Introducing Cladey – Display Typeface A Striking Serif Display Cladey is a remarkable Display Typeface with a unique twist that sets it apart. Its central serif feature is the key to its stunning appearance. Captivating in Display Cladey is not just visually stunning; it’s also perfectly tailored for attention-grabbing displays. Its distinctive serif at the center adds an extra layer of elegance that captivates the eye. Versatile for Various Designs Going beyond its captivating display prowess, Cladey also boasts versatility. It seamlessly harmonizes with a wide range of creative projects, making it a font of choice for designers seeking flexibility. A Display Typeface with Impact Cladey ensures that your content exudes an aura of elegance and leaves a significant impact on your audience. It commands attention and resonates with viewers, ensuring a memorable experience. In Conclusion In summary, Cladey – Display Typeface is a font that truly stands out in the world of display typography. Its unique central serif feature adds stunning elegance to your projects. Whether it’s for branding, posters, or various creative endeavors, Cladey’s versatile and impactful design caters to a broad readership, ensuring your content leaves a lasting and striking impression.

Lens Grotesk is a Neo-grotesque type family of 16 fonts born as a result of a very conscious research in the field of the neutral Swiss aesthetic. There's a reason for all the prominent examples of this design like Helvetica and Univers to be used on a daily basis for more than 70 years and it's a simple one - they just work. The closed terminals, the low contrast, uniform widths and proportions makes the Neo-grotesques feel just right. Although very often branded as stiff, the neutral Neo grotesques are here to stay and Lens Grotesk is our own reading of the popular style. Lens Grotesk takes the Neo-grotesk model one step further adding a pinch of Geometric sans-serif to the mix thus creating a way more modern and contemporary looking design. Characterized with more generous oval proportions and slightly more open terminals, Lens Grotesk keeps the modulation and rhythm needed for a slightly longer texts while visibly keeping everything in order. Zooming in you'll find traces of the Geometric aesthetic - the robust almost right angled approach of the arches and tails (look t, f, j, y) and the way more circular rounded shapes. Like all our fonts, Lens Grotesk is equipped with a range of OpenType features, stylistic alternatives and of course Cyrillic support. It comes in a pack of 16 fonts with 8 styles and their matching italics or one variable font file available with all full family purchases. Live Tester | Download Demo Fonts | Subscribe

AT Allowe comes with a geometric sans serif style and a modern and elegant sans serif tagline. This font comes in eight thickness levels, from thin to black to suit your needs. AT Allowe is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs and scripts depicted or stands firm as a title and brand representative for an elegant look. AT Allowe also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and styles to make your designs more attractive. AT Allowe is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Introducing Hidden Gem Serif font - latin and Cyrillic Hidden Gem is elegant and abstract font loaded with 95 languages support, alternate and ligature glyphs to make you typography truly unique! I had so much fun creating this one and I really hope you will enjoy it! Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, numeral, punctuation & Symbol ligature glyphs alternate glyphs Multilingual support - 95 languages Cyrillic support No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The typeface Coffee Beans Time is designed from 2018–2022 for the font foundry Typo Graphic Design by Manuel Viergutz and Annelena Grascht as a graphic design and photography project. The display font based on the original coffee beans and create a dingbat pattern. 3 font-styles (Dingbats, Mix, Coffee Ground) with 304 glyphs (Adobe Latin 2) incl. decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes (type the word #LOVE for ♥︎ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (2 stylistic sets). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE! ■ Font Name: Coffee Beans Time ■ Font Styles: 3 (Dingbats, Mix, Ground) + DEMO (with reduced glyph-set) ■ Font Cate­gory: Dis­play for head­line size ■ Glyph Set: 304 glyphs (Adobe Latin 2) incl. extras like icons (decorative extras like arrows, dingbats, emojis, symbols) ■ 93 languages: Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Cornish Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician German Gusii Indonesian Irish Italian Kabuverdianu Kalenjin Kinyarwanda Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Manx Morisyen North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Portuguese Quechua Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Shambala Shona Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu ■ Design Date: 2018–2022 ■ Type Desi­gner: Manuel Viergutz und Annelena Grascht

