures, swashes also accented characters, packed in a total of 350++ glyphs! Worth every penny. Uppercase Lowercase Numbers & symbols Stylistic sets 01-14 Ligatures Multilingual characters Thank you for watching. Keep it real!

This welcome addition to FontFont’s most popular family brings a softness to FF DIN’s simplicity and industrial sterility. FF DIN Round is more than a “search-and-replace” rounded version of its predecessor. Albert-Jan Pool and his team redrew each letterform to maintain the structure of the original. This ensures FF DIN and FF DIN Round will work well together in logos, slogans, price tags, etc. as compatible parts of advertising campaigns and corporate identities. FF DIN Round is not only a good companion to FF DIN, its smooth and friendly curves make it work on its own for branding strategies for family cars, bikes, household appliances, sportswear, shoes, or medical products. It’s also very legible on screen. This FontFont is a member of the FF DIN super family, which also includes FF DIN.

LABEL PRO XL is a massive high quality collection of classic, modern and vintage labels. Containing more than 150 glyphs, LABEL PRO XL is convenient and essential in numerous business sectors; such as food or non-food labeling, B2B and B2C sales; stickers, stamps or advertising designs etc. LABEL PRO XL offers you a quick & easy solution for all vector designs and application software. The LABEL PRO XL font is fully handtraced, a first-class and worldwide highly appreciated quality. LABEL PRO XL, a complete font that contains twelve different styles, tons of combinations, cool swaches & flags, LABEL PRO XL is particularly developed for creative people.

Introducing “Venice Serif - Font Family” – a functional serif type system with a sleek structure which gives a strong personality while still maintaining high readability. Developed in three weights with matching obliques. The full set of weights (Light, Regular and Bold) counts more than 350 glyphs. The end result is a family with full multilingual capabilities and a coverage of several languages based on the Latin alphabet. This fashionable font family is the ideal choice for advertising, corporate design, packaging, editorial and branding. Specifications: - Files included: Venice Light, Venice Regular, Venice Bold with corresponding obliques - Multi-language support (Central, Eastern, Western European languages) - OpenType features

TA Kenisans is a combination of two fonts. You can create very good works with Geometric and Grotesque style. This typeface also equipped with useful OpenType features such as Ordinal, Superior, Stylistic Alternates, Proportional Figure, Fraction, Tabular Figure, Numerator & Denominator. Each font file covers Western & Eastern Europe Latin language, as well as other Latin based languages – over 200 languages supported! This is a new real multi-purpose typeface that will be perfect for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title, & nearly any other type of creative design you’re working on.

Hello, all. I Want To Introduce New Fonts Maudhia Script Maudhia Script New fresh & modern style with handmade calligraphy, decorative characters and dancing lineage! So wonderful are invitations like greeting cards, branding material, business cards, quotes, posters, and more !! Maudhia Script The comes with 331 glyphs. Alternate characters are divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. Open Type features are accessible by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X versions, and Microsoft Word. And this font has code PUA unicode (font with special code). So that all alternative characters can be easily accessed by craftsmen or designers. Maudhia Script Uppercase & lowercase International signature & symbol Punctuation Support & PUA number Unicode Style Style Alternative Style Style Range 1-6 Contextual Character Variations. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows). Thanks and good luck :-) Thank you for buying!

Faradila is a modern calligraphic script, with each letter having been carefully designed to make your text look beautiful. With its modern script style, this font will be suitable for various projects, for example: invitations, greeting cards, posters, business cards, quotes, blog titles, branding, logos, fashion, clothing, letters, stationery, and more. Faradila comes with alternative characters which are divided into a number of OpenType features, Style Collections, Alternative Styles, Contextual Alternatives. The OpenType feature can be accessed by using OpenType savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, and Microsoft Word. And this font has provided a Unicode PUA (special code font) so all alternative characters can be easily accessed in full by craftsmen or designers. Faradila includes Uppercase, Lowercase, International Language Support, Punctuation, Numbers, Standard Stylistic and Alternative Stylistic Sets 1-30, and Contextual Character Variants. If you don't have a program that supports OpenType features like Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows).

Create your own world with the Picture Yourself collection! Picture Yourself is a graphic image collection, which functions a font family instead of hundreds of EPS files. The family is made up of 24 different symbol typefaces. Designed by the collaborative effort of Karin and Peter Huschka, both living in Germany, Picture Yourself was a winner in the 2003 International Type Design Contest, sponsored by Linotype GmbH. The symbol library found in Picture Yourself offers an astounding array of high-contrast, simple forms, which may be used happily either separately or together in your layouts. Just as the fonts themselves stem from two designers working in collaboration, the imagery of the collection itself stems from two different influences. In large part, the font family was inspired by work displayed in the Frankfurt-based German Architecture Museum's 2003 Oscar Niemeyer exhibition. The photographs and sketches that were displays there inspired the first ideas for the Picture Yourself world of images. More of the typeface's design, as well as its name, were inspired by the underlying philosophy of the Beatles' music, especially the classic song from Lennon and McCartney, "Lucy In The Sky With Diamonds." In comparison with other large pictographic type collections, all of the characters in Picture Yourself fonts share the same horizon. The glyphs themselves are also drawn so that many of them can be combined with one another, creating tall or wide decorative compositions. Additionally, the proportions of the forms of the pictographs are aligned with various industry standards, in order to harmonize workflow. Picture Yourself Portraits (3:4), Landscapes (6:4), Cinema (9:4), and Panorama (12:4) each adhere to one of several photo or video formats. The Picture Yourself family of fonts can best be used with graphics applications like Adobe Photoshop or Illustrator, where different characters may be assigned to different layers, each with their own color.

In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet had been drawn afresh. Out came a beautiful cursive font with a certain charm of its own which covers beside the West European languages also those of Central Europe and Turkish.

Aglore Story Signature Duo This professional resource is also powerful because each font has its own magical design. Comes with four versions Regular, Italic, Signature You can use it for almost anything like blog headers, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, invitations and quotes and so on. Feature: Uppercase Lowercase Number Accent (multilingual character) Thank you for your purchase!

Angely Blooming Duo This professional resource is also powerful because each font has its own magical design. Comes with four versions Regular, Italic, Script You can use it for almost anything like blog headers, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, invitations and quotes and so on. Feature: Uppercase Lowercase Number Accent (multilingual character) Thank you for your purchase!

Proudly present Glorando Typeface, created by Story type, A serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Mehriban Outline is a revisit of Mehriban, Michael Browersí most successful text face that was originally released in 2006. Mehriban & Mehriban Outline are deconstructivist revivals inbred from Michael Browers' previous work: Formasi and Disjecta. Formasi characters were morphed with their Disjecta counterparts, and in some cases with previously unpublished letterforms from Disjecta's concept stages, resulting in a grunge font with its own unique swagger.

Proudly present Gerald Typeface, created by Story type, A serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Phoveus Modern Serif, This professional resource is also powerful because each font has its own magical design. Comes with four versions Regular, Italic, Bold, Bold Italic. You can use it for almost anything like blog headers, posters, wedding elements, t-shirts, clothing, book covers, business cards, greeting cards, branding, invitations and quotes and so on. Feature: Uppercase Lowercase Number Accent (multilingual character) Thank you for your purchase!