Turnkey is a modern grotesque typeface, it could be described as a neo-grotesque with hints of geometric shapes. A workhorse typeface designed to be versatile for both small and large sizes, ink traps have been used as a design feature above 26pt and a technical feature when printing small body text. The combination of 36 weights and styles allows you the freedom to create. Each weight includes extended support for over 90 languages (Including Cyrillic), fractions, tabular figures, arrows, ligatures, alternate glyphs, and more. Demo licenses are available from colttypeco.com In addition to a standard style set, the Turnkey family also has an italic set plus soft versions of both. Turnkey Soft is a slightly rounded version of the standard and italic, which looks more friendly, warm, and soft. It's corporate but with a personality. Current instances are: Turnkey Standard - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic. Turnkey Soft - Thin, Thin Italic, Extra Light, Extra Light Italic, Light, Light Italic, Regular, Regular Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Extra Bold, Extra Bold Italic, Heavy, Heavy Italic When used as body type, Turnkey pairs well with: Take Note, Stroom and Markout. Turnkey is perfect for; headings, titles, body copy, logos, magazines, editorial design, corporate branding, brand identity, websites, blogs, apps, games, ebooks, publications, and signage. Turnkey can be found in the Typodarium 2024 OpenType features: Access All Alternates, Glyph Composition / Decomposition, Discretionary Ligatures, Denominators, Fractions, Kerning, Standard Ligatures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Proportional Figures, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Subscript, Superscript, Tabular Figures. Support for 95 languages: Belarusian, Russian, Ukrainian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu

A practical yet unique display face designed to offer attention-getting headlines and an alternative to the normal wild west faces.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic. Featured in: Best Fonts for PowerPoints

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Octin Sports is a typeface that commands attention and exudes a sense of strength and resilience. The seven available weights—light, book, regular, semi-bold, heavy, and black—provide a range of options for designers looking to add a bold, dynamic element to their work. But make no mistake, this typeface is not just for the sports world. Octin Sports has a versatility that extends beyond the playing field and can lend a rugged, no-nonsense vibe to a variety of themes. Whether you’re designing for a school, construction site, or law enforcement agency, Octin Sports is up to the challenge. The sleek, angular lines of this typeface give it a distinct sporty feel, making it an ideal choice for designs that seek to convey energy and excitement. The bold weight options are particularly striking and provide a strong visual impact that demands attention. Overall, Octin Sports is a solid choice for designers who want to infuse their work with a sense of toughness and vitality. Its versatility and sporty design make it a font that can rise to any challenge, whether it’s on the field or in the boardroom. Check out the rest of the Octin families: Octin College, Octin Prison, Octin Stencil, Octin Vintage & Octin Spraypaint. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Torcao is one of the sporks of the font universe, a useful and functional outlier. Half square, half circle, this uncommon squircle of a family with its asymmetry of curved and angular shapes drives through headlines and body copy with forward velocity. The robust, technical appearance is light-hearted and inviting, and its organic nature plays off of its one-of-a-kind kinks and hybrid forms. Torcao is not merely an experimental font, though. The figures have been crafted and refined into a functional, hard-working typeface that lends itself to many sizes and environments. The font family features a tall x-height and light modulation, which give the typography its unique color highly effective in headlines but still quite legible in longer text. This family contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of forty-eight fonts. The font has been decked out for experienced typographers, together with swash alternates and simplified titling. The typeface also contains a range of numeral sets, together with fractions and old-style figures. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Torcao also features the glyphs to enable all Central, Eastern, and Western European languages. In all, the font supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. Simple, technical, and open, the Torcao type family could just be the perfect choice for your web type or print project.

Altheria Font is a script font with an exquisite handwriting style. Designed with meticulous attention to detail, Altheria offers various alternate characters that allow you to create unique, captivating, and embellishing letterforms in your designs. With its diverse character collection, Altheria provides numerous options to add a personal touch to your design works. The ability to choose from different letter variations grants unlimited flexibility and creativity, making it perfect for crafting attractive and distinctive visuals. One of Altheria's main features is its abundance of ligatures, which enhance the font's appeal and aesthetic quality. Ligatures are specially designed character combinations that produce a smoother, more harmonious impression in writing. Thus, Altheria offers not only beautiful letter shapes but also provides exceptional visual balance among interconnected characters. Furthermore, Altheria supports multiple languages, allowing you to utilize this font in various multilingual projects. This makes it an incredibly versatile option for design purposes that aspire to exude a luxurious and elegant impression. Altheria is highly suitable for a wide range of design projects, including but not limited to book covers, fashion magazines, business cards, wedding invitations, and much more. The font imparts a unique luxury and elegant appeal to every applied design. With Altheria, you can create attention-grabbing works that elevate the aesthetic value of each design project you undertake.

