Zafran is an elegant industrial display typeface, full of curves and sharp angles, the typeface has an oblique feeling and unified spaces that create neat alignments.

Introducing, Dirchave, dirchave is a vintage inspired display font that perfect for packaging, branding, headline, quotes, etc. Features: - Uppercase Font - Number - Punctuatuon - Stylistic Alternate - PUA encoded

Lelet Script is a TrueType font inspired by my mother’s exquisite handwriting. It has a graceful, smooth look that makes it very legible for any project.

MacKeller, Smiths and Jordan had a font called Giraffe Wide which we liked, but like many Victorian display fonts it had no lowercase. We fixed that!

Get that Disney look with this downloadable "Small World" font. It's ideal for journaling and titles for theme park scrapbooking or wording for other creative publications.

Phyllis was designed by Heinrich Wieynck in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine

A great font for crafters and scrapbookers. This font can be used to design and layout samplers, or to just create that Home Sweet Home look.

Cap off your project with this all capital letter font. Bold and stylish with hand lettered appeal. Great for any paragraph or headline that demands attention.

Based on the free-spirited handwriting style of a friend, this font features automatic ligatures, alternate character substitutions and swashes in applications that are OpenType-savvy.

Roman Wood Type JNL is based on a partial set of wood type in the style of Clarendon Condensed that was seen in an online auction.

Introducing vintage and classy display serif with a little touch of 3D to make your work more real so that readers are hypnotized by your work.

Cool hand drawn font crafted from textured dry brush, this is Rongjam. An all caps typeface that very recommended for outdoor projects, sport, hipster, and youth.

this is a cool sans serif font with a casual and complete with unique icons that you can make a logo or decoration on your design

Nosi is a quirky serif display typeface designed for fun titles, children's books or posters that wants to capture the restless spirit of the oddball mind.

Orthotopes is reminiscent of that ever-familiar 70s style sci-fi font whose name I cannot recall and probably doesn't look a thing like this anyway.

Fordham JNL is a slab serif typeface in regular and oblique versions that has a casual, informal look reminiscent of 50s and 60s-era ad headlines.

Road Racer is an esport style font that has a sporty character, very suitable for automotive design projects, sports and all products with a dynamic character.

A futuristic stylistic font with smooth curves, and rounded corners. Comes with more than 500 different ligatures that curl and swurl the letters in funky forms.

Phyllis was designed by Heinrich Wienyk in 1904. The Phyllis font has a suite of alternative initials that provide a flourish to an otherwise modest script.

Rayhue feels playfully nostalgic and delivers an incredible vintage aesthetic. Use it to add that special retro touch to any design idea you can think of!

Mixink Std is a serif font features amazing swashes. It has a vintage feel and look that makes it perfect for any retro and nostalgic project.

Quirina is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a fat twin called Quiana.

Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project.

Oh Mabuboo is a typeface that combines current technologies with an antique look. The designer's fascination in vintage was the source of inspiration for the design.

Quiana is a very elegant joining Script that has – because of its high and open lowercase letters – excellent readability. It has a slim twin called Quirina.

Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!

Fagies is a modern and bold sans serif typeface featuring characters that stand out from every background. Suitable for logos, posters, packaging, branding, invitations, notes, etc.

Flute was a font that was released in 2006 now, in 2022, it has been updated to increase the number of faces, including a bold version.d.

Cheyra is a thin and modern sans serif font. Cheyra combines uppercase and lowercase styles. Use it for any design projects that require a charming appearance.

Zoe is a hand-drawn script that has a very even flow and is readable down to very small sizes. In big sizes it is elegant.

Jagadita is a display font that will be great for headline, posters, movie title, and more. It's a stand out typeface with eye catching characters style.

A more legible version of Janda Love & Rain, these decorative capitals are paired with neat lowercase letters that give you a girly flair with maximum legibility.

Gengboy is a fun bold Sans Serif typeface featuring characters that stand out from every background. Suitable for logos, stickers, posters, packaging, branding, invitations, notes, etc.

Spider Ghost is a Halloween decorative font. Add it to your Halloween crafts, horror movie posters, t-shirts and anything else that requires a spectacular look.

Hello Stranger is handwritten font that contain ligatures, stylistic alternates, swash, and more to create your own customized handwriting. This font also includes multi-language support.

Before Bodoni, there was Didot. With the publication by Francois Ambroise Didot of Paris in 1784 of his prospectus for Tasso’s La Gerusalemme Liberata, the rococo typographical style of Fournier de Jeune was replaced with a spartan, neo-classical style that John Baskerville pioneered. The typeface Didot used for this work was of Didot’s own creation and is considered by both G. Dowding and P. Meggs to be the first modern face. Three years later, Bodoni of Parma is using a very similar face. Just as Bodoni’s typeface evolved over time, so did that of the Didot family. The eldest son of Francois Ambroise Didot, Pierre, ran the printing office; and Firmin ran the typefoundry. Pierre used the flattened, wove paper, again pioneered by Baskerville, to permit a more accurate impression and allow the use of more delicate letterforms. Firmin took full advantage of the improved paper by further refining the typeface introduced by his father. The printing of Racine’s Oeuvres in 1801 (seen in our gallery image #2) shows the symbiotic results of their efforts, especially in the marked increase in the sharpness of the serifs when compared to their owns works of only six years earlier. It has been suggested that one reason Bodoni achieved greater popularity than Didot is the thinner hairlines of Didot were more fragile when cast in metal type and thus more expensive for printers to use than Bodoni. This ceased to be a problem with the advent of phototypesetting, opening the door for a renewed interest in the work of the Didot family and especially that of Firmin Didot. Although further refinements in the Didot typeface were to come (notably the lower case ‘g’ shown in 1819), we have chosen 1801 as the nominal basis for our presentation of HiH Firmin Didot. We like the thick-thin circumflex that replaced the evenly-stroked version of 1795, possible only with the flatter wove paper. We like the unusual coat-hanger cedilla. We like the organic, leaf-like tail of the ‘Q.’ We like the strange, little number ‘2’ and the wonderfully assertive ‘4.’ And we like the distinctive and delightful awkwardness of the double-v (w). Please note that we have provided alternative versions of the upper and lower case w that are slightly more conventional than the original designs. Personally, I find the moderns (often called Didones) hard on the eyes in extended blocks of text. That does not stop me from enjoying their cold, crisp clarity. They represent the Age of Reason and the power of man’s intellect, while reflecting also its limitations. In the title pages set by Bodoni, Bulmer and Didot, I see the spare beauty of a winter landscape. That appeals to a New Englander like myself. Another aspect that appeals to me is setting a page in HiH Firmin Didot and watching people try to figure out what typeface it is. It looks a lot like Bodoni, but it isn't!

Who doesn't love Fridays? For many people it is the end of the working week and the start of the weekend. What's not to like? I tried to put all that great vibe into this font - it is charming and clumsy and ready for a party...just like my Fridays...ehh...my Fridays are actually quite simple - no parties or staying out till early morning...been there, did that...now I love my Fridays, just the way they are! :)

Koldby is a modern and elegant serif font family. The combination of modern and vintage elements renders an elegant design. The variety of weights provide a range of choices that will help you find the best typographic colour for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. The available stylistic lignatures and alternates offer a number of different characters that give your project or logo a unique look.