Ariata™, from Malou Verlomme, is three typefaces in one. Like phases of the moon, they gracefully meld from one to the other. The “Text” weights are sturdy designs that perform as well in blocks of copy as they do in the occasional headline. The “Display” versions of Ariata are delicate but confident designs that shine in large sizes, while the “Stencil” typefaces are eye-catching and provocative. Each version is available in four weights, from a forthright regular to a robust black, making for a family that is comfortable taking on a wide variety of tasks. The individual designs can be combined with each other to create a distinctive, yet cohesive typographic statement, or stand on their own as confident communication tools. If you want a little more variety, Ariata’s solid glyphic shapes will serve as a dynamic counterpoint to just about any Humanistic sans. Space economical and distinctly original, Ariata easily creates commanding headlines, pull-quotes and subheads. Packaging, game branding, posters, book jackets and advertising design are all also within its comfort zone. While primarily intended for print applications, Ariata’s full-bodied x-heights, generous counters and clear apertures make for a design that is also at home in many digital environments. Verlomme is an award-winning Senior Type Designer at Monotype. He has a degree in graphic design from l'École Duperré in Paris, and an MA in Typeface Design from the University of Reading. He taught type design at several universities in Paris and still occasionally lectures and gives workshops. His typeface Camille has the honor of being part of the collection at France’s Centre National des Arts Plastiques (CNAP). Verlomme also designed Placard® Next, Madera™ and Johnston100, London’s new underground branding typeface. Click here to see all of https://www.monotype.com/studio/malou-verlomme Malou Verlomme’s typeface designs.

Jan Tschichold designed Sabon in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in response to a request from German master printers to make a font family that was the same design for the three metal type technologies of the time: foundry type for hand composition, linecasting, and single-type machine composition. Tschichold turned to the sixteenth century for inspiration, and the story has a complicated family thread that connects his Sabon design to the Garamond lineage. Jakob Sabon, who the type is named for, was a student of the great French punchcutter Claude Garamond. He completed a set of his teacher's punches after Garamond's death in 1561. Sabon became owner of a German foundry when he married the granddaughter of the Frankfurt printer, Christian Egenolff. Sabon died in 1580, and his widow married Konrad Berner, who took over the foundry. Tschichold loosely based his design on types from the 1592 specimen sheet issued by the Egenolff-Berner foundry: a 14-point roman attributed to Claude Garamond, and an italic attributed to Robert Granjon. Sabon was the typeface name chosen for this twentieth century revival and joint venture in production; this name avoided confusion with other fonts connected with the names of Garamond and Granjon. Classic, elegant, and extremely legible, Sabon is one of the most beautiful Garamond variations. Always a good choice for book typography, the Sabon family is also particularly good for text and headlines in magazines, advertisements, documentation, business reports, corporate design, multimedia, and correspondence. Sabon combines well with: Sans serif fonts such as Frutiger, Syntax. Slab serif fonts such as PMN Caecilia, Clairvaux. Fun fonts such as Grafilone, Animalia, Araby Rafique. See also the new revised version Sabon Next from the Platinum Collection."

