A heavy blackletter; Rudolf Koch’s first type from 1909. On an old page full of type specimen from the 1930s, the type is described as ”Schwabacher (used by the Deutsche Reichsbahn [German Imperial Railway]).“ As a matter of fact, it is the first print of the Offenbach script master Rudolf Koch, who came out with this typeface in 1909. At that time, it was given the name ”Neudeutsch“ (New German). Later, it became very popular under the name Koch-Schrift, and was at times the official typeface of the Deutsche Reichsbahn (German Imperial Railway).

Tesca is a condensed modern grotesque typeface. Tesca is great for uses such as headlines or text body. Features Latin and non-latin glyphs. Three styles: Flaca, Normal & Gorda. (Uppercase & Lowercase). OpenType features include ligatures and basic fractions.

It has a higher uppercase structure than the normal ones. It has a condensed, rounded and squared character. It is a typeface which you can use in posters, packagings, newspaper & magazine ads, logos, banners, promo images & soccer uniforms.

Brumder is a condensed sans serif typeface. Inspired by Industrial style. Comes in several styles namely regular, round, rounded, rough, and stamp, with matching oblique, making it 10 styles. Brumder is perfect for branding, headlines, and many more.

A WPA (Works Progress Administration) poster for the Rural Electrification Administration’s promoting of running water for rural areas is the basis for Tap Water JNL. A condensed slab serif, it is available in both regular and oblique versions.

BlueCreek Rounded is a extra condensed geometric typeface, and works best in text and display applications, such as headline, posters, signage, magazine, print, product branding, corporate branding, logos and titles. Several alternate characters are included in this typeface.

Phenix American was designed by M.F. Benton in 1935. The Phenix American font is a headline design with condensed sans serif characters that look good on corporate stationery and packaging as well as on magazine and brochure covers.

Karnchang is a versatile sans-serif typeface that offers a range of 90 styles, spanning from thin to black in weight and condensed to expanded in width. Its adaptability makes it well-suited for a variety of purposes.

BD Barbeaux is a condensed typeface, chic and fashionable with a touch of Art Nouveau. BD Barbeaux Numérique version features rounded corners. The BD Barbeaux fonts are great for fashion and lifestyle related headlines in blogs and magazines.

The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.

FF Cocon’s designer, Evert Bloemsma (1958—2005) described it as a “serious typeface”. Despite first impressions, the description holds up well. Since its 2001 release, FF Cocon has been used in an astoundingly wide variety of design applications. At large sizes, FF Cocon works as a display face, with beautiful detailing. And at small sizes, it remains surprisingly readable. The lowercase letters a, b, d, g, h, m, n, p, q, r and u, were drawn without spurs, as Bloemsma made an attempt to erase every trace of handwriting; even “normal,” neutral sans serif typefaces still retain elements in their letterforms like this. Bloemsma wanted none of it. Although a difficult starting point for a typeface, this proved successful. Bloemsma’s design is a family of rounded yet rather asymmetrical forms with details reminiscent of brush-strokes, but that were not made with a brush in hand. In spite of its claim to seriousness, FF Cocon is a family of seductive, voluptuous styles. The original FF Cocon had two widths—normal and condensed. Later, a more compact Extra Condensed version was introduced, as well as italics.

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

Drunk Cowboy is a bouncy version of the popular Old West type style, inspired by hand-made signage in Paducah, Kentucky. The strokes are loopy and loose. The exaggerated terminals give this font a loud, boisterous presence. Drunk Cowboy is a brutish rogue that emanates the fierce independence of Rio as played by Marlon Brando in One Eyed Jacks, but it is most like Paul Newman's Butch Cassidy—a mischievous wise-cracker. And there's gold worth mining for in this font. Dig deep enough and you'll find swash characters and special ligatures, like Th, ST, CT, NT and other popular letter combinations found in the Cowboy dialect.

Cirkel is a contemporary font family based on circles. Its geometrical and unusual forms gives us a nice feel of modernity and humor. Created by Jarbas Gomes, Cirkel family is composed by 3 weights (Light, Medium & Bold) and its respective ornamented fonts made of patterns (Stripes Light, Stripes Medium & Stripes Bold). The fonts also have a great set of ligatures and swashes that can be accessed in softwares with support to OpenType features. Cirkel is indicated for hype designs, on titles and short texts.