Button Grinder is display font with handwritten dry brush style, ispired by halloween event and grunge rock style, with opentype feature include of the font. Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work. Caps Only Fonts.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

The Devil's Poetry is a new blackletter typeface from Michael W. Moss. The lowercase letters feature a pleasing hexagonal visual cadence while the capital letters stand tall and modestly ornate. The Devil's Poetry is available in three styles and features a Unicode Latin Extended-A character set. "Sarcasm is The Devil's Poetry."

"Beast Sketch" is an extraordinary handwritten font created with bold, untamed strokes using ink and a bamboo pen. It boasts a masculine aesthetic, an organic, natural feel, and extensive Latin character support. Perfect for book titles, magazine covers, logos, and more, it adds a raw, authentic, and compelling vibe to your projects.

Talbot Type Keymer Thug is a display face available in three weights, it is a distressed variation of Keymer Radius . Its textured look brings a characterful, time-worn quality. Keymer Thug features an extended character set to include old style numerals, accented characters for Central European languages and bespoke characters in the italic.

Nekst is geometric sans-serif. So it can only seem at first glance. Non-standard forms of some letters, behave unexpectedly and eccentric in a text line. It’s add notes of old grotesques and futuristic aesthetics to the modern-nordic image. Nekst font family includes seven weights supporting Cyrillic and extended Latin.

Berto is a variable monoline font face. With two stylistic sets it is flexible in usage either for display or for reading matters. It was specially drawn for a corporate design in 2011, and since then has been continuously rebuilt and extended to a font family with five weights and a variable font.

Fiest Font Duo is a handwritten font containing 3 font styles: script and sans serif plus matching slanted. OpenType features make the design more natural and attractive. It's perfect for signature, logotype, wedding invites, posters, brochures or any display use. OpenType Features : Ligatures Stylistic Alternates Ordinals Initial Form Fraction Extended Latin support

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Varial Two typefaces are new and updated versions of Varial family created 2014: Extra-condensed Opentype™ sans-serifs with small caps, extended character set (european languages support) and extra features (fractions, ligatures and alternatives). Varial Two is versatile in all design applications, for example all headlines, display use, infographics and more!

Lavery is a calligraphic display face, drawing its inspiration from the designs of the early years of the 20th century. It has an extensive range of ligatures and other opentype features and a delightfully hand-drawn feel. Lavery combines a great deal of character with clear legibility and a spirit of fun.

The Samary typeface is the perfect font for a cute, lovely, and adorable design; it won't let you down! Perfect for gift cards, kids shirts, birthday cards, over cakes, game design, you name it! It contains Latin extended characters which are suitable for English, German, Spanish, Icelandic, Swedish, Finnish and even Norwegian.

If John Baskerville had been born in Seattle in the 1960s his type would have looked like Nirvanium: a wide, extended body with chunky Dr. Martin serifs, an assertive inelegance and a sense of rebelliousness. It�s a display face, too big, too chunky and too rambunctious for text, but always friendly.

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Holokai Typeface is a category of typeface specifically designed for use in larger sizes, typically for headings, titles, logos, and other prominent design elements. Unlike text or body typefaces, which prioritize readability in smaller sizes for extended reading, display typefaces are crafted to make a visual impact and convey a distinct aesthetic

The creation of designer Boris Mahovac, Tabita is a fun, freeform display typeface. The whimsical swirls and marks within the characters impart a childlike playfulness. There are many great glyphs in this typeface that lend themselves to expressive phrasing. The lowercase “q”, is especially animated! The extended glyph set supports Central Europe.

A functional, constructive sans-serif with universal, geometric forms. Dedicated to the life and work of Bauhaus pioneer Josef Albers, the typeface follows a disciplined approach to composition using a limited palette of modular blocks. II Vorkurs has 3 weights and 6 styles with extensive latin language support and squared, stylistic alternates.

