Black Mass is a black-letter / tattoo structure with a slight progressive edge.

20 kopeek is sans serif font with a slight touch of a steampunk.

Contains 42 arrow designs pointing up, right, down, and left totaling 168 arrows.

From 2019 back to the 90s … The typeface “Czykago Rough” by Alexander Branczyk and Manuel Viergutz is a re-issue of the font “Czykago” published in 1995 by the font label “Face2Face”. Designed as a re-release for the Font Foundry “Typo Graphic Design” in 2019. The rough sans serif display font is inspired by the 80s and 90s. Glyhph-Set: Latin Extended (Adobe Latin 3). 907 glyphs with 3× A–Z & a–z and 350+ decorative extras like icons, arrows, dingbats, emojis, symbols, sign of the zodiac, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (4× stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Czykago Rough ■ Font Weights: Cond + Stretch + Mix + CondBG + Icons + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Font For­mat: .otf (Open­Type Font for Mac + Win) + .ttf (True­Type Font) ■ Glyph Set: 907 glyphs with 350+ decorative extras like icons ■ Lan­guage Sup­port: 80+ for Latin Exten­ded (Adobe Latin 3). Afrikaans, Albanisch, Baskisch, Bemba, Bena, Bosnisch, Dänisch, Deutsch, Englisch, Estnisch, Färöisch, Filipino, Finnisch, Französisch, Friulisch, Galizisch, Gusii, Indonesisch, Irisch, Isländisch, Italienisch, Kabuverdianu, Kalenjin, Katalanisch, Kinyarwanda, Kölsch, Kornisch, Kroatisch, Lettisch, Litauisch, Luhya, Luo-Sprache, Luxemburgisch, Machame, Madagassisch, Makhuwa-Meetto, Makonde, Malaiisch, Manx, Morisyen, Niederländisch, Niedersorbisch, Nord-Ndebele, Norwegisch Bokmål, Norwegisch Nynorsk, Nyankole, Obersorbisch, Oromo, Pare, Polnisch, Portugiesisch, Rätoromanisch, Rombo, Rukiga, Rumänisch, Rundi, Rwa, Samburu, Sango, Sangu, Schottisches Gälisch, Schwedisch, Schweizerdeutsch, Sena, Shambala, Shona, Slowakisch, Slowenisch, Soga, Somali, Spanisch, Suaheli, Taita, Teso, Tschechisch, Türkisch, Turkmenisch, Ungarisch, Vunjo, Zulu ■ Spe­cials: Alter­na­tive let­ters, sty­listic sets, automatic con­text­ual alter­nates via Open­Type Fea­ture (3× different versions of A–Z & 0–9 + a–z), Euro, kerning pairs, stan­dard & deco­ra­tive liga­tures, Ver­sal Eszett (German Capital Sharp S), 350+ extras like Dingbats & Symbols, arrows, hearts, emojis/smileys, stars, further numbers, lines & geometric shapes ■ Design Date: 1995–2019 ■ Type Desi­gner: Alexander Branczyk and Manuel Viergutz

Razumec is a carefully crafted display serif typeface with a highly unique personality. Its epic yet warm sentiment is established by a skillful blend of slab and wedge serifs, tapered stems, curves with raised center, and creative weight distribution. Proper pronunciation of these style elements influenced wide proportions and medium-to-high contrast. Besides its main typology, it incorporates subtle allusions to a spectrum of typographic and visual traditions, from calligraphy, ordinary handwriting, blackletter, and medieval uncial script to the neoclassical Didone and industrial typefaces. All of these flavors are combined tastefully and consistently throughout the whole set. With its rich visual identity, Razumec is primarily intended for display usage, as shown in the promo images. It's perfect for branding and packaging. Fantastic for projects focusing on storytelling like fairy tales, epic fantasy books, board and video games with historic or adventurous themes. Superb for theme magazines, quotes, headlines, museum and concert brochures. On the other side, its authentic historical voice works great as a strong counterpart point in ultra-modern contemporary designs for print and screen. Web design, motion graphics, conceptual art, posters, and social media material are just the first few ideas. The laborious production process focused on achieving a high level of classical typographic virtues rather than having an extensive character set. Beautiful stylistically consistent characters with balanced weight and width, high-quality curves, meticulous spacing and kerning, well-articulated diacritics, and punctuation were priorities. Special attention is given to solving problematic letter pairs through contextual alternates, which enable better spacing and smooth joints (hence the recommendation to always keep the Contextual alternates feature on for this font. Learn more about it HERE). Razumec is a small but well-executed and thoroughly tested font. Font family comprises nine weights plus variable font.* * Variable font lets you access all the weights through the single font file. In apps that support it, you will find a slider where you can pick any number from 100 to 900 corresponding to 800 possible font weights. Learn more about variable fonts and their support on the following two links: VF ABOUT and VF SUPPORT.

Juan Bruce’s Noort is not a type family for wayfinding or mapmaking alone, but for clarifying information and engaging readers along their own journey. The information designer’s role is to bring clarity and style to overwhelming amounts of information, which fortunately is Noort’s purpose as well. Hierarchies submit to its will and layering colour only adds more presence to its active posture. Noort’s design uses the proven editorial text features of a large x-height, ample spacing, and low contrast to check all the boxes for paragraph text use. But it’s the long serifs, wide characters, and overall typographic presence that make it resilient and ease the task of reading in small point sizes. These details mean Noort is able to demonstrate importance not only with its five pitch-perfect weights, but with its brindled colour within a layout. Noort’s roman and italic styles play off each other by transplanting their design features. The roman style’s serifs are transferred in substance but expectedly increased in speed in the italic styles. And the italic’s inktraps and separated strokes are echoed amidst the roman’s upright structure. Where digitisation could have removed the influence of the hand, Noort retains the analogue nature of its creation. This antiphonal seeding of details creates a cohesive family that is as fascinating as it is functional. Noort’s axis and serifs have a slightly varying ductus — the directional flow that aids reading and character clarity. Its latent obviousness in text sizes immediately becomes its signature style when bumped up to subhead sizes. And since Noort’s counters are so wide and welcoming, its heavier weights can expand more within themselves than along their exterior edges. Noort’s ten total fonts cover the Latin A Extended glyph set to bring its unbordered, globetrotting sensibilities to your projects. OpenType features include ligatures, fractions, and several figure styles, along with mature-rather-than-overbearing swashes. Aligned with TypeTogether’s commitment to produce high-quality type for the global market, the complete Noort family can set digital and printed works with ease, capitalising on the dual needs of clear information and fascinating textual artistry.

Neuzon pays homage to the bygone era of antique metal typesetting with a retro design that brings an air of nostalgia and character to any project. This textured, inky typeface is a modern interpretation of the iconic Tempo Bold Extended typeface. One of the standout features of Neuzon is its unique custom letter pairings. These pairings help to break up the uniformity of repeating letters, adding a touch of artistry and originality to your designs. The result is a typeface that exudes rustic charm and a warm, authentic feel that is sure to leave a lasting impression on your audience. Designed with versatility in mind, Neuzon’s wide letterforms make it a great choice for a variety of design projects. It works particularly well as a headliner, instantly capturing attention and drawing the eye with its bold and engaging style. Whether you’re creating a vintage-themed poster or revamping your website, Neuzon’s distinctive personality is sure to leave a lasting impression. So why settle for bland, generic typefaces when you can bring your designs to life with the unique character and charm of Neuzon? Get your hands on this retro-inspired typeface today and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.