Chancellor is a robust hand-drawn sans serif display typeface. Its sturdy letterforms takes inspiration from Plakatstil era posters, while bringing up also cool adornments to flourish your lettering designs. This all caps typeface has two versions for each letter, amplifying your composition choices. It's positively a great tool for a wide range of creative display uses.

The inspiration for Brattleboro Stencil JNL was found within a reproduction of a sales catalog for stencil punch dies manufactured by S.M. Spencer & Co. (originally of Brattleboro, VT), circa 1868. Basically a sans serif letter, the font's unusual feature is its "split tail" design where the letters take on a bit of a "Western" look in appearance.

Instead of being directly based on classic wood or metal type examples, Mule Train JNL takes a roundabout route in its development. Images of a set of letters and numbers cut from plywood (which in turn were based on a vintage type design) served as the work models. Mule Train JNL is available in both regular and oblique versions.

It doesn’t take long to see that Cheap Skit is a super legible, easy going font. It is intended to be used where text needs to be clear and legible, but have certain amount of handmade energy. I’d say that products that has something to do with children (toys, clothes, games, posters …) or something organic, recipes, bookcovers …

Monchila is a fun, retro-style script display font that is ready to take your designs to the next level. Add it to your vintage-inspired posters, stickers, apparel, or social media posts and you will definitely impress your audience. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Raydhen is a fun, retro-style script display font that is ready to take your designs to the next level. Add it to your vintage-inspired posters, stickers, apparel, or social media posts and you will definitely impress your audience. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a Texas term for a heavy rain. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Million Orchids Font: Where Script Meets Blooming Brilliance! Get ready to unleash your creativity and watch your designs blossom with this delightful script font. It's like having a million orchids at your fingertips, adding a touch of elegance and charm to every project. Let your imagination take root and let the million orchids font bring your designs to life!

Fire the retro rockets! Here's a decidedly different take on techno type, patterned after Robert Williamson's Program 32 from the 1970s. Despite its machine-readable pretensions, it renders remarkably warm headlines. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Pancetta Pro is a squarish sans-serif typeface with semi-closed aperture and pillow-shaped terminals. The shape of a pillow is furthermore used to enliven the boring horizontal stems which are very frequent in Cyrillic script, and get rid of the right angles. Also take a look at Pancetta Pro's serif companion – Pancetta Serif Pro

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.

Ask any typical New Yorker about subway directions and they'll tell you to take the "uptown line", "downtown line" or "cross-town line". Uptown Line JNL is yet another variation of the Art Deco monoline style of lettering prevalent during the 1930s and 1940s, and is based on titling from vintage sheet music for a Johann Strauss classical piece.

Trionik is a monospace experiment in modular, grid-based typography. It is a future-forward take on the computer system typefaces of the mid- to late-20th century—when computers began to rise in usability and integrate into all art forms. Working best as a display font, the Trionik family features 4 separate styles with varying widths.

Sandra Oh is a quirky modern take on the classic serif fonts of the 20th century, updated here with a wiggle in her walk and a giggle in her talk. A Chankstore classic from the earlier days of the internet, this font is now available in OpenType format for the first time. Perfect for indie films or youtube videos.

Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

LORCAN MIST is a powerful super modern editorial unicase font with vintage vibes, designed with love and care for amazing projects. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — it's designed not to take too much attention but at the same time be a powerful accent. It's mysterious, elegant and sexy.

P22 Salon was originally inspired by Art Nouveau lettering. In the development of the three fonts (P22 Salon Full, P22 Salon Inner and P22 Salon Shadow) they began taking on a slightly more modern feel. All three variations were designed to be completely interchangeable with one another, and can be layered to achieve a variety of effects.

Experience the evolution of the humanist sans-serif style with this contemporary and classic font. Designed with a modern sensibility and clean, spurless letterforms, this font offers a fresh take on a time-honored tradition. Its refined curves and harmonious proportions create a sophisticated look that is perfect for branding, editorial design, and other professional projects.

Oblogram JNL was built on the structure of Yorso Square JNL, but takes on the appearance Of a "techno" design as if drawn by a child's imagination. Unbalanced stroke weights give the appearance of a makeshift design, and can even double as "Modern Grunge" in its own right because of its willingness to break all typographic rules.

Pinky Scream is the ideal for for any crafting project during the scariest time of the year. It will take any Halloween craft with the sweet feeling to the next level! Font includes: All caps glyphs, numbers, basic punctuation, and international characters. If you have any question, don’t hesitate to contact me. Happy Designing !!! Thank You, Bayu Suwirya

FreeDee is a re-draw of some experimental lettering first drawn during A-Level (just after high-school) art and design studies. It was originally purely self initiated, and one of the first things I used Illustrator to draw. This version takes the original handful of letters and extrapolates a full alphabet with basic latin accents.

