Introducing Superia Aurora - a unique and modern display font that brings a classic, fun, and trendy impression to your designs. This font features various styles, including ligatures, making it even more unique and distinct. Superia Aurora is inspired by elegant typefaces and posters with display themes, making it perfect for a wide range of display purposes, such as album covers, posters, labels, t-shirts, apparel, signage, quotes, logos, greeting cards, logotypes, and more. It also supports multi-language characters, making it accessible for designers around the world. Superia Aurora offers alternative characters that are divided into several Open Type features, including Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligatures. These features can be easily accessed using Open Type savvy programs like Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Corel Draw X version, and Microsoft Word. This allows you to customize and create unique lettering compositions that suit your design needs, giving you ample options for creative exploration. In your zip package, you'll find the Superia Aurora font files in otf, ttf, and woff formats, providing versatility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the elements you need for your designs. Superia Aurora is also designed to support multi-language characters, making it suitable for designing in different languages. Whether you're creating designs in English, Spanish, French, or any other language, Superia Aurora has got you covered. In summary, Superia Aurora is a unique and modern display font that offers a variety of styles and Open Type features for customization. With its multi-language support and versatile design options, Superia Aurora is perfect for various display purposes. So, unleash your creativity with Superia Aurora and create eye-catching designs that stand out and make a statement! Thank you for choosing Superia Aurora from our collection. Happy designing!

Ten years or so after his unique treatment of Garalde design with Trump Mediaeval, Georg Trump took on the transitional genre with Mauritius, which was to be his last typeface. He started working on it in 1965. The Stuttgart-based Weber foundry published a pamphlet previewing it under the name Barock-Antiqua in 1967, then announced the availability of the metal types (a roman, a bold and an italic) a year later. The global printing industry was already in third gear with cold type technology, so there weren't that many takers, and Weber closed its doors after more than 140 years in business. Subsequently, Trump’s swan song was unfairly overlooked by typography historians and practitioners. It never made it to film technology or scalable fonts. Thus, one of the most original text faces ever made, done by one of the most influential German type designers of the 20th century, was buried under decades of multiple technology shifts and fading records. The metal cuts of Mauritius seem to have been rushed in Weber’s desperation to stay afloat. So the only impressions left of the metal type, the sole records remaining of this design, show substantial problems. Some can be attributed to technological limitations, but some issues in colour, precision and fitting are also quite apparent, particularly in Mauritius Kursiv, the italic metal cut. This digital version is the result of obsessing over a great designer’s final type design effort, and trying to understand the reasons behind its vanishing from typography’s collective mind. While that understanding remains for the most part elusive, the creative and technical work done on these fonts produced very concrete results. All the apparent issues in the metal types were resolved, the design was expanded into a larger family of three weights and two widths, and plenty of 21st century bells and whistles were added. For the full background story, design analysis, details, features, specimens and print tests, consult the PDF available in the Gallery section of this page.

Would you like a professional, yet friendly looking design? If so, Paradise Garden is the best option. Paradise Garden is a serif font in thick weights and round shapes. Due to the weight and shape, this font expresses cute, friendly impressions on your designs. Its main characters are first, the noticeable differences between the thick and the thin lines and second, vertical and horizontal hooks or little wipes on the edges of each letter. It is better applied for big texts for a legibility purpose. You can also enjoy fascinating features on this font. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Paradise Garden fits for various design projects, such as posters, banners, logos, book covers, album covers, quotes, invitations, greeting cards, printed products, social media, etc. Find out more ways to use this font by taking a look at the font preview. Feel free to contact us if you require more information when you are dealing with a problem. Thank you. Happy designing.

Neo Afrique sans a neo-futuristic typeface with a modern decorative twist. This typeface design came out of further development and refinement on an original typeface that i created some time ago, Durango Sans. True in nature to it's predecessor, Neo Afrique was also born out of this desire to fuse two different aesthetics, the geometric Neo-Futuristic aesthetic, fused with flourishing decorative forms from Art Nouveau and the later Lubalinesque aesthetics. This typeface will form part of a larger body of work that is meant to be an exploration of Afrikan neo-futurism, using the immense power of visual-linguistic narratives to catalyse new cultural movement and perception.

