Food Doodles Too is a 31-picture clipart font of food. Use them as dingbats or enlarge the small pictures and use them as clipart. Lots to choose from… from soup to nuts OK no nuts. But there is pizza, pasta, soup, eggs, sushi, sandwich, hot dog, hamburger, fish, kabobs, toast, breads, cheese, pickles, shrimp, soufflé, and desserts galore… cake, pie, cookie, cupcake, trifle, sundae, banana split, milk, tea and more. Food Doodles Too works nicely with Coffee & Tea Doodles. If you need some fancy cakes check out Party Doodles. All in the same line drawing style to mix and match.

This pretty font is called hello Valentine. This font is very easy to use, and to bring out a pretty tail is not difficult because there are guides included. This font is perfect for expressing your happiness with your partner. This font is very beautiful and elegant that can be used for Valentine's Day, weddings, capturing romantic stories, quotes, branding, logos, banners, and more.

No mystery here: this typeface is based on the not-often-seen Cooper Black Swash Italic, designed by Oswald Bruce Cooper. Swash variants are the norm with this font, but enabling Contextual Alternates will prevent collisions between the swash “tails” and letters with descenders. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Delphin is a calligraphic font with upright capitals and slightly inclined lowercase. Delphins ascenders are tall and a number of letters have tails which descend below the baseline. Delphin is a useful face in advertising for short texts and display. Delphin is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

Billybond is a bold signature font with stunning ligatures and ending alternates. Billybond is suitable for your project that need classy and elegant feels. It's packed with 15 cool ligatures and ending tails alternates for all lowercase, also support standard multilingual characters and already PUA Encoded. FEATURES: - Uppercase - Lowercase - Numeral & Punctuation - Multilingual Support - Ligature - Stylistic Alternates - PUA Encoded Enjoy the font and thank you!

Incorporating a certain Gallic ‘je ne sais quoi’ Galerie is a chic & stylish sans serif, though you'll notice some short tails with angled terminals acting rather like serifs, lending a sophisticated characteristic to its balanced proportions. Galerie’s large x-height makes it a very legible font family, available in 4 weights: Thin, Light, Medium and Bold. See also the condensed sister family Galerie 2.

I love the trends in handwritten calligraphy and wanted to play with playful lettering. I've heard from many of my customers that they don't use Open Type software and feel limited in the cool features of OT scripts because of this, so I've replaced the | (bar key) with a left-sided tail to start the lowercase r and s in words that begin with those letters.

Becky is a versatile display type designed to appeal to to a young audience of creative, up-to-date people. Geared towards the world of advertising and retail. It is well-suited for large headlines, branding, logos, publishing and short texts. With a modern look inspired by such geometric classics as Futura and an overall edgy, informal quality (seen in details like the subtle curve of its verticals), Becky stands out as a fun, unique type. Becky is a 10-variant type family that comes in 5 weights: light, regular, medium, bold and extra bold. It features 445 characters in total. Becky features 2 alternative stylistic sets: SS1 in which the diagonals in the letters X, Y, V, W, R, K, y,x,v,w and k shift from curved to straight in order to achieve a more formal look, especially useful for smaller texts. SS2 offers alternate glyphs for I, E, J, e, j and t, further expanding the possibilities of the typography. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Majesty is a refined and elegant incised serif typeface designed to convey a sense of drama with any implementation of it. However, Majesty’s austerity is softened by the inherent familiarity of its letterforms. Having being inspired by classic engraved type, it has the echoes of familiar stone inscriptions over the centuries embodied within this 7-font type family. Majesty has a branding and titling focus, this is most apparent in the all cap letter combinations that are incorporated. Just activate Discretionary Ligatures and watch your type shape-shift on the fly to create interesting and appealing typography. There are a select number of Swash/Stylistic Alternates included that can also help you embellish your designs. Other features include Proportional, Tabular, and Old Style Figures, as well as Small Caps and Petite Caps, with the latter harmonising perfectly with the lowercase glyphs so that you can create unicase-style typography. You can find out more at majesty-font.com . Key features: • 5 text weights – Light to Black, plus Display and Poster weights • Small Caps, Petite Caps, Ligatures and Discretionary Ligatures • European Character Set – Latin Only • 840 glyphs per font.