A "thick and thin" line weight treatment is given to Jeff Levine's Hash and Beans JNL, providing a whole new take on the design - first inspired by a sign in an old photograph of a diner. Favorite Hangout JNL conjures up memories of summer nights, drive-ins, your best guy or gal and sharing some tasty burgers and fries.

Woodbranch JNL is a solid version of the 2013 font release Woodlawn JNL. The design was originally based on examples of an outline (open face) wood type. This interpretation takes on newer, stronger characteristics as a bold typeface when the "inner letters" of the original alphabet were removed, yet the imperfection of the wood type pieces are still maintained.

MyCard is a display sans serif font of modernist spirit, where uppercase letters take the height of the lowercase letters (unicase), where only ascending and descending exceed the x-height. MyCard is ideal for creating logos, packaging, labels, advertising and short titles, in texts produced interesting textures. MyCard comes in three weights Regular, Bold and Black.

Introducing "Eighty Miles" font's thick and attention-grabbing characters ensure that your message takes center stage. While "Eighty Miles" embraces wild shapes, it never compromises on readability. Each character is carefully crafted to ensure that your audience can enjoy the whimsy without missing a beat. It's a font that's as fun to read as it is to look at.

Clinica Pro is a modern take on Swiss grotesques, with a little bit of an added personality. It features 8 weights, italics, 6 sets of figures, small caps and a bunch of ligatures. Still relatively neutral, it lets a brand stand out of the grotesque-crowded environment with support for multiple languages as well as Cyrillic script.

HansHand started out in 2003 as a simple free font, the adaption of my grimy handwriting. For its 10th anniversary it got a complete overhaul and lots of new characters. Now also available in BOLD for the first time, featuring scribbles, strokes, circles and boxes to underline the fast taking-notes-while-on-the-phone look!

An unordinary type of family: Novo Alla is part of the Novo Family (together with Novo Alla, Bila, Cela, Dada, Enno, Fika and Gigo). Although all members are also strong individuals, Novo Family is an exclusive selection which allows you to design beautiful typographic combinations. The Novo Family will take typography into a next phase of legibility.

It is amazing how much laundry I have with 3 small kids! Sometimes it feels like I spend half the week sticking laundry in the machine, or hanging it out to dry. Spinwash is a nice brush font. It smells like ‘summer breeze’, is 100% environment friendly and will take the stains out of your designs.

CA Fourty Open is another take on the idea of a double-line font. It reminds us of neon-sings, but lifts the 50s aesthetics to a contemporary level. Although it’s an all-caps font, upper and lower cases differ a little bit. The upper cases are more open. CA Forty Open has a full Central European letterset.

The first release of XLaserTrain, a toy train font, was constructed by taking bits from the four LetterTrain fonts. Version 2, released in late 2010, added a great many cars with holiday and party themes. The bold version has smoke over the cars and you may have to adjust line spacing (leading) to have it display properly.

Linotype Reducta is a part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It was designed by Austrian artist Herbert O. Modelhart with only a small number of constant form elements. The cool and technical Linotype Reducta is intended exclusively for headlines in large point sizes.

Ten Oldstyle is a four-weight type family from Principal Designer Robert Slimbach at Adobe. He designed it as the Latin component of Ten Mincho, a Japanese typeface by Adobe?s Chief Designer Ryoko Nishizuka. As it began to take the form of a small type family, Robert decided to release Ten Oldstyle on its own as well.

This family of faces take their inspiration from the standard faces used by the Leroy® Automatic Lettering Machine, a mainstay for architects and draftsmen in Ye Olden Days of t-squares and triangles. Crisp, clean and retro-techno. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

PSZ Alpha was designed by Patrick Siegfried Zimmer in 2023. It is a modern typeface designed in a sans serif-grotesque structure and it has been created by taking inspiration from the leading Grotesk fonts that have been designed at the beginning of the 20th century. PSZ Alpha is designed to give results in both screens and editorial designs.

A circa-1925 poster for the chanteuse Arlette Montal, signed simply "Bouchard," provided the inspiration for this roly-poly romp through the alphabet. It takes its name from a popular East Texas summertime porch dance...or not. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Linotype Auferstehung is part of the Take Type Library, selected from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. German designer Johannes Plass was influenced by historic broken letter faces, particularly Caslon Gotisch, although the rounded corners give the font a handwritten look. Linotype Auferstehung is particularly good for headlines in larger point sizes.

Logotype Frenzy is a display typographer’s guilty pleasure. It’s one of the very few fonts ever made that can take intense abuse and still look natural. It comes with over 1000 characters, including a lot of alternates and extended language support. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.

A bubbly, sweet font with a cutoff letterform on detail. Kabul takes another step and brings the bubbly into a casual style. Perfect for use in big sizes on posters or flyers. It's a good combination with sans font. Its imperfections keep it casual while still providing legibility. This is a great combination of casual and retro eras.