Skeletal Wish is a line from one of my favourite Opeth songs: Heir Apparent. The lyrics are pretty veiled and bleak, describing the destruction and downfall of something that once was beautiful. I am worried about what is happening with our planet: the Amazon forest is burning down, our oceans are full of plastic and the earth is warming up. I had to think of this when I created Skeletal Wish and I thought the title was perfect. Skeletal Wish is a heavy and scary halloween font. It comes with blobs, splatter, gore and whatever else you may need for your designs. It won’t help save the Amazon rainforest, nor will it stop the flow of marine plastic, but you could use it to create a protest sign. After all, the change begins with you.

The Machines Typeface is a retro and classic typeface inspired by the 70s - 90s designs with more unique explored styles like swosh and alternate characters. This font is made from a manual sketch with many many scratches then finished with the font. there are 493 glyphs, so many options that you can use for your projects, Make your designs project with this font and extras illustration to give more superb. This font is also suitable to design like logos, stickers, tees design, banners, posters, sign, display design, packaging, and more superb designs! Enjoy our product and feel free to contact us for support! Features : Full set of Upper & Lowercase Character Number & Punctuation Swosh Alternate Extras Illustration Multilingual Language PUA encoded Opentype Features Thank You for your purchase!

Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

The Strapwork is a symbolic font with the ornaments from the 16th century Mannerism era. These type of ornaments are called Strapwork and are combined with the Moreske ornament. Together they create a rich and refine style. As a prototype for this font I took the tables of ornament examples by etcher Balthasar Bos (1554). The font contains high quality vector graphics with a special attention paid to details. This collection consists of many friezes (borders). There are more than ten basic motifs and a great number of combinations. The ribbon elements are easily laid out by typing the combination of letters. The four typefaces help to combine ornaments in various tones and colors. By overlaying plants elements with ribbon elements you can get a multicolor richness and combinations variety. The font comes with a detail documentation and examples in PDF format. The Strapwork ornaments will ideally suit your needs in graphic design, textile industry or various decorations. The Strapwork font can be easily used not only in traditional approach but also in grunge stylistics, which will enrich your compositions.

In the world of graphic design, the right typeface can make or break a project. It’s not just about choosing a font that’s legible, but one that speaks to the essence of your brand or message. If you’re looking for a typeface that embodies classic charm and warmth, then look no further than Telephoto. Telephoto is a sans-serif typeface that harkens back to the twentieth century when analog was king. Its gentle, analog feel sets it apart from other typefaces on the market. When you use Telephoto, you’ll notice that it has a smooth personality that immediately injects classic ambience into your projects. But what really sets Telephoto apart are the subtle letter pair ligatures. These ligatures are a true testament to the attention to detail that went into creating this typeface. They break up the monotony of plainly repeating letters, creating a soft and organic feel that’s hard to find in today’s digital world. OpenType-savvy programs are where Telephoto truly shines, so make sure to turn off your application’s “standard ligatures” function to fully appreciate this effect. Telephoto is perfect for photographers, designers, and anyone who wants to bring a soft, analog feel to their work. Its delicate rendering is truly one-of-a-kind and adds a level of sophistication to any project. So why settle for a run-of-the-mill typeface when you can use Telephoto to make your work stand out? Give it a try and see the difference it can make. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The origin of Quirky lay in the Duke Ellington number It don't mean a thing if it ain't got that swing. For some time I had wanted to create a font from expanded stroked lines. I wanted to produce a light-hearted font, but with some classic touches. One day, whilst doodling in Adobe Illustrator, Quirky’s letterforms just appeared on screen as if from nowhere. First I drew the test word ‘hamburgefonts’ and then just kept going, unable to stop. Character after character appeared as if by magic. From the start, Quirky had a life of its own. The letterforms are rather more sophisticated than merely outlined stroked lines. Subtle adjustments to compensate for optical effects have been been incorporated. For example, horizontal stems have thicknesses slightly less than vertical stems and where stems join together, the thickening effect has been reduced by cutting into the joint. Being almost monoline, Quirky works well reversed out of a solid background and for TV credits. The Quirky fonts are fun fonts, so set, laugh and enjoy! I hope Quirky will give you as much pleasure in using it as I got in creating it! Shortly after the roman version was born, an italic version and then a thin version were created to form a family of three fonts.