Nortune is inspired by modern style combined with retro style so that it has a dynamic and elegant shape. This will be very suitable for use in any design that has a modern, retro, and classic feel. Nortune also has 10 thicknesses so it will be very easy to use on any design you have in mind. It also comes with multiple languages, making it easy to use for any country and language. Nortune also comes with alternative Ligatures and styles to make your designs more attractive. Alternate fonts will also create lots of options to combine. This modern letter shape will be very suitable to be combined with various types of fonts. Nortune is suitable for branding projects and various design purposes such as business cards, name tags, advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

Ottine Slab Comes with a Slab Serif style typical of the 80s typeface, which gives a retro and classic style but has a unique and elegant style that gives an extraordinary impression. It is equipped with features to add a kind that makes the project impressionable. Ottine Slab is also equipped with various languages so that it allows Ottine Slab to be used in all your projects. Ottine Slab is very suitable for use in multiple purposes or projects, including Sport, Poster, Product, Logo, Branding, and many more that you can apply with this Ottine Slab Typeface. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y. Adobe Photoshop goes to Window - glyphs Adobe Illustrator go to Type - glyphs. Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Introducing Lonely Moon - Handmade typeface - 3 fonts Lonely Moon is handwritten and retro slab serif typeface loaded with 3 fonts, alternate, ligature glyphs and multilingual support to enchant your next project. Very versatile fonts that works great in large and small sizes. Lonely Moon is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Language Support Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, Frenc,h Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Mer,u Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES 3 styles Uppercase, lowercase, numeral, punctuation & Symbol Multilingual support - 87 languages alternate glyphs ligature glyphs How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

The ideal typeface for cartography The Swiss designer/typographer Felix Arnold designed Cisalpin during the late 1990s, after he had challenged himself to create a contemporary typeface that could be used for cartographic uses. Arnold came to the subject of cartographic typefaces after analyzing many maps and atlases, and discovering that there was no standard typeface for these types of documents. Like any good cartographic type, Cisalpin is very legible at small sizes. While he was drawing this typeface on his computer, Arnold used a reduction glass to refine his design, making it work in these situations. Cisalpin is a linear sans serif face, with slight resemblance to renaissance serif types. The various weights are all clearly differentiated from one another. And because space is often a premium on maps, Cisalpin runs narrow. Words close in around themselves to help them become more identifiable. The letterforms in Cisalpin are durable, and can maintain their readability when placed over complex backgrounds. They have open interior forms, flattened curves, tall x-heights, and a capital height that almost reaches the tops of the ascenders. Cisalpin also has pronounced Italics, with a very clear angle of inclination. Each letterform in the family has been optimized so that they cannot be easily mistaken for another. This again helps minimize the misunderstandings that often occur because of illegibility. Although Cisalpin was developed for use in cartography, it may be used for countless other purposes; any font that can work well in small sizes on a map could be used almost anywhere else!

Proudly present Faya stencil modern ligature. Faya is a font designed with a modern stencil style that blends classic elements with elegant contemporary touches. Featuring ligatures that offer design flexibility, Faya is suitable for various graphic design needs, including posters, banners, logos, and more. Don't forget to use all caps too in your mixing and matching - it adds contrast and impact to your type design. Design tips! : Tighten your letterspacing for larger titles to create a range of looks. Crafted with meticulous attention to detail, Faya's letterforms are bold, sharp, and geometrically-shaped, catching the eye with their visually appealing design. The font boasts high clarity and legibility, offering a range of different letter variations such as elegant uppercase and lowercase letters. With its clean yet stylish appearance, Faya is perfect for modern and minimalist design applications. Font Features : Lettres, numbers, symbols, and punctuation, alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