Entendre Rough defies the conventions of most distressed typefaces, as it is an actual text typeface family. Sure, you can use it for your big display type, but you can also use it for body text. Entendre Rough is a stately, commanding and handsome distressed sans serif typeface family that pulls reference from Trajan capitals, the history of English calligraphy, and a variety of other sources to summon a sense of warmth, consideration, trust and authority. Entendre Rough spans 22 weights and styles including Regular and Condensed versions. The large x-height and refined characteristics of the family lend the family a sober and sophisticated appearance that is suitable for both print design and on-screen use. Entendre Rough includes Central and Eastern European language support as well as Western European language support, including Greek and Cyrillic. Entendre Rough’s generous x-height and medium-length ascenders and descenders offer pronounced readability, making the family useful for text typesetting both in print and on screen. Within, humanist elements are tempered with monumental construction, making the heavier weights go-tos for display design work. All of the Entendre Rough family of typefaces feature Western, Eastern and Central European language support alongside nuanced Greek and Cyrillic. Entendre Rough pairs well with our non-distressed Entendre family and our rounded sans serif family Elpy, sharing similar proportions and spacing.

This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don't tell anyone. Please note: no lowercase.

Mixed Messages JNL brings back a favorite old theme... mixing up various letters and numbers from different fonts to create a printed message that resembles a ransom note or a collage of type with many styles of lettering.

Cift Serif is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Ailey Display is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font.

Moonbandit proudly presents Bad Motor typeface, a powerful bold vintage font. Inspired by the glorious old world of route 66, Bad Motor is perfect for that retro look and feel for your projects. This typeface is maxed with anarchy, attitude and attention. OpenType features include ligatures and kerning.

Delicious Pro from Yes Please is a bold, contemporary take on the classic Americana script. Inspired by the vibrant history of early 20th Century American packaging vernaculars, Delicious Pro delivers unique flavor packed with gestural personality perfect for headlines, packaging and more! Delicious Pro features conventional ligatures, a standard set of accents and symbols, and a full set of extended custom styling ligatures to provide a versatile end-user experience. Delicious Pro has played hard for Nike Women's Training, Nike Sportswear, IFC and more. Delicious Pro is designed by Lee Schulz.

Bouncy is a funny cartoon font. Drawn and created by Mans Greback in 2021, this comic-style lettering has a happy, quirky personality and optimistically bold appearance. Activate "Contextual Alternates" in your design program, and the letters will overlap. https://www.fontshop.com/content/enable-contextual-alternates The typeface is provided in three styles: Thin, Black and Regular (Outlined) Bouncy is built with advanced OpenType functionality and has a guaranteed top-notch quality. It has extensive lingual support, covering all European Latin scripts. It contains all characters you'll ever need, including all punctuation and numbers.

GULP font is a playful and fun font inspired by pop art, hippie and comic book styles. It's groovy, funky and retro with an ultra-bold and fat appearance, making it perfect for eye-catching headers and short word texts. This font exudes modernity and fanciness, making it ideal for any purpose that requires a dominant and powerful impact. The italic style adds a touch of uniqueness, giving it a playful edge. However, GULP is not recommended for long text as it can be overpowering and may detract from the overall readability of your content.

A vintage brass stencil for an individual or company named ‘Rodrigues’ was spotted in an online auction. The hand punched, condensed Roman lettering inspired the digital typeface Nameplate Stencil JNL, which is available in both regular and oblique versions.

Empire was originally designed in 1937. This version is an all-capitals face with tall condensed characters. The Empire font can be used for headlines and posters where space is tight, or where an empression of height is desired.

This font was originally designed for one lettering job with only one simple purpose—to be as much condensed as a font can be. Then it was developed as a font family of 4 weights with regulars and italics.

Mystyline is a modern thin line condensed font inspired by hipster aesthetics. The letters are decorated with lines and dots. Mystyline is suitable for contemporary typographic posters (event design, movie posters, advertising, music production, photo overlays), hipster design etc.

Introducing Delluza - Authentic Condensed Sans with strong and challenging nuances. very suitable for the title, typography, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional, You can activate Ligature OpenType panel.

Gothic Love is a modern serif font with elegant wavy details. The font is created in condensed proportions with high serifs. The font is suitable for the design on the theme of fashion, feminine branding, mysticism, gothcore, punk, surrealism.

The second volume of the Robbins Music Corporation's "Hollywood Song Folio" features the word "Hollywood" lettered in a condensed block style with inline, strongly reminiscent of sports or college-themed typography. This was the inspiration for Winning Team JNL.

Way back in the 1990s, the fatter the fast food generation got, the more condensed letters became. I figured when the taste in fonts started to mirror the contemporary bodily norm, Hunky Chunk should be there. Here it is.

Introducing Cozee, a quirky tall and narrow handwritten font with stylistic alternates! This modern condensed sans serif is fun and skinny - ideal for creating minimalist illustrations, cricut projects, kids books, branding projects, custom home decor, and so much more.