More than a century ago, Frank H. Atkinson presented this hand lettered style as Broken Poster. It was one of a hundred styles he demonstrated in his manual on sign painting. Even before his book was published (and certainly after), Broken Poster was a favorite with sign painters and letterers. It has graced show cards and movie posters, signs and windows displays, and advertisements of all varieties. We presented the our first digital revival of this classic in 2000. It is long overdue for an upgrade. Broken Gothic expands the basic Broken Poster to four weights, two specialty formats and some cool layed effects. The language base includes Greek, Cyrillic, Latin A, and some of Latin B and Latin Extended. There are also some nice alternates and ligatures. All weights are quite suited to posters, headlines, display copy, web headers, etc. At first glance, Broken Gothic may seem to have limited uses. Give it a chance and it will surprise you. Broken shouts out that there is a sale, a giant monster or the end of the world. Broken Gothic is comfortable in a wide range of themes and applications from zombie movie titles to salsa jar labels. While I can't recommend it for text, Broken is great for headers, banners, signs, titles, product presentation and other display applications. When you need a rough customer, Broken Gothic fills the bill.

Good, faithful Achates… Named after the trusty Trojan that followed Aeneas throughout his adventures, Achates is a humanist sans workhorse well suitable for broad range of design projects. Its soft, delicate and almost cursive shapes define warm and friendly typeface that is legible and easy on the reader's eye. Following into the footsteps of its namesake, it is humble, informal yet stable and trustworthy. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text and signage as well as web and screen design. Achates provides a broad range of advanced typographical features such as language localization, alternates, stylistic alternates, extended ligatures, fractions and case-sensitive forms. It comes with a complete figure range set of old-style, lining and tabular figures. The family has extensive multilingual support, covering more than 70 Latin-based languages and specially designed Cyrillic with Bulgarian and Russian localization. As Achates was a humble hero, a devoted friend and faithful companion to Aeneas on his journey to greatness, so this font can be your trusty sidekick on your creative path. The marvelous Agate is also named after the Trojan hero. It is considered as the stone to call on for support when you need stability and grounding in your life. Along with its supportive energy, the Agate stone has been long admired for its incredible beauty. So… a Trojan hero or a thing of beauty – it is up for you to decide… or just maybe both!

Beanstalk is a cute, cuddly, handwritten typeface. Its casual appearance is charming and easy to read. Beanstalk has an expanded character set including European letters and symbols!

Invader is a display font designed specifically for display, headline, logotype and similar applications. It is not intended for text use or for use at small sizes.

Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.

A random scan from a late nineteenth-century German type specimen book, encountered on the internet, provided the pattern for this surprisingly contemporary face. Although all of the characters are parallel to the baseline, the unusual dimensional treatment tends to give the impression that they slant upward to the right. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Viktorie might easily be mistaken for the handwriting of a note-taker in a hurry: it looks swiftly jotted down. These energetic characters pay little heed to such arbitrary contraints as baseline or x-height -- taken together, they give the effect of casual penmanship that's both curiously legible and inspiringly unleashed. Viktorie has a single, medium-light weight and comes, of course, with a full character set.

Pulchra is a stylish Brutalist font. The font displays a playfulness personality, vitality, with a strong and elegant appearance. The typeface has the right visual consistency for branding communications. It comes with unique lower and uppercase plus numbers, punctuation & multilingual letters. Its thick curves give the 60s & 70s groovy vibe. What you get: - Letters, numbers, punctuation, multilingual support, alternate and ligature - Light, Regular, Medium, and Bold version.

Meet Salmond, a geometric and modern sans serif font designed with a tight letterspace, exuding a unique, minimalist charm. Consists with six weights, ranging from Light, Regular, News, Medium, Semibold, and Bold, matching with Oblique styles and multilingual support. This font family offers versatility for various design needs, designed especially for display such as titles, branding, logos, books, UI/UX, and impactful editorial work.

Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines. In 2010 it was redesigned for Chile’s bicentenary in Opentype version and an improved italic. It is offered in eight weights: Light, Regular, Bold and Extrabold and small capitals for each one of them.