The idea behind this typefaces was to combine something retro and vintage with a style of this century. A reference from Vintage Typography, Art Deco, Neo Deco. With an improvised and create something in between those styling. Tiverton created in Serif, Sans-Serif and Script. Within 3 Style, it more helping and easier for create something without "thinking" the font compartment. Features of Sans Serif and Serif are comes with stylistic alternates and you can activated with Contextual Swash button on Adobe Illustrator or Adobe Photoshop, And Catchword such as the preview above, activated with underscore in the beginning and end of the letters, for example : _ the _ (underscore)the(underscore). Features of Tiverton Script are Ligatures, Contextual alternates, Contextual Swashes. no alternates. but Tiverton Script available with 2 Weight, Light and Regular. For a bonus, I create an Ornament Fonts. Special shout for the ornament fonts are for the borders. on the Number Character 0-9 are created for connected borders. for Beginning and end the lines you can press Shift on the Number Character. For example : type !2222@ on the text preview below and see on the Tiverton Ornament.

Mousse Script is based on Glenmoy, a 1932 Stephenson Blake typeface. Glenmoy a prime example of what display typography was in pre-WWII American ad art. It graced the pages of magazines, sold numerous products and services, then simply died out when the typographic trends shifted towards the more personalized, stylized and handwritten types of calligraphy. The current trend in typography is a revivalism that brings all of the distinctive display typography of the 20th century, without chronological discrimination, back in the name of ‘retro’. Who are we to deny the masses what they want? Mousse Script doesn’t just bring Glenmoy back from the ashes of the 20th century. It expands upon the limited metal character set nearly twice over and takes advantage of the latest type technologies. This makes Mousse Script a striking typeface, both functionally and visually. A simple, attractive display font on the surface, Mousse Script is unique in its bold upright calligraphy, something rarely found these days. The OpenType version of Mousse Script combines both the regular and alternate character sets into a single, cross-platform package that takes advantage of the extended typographic features of the OpenType format.

Jalliya is a realistic signature font Vol. 2 that has its own uniqueness and characteristics from a signature font, because it is handwritten manually, so it has the impression of a true signature. This font is carefully crafted with a modern touch. This font looks elegant, luxurious, natural with a beautiful signature touch. Jalliya would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need signature taste. Your download will include 4 font files; ~ Jalliya One, Two, Three, Four, Five, Six and Seven A hand-made, all characters signature font which has a complete set of A-z characters. Includes a range of multilingual support, punctuation, ligature & alternate. ~ Jalliya Tail 1 & 2 A bonus set of 104 Uppercase & Lowercase with tail. Simply select this font and type any A-Z & a-z character to create one of the bonus elements.

Reika is a super soft and positive script inspired by the summer funny mood, simple street food and fresh drinks. It’s all about smiles, delicious, not too serious time spending with family or friends. Reika looking smooth thanks to 95 ligatures like an ak ch ck th in im ax ux and many others. Script includes Stylistic Alternates of some Uppercase and Lowercase and 12 lengths of End-Swashes (tales). You can use this font for example in logo and package design, in food business, kids and confectionery products. Reika support Western European characters and works with following languages: English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish. Quick combinations for Opentype features: Alternates - just add «2» End-letter - just add «underscore» End-swashes (tails) - just add -1, -2, -3…up to -12, where number is length of tail. This combinations works only with activated Standard Ligatures option in Opentype panel (Adobe Illustrator / Photoshop).

Cut as a private version for the Nonesuch Press in the early 1930s, Monotype Bulmer was first released for general use in 1939. Based on types, cut by William Martin circa 1790, used by the Printer, William Bulmer, in a number of prestigious works, including Boydell's Shakespeare. Martins types combined beauty with functionality. Narrower and with a taller appearance than Baskerville, it anticipated the modern face of Bodoni but retained vital qualities from the old face style. This new digital version of the Bulmer font family was drawn by Monotype following extensive research into the previous hot metal versions and a study of Bulmer's printed works. Additional weights have been designed together with a wide range of Expert and alternative characters.

Wordmark is our new fully equipped branding tool. Designed with a refreshed humanist style, much loved by brands that need to deliver their message in a serious way, with a current look. Drawn by the cool eye of Gaspar Muñoz, expect this font to be as good or even better than its predecessor "Herokid". "Wordmark" is super complete; it includes condensed, thin, expanded, and heavy weights plus italics with two complementary systems that work together in a powerful way. "Wordmark Normal" offers great readability for text and signage, big or small. And "Wordmark Display", designed with a noticeably taller X height specifically made for headlines, big windows, and big screens. With 48 different styles keep it simple and make reliable designs with "Wordmark".