ZAP is an all-caps monospaced and (almost) monolined typeface family. ZAP comes along in square and round shape, 2 widths (ZAP 360 and ZAP 500), and 8 weights. ZAP also offers Slant and BAckslant styles. ZAP covers multiple languages with Extended Latin. Even complete Greek alphabets are part of the ZAP keymap.

Bourgeois is a squarish geometric font that plunders mid-century modernism and gives it a contemporary edge. It speaks with a distinctive self-assuredness that makes it highly-suited to branding and identity work. With 24 styles in its 2016 form, Bourgeois is one of our most extensive, versatile and widely-used typefaces.

Rolleston is a rigid 42-style serif font family with peculiar spiky serifs. It comes in three optical sizes: Text, Title, and Display. Rolleston features extensive language support including Cyrillic, contains a variety of Opentype features, and an abundance of ligatures and alternative to choose from – for fancy headlines and elegant body copy.

Geodot is subtly faded with a bold graphic appearance. Inspired by atomic structure, it is defined by a harmonious arrangement of tiny spheres. Since the appearance varies widely depending on scale, this font has many possible applications. Geodot is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments and publications.

WIP Money Maker depicts the handwriting of man with verve, strength of purpose and resoluteness. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Hasan Enas is an Arabic text typeface. This font is designed for reading texts and inspired in the simple lines of Naskh calligraphy. It supports Arabic, Persian and Urdu. The characteristic of its design is easily recognizable and very stable to use for extended texts in magazines, newspapers, books, and other publications.

Sundae is a brush script drawn with a naïve hand-made twist. The flow of curves, contrast in stroke and variations in letter heights add a human touch while the consistency in design allows for semi-extended setting. Sundae is best suited for large, confident headings where a personal impact is desired.

For once the name of this font corresponds with the way it looks: Fat Inker is a fat, inky font. I made it with a Chinese brush and ink, Fat Inker is a nice poster font and it comes with extensive language support and some cool discretionary ligatures for double letter combinations.

Gremlin is a modern sans-serif font designed with an extended width for a bold and impactful presence. Its clean and sleek lines contribute to a contemporary aesthetic, making it suitable for a variety of design applications. The bold weight of Gremlin ensures that your message stands out with confidence and authority.

Arco Star is a beautiful font made entirely of tiny stars, arriving with a family of styles so many different effects are possible. Arco Star is extended, containing European accents and ligatures so it is perfect for international publications. Arco Star pairs well with Arco Web and Arco Crayon from Okaycat fonts.

This type family is the lighter, more open companion to the eye-catching Sliced volume, a masculine display face with boldly sliced terminals and angles, available in 3 widths. The complete Sliced volume numbers 14 styles, a versatile modern suite of fonts with extended European language coverage, available in OpenType, TrueType & web formats.

Chennai Slab is an extension of the original Chennai. Chennai Slab is a simplified slab serif with over sixty OpenType alternates for the ball terminals, unique simplified alternates and more traditional capital forms. Use Chennai Slab when you need a fun and versatile slab serif. The sans-serif Chennai makes a great complement.

Brillscript is a display script font. Comes with a lot of opentype features, Brillscript also supports multilingual covering Latin based language (Latin Extended-A) such as Bosnian, Catalan, Czech, Danish, German, English, Spanish, Estonian, Finnish, French, Irish, Croatian, Hungarian, Icelandic, Italian, Lithuanian, Latvian, Maltese, Dutch, Norwegian, Polish, Portuguese, Slovak, Slovenian, Albanian, Swedish, Turkish

Hans My Hedgehog is an old fairytale which was made famous by the Grimm Brothers, when they published it in the early 19th century. Hedgehog Hans font is a fat, rounded and rather cute typeface, which is ideal for children's books and posters. It is highly legible, and comes with extensive language support.

Grooker is a modern take on sans serif font styles . Perfect for logotypes, signage & branding for apparel, adventure equipment, photography, travel, food & drink, plus so much more. Its timeless semi bold style makes it great for just about any project. Feature: Latin Standard Latin Extension Punctuation Number Symbol Basic Cyrrilic Advance Cyrrilic

This 1897 Schelter & Giesecke in-house design was carefully redrawn, extended and redesigned for modern usage. It is a remarkable font for book covers, film and video titles, ads and much more. This font contains a 'long s' and its ligatures which can be reached by the OTF historical feature and ligatures.