Calcite Pro is a contemporary sans serif italic typeface designed by Japanese type designer Akira Kobayashi. Although it derives its basic character from the italic scripts of the Italian Renaissance, Kobayashi has utilized a highly stylized and rational approach to create an inspired modern Adobe Originals adaptation. Calcite Pro's geometric form and almost crystalline texture evoke images of its mineral namesake. The dynamic appearance of this retro chancery script adds a strong graphic presence to modern typesetting, whether it is used on its own or in conjunction with more traditional typefaces.

Jazmín is inspired by "Globe Gothic" design yet features different proportions, curves, serif shapes and contrast, which give it a classy, playful and a more contemporary look. The family comes in two versions: an elegant font of 8 weights-ranging from Thin to Black-with matching italics, and an alternate, more playful counterpart with the same number of weights and italics. The whole Jazmín set contains 566 characters which support over 200 Latin-based languages. Jazmín is ideal for magazines, short text, logos, branding design, packaging and advertising.

Inspired by the heuristic typography of the Concrete Poetry movement, Solidus is a hardworking and unobtrusive sans in the Neo-grotesque style. Its simplified features, generous spacing and squarish curves imbue a sense of sobriety and allow the textual information to take centre stage, whether in body copy or at display sizes. Solidus is available in nine distinctive weights from wafer-thin Hairline to a hefty Black, each with accompanying italics. Typical of the Neo-grotesque style the italics are slanted in construction and have the same advance width as the uprights.

Jagret is a Soft and Bold serif, The many alternate character on serif makes this typeface unique and stands out rather than the regular sans font, perfectly for headlines, logos, posters, packaging, T-shirts,coffee shops, restaurants, magazine's headers, signs or gift/post cards,cafe's and weddings or any type of advertising purpose.With italic version that you can use as a complimentary! Features Regular & Italic Version Uppercase & Lowercase Number & Symbol Ligatures Multilingual and PUA Encoded If there is a problem, question, or anything about my fonts, don't hesitate to ask! Big Thanks Ergibi Studio

Introduce you a new one - La Truffe. A super stylish Didone font. Comes with two styles - Regular and Italic. High contrast strokes gives a refinement into your project. Access your OpenType features to access the large selection of alternate letters and some ligatures. Calligraphic Italic can play with Regular in pair or can be used as independent mainline typeface. More than 480 glyphs total. La Truffe is a versatile font, which can be used in you branding ads, magazine headlines, posters, wedding invitations, product packaging, business cards etc.

Thorowgood was originally released by the Stephenson Blake typefoundry in the UK. The types were first cut by the English typefounder Robert Thorne, predecessor of William Thorowgood, and first shown in his specimen books in the early nineteenth century. The fat face was revived in roman (1953) and italic. The S and the C appear to be smaller than the other capitals. Most serifs are flat and thin horizontals. In the italic the main strokes of h, k, m, n, and r are curved inwards at the foot.

This lively script is based on a handlettered offering from The Hunt Brothers, which they called simply "Ornamental Italic". Ornamental, yes, but there’s also a lot of action and attitude in this typeface. Please note that, due to the extreme slant of the characters, spacing in the font has been optimized for upper- and lowercase use. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Arbour Soft is the cheeky version of it's big brother, Arbour. The soft version creates a smooth finish that flows perfectly across screens and print. Arbour Soft comes in 7 weights, from a delicate extra-light to a soft, strong black, with matching soft italics for each upright. The soft black weights are perfect for your new brand or article headlines, and the light weights are great for calling out text. The mid weights are perfect for longer texts.

Say hi to new member of Typoforge zoo! Gambero family consists of 18 styles (including italics) with a subtle rounded finished details. Gambero is a stable, slab cousin of Kapra, Kapra Neue adn Kapra Neue Pro. It is ideally suited for advertising, editorial and publishing, offering new design potential. Font Gambero is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" that appeared from May 1960 till December 1973 in Poland.

Neato Serif is a hand drawn, quirky serif font in regular and italic styles. It features stylistic alternates, standard and discretionary ligatures, and swashes to add options and flair to your typography. The typeface has a unique blend of sophistication with its high contrast of thicks and thins and also playfulness with the distinct ball terminal characters—especially evident in the lowercase "e". It is slightly condensed and great for display headlines, titles, packaging, branding, and more.