Puffball is a fat face with cartoonish features. It also wouldn't look out of place in an ancient Celtic engraving. What makes Puffball so intriguing to look at is that it seems to walk a thin line of buffoonery and ornamentation.

Are you looking for a fun, bouncy lettering set for envelopes, logos, typography, branding and greeting cards?! Well look no further! Created with stationary in mind, Hey Bombshell is sweet, sassy and LOADED with extras to make your work stand out!

Brand Type is a wonderfully versatile and creatively rich logo font that's sure to make your brand or project stand out. With over 150 ligature glyphs and a wide array of alternate glyphs, it offers endless possibilities for customizing your text.

Tekton font is based on the hand lettering of West Coast architect Frank Ching, who wrote out the text for his books. It is an Adobe Originals typeface designed by David Siegel in 1989. Tekton is ideal for architectural drawing/design software, to match the feel of the type with the designer�s plans, or to give the page an architectural or informal handwritten flavor. Tekton multiple master, released in 1993, has increased the usefulness of the design by adding weight and width axes and making the font more usable for signage and display work, as well as informal correspondence.

Cookie Kit is just like that easy recipe for that delicious cake that you probably know - easy to make and it tastes absolutely fabulous - Cookie Kit has the same effect with designs: It's easy to make cool effects with the 4 layers. Play around with your favourite colors and you get great results at the go!

California Kingston display is a typography design product that is specifically created for use in the headlines, titles, or other prominent text elements of a design. This typeface is often characterized by its bold, attention-grabbing appearance and its ability to make text stand out on a page. The main goal of a California Kingston font display is to create an impact and draw the viewer's attention. This is typically achieved through the use of thicker and more pronounced strokes, unique shapes and design elements, and often, a more stylized appearance. California Kingston displays can be used in a variety of design projects, including posters, logos, packaging, advertisements, and more. They are often paired with complementary fonts to create a well-designed and cohesive visual identity. When choosing a California Kingston font display, it is important to consider the project's overall aesthetic and message, as well as the intended audience. It's also essential to ensure that the font is legible and easy to read, even at smaller sizes. Overall, a California Kingston font display is an excellent way to make a bold statement in a design and to capture the viewer's attention.

Taking inspiration from an attempt to marry art with industry of Bauhaus (1919), Brueul Grotesk is classic and straightforward, cutting back superfluous elements. A Sans Serif type, it’s like a design from the Machine Age. It comes in A and B sets to offer end variations—choose the bulbous terminals set if you need a less stern impression. It is then suitable for diverse demands. Brueul Grotesk has A and B sets with 16 weights each, giving you an all-purpose usage typeface.

