Carved Initials, under the character set, are initials that appear to have the background carved away so the initial appears protruding. Under the shift + character set the initials appear to be carved into the background so the initial appears to be recessed. There are two sets of initials, protruding and recessed, a through z and 0 through 9 for a total of 72 characters.

Font inspired by the decorative elements and opening capitals frequently in use in the early 1500s, under Geoffroy Tory’s book “Champfleury” influence, especially in Lyon (France). It is an entirely original design. It is used to embellish texts, such as posters, greetings, invitations, gastronomic menus and much more... This font easily supports enlargement to 48, 60, 72 points and more, as it is made for those sizes!

The Bitstream version of Englische Schreibschrift by H. Berthold, 1970–72. An unconnected copperplate script of the English nineteenth-century fashion, so-called Spencerian. Based on pressure pointed quill calligraphy. Unlike other copperplate scripts, the letters in this face do not link up. For use in advertising and display typography in relatively small sizes. Cyrillic version was developed at ParaType in 2000 by Vladimir Yefimov.

Chiseled Initials, under the character set, are initials that appear to have the background chiseled away so the initial appears protruding. Under the shift + character set the initials appear to be chiseled into the background so the initial appears to be recessed. There are two sets of initials, protruding and recessed, a through z and 0 through 9 for a total of 72 characters.

A recent walk down memory lane through old college sketchbooks revealed a collection of caricature fish doodles. Then the sketches were discovered by my son who, being a marine life enthusiast, promptly demanded that I draw more fish. Thus, a collection of 71 fish-inspired drawings and bubbly numbers was born. There is even a lemon, since no fish is really complete without one.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

How can Teutonia be called “Art Nouveau” with all those straight lines? It seems like a contradiction. In fact, however, Art Nouveau embraces a rather wide variety of stylistic approaches. Five well-known examples in the field of architecture serve to illustrate the range of diversity in Art Nouveau: Saarinen’s Helsinki Railroad Station, Hoffman’s Palais Stocklet in Brussels, Lechner’s Museum of Applied Arts on Budapest, Mackintosh’s Glasgow School of Art and Gaudi’s Sagrada Familia in Barcelona. Only the last fits comfortably within the common perception of Art Nouveau. Whereas Gaudi would avoid the straight line as much as possible, Macintosh seemed to employ it as much as possible. The uniting factor is that they all represent “new art” -- an attempt to look things differently than the previous generation. Even when they draw on the past -- e.g. Lechner in the use of traditional Hungarian folk art -- the totality of the expression in new. Teutonia clearly shows its blackletter roots in the ‘D’ and the ‘M.’ Roos & Junge of Offenbach am Main in Germany produced Teutonia in a "back-to-basics" effort that has seen many quite similar attempts in the field of topography. In 1883, Baltimore Type Foundry released its Geometric series. In 1910, Geza Farago in Budapest used a similar letter design on a Tungsram light bulb poster. In 1919 Theo van Doesburg, a founder with Mondrian and others of the De Stijl movement, designed an alphabet using rectangles only -- no diagonals. In 1923 Joost Schmidt at Bauhaus in Weimer took the same approach for a Constructivist exhibit poster. The 1996 Agfatype Collection catalog lists a Geometric in light, bold and italic that is very close to the old Baltimore version. Even though none of these designs took the world by storm, they all made a contribution to our understanding of letterforms and how we use them. Teutonia is compact and surprisingly readable at 12 points in print, but does not do as well on the screen. Extra leading is suggested. Four ligatures are supplied: ch, ck, sch and tz. The numerals are tabular.