Calligraphic Griffo comes from my personal interpretation of Francesco Griffo works. He was one Italian's type founder, punch cutter and type designer and the first who drawn and realize the typographical's punch of the italics around the 1500. His dedication to works and incredible perfection make me fall in love with his typefaces. Here my font: a readable and classical Serif with well-proportioned letterforms, a lot of ligatures combination and initial Swash Letters. Hope you like it, enjoy!

After my previous typefaces inspired by the flavour of local typography (Massimo, Picadilly & Zigfrid), I'd like to present new one, called CUKIER. This family was designed mainly for branding purposes - visual identity of CUKIER.WORKS Agency. Cukier is a sans serif, geometric typeface, inspired by the vernacular typography from Zanzibar (Tanzania). A lot of letters have intentionally made mistakes in a drawing, and this it what makes the whole font unusual. Family consist 10 styles – 5 weights with italics.

Yesterday Morning is a lively handwriting font that captures the essence of an active and cute brush style. This handmade calligraphy font is perfect for fashion projects, adding a sense of energy and excitement to your designs. The font family's hand-brushed appearance brings an authentic, personal touch to your creative work, making it feel warm and approachable. The Yesterday Morning font family includes four engaging styles to suit various design needs: Regular: A balanced and energetic style for everyday use Regular Italic: Adds a playful touch and a sense of movement Bold: Offers a bolder, more assertive presence for impactful designs Bold Italic: Combines the strength of bold with the flair of italic Built with advanced OpenType functionality, Yesterday Morning ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique.

Are you looking for a typeface that exudes style and class? Look no further than Rakesly, the zesty compact grotesque headliner that’s sure to add some piquant charm to your message. Rakesly boasts well-balanced, charismatic letterforms that draw inspiration from a variety of late nineteenth-century and early twentieth-century sans-serif metal typefaces. Its upright styles feature tasty, cherry-picked features, while its italics draw upon the unique industrial essence of the Art Deco era. This stunning typeface is available in six weights and italics, including the wispy and delicate Rakesly Ultra-Light. Plus, Rakesly includes OpenType fractions and numeric ordinals, mathematical symbols, and a wide variety of currency symbols. For those who love a bit of texture in their designs, Rakesly also offers four grainy, letterpress texture styles called Rakesly Iron, which are available in Regular, Italic, Bold, and Bold Italic. And if you want to add a little extra spice to your typography, Rakesly even includes OpenType contextual alternates that automatically shuffle three letter/numeral variations for a more convincing effect. And if you’re a typography pro who likes to get hands-on, the Iron styles contain private use (PUA) encoding that lets you manually access alternate characters via a glyph table or character table. So why settle for a boring historical revival when you can add Rakesly’s peppery blend of classical elements to your typographic spice rack? Try Rakesly today and experience the rare flavor that only this typeface can provide. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Entropic Brush is a striking fat brush font that boasts a wild and rustic charm. Its decorative display style makes it perfect for logotypes, headlines, and other eye-catching design elements. The font's heavy, oak-like strokes and thick brush texture give it a bold and distinctive character. Ideal for projects that require a strong, natural presence, Entropic Brush is a versatile font that adds a sense of raw energy and untamed beauty to your designs. Its unique aesthetic makes it a great choice for branding materials that need to convey a sense of rugged, organic elegance. With hundreds of swashy and decorative alternates, Entropic brush is sure to give you a customized appearance – like a truly hand-drawn paintbrush design. Use characters _ ¤ # after any word to make a swash. Example: Spline_ Sonic¤ Brush# Use multiple _ ¤ # to make swashes of different lengths. Example: Superhuman______ (Download required.) The Entropic Brush font family includes four high-quality styles to suit various design needs: Regular: A bold statement with a natural, rustic appearance Bold: An even heavier presence for more impactful designs Italic: Adds an expressive, dynamic touch to your text Bold Italic: Combines the assertiveness of bold with the energy of italic Built with advanced OpenType functionality, Entropic Brush ensures top-notch quality and provides you with full control and customizability. It includes stylistic alternates, ligatures, and other features to make your designs truly unique. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Bergquist in 2002. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. It ships in OpenType format, with old style figures. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color" of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold, and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger, headline text, the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines, and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is included in the Take Type 5 collection from Linotype GmbH."

Bloque is a heavy slab font family which contains six fonts. It has three layers for both roman and italic styles, including an inline and a shadow versions to make different color combinations

Roz is clean geometric sans round by one side and sharp on the other side. It has three weights and corresponding italics. Roz is ideal for package design, headlines and other typographic mediums.

Spantaran is a sporty display typeface which is very suitable for logos, titles, player names on the jersey, and more. It was made with italic & bold characters which give it a strong feel.

Evander allows graphic designers to create advanced typographical layouts by offering 64 alternative glyphs and 3 stylistic sets. The family has 18 weights — 9 uprights and 9 italics — ranging from Thin to Black.

MYTHICA is a slightly condensed roman with spur serifs, derived from incised lettering on early twentieth century memorial stones and monuments. The typeface is available in 3 weights each with a complimentary italic.

Avarita is an italic font variant. The font design is a fusion between serif and handwriting. Avarita match to many kind of typing, such as comical conversation text, caption, handwritten typing, and othes.

A display Didone of four weights plus italics. The defining stylistic features are large x-height and asymmetric legs that give feminine, oriental, floral look. Includes accented swashes, decorative ligatures and oldstyle numerals.

Influenced by the classic German industrial typeface DIN, Bockhold strays from the grid system and into humanist nuances. The family consists of two weights with matching italics, making a total of four fonts.

ALS Mirta is a clean text type well-suited for use in typesetting of smart volumes and kids’ books. A fine and well-balanced antiqua face is complemented by surprisingly vigorous sophisticated italics.

Minimal & squarish techno style type for your graphic design project. Designed based off a modified square for the small letters and developed to have the capital letters. Available in upright and oblique (italic).

P22 Mayflower is a classical Roman font taken from a Bible of 1610, the edition likely carried to America by the pilgrims on the Mayflower. Good for period reproductions, with its companion italic.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

Sinyal is an oblique style condensed font, and in a very different style from the others. Its weight excels in posters, social media, headlines, magazine titles, clothing, large print formats - and anywhere else you want it to be seen. Inspired by design styles that are popular today, and this is the answer to all the needs of every idea that you will pour in this modern era. Sinyal offers you: Sinyal- A clean Bold italic font including Upper & Lowercase characters(ALL CAPS), Ligatures Character Supports Multi linguage (Latin Western Europe), Numbers and Punctuation

Valentiamo is a Modern Stylistic Serif Family A new serif that we created special for branding needs, with extra ligature in unique shape add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Valentiamo font, We prepared any ligatures, and any alternate characters to help you create unlimited variations for your creative needs. Valentiamo Family includes (Regular + Italic): All uppercase & lowercase letters All numbers 0-9 & Punctuation Ligatures & Alternates Symbols Multiligual Letters

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Revolucion has a boyish mood compared to other fonts of Prop-a-ganda series. It has short legs and large head, but because of its simplicity, it is legible font. Perfect for all of display. In 2012, Extended and optimized for multipurpose font family named Revolution Gothic which has lowercase, multi-language accents, five weights and italics can be available from Dharma Type.

Zosimo is a neo-grotesque typeface created by designer Ron Gilad (Delicious Type) in cooperation with renowned typographer Oded Ezer based on his ubiquitous Alchemist typeface. Carefully drawn curves, robust shapes and a range of OpenType features make Zosimo a great choice for designing logotypes, signage, titling, texts and more. Zosimo now comes in three families: Standard (full Latin support), Cyrillic (basic Latin and Cyrillic) and Pro (all included). Totalling in 9 weights, roman and italic, Zosimo can accommodate all your type-related design needs in one big happy family.

CPL Kirkwood is a distressed condensed bold slab and sans serif typeface. With both the serif and sans serif type options, it can be used in a broad range of design works. Included is a set of Extras that give the typeface an array of symbols, lines and banners. INSTALL NOTE: If you have purchased CPL Kirkwood ALL and are installing via Font Book, it is best to install in small groups rather than opening all font files at once. Once one group is installed (SLAB + SLAB Italics) you open and install the next group.