Break Age is an awesome display font with a graffiti style and break characters with bandages to make your design look awesome! It will elevate a wide range of design projects to the highest levels, be it branding, headings, wedding designs, invitations, signatures, logotypes, wall art illustrations, apparel, labels, and more!

Spiky Frog is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Blue Monsta is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Amarylli Blossom is a sweet, soft hand-lettered handwritten font. The playful rounded characters make it the perfect font for creating stunning designs. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

In 1957, Helmut Matheis designed Charme for the Ludwig and Mayer type foundry, located in Frankfurt am Main, Germany. This informal script is of medium weight and has some variation of color. The caps are flowing and the lower case letters are close fitting. Their is a bold companion, called Slogan.

Hollyweird is another original, funky work of California designer Jill Bell, a bold display script with intentionally shaky strokes and tightly curled flourishes. The capitals are ideal as initials and the lowercase is best used tightly set. Hollyweird is a good choice for any work requiring a casual chic appearance.

Meet our newest product, we call this product Gardnest font. Gardnest font are cute typeface font with a uniqe touch and assertive. Gardnest font is very nice to use on: fashion magazine, logos, ,and photography, landing page, flyer, What’s includes - multilingual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Lettering whiz Carl Holmes called this creation "Pelt Emphasis Script", and its funky, chunky charm will indeed lend emphasis to any headline it graces. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Betty Finty is a friendly and modern script font with a unique style. It will add a romantic touch to any crafting project! Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Here's another example from the William H. Page Company, originally called French Clarendon XXX Condensed No. 117. This version dials up the contrast, making it suitable for tight headlines in large sizes. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Art Class JNL was re-created from the titling of a lettering booklet called "Drawlet Portfolio", published by the Esterbrook Pen Company in the 1930s. Drawlet pens were Esterbrook's answer to the popular Speedball lettering pens, and the booklet was an instructional manual on hand lettering with the pen nibs.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .

The font 'Aurélie' is a decorative yet contemporary writing font by Daniel Keith Bale. Applications for this font may include titles, letterheads, dialogue, written works and captions. With a thin, sleek and sexy appearance, 'Aurélie' will prove to be a useful asset to any graphic or web designer or writing enthusiast.

Zona Black is a geometric sans–serif display black typeface. It was inspired by typography from 1920's posters featuring clean lines and some quite distinct glyphs such as the uppercase B and the H. Despite being black it's tall x–height makes Zona quite legible even in smaller sizes.

A popular caps-only type of late Victorian times was called Mural, brought out by Boston Type Foundry in 1890. We always liked it, drew a lowercase for it, and then strengthened it by adding a bit of weight. It now has a nice, understated retro look for paragraphs of copy.

This 1935 design from Monotype is an extremely condensed display font that has a slight flavor of nineteenth-century wood type. Runic Condensed font is tall and lean with a huge x-height and hairline serifs. It is an ideal display type for eccentric pieces where space is at a premium.

Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.

This quintessential nineteenth-century offering is based on a typeface from the 1912 American Type Founders catalog called Lining Central Antique. Quaint, yet crisp and clean, it is equally suitable for headlines or body copy. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Justin Honey is a beautiful modern calligraphy font with a special heart character. It will add a romantic touch to any craft project! Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and cute greeting cards

Meet our newest product, we call this product Regratte font. Regratte font are cute typeface font Whit a uniqe touch and assertive,Regratte font is very nice to use on fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - mutilngual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

This is a Cartoonish Brick Font that is reminiscent of some of the Brick Buildings you would see in the Inner Cities. Feel Free to add some graffiti to the brick wall to give it your own Graff City signature. It is also available in a 3d Brick Block Font.

Jerash was developed jointly by Dave Nalle and Mike Scarpitti. It draws on the look of several classic fonts from the 1920s and 30s which evoked the look of Middle-Eastern calligraphy. The synthesis is a font with style, strength and regularity. It's an excellent counterpoint to our Caliph font.

The Bull Stand Victorian typeface is characterized by its intricate detailing, ornate serifs, and elaborate curves. The letters are designed with a fine balance between boldness and delicacy, capturing the essence of Victorian elegance. The typeface showcases the artistic craftsmanship of the time, reflecting the meticulous attention paid to typographic design.

Meet our newest product, we call this product Vlavour font. Vlavour font are cute typeface font Whit a uniqe touch and assertive Vlavour font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - multilingual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

Daisy Girl is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs! Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Edigna is a clean, rounded sans-serif with a tall x-height. It contains five different weights and a matching inline style. The font family supports a variety of languages, including Western, Southern, Northern and Central European as well as Eastern European. It's good for headlines, posters, brands, and magazines.

Looking for a fun new font? Look no further I have just what you've been waiting for. This new novelty font that I call Chinte is a bold fullcase font. This font comes with multiple languages and symbols. And had multiple uses: Branding, Logos, and many more of your projects.

The book Modern Alphabets, published in 1930, called this diamond in the rough from Continental Typefounders Nova Bold. Well, it’s neither new nor modern anymore, but it’s a warm, friendly face that’s sure to please. Both versions of this font contain complete Latin 1252 and Central European 1250 character sets.

Vanny Orewa is a cool display font with 900 glyphs in it, consisting of a modern and unique style with elegant alternates and leagues. Fall in love with its incredibly versatile style and use it to create beautiful wedding invitations, beautiful stationary art, eye-catching social media posts, and more

Monk Bones is a decorative font with a graffiti style and bubble looks there are bones hollow in the characters. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

HT Mason is bold and hand painting font. This font is retrospective and decent, but it is also funny and cute. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Originally, this 1870s wood type font was called Armenian. We came across a showing of alphabet at the South Street Seaport in New York, bought it and immediately drew the additional characters needed to make the font. We used it for some circus program work that was part of our livelihood.

French Antique was first shown in the specimen books of William H. Page & Company in 1869. The font is extremely tall and thin, with serifs taller than many character's widths. Lines are straight and clean with no fuss. French Antique can fit a lot of headline into a small space.

Vandals Puppies is a spectacular decorative font with a graffiti style and included some swash for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Meet our newest product, we call this product Shentholla font. Shentholla font are sans serif typeface font Whit a uniqe touch and assertive. Shentholla font is very nice to use on: fashion magazine, logos, ,and photography, landing page, fliyer, What’s includes - mutilngual support - alternate - ligature Thank you, salutations Ali Sifak Muftari

I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I've finally reached the point where I can actually claim them as “obsessions” without getting a dramatic reaction from the little voice in the back of my head. When you spend so much time researching and studying a subject, you become very focused, directionally and objectively. But of course some of the research material you run into turns out to be tangential to whatever your focus happens to be at the time, so you absorb what you can from it, then shelf it — like the celebrity bobblehead that amused you for a while, but is now an almost invisible ornament eating dust and feathers somewhere in your environment. And just like the bobblehead may fall off the shelf one day to remind you of its existence, some of my lettering research material unveiled itself in my head one day for no particular reason. Hand lettering is now mostly perceived as an American art. Someone with my historical knowledge about lettering may be snooty enough to go as far as pointing out the British origins of almost everything American, including lettering — but for the most part, the contemporary perspective associates great lettering with America. The same perspective also associates blackletter, gothics and sans serifs with Germany. So you can imagine my simultaneous surprise and impatience when, in my research for one of my American lettering-based fonts, I ran into a German lettering book from 1953, by an artist called Bentele. It was no use for me because it didn't propel my focus at that particular time, but a few months ago I was marveling at what we take for granted — the sky is blue, blackletter is German, lettering is American — and found myself flipping through the pages of that book again. The lettering in that book is upbeat and casual sign making stuff, but it has a slightly strange and youthful experimentation at its heart. I suppose I find it strange because it deviates a lot from the American stuff I'm used to working with for so long now. To make a long story short, what’s inside that German book served as the semilla, which is Spanish for seed, for the typeface you see all over these pages. With Semilla, my normal routine went out the window. My life for a while was all Bezier all the time. No special analog or digital brushes or pens were used in drawing these forms. They're the product of a true Bezier process, all starting with a point creating a curve to another point, which draws a curve to another point, and so on. It’s a very time-consuming process, but at the end I am satisfied that it can get to pretty much the same results easier and more traditional methods accomplish. And as usual with my fonts, the OpenType is plenty and a lot of fun. Experimenting with substitution and automation is still a great pleasure for me. It is the OpenType that always saves me from the seemingly endless work hours every type designer must inevitably have to face at one point in his career. The artful photos used in this booklet are by French photographer and designer Stéphane Giner. He is very deserving of your patronage, so please keep an eye out for his marvelous work. I hope you like Semilla and enjoy using it. I have a feeling that it marks a transition to a more curious and flexible period in my career, but only time will tell.

“Nasser” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights. My father’s name is “Nasser”. Consequently, “Nasser” Typeface was designed for eternizing the memory of my late father. He was the person who taught me how to like arts, literature, and languages. Besides, my first cute child is named also “Nasser.” The main characteristic of “Nasser” Typeface is in its modern non-descender style for some of its Arabic characters such as “Sad”, “Seen”, “Sheen”, “Qaf” and others. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape. “Nasser” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

A Flare Serif Family to Rule Them All The Husk Family began as a digitization of a film typeface called Maile by LetterGraphics. From there, it has evolved to a much more robust character set than its original reference. With multiple numerals sets, creative discretionary ligatures, as well as Swash Capitals and a few final forms, this gladiator of the type arena cuts through to let your designs shine. See the 5th graphic for a comprehensive character map preview. The Husk Family is loaded with features to give you plenty of customisation options: - Regular, Chiseled, and Inline styles that can be used alone or chromatically layered - A mix of specialized Capital letterforms for Caps & Lowercase standard - A Swash feature for Swash Capitals as E & R final forms. - Stylistic Alternates feature for Lining Numerals, an alternate & and M. - Discretionary Ligatures for a collection of unique ligature arrangements. - A Full set of Inferiors and Superiors for Limitless Fractions - An Oldstyle (default), Tabular, Proportional, and Lining figure sets Approx. 482 Character Glyph Set per font: The Husk Family comes with a glyphset that includes standard & punctuation, international language support, discretionary ligatures, alternate numeral styles, subscript and superscript.

Thomas Jefferys (ca. 1710–1771) was the best-known map maker in 18th-century England, chiefly because he won (and hyped) the title “Geographer to King George III.” Jefferys was really more an engraver/publisher than a geographer, since he mostly relied on the cartographic materials of others. Still, his maps of the North American colonies were well known. Geographica is a legible, four-style serif family modeled after the neat hand-lettered place names and peripheral text on Jefferys’s maps. With its long serifs, tall x-height, and robust curves, Geographica somehow combines classic elegance with a whiff of coastline and sea. The italic styles have the slant and warmth of the hand-drawn source materials. And the typeface comes with a slew of distinctive map-based ornaments—including compass wheels and sailing ships. This evocative serif works well in both display situations and long blocks of text, whether on paper or screen. OpenType features include small capitals, numerous ligatures, and two stylistic sets of titling caps. Geographica offers full support for Central and Eastern European languages—more than 1,200 glyphs in all.