An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods. The Cesium typeface was designed by Jonathan Hoefler in 2020. An energetic inline adaptation of Hoefler’s broad-shouldered Vitesse Black typeface (2000), Cesium is named for the fifty-fifth member of the periodic table of the elements, a volatile liquid metal that presents as a scintillating quicksilver. From the desk of the designer, Jonathan Hoefler: I always felt that our Vitesse typeface, an unusual species of slab serif, would take well to an inline. Vitesse is based not on the circle or the ellipse, but on a less familiar shape that has no common name, a variation on the ‘stadium’ that has two opposing flat edges, and two gently rounded sides. In place of sharp corners, Vitesse uses a continuously flowing stroke to manage the transition between upright and diagonal lines, most apparent on letters like M and N. A year of making this gesture with my wrist, both when drawing letterforms and miming their intentions during design critiques, left me thinking about a reduced version of the typeface, in which letters would be defined not by inside and outside contours, but by a single, fluid raceway. Like most straightforward ideas, this one proved challenging to execute, but its puzzles were immensely satisfying to solve. Adding an inline to a typeface is the quickest way to reveal its secrets. All the furtive adjustments in weight and size that a type designer makes — relieving congestion by thinning the center arm of a bold E, or lightening the intersecting strokes of a W — are instantly exposed with the addition of a centerline. Adapting an existing alphabet to accommodate this inline called for renovating every single character (down to the capital I, the period, and even the space), in some cases making small adjustments to reallocate weight, at other times redesigning whole parts of the character set. The longer we worked on the typeface, the more we discovered opportunities to turn these constraints into advantages, solving stubbornly complex characters like € and § by redefining how an inline should behave, and using these new patterns to reshape the rest of the alphabet. The New Typeface The outcome is a typeface we’re calling Cesium. It shares many of Vitesse’s qualities, its heartbeat an energetic thrum of motorsports and industry, and it will doubtless be welcome in both hardware stores and Hollywood. But we’ve been surprised by Cesium’s more reflective moods, its ability to be alert and softspoken at the same time. Much in the way that vibrant colors can animate a typeface, we’ve found that Cesium’s sensitivity to spacing most effectively changes its voice. Tighter leading and tracking turns up the heat, heightening Cesium’s sporty, high-tech associations, but with the addition of letterspacing it achieves an almost literary repose. This range of voices recommends Cesium not only to logos, book covers, and title sequences, but to projects that regularly must adjust their volume, such as identities, packaging, and editorial design. Read more about how to use Cesium. About the Name Cesium is a chemical element, one of only five metals that’s liquid at room temperature. Resembling quicksilver, cesium is typically stored in a glass ampule, where the tension between a sturdy outer vessel and its volatile contents is scintillating. The Cesium typeface hopes to capture this quality, its bright and insistent inline restrained by a strong and sinuous container. Cesium is one of only three H&Co typefaces whose name comes from the periodic table, a distinction it shares with Mercury and Tungsten. At a time when I considered a more sci-fi name for the typeface, I learned that these three elements have an unusual connection: they’re used together in the propulsion system of nasa’s Deep Space 1, the first interplanetary spacecraft powered by an ion drive. I found the association compelling, and adopted the name at once, with the hope that designers might employ the typeface in the same spirit of discovery, optimism, and invention. —JH Featured in: Best Fonts for Logos

Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera, but unlike some of our previous fonts (i.e., Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l. We kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. In the end it's a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

From the old days technique to the present technology of type design, Goudar is the font that meets in the middle. With the design that has acquired the essence of wooden type letterpress but added with our own modern twist. Goudar is a fun and easy-to-use font consist of 9 weights and 18 styles that support many design purposes and most suitable for headline usage. Handcrafted and designed by Stawix Foundry, Goudar is a well polished font that hopes to bring back the quirky traits of the wooden type letters but most of all, we would like you to enjoy using it.

Draughtwork is a special decorative font designed to have the look of a work in progress, showing the process of constructing letters using a ruler and a compass on a grid. It's in the tradition of our very popular Roughwork font, but more detailed and with additional features. Unlike Roughwork, Draughtwork includes a full upper and lower case character set plus some special alternate character variants. Developing Draughtwork was a monstrous task. The complexity of the 9x9 grids with each character were a challenge to the rendering capacity of Fontographer and required an extraordinary amount of fine tuning - but the result was worth the effort.

The name Jeullyta is taken from the Indonesian language but with modified pronunciation. The correct one is Jelita which means "Gorgeous". I named this font Jeullyta because it is gorgeous, from the initial process until the end product. It is a strong yet nice looking script font and can be considered a brush font too with the shadow on the body of each glyph. This font is suitable to be used for: Posters Advertisement Book Cover and much more It comes with hundreds of stylistic alternate glyphs to enhance the feel of your design. Enjoy!!

Sky Serif is a clean-cut slab-serif design. The six weights provide extreme variations and great flexibility making it useful for reports and newsletters where a mix of weights can be used to good effect.

The Aviano series returns, refined and sophisticated with an extended, high-contrast sans-serif family. Aviano Contrast is a contemporary typeface radiating with luxury. It's classic elegance makes it perfect for high-end applications such as cosmetic, jewelry or fashion brands. Aviano Contrast's extended forms give the face a smart look, and the curves are carefully honed to be sinuous and seductive. This high-contrast face is in a class of its own, composed in the style of a classic Didone but lacking the typical serifs. Aviano Contrast comes in six different weights and is packed with OpenType features. Need swash forms? Ball terminals? Art Deco alternates inspired by the inscriptions and signage of the '20s and '30s? Aviano Contrast includes 230 alternate characters. Twelve style sets are available, including four complete sets of art deco-inspired alternates, small forms, swash, titling and a wide array of other alternates to make your designs unique. As a complement to these characters, Aviano Contrast also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. The rest of the Aviano series pairs very well with this face. These include Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Future and Aviano Slab.

