Childos is a handwritten font in rounded, rough sans serifs style, as well as the development of free and attractive ligature to fill the space between letters and make playful children feel designs.

The free-form geometric shapes of the lettering on a vintage piece of sheet music entitled "Four Pictures" is the basis for Park Slope JNL, named for a neighborhood in Brooklyn, New York.

Subeve was first made for a young fashion designer in Montreal. We used the silhouettes of her models to create nice icons for her website. Feel free to play with these nice women !

Quotes and Texts is a sweet handwritten uppercase font designed to look clear and chic in small formats like texts, quotes, and social media posts. Includes: Uppercase and lowercase caps characters, numbers and punctuation Supports Language

Based on a written pen-form of 'runes' (translation of Elvish Certar and Cirth), it was used by Dwarves to write their own secret tongue. NOTE: this font comes with an interpretation guide in pdf format.

NEW UPDATED! OKTOBER 16, 2023 (Guthen Bloots Monoline) Presenting Guthen Bloots! A Smooth Marker Font with stylish alternates. This font is made with the perfect combination of each character. Mix and match to get a unique combination of letters. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing connections. This font can be used at any time and in any project. So, Guthen Bloots can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Guthen Bloots multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and more. Check Other Fonts: Greatest Richmond - an authentic brush font with 3 alternates and 36 swashes Blastone - a brush font with 2 versions, alternates, and extra Ever Looser - a wild brush font with a distinct texture Alingtone Font Duo - a display font with 2 versions, alternates, and extra Bones Stone - a bold script font with more than 9 alternates and extra Journey Signature - an authentic script font crafted carefully Stylish Classy - a fashionable handwritten script font Authentic Photography - a stunning handwritten font WHAT'S INCLUDED? 1. Guthen Bloots Basic • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). 2. Guthen Bloots Alt1 • The second version comes with Uppercase and Lowercase. 3. Guthen Bloots Alt2 • The third version comes with Uppercase and Lowercase. 4. Guthen Bloots Slant • The Italic version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). Also Included All Alternates. 5. Guthen Bloots Swash • This version comes with 52 underline swashes. Just type A-Z and a-z to feature all. 6. Guthen Bloots Monoline • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Huge Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, Azeri, Croatian, Czech, Esperanto, Filipino, West Frisian, Hungaria, Irish, Latvian, Lithuanian, Polish, Romanian, Serbian, Bosnian, Slovak, Slovenian, Turkish, Dutch (Netherlands), Estonian, Finnish (Suomi), Francais, Bokmal (Norsk), Welsh (Cymraeg), Somalia, Belarusian (Latin), Moldovan, and Many More). Enjoy the Font! Azetype Studio www.azetypestudios.com

Linotype Creative Arrows was designed by Robert Bucan in 1998 and consists mainly of directional symbols. Arrows and symbols in many different variations can also be built together, creating unique combinations for a variety of applications.

Ginsburg it's a modern display all-caps font-family based on geometric forms and abstract wavy lines with an old school constructivism look. Inspired by Moses Ginsburg architecture projects. Playful, modern, suitable for many typography projects as headers, logos, block texts, etc. You may be more strict in your typography or you may be more groovy or playful with alternates characters. Use this family in vintage spirit for TV series, Podcasts titles, exhibition posters or design a modern extreme sport brochure, . Flexible, Catchy and Brazen — it's all about Ginsburg! Six widths: Thin / Light / Normal / Medium / Semi Bold / Bold. Opentype Features as Stylistic alternates, Oldstyle figures / Fractions. Multilingual

Appetite Pro Rounded is an extension of the world wide popular display fonts Appetite Pro (2016) and Appetite Rounded (2011). Appetite Pro Rounded consists of 10 weights — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international rounded font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro Rounded font family special designed made in addition for Appetite Pro. Due to the 10 weights rounded font and 10 weights normal weights palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.

Claretta is a Family Font full of modern styles. It comes with a completely new set of letters & glyphs, all filled with love. This font has 4 Styles: Normal, Bold, Italic & Outline. However, Claretta offers a futuristic design approach and sharp personality. Created & designed for Design purposes such as Titles, Logos, Games, Applications, Films, Posters, T-shirts, etc. Mac users can use the Letter Book, and Windows users can use Character Maps to view and copy additional characters to be included in your favorite text editor / application. I hope you enjoy this font. If you have questions, don't hesitate to give me a message :) CooldesignLab,

Introducing Perfect Dream – a new serif with all the nostalgic vibes! A classy eighties magazine-inspired serif - with a complementary italic version :) Comes in two normal and condensed versions, mix them together to create an interesting effect. Perfect Dream is a beautiful nostalgic upper and lower case typography that looks amazing in both large and small settings as display and body text. I love combining regular and italics, either all in one word (as in the Missfits sample) or in body text! Don't forget to use all caps as well in your blending and matching - this adds contrast and impact to your type design.

Monterey Pop oozes 1960s freedom and optimism, and is based on Tom Wilkes’s poster lettering for the Monterey International Pop Festival in June 1967, the event which heralded the legendary Summer of Love. The fonts include a newly-designed lowercase and a full complement of Latin Extended-A characters. In addition to the normal font, Outline and Thinline versions with matching spacing and kerning are supplied for use separately or overlapped with the regular font for bicolor effects. The Outline font is best for darker lines, and the Thinline font is designed for white and tinted outlines which can tend to halo and appear slightly bolder.

BOnuts is a modern rounded sans built in 8 styles and crafted for you by BOtype. It's clean and minimal and modern rounded design gives you a wide array of uses such as branding, editorial & print, and also makes it perfect for UI & digital applications. We designed Bonuts to have the most legibility to give you a very versatile font family you use for any use you want. It includes Alternate Characters, Ligatures, Tabular Figures, Fractions, Numerators, Denominators, Superiors and Inferiors. It supports Central and Eastern European languages, basic Cyrillic and Greek. The type family consists of 8 weights (Thin, Light, Normal, Regular, Medium, Bold, Black and Heavy).

German type designer Erik Spiekermann and American type designers Christian Schwartz and Josh Darden created this display and sans FontFont in 2005. The family has 12 weights, ranging from Light to Black in Compressed, Condensed, and Normal and is ideally suited for book text, editorial and publishing as well as poster and billboards. FF Meta Headline provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Serif.

Amnestia is a vintage serif typeface with a modern-classic feel. Inspired by vintage signage and minimalist serif style, this All-Caps font comes with 100+ alternates that gives you more options to get many variations in your designs. Amnestia has a medium height that looks perfect for display or sub-text. Amnestia available in 2 styles, distressed and normal, and is a great choice to be used in logos, insignia, apparel, labels, packaging, posters and more. Amnestia has a stylistic set 01 - 10 as the alternates of the letterforms. Some alternates have swashes and tails that you can explore to get more possibilities to create different typographic looks.

This is my first fontrelease in 2021, and it's one of those "things will get better soon" kinda fonts (Here I am thinking about 2020, which was a year I am glad we just left!) Anyway, the first thing I ate in 2021 (not counting the "kransekage" after midnight) was a delicious and lovely tuna sandwich - or as I called it: Party Toast! Heh-heh! :) Well, it is a playful font with it's jumpy and slightly quirky letters. I've added 5 different versions of each letter and they automatically cycles as you type. I cross my fingers for a 2021 where everything gets back to normal!

Glad to introducing you Hickory Dickory - a stylish serif with an eighties mood. I really love this old advertising from those magazines. It was a new era of minimalism in photography and typographic design. The playful, stylish and modern. This font will fit perfectly not only this type of design - you may use the alternates characters and get a really playful typography at your project. Hickory Dickory has a lot of alternates, some letters have them up to 17. More than 620 glyphs total! Also, there is a true italic for perfect pairing. Normal & True Italic A lot of stylistic alternates 620+ Glyphs total Decimal and fraction figures

Stripes is a caps only font and does not contain additional ligatures, because there is an easy way to create as many of them as you like. To form a ligature, convert your word or word string into vectors. Activate the corner points of the straight lines (not the round ones) of a letter and drag them over the next or the previous letter. This way you can create any ligature of your own. Beware of overkilling, it could decrease the legibility of your text. Besides the normal J, Stripes contains a stylistic alternate which should be used to avoid ugly gaps between critical letter pairs (see pdf document).

"It's all about Soul!" – Strong, decided and edgy. The Americane super family is inspired by the old wood type specimen books. Delivering some glorious vibes of the handcrafted values from the pioneers AND keeping one eye on todays demands and technology, Americane is made for high professional use. Americane & Americane Condensed is a super family of 24 fonts in total – a normal and a condensed width in six weights with matching italics. Made for complex, professional typography, the OpenType fonts feature five variations of numerals, alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Normally, a short paragraph or two on this page tells the backstory to a font design. In this particular case, that story has been lost to time. Whatever the original source – whether a vintage bit of typography or an original idea – the beginnings of this font lay unfinished for quite a while as it was perceived to duplicate another previous release. However, after recently checking a sample of the design against other Jeff Levine Fonts, it’s reasonably certain this type face may have similar characteristics, but can stand on its own merit. That said, Clean Deco JNL is available in both regular and oblique versions.

The New Lanzelott is a brand new Version of an old Font of me called Lanzelott. The new Version get more curves and round Glyphes, it get more Soul. The Serif - Versions are shorter but more exactly. Every Font comes with many Open-type-features and Handmade Kerning. I like the old Version but this much better, much beautyfuller. All Fonts come with the German new big sharp S and a smaler sharp S and the normal sharp S. I you Write SS and want the big sharp S, you have only to make it with the Ligatur-Feature I hope you ll like it...

Abigral is a minimalist sans serif font, created with geometric shapes and fancy double-strokes letterforms. Abigral is designed in normal letterspacing that looks versatile to be used as a display, logotype, or body-text. This font is compliment with the beauty alternates characters and stylish ligatures that make your design more conceptual. This font is flexible for many styles of graphic design. You can use Abigral for minimalist themes, feminine, masculine, or luxurious. Perfect for logo, headline, magazine, body text, quotes, and more. Here's what you'll get : Uppercase Lowercase Numbers & punctuation Accented characters Stylistic set 01-04 Ligatures Thank you for your support and happy designing!

Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder and simulates in the most realistic way three-dimensional metallic lettering. There are some alternate characters placed at lowercase positions as well as a few stylistic alternates which are accessed through the OpenType features. Pay attention to letters like Greek Omega (lowercase position) and Greek Xi (lowercase position) as well as B, R, K (lowercase position). Monumenta Pro was recently upgraded to support Latin, Greek and Cyrillic.

Rimbomba is a freehand style font with long ascenders and descenders and a steep slant making it elegant yet casual. It is inspired by writing letters by hand, as it was done before, with strokes that in the normal style imitate the tip of a pen and in the medium and bold styles they imitate a round pen stroke. It is a font with strength in its movements and finesse in its curves, which creates a homogeneous set that is easy to read and which produces a certain reading speed. It is complemented with stylistic alternatives for the beginning and the end of the words.

NorB TypeWriter is my emulation of the IBM Selectric 'Light Italic' ball witch was used by my grand-brother for his correspondance during the 70’s and 80’s. It's however a slanted mono-spaced looking typewriter font. You may want to use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB TypeWriter features 677 glyphs, OpenType features and comes in 8 weights each with their matching italics and in a Thin, Light, Normal and Bold version.

“It’s all about Soul!” – Strong, decided and edgy. The Americane super family is inspired by the old wood type specimen books. Delivering some glorious vibes of the handcrafted values from the pioneers AND keeping one eye on todays demands and technology, Americane is made for high professional use. Americane Condensed & Americane is a super family of 24 fonts in total – a normal and a condensed width in six weights with matching italics. Made for complex, professional typography, the OpenType fonts feature five variations of numerals, alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Laire sans that we created at the end of 2021, we made visual communication more Friendly, bold with a geometric touch in our sans category called Laire, has a good level of legibility when applied as body text because we really consider the optical in each letter. Laire Sans has 40 Styles of Normal, Condensed, Oblique fonts with Weight from thin to extra Black, has a total of 693 glyps, Cyrillic is also available to meet the needs of several languages. Designed with Opentype features to help make using fonts easier We also include variable fonts to make it easier for users to set their own according to their desired needs

Aztek emerged as a custom face for an ethno-music festival, and gradually developed a more robust, geometric base. The original ethno roots can still be seen in some of the alternative caps, and the ease with which Aztek forms decorative elements and borders. There is also an alternative “Tall Caps” set, that goes alongside normal uppercase characters as if they were Small Caps. The font features Latin (extended to support German and Polish) and Сyrillic character sets. Though Aztek is an accidental face designed primarily for display work, it holds well at smaller sizes and can endure high ink gain printing found in letterpress and silk-screen processes.

Slovak type designer Peter Biľak created this sans FontFont between 2000 and 2001. The family has 20 weights, ranging from Light to Black in Condensed and Normal (including italics) and is ideally suited for book text and editorial and publishing. FF Eureka Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Eureka super family, which also includes FF Eureka and FF Eureka Mono.

Erghon is a handwritten font with quick dry strokes and a signature style. It's perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. Erghon has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'Erghon Swash' , ‘Erghon' or ‘Erghon’ in your text-tool. Erghon includes 2 Font files: 1. Erghon Regular - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Erghon Swash - A set of 26 hand-drawn swashes, with cool touch to underline your text set in Erghon.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf

With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

Decorative symbols designed by Linotype Design Studio

Missale Lunea is a calligraphic uncial typeface with a female note. The font offers lots of stylistic alternates, signs, zodiacs & symbols. OpenType features: stylistic alternates signs, zodiac & symbols, proportional, medieval numerals, Roman numerals numerators, denominators and fractions

Corvus is a display serif font family, stylized with elegant soft turns that soften the sharp ends. Due to its structure, this font can meet your needs in all your modern or classic creative projects. Corvus is ideal for creating your creative projects on similar subjects with its gloomy and Modern Gothic stance. Absolutely perfect for titles, magazines, books, invitations, logos, packaging design, branding and more! Character Ranges: Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letter like Symbols,Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms Uppercase typeface Lowercase typeface Numbers Symbols Multilingual With this font you can create your unique designs. If you have a question, please contact me. Have a good time.