Lomo, PLC is a Russian optical manufacturer, whose cameras have built up an international cult following since 1992. Swiss designer Fidel Peugeot recently tapped into this phenomenon, creating an astounding series of pixel fonts for use in a variety of applications-from websites to mobile phone displays. Now available as a single family from Linotype, Lomo's versatility extends itself across 37 various faces. Whether on screen or online, Lomo's different weights deliver great legibility at low resolutions. Additionally, the amazing breadth of this family allows these pixilated faces to crossover into print, bringing a contemporary technology feeling to your more traditional pieces, too. Worth experimenting with is the Lomo Wall series, of which 14 of the Lomo family's 37 fonts belong to. In graphics applications like Adobe's PhotoShop of Illustrator, the Lomo Wall fonts may be layered over top of one another in various combinations. For example, Lomo Wall Chart 50 could be colored red, and layered behind Lomo Wall Pixel 50. The text in Lomo Wall Pixel 50 would then looked like it had been painted over top of a brick wall. With 14 fonts, and millions of colors in your application's color palette to choose from, the combination possibilities for this layering technique are endless! (If you really like this layering feature, check out what Karin Huschka, another Linotype designer, did with her Chineze Dragon family.) Convinced? Give the unlimited possibilities of Lomo a spin today! The entire Lomo family is part of the Take Type 5 collection, from Linotype."

Introducing Mountogen Rounded Typeface Style which has a unique and very strong characteristic that makes all designs look unique and have a modern feel. Mountogen Rounded has its own charm, so it will be very suitable to be combined with any style. Has Lots of Alternatives and ligatures to add a great interactive feel to every design. Mountogen Rounded also comes with multilingual support and is very easy to use. Mountogen Rounded is interesting to use in designs such as books, movie posters, logos, branding, business cards, and more that can be combined with Mountogen Rounded. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Igbo, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Metaʼ, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Thai, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Wolof, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Introducing Enchanted Love - Elegant Sans Serif Typeface - 8 weights Enchanted Love is classic yet creative typeface loaded with 8 fonts, alternate and ligature glyphs to make you typography truly unique! Language Support : Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol -Hairline, Extra light, Light, Regular, Bold, Extra Bold, Black and Heavy versions Cyrillic support ligature glyphs alternates Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Description Austen Aesthetic comes with an aesthetic style with a modern and elegant serif-type tagline appearance. This font comes with 8 thickness levels, from thin to black to suit your needs. Austen Aesthetic is also equipped with modern professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It pairs well with modern serifs and scripts pictured or stands firm as a title and brand representative for an elegant look. Austen Aesthetic also comes with multiple languages, making it easy to use for any country and language use. It also comes with alternative Ligatures and stylistics to make your designs more appealing. Austen Aesthetic is suitable for branding projects and various design purposes such as business cards, name tags, uniforms as a brand enhancement. Advertising, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu

This font was inspired from the medieval Dances of Death patterns, as a modest tribute to the famous engraver Hans Holbein's Alphabet of Death. We have tried to keep the spirit of the time -- its sarcastic humor mixed with its objective and frozen realism. The font, consisting in two complete capital alphabets: Initials and caps, and a lot of separate figures added, is especially improved by strong enlargements, 72 pts and more, and has very good results when printed.

This font was created for the birth of a baby in June 2008. It's a melting font, including various types : blackletter script, bastarde, humanistic... a joyful interpretation for a joyful event. It is intended for use as web-site titles, posters and flyers design, but primarily for greeting cards, invitations, party, menus... as a very fancy and joyful font... This font remains clear and easy to read from 8 or 9 points to 72 and much more...

Durer is a modern font, its soft curves and refined details create a sense of elegance. Inspired by the work of Albrecht Dürer (21 May 1471 – 6 April 1528), who was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. 551 Glyphs Upper / lower case, numbers, punctuation Language support: Latin / Greek Designed by iframe type foundry

The name of the font is from the hilarious movie "21 Jump Street" - and that is where the similarity ends. While the movie is quite funny, it is also super goofy! I can't say the same about the font, because terms like organic and organic comes to my mind. Strange, yes! And I have really no good reason for this naming, other that its an odd way to tribute this one of my all time favourite comic movies! :)

Equines Display is a versatile font family designed specifically for display purposes. Its modern, thick and strong appearance is perfect for branding, logos, banners and any lettering that requires bold and clear letters. To add an artistic image rather than just the thickness of the shape, Equines Display adds a rounding feature to the corners of the letters with a cross system, which makes the word display dynamic, strong and elegant. Until this description was published, Equines Display had 14 styles including condesed, expanded, outline and shaded in hopes of meeting the display font needs of designers and everyone at large. Enjoy working with the Equines Display font family. Best regards, Saefulloh - Attractype Foundry.

