Adapted from Ronsten to make an acceptable chunky, more normal serif font retaining the serif alignment with the letter curves. An Italic is also available.

Sakurata is a unique and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out!

hand drawn brush who make the typeface looks very instant and messy. Uses for film title, cover album, logo, clothing, invitation, event, labels, poster, etc.

Contra Sans is the base of my Contra family of fonts. It has just sufficient contrast to make for easy reading and an interesting appearance.

Weeknight is a cute and quirky handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Coltisho is a magical and unique handwritten font. Its sweet and relaxed style makes it incredibly versatile. Use it to elevate each of your designs.

Breakdance is a vintage font duo. Combination of sans and script with sharp textures making all your creative projects getting a vintage and authentic impression!

Battom Glory is a bold and distinct blackletter font. Add this font to your creative ideas and notice how it will make them stand out!

Coolvetica is a sans-serif typeface, inspired by logotypes from the 1970s. This was an era where everyone was modifying Helvetica—not only logo designers but even font designers were into outlandish Helvetica mods. Phototype catalogs were loaded with playful variations of the already ubiquitous typeface. Coolvetica recreates that retro custom display lettering style with extra-tight kerning and funky curls. But don’t let the vintage feel fool you—Coolvetica is a true display typeface that’s ready to make a statement. Condensed, compressed, and crammed styles all use a flat-sided approach, an old-school strategy that’s rarely seen today. And with mathematical symbols, OpenType fractions, and numeric ordinals, this typeface is as versatile as it is stylish. So why settle for a dull typeface when you can stand out with Coolvetica? Try it out for your next project and see the difference a little typographical flair can make. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Introducing Venus Rising, the typeface that defies convention and embodies the essence of industrial design. Its striking quadratical symmetry and ultramodern aesthetic make it the perfect choice for those who seek to convey a sense of futuristic, mechanical precision. Each letterform of Venus Rising is meticulously crafted with a square, industrial edge, evoking the same sense of power and control as a well-oiled machine. And with OpenType numeric ordinals, fractions, and alternate characters like the “Q” and “Y”, Venus Rising offers endless possibilities for customization and flexibility in your designs. Whether you’re creating branding materials for a cutting-edge tech startup or designing a sleek and modern website, Venus Rising’s austere form and audacious design are guaranteed to make a lasting impression. And with seven available weights, including oblique types, you’ll have the versatility you need to create impactful designs across a wide range of applications. Choose Venus Rising for your next project and discover the power of combining cutting-edge design with scientific precision. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Helvetica Now Variable Helvetica Now 2.0 builds on the groundbreaking work of 2019’s Helvetica Now release—all of the clarity, simplicity, and neutrality of classic Helvetica with everything 21st-century designers need. In this 2021 release, we introduce Helvetica Now Variable and add condensed weights to the Helvetica Now static fonts. Helvetica Now 2.0 includes 96 fonts in three distinct optical sizes (Micro, Text, and Display), now with 48 new condensed weights. The Helvetica Now Variable fonts include even more: 144 instances—48 normal, 48 condensed, and 48 compressed. Helvetica Now Variable gives you over a million new Helvetica styles in one state-of-the-art font file (over two-and-a-half million with italics!). Use it as an extension of the Helvetica Now family or make custom-blends from its weights (Hairline to ExtraBlack), optical sizes (four point to infinity), and new Compressed and Condensed widths. Create infinite shades of expression, incredible typographic animations, and ultra-refined typography. Its single font file makes it easier to use and wickedly fast. Load one file and access a million fonts—in a fraction of the size of a traditional font family. More freedom. More expression. More power. More. Helvetica. Now. Each one of the Helvetica Now static fonts has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. The new Condensed weights put more type into smaller spaces—for intense emphasis, sophisticated contrast, or just everyday space-fitting. Helvetica Now 2.0 is, quite simply, more: more versatility; more power; and more creative possibilities. “For more than six decades, Helvetica has been the essential typeface,” says Monotype Type Director Charles Nix. “The release of Helvetica Now insures that it will be a typographic force for decades to come.”

The font family Univers? is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry's art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts - quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Piegnot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas'sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989. Adrian Frutiger continues to do design work with Linotype right up to the present day. In 1997, Frutiger and the design staff at Linotype completed a large joint project of completely re-designing and updating the Univers family. The result: Univers Next - available with 59 weights and 4 Linotype Univers Typewriter weights. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. Univers has the uncanny ability to combine well with fonts of many different styles and origins: Old style fonts such as: Janson Text, Meridien, Sabon, Wilke. Modern-stressed fonts such as: Linotype Centennial, Walbaum. Slab serif fonts such as Egyptienne F, Serifa. Script and brush fonts such as: Brush Script, Mistral, Ruling Script. Blackletter fonts such as: Duc De Berry, Grace, San Marco. Even fun fonts such as F2F OCRAlexczyk, Linotype Red Babe, Linotype Seven."

Introducing Syndra, a typeface that’s as timeless as it is modern. With its unique Y2K style, this typeface boasts letterforms that seem to have come straight from a machine. You can almost feel the hum of technology when you look at it. But don’t let its cold, emotionless shapes fool you. Syndra’s tireless character set works hard to make your message sound authoritative and technical. With OpenType fractions, numeric ordinals, and plenty of currency symbols included, you’ll have everything you need to create a professional and polished look. It’s the perfect font for anything related to plastics, medications, technology, and renewable energy. And with seven weights to choose from—Thin, Extra-Light, Light, Regular, Semi-Bold, Bold, and Extra-Bold—you’ll have the flexibility to create the look and feel you want. So if you’re looking for a typeface that’s both unusual and tech-savvy, look no further than Syndra. It’s a font that’s sure to turn heads and make your message stand out in all the right ways. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Milk Bath is a cute and funny handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Lemon Party is a cute and quirky handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Lelet Script is a TrueType font inspired by my mother’s exquisite handwriting. It has a graceful, smooth look that makes it very legible for any project.

Personalize your designs and make them stand out from the crowd with our collection of handwritten fonts! From quirky to elegant, we’ve got something for everyone!

Handletter Signature is a gorgeous, elegant and unique handletter-based signature font with a modern look. Improve your design or make it as your own signature!

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

Introducing vintage and classy display serif with a little touch of 3D to make your work more real so that readers are hypnotized by your work.

this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design

Joyeux is a font family of an all caps font and a dingbat font with 52 cute clipart illustrations which will make crafting so much fun.

Shourtcut is a font designed for the needs of all your retro-themed projects and can be implemented to all the designs you want to make.

Sunkiss Cafe is a cute and funny handwritten font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Ventnor is a all caps futuristic sans serif font. It was created to help you designing makes gorgeous logos, posters, blog posts, social media, and more!

The Miller’s is a modern and casual script brush handwritten font. It’s casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile.

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Morganismi is the first font I made for myself. I originally used it for making notes at the outsider art exhibition Morganismi here in Sysmä, Finland.

Radio Classic is a retro handwriting font, the soft design makes it friendly to anyone, this font is the perfect choice for each of your designs.

Fishbones is a font set consisting of fish-bone font-bats. Nothing fishy here – an extensive set of characters makes this an unusual and versatile font.

Bubble Drink is a cute and funny display font. It’s simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Stay and Shine is a strong and tall display font. Its sharp yet approachable feel makes this font incredibly versatile, fitting a wide range of contexts.

Say hello to Magic Dreams font. Made with love and joy. A comic look, so it will make your design more beautiful, cute, fun, and colorful.

The Arta font family was designed by David Quay in 1991. Its hand lettered appearance makes Arty a good choice for advertising and other promotional materials.

With you is a sweet brushed handwritten font. Its natural and unique style makes it incredibly fitting to a wide spectrum of ideas. Thank You, Subectype

Full of love is a simple, fun, and relaxed handwritten font. Whether you’re using it for crafting, digital designing, presentations, or greeting card making, it’s perfect!

DB Trees includes several familiar and not so familiar tree designs with plenty of room for creativity to grow. Makes fun additions to your creative projects.

Anti Gravity is a cute and funny handwritten font. It’s simple and playful style makes this design incredibly versatile, fitting a wide variety of creative ideas.

Jebakan is a beautiful and charming display font with a bold vibe. Jebakan suitable for standout designs and make any design idea into a true standout.