A handwritten ”font for technicians“ from ca. 1900. Very geometrical, rigid forms borrowed from the typical characteristics of Jugendstil / Art Nouveau. This script is found in an old magazine which was issued sometime in the years shortly before WWI. The original copy, produced by means of a galvanized plate, is just 7 centimeters wide. It served as the model for technical professions in which, at that time, the captions of drawings were still done by hand. ingoFonts has not only digitized this beautiful typeface, we have also extended it to a whole family. In »Maier’s Alte Nr. 8« special attention was given to ensure the ”uneven“ edges, typical of handwritten script, remained effectively noticeable even in the digitized form. As a result, this ”technical“ font retains a handmade touch, while »Maier’s Neue Nr. 8« is the clean version with exact contours. The Art Nouveau forms, which are characteristic for the period of origin around the turn of the century around 1900, look especially pretty. The high degree of abstraction also seems strange in Maier's No. 8, especially when the age of the original is known. It is generally assumed that it was not until the Bauhaus in the late 1920s that such "modern" typefaces were created. Maier's No. 8 is a generation older! So many of today's supposedly "ultramodern" typefaces look quite old in comparison. In addition to the original two weights, Light and Bold, the Maiers Neue Nr. 8 got a regular and a extra-bold weight. Furthermore, the Neue is also available in italics. Although this is only a slanted version, unlike common practice, it is inclined to the left. Maier’s Nr. 8 Pro is suitable for all European languages. It includes ”Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too. The font includes several stylistic alternates as well as a number of ligatures.

Part of the extended Rahere typeface family, Rahere Slab is a humanist slab serif (or Egyptian) in six weights from light to extra bold with corresponding italics. Rahere Slab – like its sibling Rahere Sans – features subtle detailing, giving the typeface a distinctive, warm appearance without distracting the reader. Legible at large and small sizes, Rahere Slab is a versatile, workhorse typeface that is suitable for a wide range of applications such as information signage, packaging, annual reports, advertising, brochures, catalogues, screen text and visual identities. Slab serifs are ideal for projects that need to convey a sense of authority tempered with diplomacy or messages that just need some serious oomph – and Rahere is a great slab for the job. The italic lowercase is more cursive and expressive than the roman and when they’re used together it displays enough character to create emphasis without looking out of place while harmonising admirably. Set on its own (for example, pull-out quotes), the italic exudes a charm that draws attention to the text. The character set covers most European languages plus Vietnamese. Each weight contains lining & non-aligning numerals in both proportional & tabular spacing. The tabular numerals share the same width across all weights and styles (matching Rahere Sans too) – indispensable for financial tables in annual reports. If a companion sans serif is needed, Rahere Sans is the perfect partner. They are both part of the extended Rahere typeface family and have been designed to complement each other beautifully. The typeface is named after Rahere, a 12th-century Anglo-Norman priest, who founded the Priory of the Hospital of St Bartholomew, London in 1123. In 2007 I was successfully treated at Barts for relapsed testicular cancer so I’m indebted to all the doctors, nurses and support staff who work there. A special shout out to Orchid Cancer – a UK charity that helps men affected by cancer – who funded the research for my treatment.

Bubble Guts is a whimsical typeface with four fonts. It is one of the few of its kind that has both uppercase and lowercase options, allowing the user versatility and legibility at the same time. Its four styles, Normal, Italic, Shadow, and Extrude, allow for the user to create a bevy of visual effects. It has a retro feel that makes it great for animations, invites, branding, and social media! What you get Bubble Guts Regular Bubble Guts Italic Bubble Guts Shadow Bubble Guts Extrude This typeface supports 438 characters, and it supports most western languages! Layer these fonts to get all types of cool effects! Extrude is perfect for this; it allows for the user to fit the "Bubble Guts Regular" characters on top and create layers.

Originally released free as Aunchanted, but completely redrawn with gentler curves to give a softer feel to the face. Aunchanted Elite has been expanded and updated in 2022

A super-fun handwritten display font for titles. Intended to be used as all capital letters together, all lowercase together, or a mix for a super playful look.

Display Intense is a display font designed specifically for display, headline, logotype and similar applications. It is not intended for text use or for use at small sizes.

Typeface for posters and signage. An extensive range of opentype features are incorporated:- Small Capitals, Title forms, stylistic alternates, old-style and lining numerals, ‘small capitals’ numerals, ligatures and so forth. A touch of flair an distinction is given to these solid letter forms by the provision of tiny serifs. Why not use Signwriter Standard and make an emphatic statement today!

BookCover is a typeface designed with extreme spot to hit when used in headlines. The contrast of the outer curved shapes with internal rectangular counterforms that bring freshness to the results and a contemporary look. Contains an extensive character map for use in most Latin-based languages. BookCover will help you create eye-catching headlines, posters or book covers to name a few.

Cyntho Next Slab is a totally reworked typeface based on our previous bestseller Cyntho Slab Pro. Cyntho Next Slab is the slab serif companion to Cyntho Next . It is a modern geometric slab serif based on a hybrid waterdrop-like shape with extensive language support including Cyrillic, rich with OpenType features, perfect for magazines, posters, advertising, corporate identity, and much more.

Ziboulateur is French slang for bottle opener. The word consists of two parts: Zibula (a word from Congo-Brazzaville meaning: ‘to decork’) and the French suffix -ateur. I thought this rather creative word would be a good name for this particular font! Ziboulateur is a handmade, all caps display font. It comes with extensive language support, including Sami and Vietnamese.