Unlike the modest fonts in your menu content with discreetly imparting information, Carnival is conspicuous by design. Deliberately engineered to attract eyeballs, the typeface’s unmistakable silhouette produces a dramatic visual texture that stands out in print, on screen, or in any environment where your message demands to be noticed. The steady yet vibrant rhythm created by its letterforms also makes Carnival ideal for fashioning alphabet patterns and graphic devices. Flaunting a lean slender body anchored by stout stroke endings, Carnival turns conventional typographic thinking on its head by inverting the relative thickness of its stems and serifs. This reverse-contrast approach stretches all the way back to the roots of modern advertising, when similar types became the favorite for posters, packaging, and loads of consumer products during the 1800s. The striking style prevailed well into the next century, as Harold Horman, co-founder of New York City-based Photo-Lettering. Inc., modernized a version for the company’s popular film-typesetting service in the early 1940s. Digitized and expanded by Dan Reynolds in 2013, Carnival had previously been used exclusively for House Industries projects. Now you can get in on the action, and use this stunning slice of type history anytime you want your work to turn heads. SUGGESTED USES Carnival’s unique character commands attention, making it the perfect voice for promotional pieces, editorial design, labels, packaging, posters, and any other application that needs to strike the right tone. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Proudly present our new font. It is named Hollgates - Elegant Signature Font. Hollgates is script handwritten style with a natural charm. This font which is a modern signature and unique style handmade comes with very beautiful character changes. To keep the maximum real hand-lettered effect, there were created 240 ligatures (you can see them among the presentation pictures). When creating the font, we should take into consideration that each letter should be able to be connected with other letters. For example, the letter "a" should be well connected as well as with "l" and "n" and with any other letters. This limits us: we have to start letter from exact one point and finish at exact second point. So here come ligatures. Hollgates font contains following ligatures: ab ad af ah ai ak al am an ao ap as at az az bh bl bk bt bx br cb cl ch ck cc cr cs ct co cx cz dd db dh dl dk dt dr ds dx dz eb ef eh ek el et ett er em en es ex ez ff fh fl fk fi fo fs ft fr fz fx gg gh gr gb gf gl gk gt go gs gz hf ho hs ht hz ib if ih ik il it itt ii in im ip is ir iz ix jo kl kk kh ko ks kr kt kx kz lo li ls lu lr lx ly lz mm mf mi mh ml mk mo mp ms mt mz mx nb ni nf nh nl nk no ns nr np nt nx nz ob of oh oi oj ok ol om on op os ot ott ou ox oz ph ppl pp ps pt pu pi pr po px pz rs rr st sh sl sk sb si sm sn so sp su sx sy sz oll all ell ill ull th tl tk ti ts tr to tu tx tz ty ub ul uh uk ul ut utt un um up us ux uz vh vl wh wl wo zz ee ll ff oo rr ss tt dd ff It’s the perfect fit for all luxury projects, such as wedding invitation, signatures, luxury logos, printed quotes, grettings cards, social media headers, product packaging and many more! It includes a full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Fall in love with its incredibly versatile style and use it to create spectacular designs! Use this font for any crafting project that requires a personalized look! What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Once, Blackletter was a calligraphy style. Full of ligatures, with letters bumping into each other to create an unapologetic picket-fence pattern. Some even claimed that the regularity improved legibility! But then Blackletter was cast into metal, and only a handful of established ligatures survived, while most interletter connections were disentangled. Everyone since followed suit, and hundreds of years later, digital Blackletter fonts were modelled mostly on the metal fonts that prevailed rather than the original handwriting. Up until now! AJ Quadrata is an authentic revival of the textura quadrata hand, and its major inspiration is a 15th-century Latin manuscript of the Bible from Zwolle, the Netherlands. The typeface is delivered in two flavors. The default cut is a modern take on textura quadrata that can be useful for today and tomorrow. The standard ligatures feature employs nearly all letters. The tittle of i retains its original, hasty squiggle form (except for the Turkish localization). Discretionary ligatures include medieval ligatures da, de, do, pa, pe, po (and their mixed-case counterparts!). Stylistic sets allow to use historic letter variants such as long s and rotunda r, closed-counter a, and alternate capitals. AJ Quadrata Medieval is perfect for setting Latin. Default forms of capital F, H and O are swapped with the alternates. The squiggles above i only appear for disamibiguation nearby m, n or u, as in original manuscripts. Discretionary ligatures and historic variants are promoted to the standard ligatures feature to make room in the discretionary ligatures feature for a variety of scribal abbreviations. Dedicated stylistic sets include medieval punctuation and justification alternates — glyphs with elongated terminals used for lengthening lines that end up too short. The Rubrum styles can be layered and colored to create the illuminated effect on the capital letters. Besides a faithful rendition of extended Latin including Vietnamese, numerous synthetic additions are included: polytonic Greek, Armenian, and Cyrillic (with Bulgarian and Serbian/Macedonian localizations). Both flavors of the typeface can be considered a starting point that can be further customized using OpenType features, including Stylistic Sets (some features differ between AJ Quadrata and AJ Quadrata Medieval): ss01 Alt E ss02 Descending F / Roman F ss03 Uncial H / Roman H ss04 Angular O / Round O ss05 Contextual closed-counter a ss06 Diamond-dot i j / Always dotted i, j ss07 Contextual rotunda r / No r rotunda ss08 Contextual long s / No long s ss09 Dotless y ss10 Serbian Cyrillic ss11 Alt Cyrillic de ss12 Alt Cyrillic zhe ss13 Alt Cyrillic sha ss14-ss17 [reserved for future use] ss18 Scribal punctuation ss19 Alt linking hyphen ss20 Justification alternates

Winslow Title is a high contrast modern type family comes in two styles and a monolinear script family. The traditional proportions of Winslow Title are historical in nature and follow the design and style of Winslow Book as a high contrast variant. The Winslow Title Mod family is a contemporary take on the style, with tapering terminals and less pronounced finials. Each family includes both styles, to be accessed through the opentype panel as a stylistic alternate. If preferable, you can purchase the entire family collection to have easier access to both styles, but it's not necessary. The typeface family comprises of roman and italic styles in six weights from Thin to Black and two widths in the roman style: Regular and Narrow. The accompanying script family has a single weight but offers five tracking widths, from Narrow to Wide. The bundle is an elegant combination of styles perfect for titling and display design. The serif typeface is packed with features that make ideal titling styles. Not only do they include the Stylistic Alternates, but also Titling Alternates, Discretionary Ligatures, Small Capitals, Swashes and Contextual Ligatures. As noted previously, the typeface comes in two styles, Traditional and Modern. Each can be accessed either by the Stylistic Alternates or Stylistic Sets. Titling Alternates are alternates that expand the ball terminals to K, R, V, W, and Y (see Titling Alternates slide). Contextual Ligatures are for capital combinations with A that tighten the gap created by the extended serifs. It connects characters with a pairing serif (the lower right serif of the M with the lower right serif of the A) and bridges them together. This combination works for single and multiple A combinations. It is turned on automatically in the Opentype panel and shouldn’t need to be accessed individually. Alternatively, the Discretionary Ligatures feature combines diagonal or baseline stems with lifted small capitals, creating a unique combination of characters. Swashes is an extensive feature that offers up to five swash options per many of each character. These can be selected via the Glyphs panel or as character alternates in Adobe programs. The Script family has a feature set of it’s own, with initial and final swashes on lowercase letters, middle swashes for select characters, and a titling feature that joins words together by replacing the space with a line. Stylistic alternates create a bouncing baseline on connecting strokes. *Note: there is no great need to purchase both families as all styles can be accessed via Opentype features, but if customers prefer to purchase both styles, it can be done by selecting the Complete Typeface Family collection.

DIN Serif: Specimen Manual PDF The DIN Type System: A Comparison Table This is the first ever release of a true serif companion for the popular DIN typeface. DIN Serif originated in a custom project for a watchmaking journal which required a modern serif to work in unison and match the inherent simplicity of DIN. As a result, a solid, confident and well-balanced typeface was developed which is simple and neutral enough when set at small sizes, but sturdy and powerful when set at heavier weights and bigger sizes. It utilizes the skeleton of the original DIN and retains its basic proportions such as x-height, caps height and descenders, whereas ascenders were slightly increased. DIN Serif makes no attempt to impress with ephemeral nifty details on individual letters, but instead it concentrates on a few modern, functional and everlasting novelties which express an overall distinct quality on the page and set it apart from most classic romans. This is a low contrast typeface with vertical axis and squarish form which brings out a balance between simplicity and legibility. Its narrow proportions offer economy of space which is critical for newspaper body text and headlines. At small sizes the text has an even texture, it is comfortable and highly readable. The serifs are narrow at heavy weights and when tight typesetting is applied at large sizes, the heavier weights become ideal for headlines. DIN Serif was inspired by late 19th century Egyptian and earlier transitional roman faces. Bracketed serifs were placed on the upper part of the letterforms (this is where we mostly concentrate our attention when we read) whereas small clean square serifs were placed on and under the baseline to simplify the letterforms. In order to reduce visual tension at the joins and make reading smooth and comfortable, a slight hint of bracketed serif was added at the joins in the form of a subtle angular tapered serif, which softens the harsh angularity. These angular tapered serifs tend to disappear at smaller sizes (or smooth out the joins) but stand out at bigger sizes exuding a strong, modern and energetic personality. What started out as a custom 2 weight family, it has developed into a full scale superfamily with 10 styles from Regular to ExtraBlack along with their italics. Additional features were added such as small caps, alternate letters and numbers as well as numerous symbols for branding, signage and publishing. All weights were meticulously hinted for excellent display performance on the web. Finally, DIN Serif supports more that 100 languages such as those based on the Latin, Greek and Cyrillic alphabet.

BC Away is a display typeface. It has emerged from the idea of drawing letterforms with a single-line path. Thanks to this idea, the characters are designed out of standard and conventional forms. Character designs are a combination of sharp corners and smooth curves, at the same time keeping readability. Some parts have been left blank in accordance with the letter forms. The name 'Away' represents these blanks. Also, the word 'a way' refers to the design of letterforms using a single-way.

Eymen is a font that has both hard and fun dynamics. In fact, it was primarily dedicated to cool magazine paragraphs and content in the textile industry. But thanks to its large family structure, it can be used easily in many sectors and products. In addition, Eymen can be your companion in your heavy, aesthetic logo designs. In addition, the Eymen Pro family offers you alternative glyphs, ligarutes and more. Thanks to its wide character structure, it supports you for all kinds of languages.

Introducing Bosan, our newest san serif that offers beautiful typography for your project needs. type of font that is relaxed and elegant when used both for title words, sentences and other writing. will seem comfortable to look at when reading the contents of the message you want to convey. This font is very suitable as text with displays for various kinds of branding, advertisements, posters, banners, packaging, news headlines, magazines, websites, logo design, banners, social media design and of course you can use a lot more.