A throwback design reminiscent of 1950s signage and print ads, Merrymakers JNL takes a previous release (Bluesman JNL) and places the letters and numbers inside parallelograms with ‘TV screen’ openings. Merrymakers JNL is available in both regular and oblique versions. The upper case A-Z characters have the taller side of the shape to the left, while the lower case a-z has the taller side to the right. To make a ‘fan fold’ or zig-zag message, simply alternate upper and lower cases as in this example: C-a-R D-e-A-l-E-r-S You can type spaces between words, but if you prefer blank connectors, use the following: Upper case solid black connector – left bracket key Lower case solid black connector – right bracket key Upper case ‘TV screen’ connector – left brace key Lower case ‘TV screen’ connector – right brace key There is a very limited set of punctuation available. The upper case ampersand, question mark, exclamation point, period, comma, single quote and double quote are all on their respective key positions, but to accommodate the lower case [smaller side] versions, those glyphs have been reassigned to other standard keyboard positions: Type @ to get & Type # to get ? Type $ to get ! Type ^ to get . Type * to get , Type - to get ’ Type = to get ” Additionally, to access the lower case [smaller side] versions of the numerals, type the following keys: Type % to get 0 Type ( to get 1 Type ) to get 2 Type + to get 3 Type / to get 4 Type : to get 5 Type ; to get 6 Type < to get 7 Type > to get 8 Type \ to get 9

Vast and untamed, the American West once stretched as free and wild as imagination itself. Still beautiful, the Wild West of long ago and the new West of today is now to be found in insigne’s new face, Plathorn. That’s right, folks. When the West called, Jeremy Dooley reached up like Pecos Bill, grabbed it by the reins and pulled it in, then using its wide, roaming elements to design this functional font that still has an unbroken spirit burning deep inside. This down right, no-nonsense, orthodox face leaves off any of that extra fancy stuff that doesn't belong on a ride. Plathorn comes with a family of cowhands as wide as the Rockies, bringing specifically tailored condensed and extended sub-families along with it too. By design, it’s not very obtrusive like its unorthodox reversed tension brethren. Leave those for the next font rodeo. This mount features barely a hint of a serif that hearkens back a hundred years or so to sign painters and package lettering artists of early twentieth century. They're sure to put the sharpness, gumption and grit you need into your copy. So grab a tall glass of Plathorn and drink in the deep taste of America’s big country. Put it in your next magazine. Put it in your brand. This typeface’s offbeat appeal is bound to bring a bit of wild U.S. to your free-spirited work.

William Jameson is a monoline signature handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! William Jameson is made using opentype technology which makes the connection between letters more fluid, there are 3 types of tails in each letter that will automatically change according to the letters in front of it.

HT Profumeria is a monoline and connected font with a thin line and a unique tail. Its simple and retro look is the best script for branding and packaging, but it may also be useful for headlines, publishing and advertising. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Fields is a versatile, soft serif family blending casual, retro tones with modern vibes. Details like rounded serifs, teardrop terminals, and subtle tails make this typeface friendly and approachable. Drawing inspiration from familiar classics such as Cooper and Souvenir, Fields is a contemporary expression of this style. Fields exudes pleasant, plumper characters with its medium contrast, while the high contrast in the Fields Display family presents something more fashionable and sophisticated.

Art Valentine is a very pretty and unique font, with curves in the subtle letters and swashes and ligatures that are very pretty and elegant. The use of tails on letters is very simple and easy so that consumers can easily use decorations on letters. This font is perfect for your Valentine's Day and various other jobs such as weddings, invitations, logos, branding, banners, posters, social media, and more.

Containing over 100 ligatures, Epistula is a loosely written font, resembling my own natural way of writing. It has a nice flow and the pointy tail-ends give it a certain speed. Creating Epistula has been a long process, but returning to the drawing board a few times has – in my humble opinion – paid off. This font comes in two weights: regular and medium. Because sometimes one flavour just isn’t enough…

Uplink is decorative upright lettering with heavy calligraphic influences and clear friendly forms. Alternate forms with artificial "tail" connections, swashing their way from one letter across the vertical stroke of the next, add an unusual yet distinctly human detail to the forms that shape the words. Uplink's reserved humor can be a little tolerant of mechanical abuses like shearing or stretching, which makes it ideal for food product packaging design.