The slick and sexy letterforms of Ace ACTION COMICS artist, Pascual Ferry, are the latest to join our MASTERS OF COMIC BOOK ART font line. Pascual's work on the SUPERGIRLS storyline in ACTION made us want to lick each page -- but, y'know, not when anyone was looking... we know they're just comic book characters, they're not REAL and we don't fancy them or anything -- Uhhh... so we were delighted when Pascual invited us to create this stylin' sans souciant family of fonts for him. All we asked for in return was this smokin' alternate cover for the next issue of HIP FLASK... Hey, don't lick your monitor, you might get an electric shock...

This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meek's Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable and brought the shapes within my sense of design. Mine is probably closer to Meeks than Koch, but hopefully it is a tribute to both. Astaire looks much more modern and it is much more usable. I added oldstyle figures, small cap figures, small caps, several ligatures, and more. There are an italic, bold, and bold italic also in this family

A typeface for telling stories. After seven years through which Rodrigo Saiani worked on Dupincel, Plau’s team still had months of dedication until found a good way of summing up this typeface. All this effort was rewarded, though, when we came up with a motif that gave Dupincel the grandiosity it deserves. Telling stories is this typeface’s gift because it has the emotion for it, resources for it and the breadth for it. Like all that wasn’t enough, it has the scale for it: optical sizes Small, Medium and Large make Dupincel optimized for stories of every length. From short stories displayed big or long stories on small letters. We don’t want to dictate the types of stories either, anything goes. But if ornaments make a good fit with that story, we will be even more thrilled. In the end, Dupincel makes us want to find new stories to tell.

Searches – Elegant Ligature Fonts Searches is a font that you should give a chance, if you are looking for a different look, Searches is a good place to start! There is always inspiration in fonts! Searches is an elegant, messy and lovely script. But Searches is not your ordinary script font; it has been developed to perfection by its creator, and it is sure to inspire you as well. You will fall in love with the movement of the letters, and you will find yourself using this font for many design projects to come. It comes with 92 ligatures, numbers, and other necessary glyphs. Searches features: A full set of upper & lowercase characters Numbers & punctuation 92 Gorgeous ligatures accents characters PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Introducing vintage label font named Casinova. The font is inspired by vintage signs from the mid-20th century, as well as neon casino signs. This font has a multilingual support (check out all available characters on previews). The font family has two styles: Regular and Color. Also the font has six layer effect styles you can see them on preview. This font will look good on any vintage styled designs like a poster, T-shirt, label, logo, etc.

Are you tired of playing it safe with your typography? Want to stand out from the crowd and make a bold statement? Look no further than Desperate, the punk rock font that will bring a rebellious edge to your designs. With interlocking shapes that give it a new wave feel, Desperate is a font that refuses to play by the rules. And with OpenType technology, it generates wild ligatures for over 200 letter combinations, adding to its unpredictable, untamed vibe. But Desperate isn’t just about making a scene. It delivers your message with an aggressive, hard-hitting style that commands attention. Whether you’re designing a gig poster, album cover, or anything in between, this font will give your work the punk rock attitude it deserves. So why settle for boring fonts when you can embrace your inner rebel with Desperate? It’s time to make your mark and let your designs scream out loud. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

With Redtab I tried to create a typeface that could be used equally well in either in body copy, or in headline form. I like to think that, although it has a more traditional look to it, it still possesses a bit of a creative flourish that sets it apart from similarly designed fonts. Whether used sparingly or in paragraph form, Redtab has the ability to not only read well, but stand out while doing so.

