Derived from Valibuk, Britva is designed like from broken glass for eye-catching headlines. It's a heavy, condensed face with a high x-height and tight spacing. While Valibuk can write it loud, Britva literally shouts it out even louder. The unbroken glyphs are accessible through OpenType contextual alternates.

PL Benguiat Frisky is a script face designed by Ed Benguiat in 1960. It has an irregular x-height adding to its informal appeal. The PL Benguiat Frisky font is useful for books and posters and invitations for fun or informal events and also works well for packaging.

In his book of Showcard Alphabets, Dan X. Solo called this one Funhouse, and we couldn't agree more. Wild, wacky and slightly tacky, but suitable for the whole family. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Wilder is a condensed handwritten sans serif with both uppercase and lowercase characters. It has a generous x-height with big elongated counters and low set bars which gives Wilder a unique look. Great for packaging, print, and display use. You can also use it in shorter paragraph texts.

Helion is a font designed by Ethan Dunham that has a sleek sci-fi feel to it. While it appears to be monocase, many of the lower case letters are different, though the x-height equals the cap height. You can use this to add variation to your headlines.

This font looks forward to the humanist venetian oldstyle flavor. With high contrast and nice modulation, it has low x height wich is ideal for reading and to design books or long texts. Vecchia has a calligraphic basis and counts with small caps, ligatures and open face titling capitals.

Are you ready to transform your projects into visual masterpieces? Say hello to Beldaron, the experimental serif font that draws its inspiration from the dynamic world of modern music visuals and album design. It's your key to unlocking creativity like never before! Beldaron captures the essence of avant-garde music visuals and modern album aesthetics, infusing your designs with a futuristic aura. Watch your projects evolve into visually stunning, captivating masterpieces! Enhanced with a plethora of exquisite Ligatures and captivating Stylistic Alternates, this exquisite font is meticulously crafted to elevate your design journey to unparalleled heights. Just as music evolves, Beldaron seamlessly adapts to your design needs. From posters to websites and branding, it's your dynamic partner, harmonizing effortlessly with your creative vision. Break free from the ordinary and unleash your brand's uniqueness with this cutting-edge typeface. Whether you're a graphic designer, artist, or a creative visionary, Beldaron will ignite your imagination and empower you to bring your vision to life with the aesthetics of futuristic music visuals and modern album design. Beldaron - Where Design Meets Visual Symphony!

Introduced by Timurtype Studio! Calista Brighton is a Handwritten Script Font This font depicts a journey of typography where the art of handwriting transcends the ordinary, revealing the captivating dance of ink on paper. This beautiful font, decorated with stylish alternate ligatures, weaves a narrative of elegance and sophistication. Every stroke is a stroke of creativity, proof of the perfect blend of tradition and modernity. As your eyes trace its curves and turns, you are transported to a world where each character is a work of art, an embodiment of meticulous craftsmanship. The interplay of alternating styles provides a rhythmic rhythm, inviting the eye to linger on the page, enjoying the visual symphony of each letter. It's not just a font; it is a visual poem that whispers tales of timeless charm and unparalleled elegance, leaving an indelible mark on the design canvas." Calista Brighton Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

ZT Mota is a bold and elegant typeface. It has a temperamental character but is more flexible towards various stylistic designs, reflecting more in its graphics the transitional stage between classical serifs of varying proportions, leaning towards the stylized types of Roman culture. All the ZT Mota styles are based on the same core but with a completely different expression which is to have an extra large x-height and bold so that the font looks bold as if the writing on the font was actually carved out of stone, perfect for an efficient choice for use of distinguishable displays such as headlines, packaging, magazines, posters, and advertisements, among others. I hope you have fun using ZT Mota Thanks for using this font ~ Khaiuns X zelowtype

Linotype Gotharda is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This display font started as an experiment of the Croatian-German designer Milo Dominik Ivir. He wanted to design a font with characteristics of both sans serif and Gothic faces. From the Gothic he took the heavy strokes, the narrow letters, the exaggerated overmatter and the high x-height. The modern standard forms of the letters s, a, x and z, the clear capitals and the lack of serifs are the characteristics taken from sans serif faces. The result is a font with a constructed, old German feel. Linotype Gotharda is intended exclusivley for headlines in large point sizes.

»Supra« – designed by Gert Wiescher in 2012/13 – is a new sans typeface family of eight weights with matching italics. Supra is influenced by current and past sans typefaces, but has a completely new look. The pleasant flow and warm touch combined with great legibility makes Supra unique. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family for professional typography with an extended character set of over 700 glyphs. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and smallcaps can be found in all cuts.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Font with more than 400 glyphs. This font can be used for the most comman languages and can als used for the basic calculus. Some glyphs for the fractions (and special rootfunction) there are used special characters (which be can used with the key code f0000 till f00014 (and Alt + X))

Frenzy evolved from a logo for a Gen X product offered by a very staid company. It is a sythesis of Classic Roman Capitals and American Typewriter—with a bit of frenetic energy stirred in. It is dedicated to the designers son, who is the epitome of the font... contained chaos.

ITC Giovanni is the work of the californian type designer Robert Slimbach, whose goal was to create a face of classic old style proportions that was nevertheless thoroughly contemporary. ITC Giovanni was given a modern feel with slightly shortened ascenders and descenders, a slightly larger x-height and optically lighter capitals.

Corpo Sans is REFRESHED version of my old font Korpo Sans. Corpo Sans is a sans type family with a friendly feel. This type contains 12 variants with 6 weights.The high contrast and high x height is perfect for headlines and display uses. Corpo Sans is great complement for Corpo Serif.

Joe Kubert's son Adam has a story or two to tell as well; the AdamKubert font, based on Adam's own pen lettering in BATMAN/PREDATOR, was created by Comicraft for Marvel's ULTIMATE X-MEN series. Comicraft fonts are created BY comic book letterers FOR lettering comic books. Accept no substitutes!

Zona Black is a geometric sans–serif display black typeface. It was inspired by typography from 1920's posters featuring clean lines and some quite distinct glyphs such as the uppercase B and the H. Despite being black it's tall x–height makes Zona quite legible even in smaller sizes.

Engram (2015-2020) designed by Mateusz Machalski is a classical sans geometric family. This typeface is characterised by a lot of details, which gives it a friendly character. Scalable x height, rounded corners makes Engram good choice for many purposes. All family consist 22 styles with italics from Hairline to Black.

RBNo3.1 is a sans serif typeface with a technical and geometric appearance. The family includes 9 weights with matching italics. Its large x-height makes it especially legible at small point sizes. RBNo3.1 feels comfortable in technical surroundings with short text passages, in brochures, catalogs, magazines, posters, websites, headlines or logos.

This 1935 design from Monotype is an extremely condensed display font that has a slight flavor of nineteenth-century wood type. Runic Condensed font is tall and lean with a huge x-height and hairline serifs. It is an ideal display type for eccentric pieces where space is at a premium.

Eckhardt Fancy JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The design was inspired by a vintage alphabet found within a collection of decorative display alphabets from the type collection of the late Dan X. Solo.

Quitador, designed by German designer Arne Freytag (b. 1967), is a constructed Slab Serif typeface family with a humanistic touch especially the Italics. The typeface family has a high x-height, respectively shorter top and bottom lengths. It is suitable for Reading, Headlines, Poster, Magazines, Advertising, Logos Web and Mobile Devices.

The Placard Condensed font family is based on drawings received from Germany. These narrow, heavy, sans serif typefaces were made for use in headlines and advertising display work. Placard Condensed has a large x-height, short ascenders and descenders and is capable of packing very tightly to produce forceful publicity work.

Edigna is a clean, rounded sans-serif with a tall x-height. It contains five different weights and a matching inline style. The font family supports a variety of languages, including Western, Southern, Northern and Central European as well as Eastern European. It's good for headlines, posters, brands, and magazines.

INFO DUMP: Get jacked into cyberspace direct feed, no buffer with this hotwired font by John 'Son of a Glitch' Roshell. Initial upload to Ghost Rider 2099 was prematurely aborted, but not before the downramp pusbag Ozymandias pirated a jagged beta version and assaulted the Uncanny X-Men during 'Onslaught.'

Ballarih is a contemporary humanist typography, including 16 fonts with 08 weights and italics. Characterized by a prominent x-height and excellent readability for both web and print. Ballarih contains 820 glyphs including tabular figures, ligatures, fractions, small caps, alternate glyphs,case-sensitive forms, superscripts, subscripts and extensive language support.

Ahimsa is a dynamic humanist sans serif family. It comes in 6 weights with matching italics. It contains a lot of contrast in the connection to the stems in order to give it a more dynamic feel, and also has low descenders and a large x-height and great legibility.

Sendit Safely JNL is a collection of twenty-five universal shipping symbols for labels that ensure the proper handling of packages in transit. There are two variations of each symbol and blank label frame. Also included is a circle with a slash and an "X" for labels indicating “don’t” or “no”.

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

In his book Brushstroke and Free-Style Alphabets, Dan X. Solo called this typeface "Tamarind Script" but, whatever its name, this sparkly little gem will add rollicking retro charm to any project it graces. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.

Witchcraft is a classic Roman font in three weights and corresponding italics. The ‘v’,’w’,and ‘y’, use the old style join at the top reminiscent of Georg Belwe’s Roman design “Belwe”. The large x-height makes for a powerful headline font but excellent for text setting especially in the lighter weights.

Alpha is a modern Sans Serif design, very elegant and readable but still also economic. Alpha is offered in regular, bold and italic, with the bold italic still in the works. Alpha is strikingly clear and without any flourishes. Its pretty large x-height guarantees excellent readability, and the design is easily recognized.

Embossanova was initially sketched to be a monospaced typeface but quickly took on a life of its own. It developed serifs and numerous arcs and stroke weights. I wanted it to retain a pre computer/unmathematical feel so there is a slight variation on curved characters and their relationship to the X height.

Rambla is a humanist sans for medium-long texts. It’s slightly condensed, with a generous x-height and short ascender/descenders. Its proportions have as objective to gain space in height and width. It’s elegant at large sizes and legible at the same time, with a lot of rhythm in small sizes.

In his book Showcard Alphabets, Dan X. Solo called this little gem "Whitestone Scrawl". This version is beefed up slightly and the letter proportions have been altered somewhat, but it's still LOADS of fun. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Setter is a type family that stands between geometric and humanist styles. Its unique features and large x-height gives it a modern look. Good for small text blocks, headlines and logos. Vast latin character set: Central, Southeastern and Western Europe. Vietnamese, Pinyin and Pan African Latin. Math and Currency. Enjoy it!