Baby Moala is a simple, fun and display handwritten font. This adaptable font will look great on a variety of design ideas. It will add a fun and friendly touch to each of your projects!

Old Jersey is a cool, vintage styled and rough textured display font. This adaptable font will look great on a variety of design ideas. It will add a distinct touch to each of your projects

QuadratishSerif is an interesting ultra black type design with serif, that contains both solid and outlined lettering styles. A third design style can be created when combining the two styles over top of each other.

Mandorlato is a font family fruit of an exploration of the timeless almond shape. It supports 114 languages, features a total of 505 glyphs and includes an italicized version for each of the 5 weights.

Cathena is a modern script with sweet touches and beautiful curves in each letter. It features a bold, authoritative, luxurious, modern and premium nature. Cathena is great for wedding invitations. magazines, logos, signatures, photography watermarks.

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter from scratch.

Edmund is a vintage display family (All Caps) including Textured, Rough & Clean versions as well as Italic versions of each. It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Font with elegant cursive script initials to create two-letter monograms for letterheads. Includes 37 borders, each accessed by a single key-stroke on the computer keyboard.The borders will automatically line up with the initials.

Cline, a family of slab and sans typefaces that seamlessly harmonize with each other. All styles have the same width, so changing font weight will not affect your typesetting. Suitable for both text and headlines.

Say hello to my all caps wannabe typewriter font. It’s distressed, but still perfectly legible! I have added 5 slightly different versions of each letter for a more handmade feeling, and of course multilingual support!

Fander font family is designed to create minimalist logos, wordmarks, titles, taglines. Each letter of the font has up to 12 alternates. You can mix default characters and alternate characters to get the best combinations.

Merry with Dream is a cute and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.

Presenting the vintage style typeface "Black Queen". It includes font files for each decorative element which can be useful for manipulating colors and effects. Black Queen font has multilingual support and several alternative letter glyphs.

Honey Notes is a simple and neat handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look and feel will add a personal and realistic feel to your designs.

Ebisu is a sans serif family consisting of 10 different weights. Designed by Alex Haigh in 2010, and influenced by one of his original designs from 2008 Hiruko - Ebisu loses the soft sans serif curves, for a more robust geometric styling. But it’s much more than a geo-replica. The lowercase characters also have a more exaggerated sharpness that gives the whole family a unique look and feel. The kerning has been individually crafted for each letter, with vigorous attention - to ensure that each letter from is produced in a way that works with every member of the set, for a tightly knit sans serif family. It speaks many languages too. The open type features have an extended character set to support Eastern and Western European languages. With each weight conveying a different personality, Ebisu is set to become the modern new sans serif family to sit alongside you classics for versatility, cleanliness and a crafted edge.

Stevens Titling refers to the classic Roman alphabet as it appears on the Trajan column and numerous other monuments. With its realistic brush strokes, it shows the letterforms as they might have been sketched on the marble before the stonecutter reached for his hammer and chisel. The four fonts that constitute the Stevens Titling suite are named after animals — badger, boar, sable and wolf –, each known for the specific character of its hairs when used to make painting brushes. Sable Brush is the most formal and elegant, with solid forms which show no obvious trace of the handdrawn brush stroke; it comes with a set of small capitals for those classical titles preferred by Hollywood. In fact, each of these fonts would do a great job as a film title and poster font. The Badger Brush variant is compact and firm; Boar Brush is dramatic, and in Wolf Brush each part of the letter is made up of realistic, dry strokes.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

Cadmium has a comprehensive latin character set and many Opentype features to enhance text, including small capitals, case-sensitive forms, superscript and subscript. Plenty of numeral variants include old-style figures, lining figures and fractions. Default numerals are proportionally spaced. Alternative styles for a handful of key characters provide some useful variations where stylistic sets can be implemented. The fonts are presented as four width-based sub-families: Expanded, Normal, Condensed and Compressed. Each width has a matching range of six weights and italics (obliques). Regular and Bold weights are style-linked, together with their respective oblique forms. Each width differs in its basic construction but all fonts share the same vertical metrics and may be used in combination with each other. Letter spacing is optimised for text sizes but is tolerant of significant tracking changes. Cadmium is good for signage, publicity and packaging, screen credits and titling, general print and publication, as well as web and screen applications.

Neon Bugler is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context--it has a certain nostalgia to it, yet it also has a slick, clean, futuristic look. It can even be used in a semi-grunge setting. This is a very versatile font! And if you like this font, check out the new boxy version of it, Neon Bugler Squared! Digitized by John Bomparte.

Introducing Kronix, a geometric, futuristic font that embodies the essence of technology in the digital age. Kronix combines sleek lines, precise angles, and contemporary design elements to create a visually striking font perfect for technology-themed projects. Its clean and minimalist letterforms embody the essence of modernity and sophistication, capturing the attention of tech-savvy audiences. With its crisp edges and precise spacing, this font creates a harmonious visual rhythm that adds a touch of elegance to any design. Kronix is versatile and adaptable, making it suitable for a wide range of applications, including websites, mobile apps, and branding materials. Its modern aesthetic aligns perfectly with the fast-paced advancements in technology, allowing your design to stay relevant and visually impactful. Whether you're designing a tech magazine cover, creating a sci-fi movie poster, or developing a high-tech product packaging, Kronix is the ultimate choice for adding a geometric, futuristic flair that captivates the imagination and elevates your design to the forefront of modern technology.