Komsomol (short for Kommunisticheskii Soyuz Molodyozhi) was the youth division of the Communist Party of the Soviet Union. Komsomol font was modeled on several Soviet propaganda posters which all had one thing in common: a very loud message in a very clear typeface. Komsomol is an all caps typeface which comes with extensive language support in order to educate the masses.

Tilda Script Family is a clean and lining script with regular and non-connect versions in four weights. With this family you can craft solid logotypes with a unique look, set posters and ads, and even run longer lines of copy on packaging. Tilda Script is a versatile family with extensive language support and advanced typographic features including:Ligatures, Stylistic Alternates, Stylistic Sets.

It is known as the Alnaskh Quraan Font for its extensive use in the copying and transmission of books because it helps the writer to write more quickly than any other font since the Islamic times and then Alnaskh Quraan font wrote the "Quran"And the advantages of Alnaskh Quraan font are clarifying the letters and show their beauty and splendor.

This is another grunge style hand drawn font I created with a poster marker. Including all Latin language extensions, Cyrillic and Japanese Hiragana and Katakana. It's an all caps font. I drew a couple versions of each letter then picked one of them for lower and one for uppercase so they can be combined for better flow and more even more natural look.

Fat Kitty Kat is a hand made, rather bouncy and happy font. It was thought up, drawn and vectorized during an unusually long rainy period in a small Porto hotel room. Kitty Kat's glyphs are rather rough, but legible and fun to use. The font comes with extensive language support and a full range of alternates for the lower case letters.

Display Board JNL is based on Futura Display, which was designed in 1932 by Paul Renner as an extension of his original (1927) Futura family of typefaces. According to Wikipedia, the font was developed as a typeface by the Bauer Type Foundry, in competition with Ludwig & Mayer's seminal Erbar typeface of 1926 Display Board JNL is available in both regular and oblique versions.

Martinaz is a retro inspired, bold script typeface created for use in logos, posters or packaging. Through the use of extensive Opentype features, this font offers variable letter combinations that can easily be integrated or mixed. An added feature is the inclusion of a few typographic fleurons that can either be used with the text or as icons in your design.

In their circa 1900 specimen catalog, Barnhard Brothers and Spindler called this typeface "Samoa", suggesting exotic locales. On the other hand, it also suggests some serious fun, and is named in honor of British artist Dudley Hardy, whose posters used a very similar typeface extensively. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Brasileiro, a CastleType Original, is a new art deco design inspired by the seven letters used for the masthead of the Brazilian magazine 'Para Todos' from the 1920s. Described as "great fun" and "nova e exuberante", Brasileiro captures the playful and joyful spirit of Brazil. Contains some alternates in the lowercase position, extensive language support for Latin and Cyrillic languages, and much more.

Holand Century is classified as a contemporary display grotesque font. It features sharp and dynamic strokes, a strong contrast between thick and thin lines, and delicate pointed grotesque elements. Its extensive set of styles, versatile usage, and support for various languages make it a valuable tool for designers looking to create clean, elegant, and visually striking typography for a wide range of applications.

Allorette is a display face inspired by the precepts of the ‘Arts and Crafts’ movement - it is both functional and beautiful, a good clear all capitals face with distinctive design touches, but immediately clear and legible. Especially suitable for poster and signage work. An extensive range of discretionary ligatures are included, readily giving the aspect of carefully thought out hand-drawn lettering.

Resvina is a Serif Display Typeface that seamlessly blends classic elegance with a modern touch. With its sophisticated serifs and high contrast, it commands attention for headlines and titles. What sets Resvina apart is its extensive alternates and ligature options, providing designers with creative freedom and versatility. Ideal for projects that demand refined typography, Resvina adds a timeless charm to any design

Closer Text is a narrower, more compact version of previously released Closer. Closer Text is a highly customizable Swiss grotesque with overclosed aperture. Featuring some humanistic shapes, Closer Text feels less bland though still relatively neutral. Closer Text comes in 9 weights (18 styles altogether), features extensive language support including Cyrillic and is highly customizable with 7 stylistic sets to mix and match.

La Vintage Font is an urban retro font with the style like a logotype lettering. was created to help you designing logotype or lettering style for your Brand or your clients. it has an extensive lingual support, covering European and Asian Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers. Multilingual Support Alternates, Regular Thankyou

This font was called differently when I started out building it, but after a long and insightful conversation with a good friend, I decided to call it Nebulous Promise. Nebulous Promise was made using a broken satay skewer (I like using those!) and Chinese ink. It comes with a full set of alternates for the lower case letters and extensive language support.

Deco Metro is a 1920s and 30s inspired display family, ideal for posters, banners, book covers and other promotional work. Two weights, regular (with an incised centre line) and bold (without the centre line) are offered. The family has an extensive range of features including discretionary ligatures, old-style numerals, Swash Letter and numeral forms, small capitals, Roman numerals and fractions.