Introducing Enamel Brush—the perfect typeface for adding a touch of vintage charm to your design projects. With its bold and expressive brush strokes, Enamel Brush takes inspiration from Emil Klumpp’s Catalina typeface from 1955, a classic typeface that embodies the spirit of post-war optimism and creativity. Enamel Brush has been designed with the modern designer in mind. Thanks to its OpenType features, certain letter pairings are automatically replaced with ligatures, ensuring that your text has a more natural and authentic feel. Whether you’re creating a logo, poster, or website, Enamel Brush is the ideal choice for adding personality and style to your messages. Its bold, confident strokes are perfect for grabbing attention and making a statement. So why not give your next project a touch of vintage flair with Enamel Brush? Get your copy today and start creating something truly special. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Clear Sans™ is a… wait for it… rational geometric sans serif. It is intended to fill a niche… to provide an alternative to the somewhat based-on-vernacular signage, somewhat geometric sans. I hear the word vernacular thrown around too much and too loosely. If a typeface is based in the vernacular, based on hand-painted or hand-crafted signage, then it should be based on the movements of the hand, retain that warmth and not on a pretty geometric model. For me, clean, geometric and precise doesn't have to be cold and expressionless. The original skeleton was hand-painted in 2008 to help determine and inform my decisions going forward. The typeface was completed shortly afterwards at the behest of an old friend for their identity. As usual, I expanded it, but considered retiring it since there were so many things similar out there. Years later, I had a chance to rediscover it and came to the conclusion that it could be improved, expanded in a logical and useful way, and introduced. I would be lying if I didn't admit that the rise of webfonts and embedded type in applications influenced many of the decisions I made about reworking Clear Sans™. Completely new Text and Screen fonts were developed that utitlize larger x-heights, space-saving widths, logical (and simplified) weight offerings… to name a few alterations. Even the pricing of each variant was considered to produce a more reasonable and simple solution for the developer, designer, professional and novice. Clear Sans™ is a departure from my previous sans serifs, but the influences of Aaux Next, Akagi Pro and Halogen are evident. Enjoy a light-hearted mini-site devoted to Clear Sans™

Clear Sans™ is a… wait for it… rational geometric sans serif. It is intended to fill a niche… to provide an alternative to the somewhat based-on-vernacular signage, somewhat geometric sans. I hear the word vernacular thrown around too much and too loosely. If a typeface is based in the vernacular, based on hand-painted or hand-crafted signage, then it should be based on the movements of the hand, retain that warmth and not on a pretty geometric model. For me, clean, geometric and precise doesn't have to be cold and expressionless. The original skeleton was hand-painted in 2008 to help determine and inform my decisions going forward. The typeface was completed shortly afterwards at the behest of an old friend for their identity. As usual, I expanded it, but considered retiring it since there were so many things similar out there. Years later, I had a chance to rediscover it and came to the conclusion that it could be improved, expanded in a logical and useful way, and introduced. I would be lying if I didn't admit that the rise of webfonts and embedded type in applications influenced many of the decisions I made about reworking Clear Sans™. Completely new Text and Screen fonts were developed that utitlize larger x-heights, space-saving widths, logical (and simplified) weight offerings… to name a few alterations. Even the pricing of each variant was considered to produce a more reasonable and simple solution for the developer, designer, professional and novice. Clear Sans™ is a departure from my previous sans serifs, but the influences of Aaux Next, Akagi Pro and Halogen are evident. Enjoy a light-hearted mini-site devoted to Clear Sans™

Rolling Brush is a script font that gives handwriting appearance with original and personal brush details. This font is made beautifully so that the letters are connected to each other, creating a continuous and flowing look. Each letter is attached to the previous letter and continues to the next letter, creating beauty in writing unity. This font shows brush details on each letter. Brush strokes displays a rough, organic texture to the edges of the letters, adding dimension and visual life. These details give a unique impression to this script font. On the other hand, even though it has a rough border, this script still maintains a natural and elegant aesthetic touch. Some letters may have dramatic twists, while others are simpler. This flexible shape creates an expressive and creative look to the lettering. Because it is designed with a rough border, it would be better if you use this font at a large text size so it is more easy to read. Enjoy the various features available in this font as well. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Rolling Brush is suitable for any designs that want to convey a warm, personal and alluring impression. You can use this font in the design of greeting cards, invitations, logos, labels, and many other design projects that want to create uniqueness through a natural, handwritten touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