Stabile is a rather stylish casual font with ​​loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It's a flexible font that looks unique and quite distinctive, with its charming uneven look that gets even more uneven when Contextual Alternates are turned on. Stabile family brings a delish accompanying font, Stabile Toys, packed with organic shapes inspired by the breathtaking work of the american artist Alexander Calder. These play together deliciously well, you can bet. Are you prepared to balance them? Enough reading, then, just go ahead! A couple quick notes on usage: . Go with Contextual Alternates to instantly cycle glyphs. Eye-catching results guaranteed! . Swash feature turns on (guess what...) swashes. But there's always alternative swashes, like to this side going up or to this side going down, that side up or down, so it's cool to pick your choices through a glyphs palette​.​

Probeta is an exclusive Sans Serif typeface family, condensed in proportion into three styles: Regular, Italic & Small Caps. Each family consists of 7 weights (Extra Light, Light, Regular, Medium, Semi Bold, Bold and Extra Bold). Plus three bonus fonts: Circle, Cube & arrows • Includes a bonnus font with the purchase of each style! After defining all the proportions of the new typeface, and starting from the drawing of the lowercase letter «o», in an exercise of minimalist construction, I have built all the characters, contributing with this technique, morphological coherence and a balanced reading. I have put special interest in defining the width of each character, depending on the relationship with others, then the configuration of the metrics and the exhaustive definition of Kerning, provide maximum readability in paragraph texts and titles. The use in graphic design, editorial or advertising guarantees originality and difference. Very versatile fonts for billboards, video games, movie titles, logos, publications, etc. They include the symbol of Bitcoin and other Cryptocurrencies.

Neon Bugler Squared is a soft, boxy version of Neon Bugler, which is a font based on the third logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font design has these principles as its parameters: The letters generally follow what would be natural stroke directions; no sharp corners, all gentle turns; no lines back up over each other, cross each other, or run into each other. All of this civility between the lines produces an unintentional but welcome neon quality about it. This font can have a variety of vibes depending on its context-it has a certain nostalgia to it, yet it also has a slick, clean, futuristic, sci-fi look. It can even be used in a semi-grunge setting. This is a very versatile font! Digitized by John Bomparte.

Molex Shoora is a typeface that is inspired by retro-style writing. We make each element with a unique style, made on the top and bottom edges thick and in the middle it starts to thin which is consistent with each letter There are 14 font family for the choice of the desired letter design 31 ligatures combined with each other add to the fun style 410 total glyphs Support 88 languages: Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech DanishDutch Embu English Esperanto Estonian Faroese Filipino Finnish French Friulian Galician German GusiiHungarian Indonesian Irish Italian Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda LatvianLithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy MalteseManx Meru Morisyen North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish PortugueseQuechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian ShambalaShona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

“Röijer” was born from a branding exercise done with “high care”, graphically developed thanks to the valuable help of designers Marcela Aguilera & Pedro Gonzalez, each letterform and every type design process was worked as a typographic jewel, as a strong bond between classical and fresh concepts (with a Lombardic and Art Nouveau touch). Röijer puts a dual capital model in your hands; a classic Roman and a fresh contemporary alternative, on each letter: the first located in a lowercase box looks formal and sober, while the uppercase box shows a glamorous and more daring look, ideal to being use at specific moments only. Röijer combine elegance and audacity in a very magistral way. It has 2 variants with 541 glyphs each one; a normal and a volumetric one, all with an ornaments set and a decorative objects set. Ideas that be useful not only for branding design but also for titling, headline composition, label design, fashion and luxury stuff.

Ritornelos is a lively hand-drawn typeface, perfect for adding that whimsical touch to your designs. It's a unicase alphabet that contains two variations for each letter (accessible through keyboard's upper/lower keys) and handy embellishments.

Christmas Gift is a cute handwritten font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Sauro is a font family based on proportions derived from automobile designs of the seventies. It supports 113 languages, features a total of 482 glyphs and includes an italicized version for each of the 5 weights.

Osmica is a font family heavier than the sum of its parts. It supports 111 languages, features a total of 309 glyphs and includes an outlined, inlined and italicized version for each of the 5 weights.

Spooky Strikes Halloween is a crafty and distinctive display font. With a combination of pixel-art and scary horror themes, this font has the potential to bring each of your creative ideas to the highest level!

ID Monotrap is a display monospace typeface, specifically designed with equal width for each letter across the glyphs set. With mono weight, maintaining consistent stroke thickness throughout its parts, giving it a distinct and modern aesthetic.

Galaxia created by Muhammad Afif Ersya is a futuristic modern font that features characters, multilingual, numbers & punctuation. It’s well suited for use in the tech & gaming space for logos, titles, packaging, web design, apps & much more.

Summer Strike is a simple, thin lettered and flowing handwritten font. This adaptable font will look great on a variety of design ideas. It will add a fun and friendly touch to each of your projects!

Authentic and handmade brush font. Comes with a great variety because of the contextual alternates (7 different versions of each letter that cycles as you type!) Also, a wide range of accented glyphs for your pleasure!

Talbot Type Kitami is a minimal, geometric, stencil display font, inspired by Herbert Bayer’s Universal Typeface, created at the Bauhaus in the 1920s. Each character is created from a single continuous stroke, or combination of strokes.

This font is not a historical one. Although to make it was quite time-consuming (each glyph was hand-drawn separately, except for the ligatures), this cartoon or comics style font is just made for fun.

Sendu Senja Font is a Handwritten and modern font combined with a sweet touch and beautifully curved each letter. Sendu Senja Font is great for: Wedding invitations, fashion magazines, logos, signatures, and suitable for watermark photography.

A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded almost abstract graphic shapes.

Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.