Chipa has all the advantages of OpenType technology that allows a variety of combinations: Swashes, old style numerals, standard ligatures, contextual alternates, discretional ligatures, word ending and tails. These fonts were specially designed for creating logotypes and packaging design, can also be used in advertising, flyers and posters, for its good legibility and accurate kerning. Chipa support the Central European character set as well as basic Western languages.

We introduce our Variable Font from the high-complex BD Gitalona font family. Consisting of 3 axes; weight, optical size, and serif, that will give you a different experience extending the family of BD Gitalona. We don't want to mention how many families can be generated from this variable font. During the development process, we got up to more than 50 families and stopped to allow you to continue to play with the slide buttons. And again, BD Gitalona is filled with an explorative and experimental decorative version that we present separately. Figure out the decorative version BD Gitalona Moxa to make the aesthetic appeal of this whole typeface here! Inspiration The world of entertainment moves non-stop. One by one, figures appeared and left. We expect to create something to entertain previous trends with packaging more relevant to the present. More specifically, we admire and are inspired by some of the world's leading and top singers with a segmented nature. We imagine so many figures that can affect every viewer. However, each artist or singer has a segment because almost all of them have characteristics. The Design The basic design of this typeface begins with a transitional serif shape with sharp, shapeless corners. Then in the middle of the invention, there was an opportunity to explore it further from the readability side by adding an optical variable that can adjust the serif thickness when used together between large, medium to paragraph text sizes for editorials. The shift from serif to sans-serif with the contrast initiated by the shift of the serif family form as a different variable also makes this font richer in terms of the features it contains. Parts are expected to add to the user satisfaction with the complexity of this font. The Features BD Gitalona consists of one sub-family intended for body text with nine weights from Thin(100) to Black(900) and four other display sub-families such as Display serif, Flick, Harmony Sans and Contrast Sans. Each consists of four weights Thin(100), Regular Weight(400), Bold(700), and Black(900). And again, there are also retailed separately; the BD Gitalona Variable font, which is designed to accommodate all Subfamily in 1 font file, and BD Gitalona Moxa, an experimental typeface. A total of 700+ glyphs in each style. Advanced OpenType features functionally and aesthetically, such as Case-sensitive forms, small caps, standard and discretionary ligatures, stylistic alternates, ordinals, fractions, numerator, denominator, superscript, subscript, circled number, slashed zero, old-style figure, tabular and lining figure. Supports multi-languages ​​including Western Europe, Central Europe, Southeast Europe, South America, and Oceania.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.

The Copperplate penmanship style has a distinctive flow and character. Many years of steady and patient practice allow calligraphers to achieve the flow, direction, sequencing, and speed required from the copperplate ductus, to achieve its distinctive, elegant, fluid aesthetic. Nautica is a monumental new script from Resistenza, which builds on the creator’s accomplished penmanship skills. The delicate strokes have high contrast and an extravagant personality. These letterforms invoke 18th-century sailors logbooks and the nostalgic correspondence those at sea sent home to their loved ones, with letters looping and rolling into one another like the waves these intrepid adventurers voyaged on. Nautica’s ornate feel is perfectly suited to romantic applications, and with three weights, one set of useful navigational icons and some nautical knots Nautica will allow you to create rich and cohesive graphics for those 'tying-the-knot' or in any display context which requires some sophistication. Nautica allows you to achieve the complexity and flow of copperplate calligraphy with OpenType features. Supreme swashes inspired by brush pen stroke, and exhaustive alternates, with over 900 glyphs and extensive language support, Nautica offers full professional typographic features, for a natural ‘written’ look. Check out also “Voguing” & “Nautica”

Presenting a proud and tall font! The ability to express emotion through typography is one that is very much needed. Thus, the idea of emotional typography to communicate feelings was born. The emotion of Egoism is primarily one that is self serving and personal. While appearing to be deceptively simple, it is designed to have a handmade effect. The center point of the letters has been raised, giving the letters and glyphs a taller appearance. This reflects the feeling of having an inflated Ego. The handmade aspect of this font is what makes it great for giving any design a personal touch. Pair it with a bold Sans Serif font which also has a hand made appearance. Create designs with this Egoism font that enhances your hand made looking pieces!

The superfamily Pepi and Rudi is based on playful experimentation with basic geometric shapes - the circle, rectangle and triangle - elements that laid the foundations for typographic Modernism. The Pepi and Rudi introduces a number of current elements into a time-proven concept of primitively constructed typefaces. The typeface's somewhat uniform character width establishes a more regular rhythm; the character set is expanded, and legibility is improved thanks to taller lowercase. A wide range of ten styles, from hairline-thin to extra-thick with adequate Italics allow for universal use across the whole scope of graphic design. Carefully designed diacritics, clear punctuation marks, table number characters, ligatures, arrows or alternative lowercase characters are standard; this is sure to please everyone needing to work effectively with a neutral, geometric headline typeface.

Alberta Signature Script is ideal for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any other project that requires a handwritten touch. Alberta Signature Script (Regular, Caps, and Tails) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Alternates Multilingual Support for ä ö ü Ä Ö Ü … Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Calling Code — very nice monospaced font — 1. is a monospaced font family for coding and tabular layout. 2. simply consists of 4 style, Regular, Italic, Bold and Bold Italic. 3. is ready in both OpenType and TrueType formats. 4. has slightly condensed width for more useful space. 5. has good distinguishability and legibility and cute curly tails. 6. brings a fresh sensitivity to boring old existing monospaced fonts. You can try Regular style for free.

From the mid -17th century, new commercial writing styles emerged which clear showed the influence of pen-crafted calligraphy. A traditional pen-formed flowing script as the “Citix” font, may be suitable for commemorative letters, invitations cards and the most elegant visual communications projects. This font comes with three different kinds of capitals, regular and swashes to choose from, a full set of stylistic alternates, standard and discretional ligatures. Old style numerals, ornaments and tails.

Modular Matrix «Calligraffiti» Robotic Letterform Typeface! New Edition. Redesigned with Obliques and OT Features! This Typeface was inspired by Graffiti Calligraphic Broad Markers and Underground Lettering Technic and Style, grid based by squares perpendiculars and Diagonals… Is Part of a juxtaposed “Type-Game” based on inversions and rotations… Type cool legible digital manuscript Aesthetics body text, scripts, lyrics, articles; Plus, Create Fancy Display’s Branding designs, Packaging, Publishing, Advertisement, Posters, Art Support, Motion, Games, tastes good to text on everything! Experiment Automatic and Responsive OpenType Features, like Fractions, Ordinals, Nominators, Denominators, Scientific Inferiors, Numerators, Localized forms and Kerning. Previous Released by MMC-Typo* 2020. Post Released by MMC-TypEngine 2022. Tip 1: Combine styles into infinite possibilities of Digital Monochromatic or Color Typesetting, by ‘central pasting’ or you may dislocate layers for improvisations! TIP 2: *BLIND BLOCKS ‘FREE-STYLES’ Use Block «Free Styles» 1 & 2 also to add 3D, change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. *All Styles have 917 Glyphs. Follow the Groove!! & Power to The Pixel!! Greetings !! André, MMC-TypEngine.

Idiom is an extra-condensed, tightly spaced display face with congruent forms exuding a strong sense of rhythm and elevation. The basic stenciled geometric shapes are reminiscent of the decorative style found with P22 Albers and Futura Black. Careful consideration of each letter's construction, relative to all characters, lends Idiom a decided sense of cohesion and sophistication. The included non-traditional 'weights' (Medium and Bold) are completely blacked out, creating entirely new letterforms that exhibit a very stark, contemporary sense. Increasing the versatility of the Idiom family, a selection of OpenType features allow access to a set of contrasting linear punctuation forms, unconventional ligatures, case-sensitive punctuation and more. Features include: Basic Ligature set including 'f' ligatures (ae, oe, fi, fl, ff, fh, fj, ft, fa, ct, st, rt, ot, ta, sa, mi, si, vi, su, oc, oo, ru, ib) Alternate characters (M, W, T, ß, _, $, @, (), {}, [], /, \, |, -, –, —, +, -, ±, ≤, ≥, , «, », and more) Case forms (shifts various punctuation marks vertically to a position that works better with all-capital sequences, in this case the numerals or letters with ascenders) Slashed zero Full set of numerators/denominators and superscript/subscript Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Andante is a modern sans serif with a geometric touch that support for 87 languages. It comes in 6 weights, 12 uprights and its matching Italic, so you can use them to your heart’s content, in each of which there are more than 883+ glyphs. Andante comprises 24 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Andante and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Hoolister is a modern sans serif with a geometric touch that support for 87 languages. It comes in 9 weights, 58 uprights and its matching obliques, outlines, glowe, shaded, so you can use them to your heart’s content, in each of which there are more than 512+ glyphs. Hoolister comprises 58 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Hoolister and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu