The Love Distance is a beautiful handwritten script with organic style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Magic Seven is a stunning display script font that seamlessly blends classic and modern design elements to create a unique and stylish typeface. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Introducing, CHACKS Display Font. Concise typeface is fun, and relaxed with natural handwriting. This type of font is very suitable to be applied especially for the needs of letters and quotes, as well as various other formal forms such as invitations, labels, magazines, books, greeting/wedding cards, packaging, fashion, make up, stationery, novels, labels or all kinds of advertising purposes.

Ochida Serif Display attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Ochida Serif Display has alternative, Ligature and multilingual support.

Quagera is a beautiful serif font, a blend of modern and old styles and equipped with unique ligatures, discretionary ligatures, and alternates. The Quagera font is very suitable to be applied to various other formal forms such as fashion, logos, invitations, greeting/wedding cards, labels, magazines, books, packaging, makeup, stationery, novels, labels, or all kinds of advertising purposes. Thank You and Happy Creating

Introducing, Boinger - An Expanded Typeface. This font looks great and standout for tittle, headline, logo, etc. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : - uppercase & lowercase - numbers and punctuation - multilingual - alternates & ligatures - PUA encoded

The Compressed Contest font is packaged in a modern font that is unique, elegant, feminine, sensual, glamorous, simple and very easy to read. The classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Hope you enjoy this font!!

Originally inspired by manufacturer badges on old laboratory equipment, Centrifuge sports soft geometric shapes, wedge serifs, and sharply-angled terminals. Quirky but versatile, Centrifuge can appear anywhere from formal and elegant to funky and chunky depending on how it’s set. Centrifuge is suitable for short-form text and headlines but really sings in an all-caps setting with generous tracking.

Aghisna Display attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Aghisna Display has alternative, Ligature and multilingual support.

Wildest Jungle is a textured display font with cartoon vibes. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Betronix is ​​a tech typeface designed by creative Ryan that embodies a strong and modern vision approach, formal rigor, and shows a variety of designed characters including glyphs as well as depicting graphics in a modern, powerfully constructive anatomical way. FEATURES; -Uppercase Lowercase -Supports Foreign Languages, Numbers and Punctuation. -Regular & Outline -Work on PC. Thanks for visiting, have a nice day ;)

Galson Serif attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Galson Serif has alternative, Ligature and multilingual support.

Chorneil Script is a casual script with organic style. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Coupler is a sturdy text face with low contrast, airy counters, and a strong baseline for smaller sizes and extended reading. Lightly bracketed serifs and pleasantly conspicuous italics temper Coupler’s formal demeanor—well suited for financial reports, news magazines, catalogs, academic journals, and any instructional setting. Four weights with italics and advanced typographical support provide design flexibility in any layout.

Ciabatta is a luscious font made especially for packaging. Thanks to 5 weights, it can be used for all eventualities; powerful in headlines or as lettering, yet very legible in small texts. Its shapes are slightly narrow and based on classical italics but Ciabatta includes alternates with a double-storey ‘a’ and ‘g’ which offer a more formal appearance upright.

Fresh and Roast is a bold italic serif. It is suitable for a coffee shop or cafe branding with retro / vintage theme. and it is perfectly to be applied to the other various formal forms such as advertising design, vintage garage design, adventure / mountain hiking brand, animation or movie, poster quote, book / novel cover and any type of advertising purpose.

Satisfice is alteration of satisfy, influenced by Latin satisfacere. The formal use dates from the 1950s and I hope that with this font you as a user of this font can feel satisfied using this font. Satisfice is a modern serif typeface. Clean, delicate, classic and has a characteristic. Please let me know if you have any questions. Lettercorner Studio

Celsius Flower attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Celsius Flower has alternative, Ligature and multilingual support.

Inspired by Edward M. Catich’s seminal thesis on the origins of the Roman inscriptional style, such as that found on Trajan’s column, Richard Lipton’s Canto traces the path from an expressive, preparatory Brush (with Brush Open to preserve gestural details at smaller sizes), through informal Pen, to the formal Roman. Classical capitals are accompanied by Lipton’s own calligraphic lowercase, small caps, and swashes.

Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles) and brings a quirky antipodean style to the JY&A Fonts range. This display family is available in Solid and Outline forms, the latter containing patterns that parody those of Aboriginal culture.

Bijouté is a modern sans serif font with bohemian motives. The font is created in classic proportions and decorated with elegant decor. The font is suitable for the design on the theme of mysticism, esotericism, fashion and style. This font is based on my Nomad Bohemian Sans: https://www.myfonts.com/collections/nomad-decorative-font-struvictory-art

No word describes this font better than STYLE... TypeSetIt has taken things just a step further. It takes the look and simplicity of 1950s and 60s advertising and combines it with up to date design characteristics. With three main styles, Plain, Script and Formal, StylePro transforms the Retro look into a versatile, and powerful font that can be used for nostalgic work, or 21st Century design. Style Script is a beautiful upright script with looks that vary from Casual to Formal in appearance. If you're a professional graphic designer, use Adobe Illustrator®, or InDesign®, to access Style Script Pro’s Opentype features. With over 1275 Glyphs, the OTF programming gives a powerful solution to the needs of design professionals. Special thanks to Maximiliano Sproviero (my good friend) for his keen eye and design suggestions, and a note of appreciation to Mark Simonson for helping with technical issues. :)

Linotype Startec, from Jan Tomás, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. This is another fun font from Tomás, who also designed Alphabat, and the two share some characteristics. Linotype Startec is an outline font whose unique forms are reminiscent of futuristic dreams and space adventures. It should be used in point sizes of at least 18, but the phrase 'the bigger the better' fits this font well. The careful details and figures of the alphabet turn into UFOs and space ships from another world when set in very large point sizes. Linotype Startc is best for very short texts and headlines.

Rioma is a geometric typeface inspired by a legend of type design: Antique Olive. As a font family, Rioma ships in two different formats. Depending on your preference, you can install the typeface as two Variable Fonts or use the family’s 16 static OpenType font files instead. Those weights run from Light to Heavy. While the static-format fonts offer a good intermediary-step selection, users who install the two Variable Fonst have vastly greater control over their text’s stroke width.

Originally ZionTrain was built as a Cyrillic typeface for public transport navigation system. We wanted comprehensible, distinctive letterforms, that can help everybody on the way from Babylon to Zion. Here, on MyFonts, we present the ZionTrain STD versions with western latin including smallcaps and oldstyle figures in some faces in TrueType format; also western, central, baltic and turkish latin charsets, smallcaps, oldstyle numerals, few alternates, some arrows and fractions in ZionTrain OT OpenType format. Look how people use it: http://use.type.org.ua/tagged/ziontrain

Syoog is a robust proportional linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions available in opentype .otf format

Boktto is a multi reformatted linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions available in opentype .otf format

Hegsro is a apropos modernist linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions available in opentype .otf format

Borve is a compositional expanded tech sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 240+ glyphs with ligatures and fractions available in opentype .otf format

A magical alphabet used by secret societies in times past. It was based on the Hebrew alphabet. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Based on the writing used by the Copts in ancient Egypt, the font includes alphabet and numeral symbols. NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Borsga is a mono fraction linear sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures, fractions provided in opentype .otf and .woff format.

Geometric Patterns JNL offers a large and varied assortment of interesting design variations in a 'tiled' (square) format that can be adapted to spot embellishments, running borders or repetitive patterns.

Agobb is a frolicsome piquant sans apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs with ligatures and fractions provided in opentype .otf and .woff format.

Lyra is an Italian Renaissance script that might have developed if metal type had not broken the evolution of broad pen calligraphy. It lies in the area between the humanist bookhand and the chancery cursive, combining the fullness and articulation of the Roman letters with a moderate italic slant and condensation. A steep pen-angle allows use of a broader pen relative to the x-height, giving the letters more contrast with light verticals and heavy curves. Lyra embodies the Renaissance spirit of refining technical advances of the late middle ages with reintroduction of ancient classical principles. Based on the moving penstroke with constantly changing pen-angle, it brings the vitality of handwriting to the ordered legibility of type. Lyra is a formal italic, too slow for copying books. By eliminating the element of speed, digital technology opens up a new level of calligraphy, bringing it into the sphere of typography as would naturally have happened if metalworkers had not controlled the process. If classical Western traditions are respected, digital calligraphy has the potential to recapture the work of the past and restart its stalled evolution. There is of course no substitute for the charm of actual writing, with each letter made for its space; but the tradeoff is for the formal harmony of classical calligraphy as every curve resonates in tune with every other. This three-weight font family marks Philip Bouwsma's much-requested return from a three year hiatus. It also reminds us of his solid vision in regards to how calligraphy, typography and technology can interact to produce digital beauty and vesatility. Each of the three Lyra fonts contains almost three character sets in a single file. Aside from the usual wealth of alternates normally built into Bouwsma's work, Lyra offers two unique features for the user who appreciates the availability of handy solutions to subtle design space issues: At least three (and as many as six) length variations on ascending and descending forms, and 65 snap-on swashes which can be attached to either end of the majuscules or minuscules. The series also offers 24 dividers and ornaments built into each weight, and a stand-alone font containing 90 stars/snowflakes/flowers, symmetric contstructs for building frames or separators, masking, watermarking, or just good old psychedelia.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow (soon), Normal and new Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

This family was inspired by numerous documents and books printed in Paris during the end of the 1700s. Mainly, documents printed by P.G. Simon & N.H. Nyon, “Printers of the parliament” were used for the Normal and italic styles and “Caps”. “Titling” characters were coming from a collection of hymns printed by Nicolas Chapart. In France these Fournier characters, as Baskerville in Great Britain, were the most often in use in the late 1700s, just before the Didot designs. This font supports strong enlargements, specially the capitals of “Caps” file and “Titling”, remaining very smart, elegant and fine.

A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.