I was cleaning out my pencil box and found an old marker pen. I wanted to throw it away, because it was leaking all over my stuff, but decided I could use it one more time. The result is Full Blast font: a ‘brush’ font (made with that leaking old marker pen). Use if for your fireworks packaging, fiery pepper sauce bottles and whoopee cushions (and just about anything else as well). Comes with an explosive amount of diacritics.

Chinthiya Script is an elegant and flowing handwritten font. This is a PUA code which means you can access all the glyphs and sweeps easily! It features varied baselines, smooth lines, gorgeous glyphs and stunning alternatives. Fonts equipped with upper and lower case letters, numbers, punctuation, support for languages, swashes and ligatures. Chinthiya Script It maintains a classy calligraphic influence while feeling contemporary and fresh. Fall in love with this font and take your project to the highest level! Thank you for visiting our store, hope you like it :)

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Timeless imperfection FS Meridian is a rhythmic geometric grotesque which takes inspiration from the precise yet imperfect nature of time. There are 24 hours in a day. 60 minutes in an hour. 60 seconds in a minute. Well, almost. The Earth’s orbit isn’t a perfect circle – and nor is the Earth itself. Each day varies a few dozen seconds and up to 16 minutes each year. Look closer and time is more flexible than we think. Geometry with a twist From a geometric base, FS Meridian’s rounded forms veer and extend, creating unexpected humanistic shapes – while the straight terminals remain reliably rigid. This combination of forms gives this grotesque sans serif a pleasingly dynamic rhythm, every time it’s read. Added quirks The unconventional character of rigid terminals and ink traps are balanced with emphasized extended forms to develop visual differentiation. Designed by Kristina Jandová, the complete family has been carefully crafted with distinguishing marks. Take a look at the cap ‘Q’ which comes with three alternative options. Deliciously loopy FS Meridian has a wide geometric, mono-liner appearance with humanistic elements. Quirky individual touches like the loopy expressive pound sign help the typeface to stand out. Available in five weights, FS Meridian is both timeless and timely, a distinctive font for all screens and surfaces.

Hey guys! Meet our new font "Luxe Atelier" which is inspired by a bit quirky but still lovely handwriting. When we launched our font "Lolita" in 2019 many liked the way we replaced some uppercase letters with lowercase ones. The response was overwhelmingly positive. The feedback we received inspired us to refine the idea of the lowercase signature style and we created "Luxe Atelier" with a lot more lowercase letters that give an uppercase look. However, some uppercase letters simply cannot be written as lowercase due to their nature: they would just lose their primary sound. For example, when we tried writing lowercase 'e' in the uppercase style it more resembled lowercase 'l' and affected the legibility of the font. Therefore some letters in this font remained as is. When it comes to other letters, we tried maximally to keep the lowercase style. This playful, non-standard signature font with slightly rough edges includes 37 ligatures which will definitely add realistic handwritten character to your designs. It is perfect for branding, signatures, weddings and so much more.

There's a little restaurant in an old house on a sidestreet in town (Rockland, Maine, USA) called Cafe Miranda. The staff is friendly, the setting intimate, and the appetizer a basket of hot bread fresh from a brick oven. Its ample menu features such entries as "Quasi-Cassoulet" and "Gentle Sole." It's among my favorite local places to dine out. But the menu got photocopied once too often, and Cindy's personable handlettering got faded and broken. So I took matters into my own hands. And here's what I delivered to the newly computerized folks at the little restaurant on Oak Street. You, too, can travel in rather heavy felt-tip style.

Suxan is a graffiti typeface with strong, forceful, modern qualities and each letter design is absolutely unique. Not only is the shape of the letters good in this font, but the harmony and accuracy with which it is used will make your project legendary and sumptuous, so utilize it now. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Is your branding missing something that makes people going WOW? Have you thought about how you can add that touch of magic to your branding and projects? What if we told you that we have solution to maximize your designs? Ballista Style-A Handwritten Font Ballista Style is a relaxed and flowing handwritten font. It encapsulates the essence of playfulness and passion. Incredibly versatile, this font fits a wide pool of designs, elevating them to the highest levels. Add this font to your favorite creative ideas and notice how it makes them come alive. Use it for headings, logos, business cards, printed quotes, invitations of all sorts, cards, packaging, and your website or social media branding. Our font always includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio