Get to know Norman, elegant and fashion forward. This new condensed and high contrast serif font is based on expansion giving a sense of self confidence. The oblique ax was specially added to get a contemporary and innovative sense. Norman is young and idealist, he has a distinctive sense of style. A complete set of ligatures and stylistic alternates is included, this will help the designer to customize and give a special look to any layout. We recommend to use it for big title, magazine, editorial purposes and display. Norman Family contains 2 styles, Regular and Italic, both fonts have another version a bit heavier called Regular 2 and Italic 2.

Symbolum Croatian heritage awakened. Symbolum is the first ever contemporary interpretation of Glagolitic script. This rediscovered Croatian gemstone gleams again with its unique and glorious letter shapes that give this typeface an exceptional value and meaning. The letters of this contemporary slab serif are inspired with Glagolitic script, but it is not the revival. Some letters originally don’t exist, but are invented, so the font can cover the central European character set. It is suitable for branding, game design, art and conceptual projects, but also for longer texts and more complex designs. The italics are designed at an 10° angle.

Symbojet is the first professionally designed font equally covering alphabetic and pictographic characters on a large-scale scheme. It’s typographically based on Andreas Stötzner’s recent “Lapidaria” design and uses brandnew standard Unicode-6.0 codepoints for about 340 symbol characters. Use Symbojet for combined text/signage composing to design wayfinding, tourism and leisure, sports and transport matters, for media and communication, for birthday invitations or bistro menu cards … With Symbojet the combined usage of text and signage becomes as easy and elegant as it has never been before. Symbojet is available in a Regular and a Bold version. Both fonts contain about 340 alphabetic (full Latin and Greek) and 400 pictographic characters; in total they count about 1000 glyphs each. The pictographic content is the same in both fonts.

Norma was my second sans serif. You can find a few details in common with Dialog, but the graphic impression of Norma is totally different.Every typeface has some characters that are the favourites. In Norma I simply love the lowercase roman a. Don't you, too, think that it is perfection itself? Norma was released in 1994.

»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight normal weights with corresponding oblique cuts and it comes in a rounded version and corresponding obliques as well. Enjoy this original font, it is a real work horse!

Sagata Normal Font Duo, perfect for product packaging, branding project, magazine, social media, and much more. Explore the best your side. FEATURES Sans Serif & Script Ligatures Uppercase and Lowercase letters Numbering and Punctuations Also Multilingual Support

Fabrikat Normal is a geometric typeface which is based on 20th century German engineers’ typefaces. It is optimised for small sizes and long texts, but due to its constructed architecture it also works in headlines or display use. You can combine Fabrikat Normal with the more straight and space saving Fabrikat Kompakt or the reduced to the max Fabrikat Mono.

CA Normal is a typeface aiming for beauty without ostensible effects, merely relying on clarity and well balanced proportions. True beauty is not to be found in perfect geometry, so slight irregularities and inconsequences are spread throughout the typographic image. That’s perfection through imperfection. CA Normal merges influences from European grotesques and American gothics, breeding an experimental mongrel. The underlying concept stays in the background, giving the design a great self-evidence. Although it is doubtful if there can be such thing as neutrality, CA Normal comes pretty close to what people mean when speaking of a neutral font. Nevertheless it’s not faceless, anonymous or confound able. It’s just that the charm comes from subtle details rather than obvious design features. As good text typefaces must not be too smooth nor too agitated, CA Normal is smuggling little uneven details into the typographic image, that keep the readers eye awake. The well crafted oblique follows the grotesque tradition which knows no individually drawn italics. A rather unexpected addition is the reverse oblique, a style mainly used for maps. Under the classic surface lies a modern well equipped font, featuring small caps, a Central European character set and numerals in all kinds of flavors. Numerous ligatures round up the overall impression. By default CA Normal will set numbers as proportional lining figures. But if you prefer oldstyle figures, or tabular figures, just use the OpenType functions of your layout program. These allow access to the small caps as well, which feature a complete central European character set, brackets, punctuation and lining figures in small caps height.

The Symbol PS font contains Times New Roman Greek capitals and lowercase, figures and basic punctuation together with a collection of mathematical signs and general purpose Pi characters. Use the Symbol PS font for setting mathematical and scientific work and as a complement to the symbols found in standard fonts.

Cormac is a humanist typeface characterized with it's large x-height and slightly flared stems. The word that best describes our ideas in the beginning of the project is "simple" - the idea behind it was to strip the letter forms of everything unnecessary, and yet keep the typeface interesting. The typeface is friendly without being too cheezy thanks to its humanistic character, flared ascenders and stems reminding of its calligraphic origin. The proportions are closer to the traditional old style typefaces. Cormac is open and readable typeface coming in 7 weights plus their matching 'true' italics - from Extra Thin to Bold. The family comes with Cyrillic support, great range of numerals, fractions, ligatures, alternates and a lot of special characters making Cormac a great solution for greate range of design work - branding, editorial, web, wayfinding, etc.

Norway Is Authentic Display Font Inspired By Classic Characters. SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Introducing NORWALK - Modern Serif Font. Our latest digital modern serif font - a sleek and sophisticated typeface perfect for any creative project. With clean lines and elegant curves, this font is sure to make your designs stand out. Get your hands on it today and elevate your designs to the next level! Ready to take your design game to the next level? Whether you're creating a logo, website, or printed materials, this font is the perfect choice for adding a touch of class and sophistication.

Mortale is a display font a typeface which is inspired by vintage lettering. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. Features : Uppercase & lowercase Numbers and punctuation Alternate & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.