This is my addition to a long line of traditional gothic typefaces. As you can probably tell, PG Gothique is inspired by classics such as Trade Gothic, News Gothic, Franklin Gothic, Alternate Gothic, and Gothic Gothic. Well, maybe not the last one... But Paulo, we have all those already, why would we want to add PG Gothique to our collection? This typeface has many subtle design nuances that differentiates itself from its historical influences. Also, this is possibly the most comprehensive Latin gothic font family released to date. It has 99 fonts that cover pretty much every style you could ever need, and if you do require more, this family is available as a single variable font that covers all the weights and widths in between. PG Gothique is designed to handle a multitude of applications, from branding projects, to titles, body text, user interfaces, and film poster credits. This type family has a style that will suit the purpose. There are 99 fonts in this family, ranging from Thin to Ultra weights across six widths in both roman and italic*. Activate Stylistic Set 1 and you will get the alternate slab serif-style capital “I” that offers improved legibility when placed adjacent to a lowercase “l”. PG Gothique has an extensive character set that covers every Latin European language. If you would prefer PG Gothique as a single variable font, please choose PG Gothique Variable. Test drive PG Gothique today – both the Regular and Italic fonts are offered as a free download. See full details and hi-res examples at https://paulogoode.com/pg-gothique Key features: 9 Weights 6 Widths 99 Fonts Small Caps Old Style Figures European Language Support (Latin) 600+ Glyphs per font *Compressed weights do not include italics.

Introducing Choret Fudyng, a font with a captivating Bubble style that will elevate your designs to new heights. This font family offers a range of options to suit your creative needs, including the enchanting 3D, classic Regular, and elegant Light variants. Whether you're designing logos, posters, or social media graphics, Choret Fudyng has the perfect style to make your text pop. Each letter is meticulously crafted with attention to detail, ensuring a visually pleasing and harmonious look. With Choret Fudyng, you can effortlessly add depth and dimension to your typography, creating stunning visuals that leave a lasting impression. Choret Fudyng is not just a font; it's a complete typographic solution. With full support for PUA Unicode, this font allows you to access a wide range of additional characters and symbols, expanding your creative possibilities. It's also designed to be multilingual, enabling you to effortlessly communicate in different languages and alphabets. But that's not all - Choret Fudyng takes ligatures to the next level. With an extensive collection of ligature options, this font lets you create fluid and seamless connections between characters, enhancing the overall aesthetic appeal of your designs. Whether you're designing logos, branding materials, or invitations, Choret Fudyng's ligatures will add a touch of elegance and sophistication. Experience the power of Choret Fudyng and unlock a world of typographic versatility. With its PUA Unicode support, multilingual capabilities, and abundant ligature options, this font is a must-have for any designer or creative enthusiast. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The history of Aerolite, from Jan Paul: "The Aerolite fonts are essentially stripped down versions of a complex outline typeface I designed for the first Midnight Oil album in 1978, affectionately known as "The Blue Meanie". Many years later I saw the font "powderworks" and asked Brian Kent if he would be interested in digitizing Aerolite. Brian is a font (!) of knowledge and was of invaluable help by getting Aerolite to where it is today. Special care was taken in keeping the distinct character while as Aerolite Regular also providing a legible, thouroughly kerned body type which can be used in all sizes for large volume text." For the Pro version the kerning has been tweaked further, and the character set completed and expanded - and the alternate uppercase A (also with accents) is available as OpenType stylistic alternates. It is now ready for your next international science or sci-fi project. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

The requirements of Middle Ages scribes who copied and produced books in monasteries were fundamentally to preserve space, due to the high cost of the writing surface. During this long period of the development of Gothic forms, many other variations of the style of black letters appear: Textur or “Gothic-antique”, another group called Rotunda preferred by Italian and Spanish scribes. In 1490, the style "Bâtarde" (according to the the French classification) began to be widely used in Germany with more rounded shapes and named Scwabacher (probably derived from the city of Schwabach, but not certified) Fractur is a more condensed and narrower form than Schwabacher. This style is attributed to Johann Neudörfer of Nuremberg, cut in 1513; it was quickly imitated, therefore a few years later became to be a German national identity that extended over the next four centuries. The shape of its characters can be considered as a fusion of Texture and Schwabacher: the lowercase actually has medium strictly vertical and half curved strokes. The first expressions of the baroque influence this writing whose appearance of movement is due to the ornaments applied to the uppercase letters and the ascending and descending features of the lowercase. Despite having spent so many years and being a typeface not suitable for extensive reading texts, the Gothic Fractur has endured over time for possessing a strong and solid characteristic, as well as being closely linked to the spirit of gothic cathedrals of countries in northen Europe. In fact, it is probably that this expressive feature leads them to be chosen in the most varied graphic communication needs, which run from from banks and financial companies, insurers, law offices, publishers, newspapers and TV networks, till alcoholic drinks, funeral tombstones, packaging and even tattoos.

The world has ended, and all that remains is chaos and destruction. The remnants of civilization are scattered, and the once-great cities are now nothing more than ruins. In this post-apocalyptic wasteland, communication is more critical than ever. Your message needs to cut through the noise and grab attention, but how can you do that when everything around you is broken and damaged? Enter Octynaz—a typeface that perfectly captures the desperate spirit of this new world. With its severe damage and broken counters, Octynaz embodies the shattered landscape of the post-apocalypse. But it’s not just a broken typeface—in fact, it’s even more powerful because of its flaws. OpenType-aware programs will automatically substitute bespoke pairs to produce a grungy, realistic appearance that will make your message stand out. When you use Octynaz, you infuse your words with frantic authority and shattered vigor. You’re not just communicating—you’re commanding attention. Your message becomes a rallying cry for those who remain, a beacon of hope amidst the darkness. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Titch is a brush font, original glyphs drawn with a tombow brush pen. Special care has been taken to retain the individual characteristics of each glyph making Titch a beautifully unique display font. Titch is a small caps font available in both regular and slanted variations. This fun and versatile display font will add a hand made touch to your next packaging design or greetings card.

MeM is an eccentric experimental type system created by Elena Schädel and Jakob Runge in 2012. It produces many personalities, each individual and emotive. You will never know which of the alternating letters is going to occur next. Basically, at the heart of it all is MeM: four different weights and letter shapes melded together into one powerful font and shuffled with the sleek usability of OpenType.

Hambare is a sans serif font family that is bold, elegant, and futuristic. Its clean lines and balanced proportions make it an ideal choice for digital and print designs, ensuring readability and visual impact. Hamabare comes with six styles that you can mix and match. Add it to any design to provide the flexibility and visual impact you need to take your designs to the next level!

Moonstone Style is a handwritten font in a brush calligraphy style. Each letters flows seamlessly into the next to create an authentic modern look! This font has a bit of texture making it perfect for various print designs. Moonstone Style is especially perfect for wedding decor, invitations, branding, logos and more! If you are looking for something both modern and elegant, Moonstyle Style is perfect for you!

Underland is a rough brush script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Underland comes with 4 styles also with uppercase, lowercase, numerals, punctuations, common ligatures and also additional swash to let you customise your designs.

This font is big on 2 things: Class & Quirk. Inspired by hand-scripted menus. This modern hand-calligraphy font isn't just for one or two-word logos. Designed to make a statement when used in large amounts. Great in large & small doses alike. Slightly irregular texture for that perfect hand-lettering touch on the page. Beautiful Duo for your next event or project! Multilingual support.

Stockers is a high contrast serif font. It's long serifs make it looks mixed between classic and modern. Stockers support multilingual language, numbers, punctuation, alternative, standard and discretionary ligatures. A must have for any modern graphic designer as an elegant solution for your next magazine layout or any graphics design that require an elegant flair! FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

AMA Greek and Latin Font is a hand-made display font. Of course, the font supports a full set of Greek chars and an extended Latin character set with diacritics. Τhis typeface can be a mighty companion to your next graphic design project. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so versatile that it can cover them all.

Brillianissa is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!

Epidson is a rough brush script font with a clear style and dramatic movement This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterheads, posters, clothing designs, labels, and so. Epidson has multi-language support, numbers, punctuation and also provides some extra ligature and swash. If you have questions, please contact: lettersams@gmail.com

Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

Billguva is a new beautiful & unique typeface from Bagerich Type Foundry, designed by Reza Rasenda & Riska Candra Dewi. The capitals have a set of unique alternates that can be used to give more personality when needed. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Billguva for any graphics that require a sleek look with a elegant flair.

Brightfate is font designed by Reza Rasenda & Riska Candra Dewi, with design choices and a combination between the medieval times and urban street wear themes. Brightfate comes with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Brightfate for any graphics that require a sleek look with a elegant flair.

Monopola is a casual script font inspired by pop cultures and urban fashion. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Monopola comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.

Introducing Polyglot Neue Typeface Redesign previous typeface, It’s Polyglot and “Neue” it’s means New. The unique and fashionable font with tons of ligatures uppercase and lowercase. and supports multilingual languages. the straight lines combined with a slight curve make polyglot look minimalist and elegant. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards. Thanks!

Woodtype wizard Rob Roy Kelly identified the inspiration for this typeface in his 100 Wood Type Alphabets simply as "No. 154". Funky, chunky, round and robust, it’s clearly a barrel of fun. Named after a small town in Central Texas, which just happens to be the home of Dell Computer. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Oyez! Oyez! Oyez! All citizens having business before the Honorable, the Supreme Court of the Comicraft Authority, are admonished to draw near and give their attention, for Wuxtry! Wuxtry! is now kerning. Tempered and tested to tackle typography in troubled times, this companion to Extra! Extra! affords each and every proclamation, declaration and attestation with the air and veracity of New England Newsies in the 1900s!

Sveglia is a hand brush casual script font inspired by urban fashion. This font is great for your next creative project such as Logotype, printed quotes, invitations, cards, product packaging, headers, Letterhead, Poster, Apparel Design, Label, and etc. Sveglia comes with uppercase, lowercase, numerals, punctuations and so many variations on each character include OpenType alternates, and common ligatures to let you customize your designs.

Honey and Ginger is a classic modern calligraphic font: floating baseline, ligatures, swashes and multilingual support. Honey and Ginger will look beautiful on holiday invitations, wedding invites and stationery, logos, and more. Check the posters to see how it could look for your next project! Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Swashes and Alternates Check out my blog: www.instagram.com/dmitriychirkov pinterest.com/dmitriychirkov7 Enjoy!

BERGURAU is a versatile and unique serif typeface, a result of half side curved serif and half side straight serif experiment. BERGURAU has a unique style with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose BERGURAU for any graphics that require a sleek look with a elegant flair.

Murisa BabyFish is our next font in early 2022. This font is inspired by the joy of children playing. Their joy is reflected in the creation of this font. Cheerful, joyful and colorful, are the strengths of this font. This font is perfect for use in your products that are targeting children and teenagers. Babyfish will lead your product to success. Get it right now.

Display Hatched is ideal for posters with an industrial theme and is designed as a complement to Greater Albion’s “Singwriter Standard” typeface. All glyphs are diagonally shaded giving just a delicate touch of ‘industrial edge’ which is so ‘on trend’ at the moment. Display Hatched includes small capitals and title forms, as well as three forms of numerals. Bring a little industrial grit to your next project!

Brenly is a modern variable sans serif font. Brenly has a unique and elegant look which makes it perfect for designing posters, brand packages & logos. Brenly also has a variable version, which makes it easy to manually adjust the slant from oblique to reversed oblique. If you are looking for something modern and unique for your next project, Brenly is the font for you.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Brazos is an ultrabold, ultrawide sans-serif face that takes up a lot of horizontal territory, but fits in little vertical space. Named after the famous river in Texas. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Valley Country is a Modern Script Font. Valley Country Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Valley Country also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!