Our Galindo Pro was inspired by the heavy-weight animated fonts such as Ad Lib, Nightclub, and Bear Club, blending geometric cuts with light-hearted contours. The festive letterforms intrigue and draw in the reader, while the SmallCaps and extensive figure sets open the font up to a wider range of uses. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Introducing Azorath, a groundbreaking typeface that marries the bold, unyielding lines of brutalist architecture with graceful fluidity and gentle curves. Azorath's unique design defies convention, capturing attention with its juxtaposition of strength and elegance. Each glyph, meticulously crafted, tells a story of innovation and versatility, making it perfect for both powerful headlines and delicate text. Azorath is your canvas for creating captivating narratives that leave a lasting impression. Elevate your projects with Azorath, where raw power meets graceful finesse in the world of typography.

This illustrative alphabet was inspired by the decorations of Godfrey Sykes, whose work was greatly influenced by that of Raphael and Michelangelo. This tile alphabet follows a Venetian 16th-century tradition of letters decorated with figures symbolizing each initial, a High Renaissance style. Includes one set of A-Z ornamental initials conveniently assigned to both the upper and lower case alphabet characters. Perfect for artistic publications, storybooks, fairy tales, and texts conveying the feel of the apogee of the visual arts in the Italian Renaissance.

Linotype Contacta is part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Ralf Weissmantel designed this font to display no stroke contrast at all. Instead of using conventional letter forms, Contacta is a more designed-oriented font, with some characters recognizable only in context, not necessarily at first glance. The technical, unconventional forms look almost like a maze, especially when set together. This font is not suitable for text but makes a unique impression in logos and headlines.

The Cacographie Calligraphy Font is a signature decorative font with which you can achieve a handwritten-type lettering feeling. Cacographie Calligraphy Font it's a multilingual lettering font with Greek (of course), Latin character set, and diacritics. This calligraphy style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging.

Lunok is an all caps brush font, created to make every text look like authentic hand lettering. The all-caps marker typeface is perfect for bold headlines, posters, shirt designs, fashion brands, social media content and funky ads. Mix & match the stylistic alternate or ligature, so that you'll have lots of different letters for that unique look & feel! What's included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILANGUAGE SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you've any wish, suggestion or feedback :)

Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

Classy Minimalist is a stunning handwritten typeface that features 139 ligatures for a natural and sophisticated handwritten look. Its beauty is perfect for weddings design, valentines, invitations, branding, quotes, and more. Plus, it supports multiple languages, making it perfect for a variety of design needs. With its elegant strokes and versatility, this font adds beauty to any project, making it a must-have for content creators. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates, ligatures, and swashes PUA encoded

introducing AESTHETIC VIOLET - natural handbrush script - AESTHETIC VIOLET is natural handbrush font with ending swash. It is great for quotes, card, banner, book, social media content, and anything about your project. The ending swash makes this font look so natural. Very easy to access it. You only need to add an underscore twice after the lowercase. This product came in 2 styles, regular and slant. Features: - Uppercase - Lowercase - Ending swash - Number & punctuation - Multilingual - PUA encoded I hope you love it. regards, Abo Daniel Studio

Stemplate is a bold, no-nonsense font based on the common translucent green templates that are available now at an office supply near you! Stemplate includes upper and lower case letters, as well as numbers, symbols, punctuation, and accented foreign characters. Stemplate Outline is based on the common translucent green templates that are available now at an office supply near you, and includes upper and lower case letters, numbers, symbols, punctuation, and accented foreign characters. Stemplate Outline is particularly fetching with a neon glow.

Stonechips is a new Display Font with a bold and unique style. This font is carefully made to maintain the balance of each letter, so that creating a bold and strong style in this font. And very easy and convenient to use! With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects.

Karmila Script is a decorative signature font, where you can achieve the feeling of handwritten letters. So that this font is perfect for your modern graphic design needs, such as social media content, wedding invitations, book covers, greeting cards, logos, branding, business cards and certificates, actually for any design work that requires a formal or luxurious impression. Try Karmila Script, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily.

Have you seen that new font from Comicraft it's lovely isn't it all soft and spongy it fair warms the cockles of me heart Mrs Robinson at number forty three she has one she got it down at the store on the corner you know the Indian convenience open all night my Albert gets his Heineken down there late of an evening and you know what I saw all manner of strange people down there last week super heroes I think they were Blimey!