Helvetica is one of the most famous and popular typefaces in the world. It lends an air of lucid efficiency to any typographic message with its clean, no-nonsense shapes. The original typeface was called Neue Haas Grotesk, and was designed in 1957 by Max Miedinger for the Haas'sche Schriftgiesserei (Haas Type Foundry) in Switzerland. In 1960 the name was changed to Helvetica (an adaptation of Helvetia", the Latin name for Switzerland). Over the years, the Helvetica family was expanded to include many different weights, but these were not as well coordinated with each other as they might have been. In 1983, D. Stempel AG and Linotype re-designed and digitized Neue Helvetica and updated it into a cohesive font family. At the beginning of the 21st Century, Linotype again released an updated design of Helvetica, the Helvetica World typeface family. This family is much smaller in terms of its number of fonts, but each font makes up for this in terms of language support. Helvetica World supports a number of languages and writing systems from all over the globe. Today, the original Helvetica family consists of 34 different font weights. 20 weights are available in Central European versions, supporting the languages of Central and Eastern Europe. 20 weights are also available in Cyrillic versions, and four are available in Greek versions. Many customers ask us what good non-Latin typefaces can be mixed with Helvetica. Fortunately, Helvetica already has Greek and Cyrillic versions, and Helvetica World includes a specially-designed Hebrew Helvetica in its OpenType character set. Helvetica has also been extende to Georgian and a special "eText" version has been designed with larger xheight and opened counters for the use in small point sizes and on E-reader devices. But Linotype also offers a number of CJK fonts that can be matched with Helvetica. Chinese fonts that pair well with Helvetica: DF Hei (Simplified Chinese) DF Hei (Traditional Chinese) DF Li Hei (Traditional Chinese) DFP Hei (Simplified Chinese) Japanese fonts that pair well with Helvetica: DF Gothic DF Gothic P DFHS Gothic Korean fonts that pair well with Helvetica: DFK Gothic"

Clark Hairline is a sans serif with calligraphic touch, it is part of a large Type System still in production. The main idea is to create a sans serif for use as a text face.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, short descenders, tall ascenders, the condensed bold version, completing the family of 4 fonts in total.

JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.

Introducing Glooser a elegant Serif Font Inspired from modern style combine with bold typography style. Come with open type feature with a lot of alternates and end swash, its help you to make great lettering.

JH Oleph is a modern neo sans humanist Typeface. It includes eight weights and five widths, total of forty weights and another forty italics. JH Oleph may be used as screen display and text type.

Introducing Hello Dudley by Tlatous Type. Hello dudley is a Modern Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

German type designer Hans Reichel created this symbols FontFont in 2001.It is ideal for creating road maps. The family has 8 weights, and is ideally suited for editorial and publishing and wayfinding and signage.

Introducing Joy kids by Tlatous Type. Joy Kids is a Modern Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Introducing Matcha Dalgona by Tlatous Type. Matcha Dalgona is a Modern Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

DMV Printer is a detailed replica of the type produced by the computer printer at the California Department of Motor Vehicles. It was created in order to make prop documents for movies and television shows.

Woodcraft JNL is another fine example of the charm wood type adds to the printed page. The hand-cut design's eccentricities enhance any project that desires to reflect the advertising of another time and place.

A revival of one of the popular wooden type fonts of the 19th century. Suitable for text or display, Aetna has thick stems and serifs, related to Roman and Doric, short descenders, tall x height.

Suisside is a sans-serif unicase font design inspired by international style and the new typography. Works great when set in simple, clean and minimal type layouts is recommended for short texts, logos and posters.

A scribbled kids handwriting kinda font without overdoing it, which makes it super legible, even at very small sizes. I have added 5 different versions of each letter, and they automatically changes as you type!

Introducing Donut & Candy by Tlatous Type. Dinut & Candy is a Modern Handwritten Font. This font is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Just Frames... 31 to be exact. Some swirls, some hearts, some ovals, some squares. Some line, some solid, all with a fun hand drawn feel. Just add some hand drawn type and you are done.

QuadratishSerif is an interesting ultra black type design with serif, that contains both solid and outlined lettering styles. A third design style can be created when combining the two styles over top of each other.

Julmeme-Kun is a fully italic font. This unique characteristic added to its tall and elegant proportions makes it a very dynamic typeface. Applicable for any type of graphic design, especially for posters and logotypes.

Restaurant and Lounge is a casual, brush-style type face based on hand lettering found on a 1940s matchbook for the Park Avenue Restaurant (a popular dining spot during the golden years of Miami Beach).

Cyra is a shaded roman serif classic font. Distressed and antique, use this font in display purposes for a stylized type design. Uppercase letter designs only, works best when used for headers and set manually.

This is a fun Bone type font to give that Bone Chilling look to any of your designs. Comes with Skulls and loose Bone options. This a great Font for a Halloween Bone Font Design

Wake Snake is a beautiful font that is capable of handling a ton of project types and designs. This vintage, Victorian inspired font is ideal for a giving your projects a classy and nostalgic feel.

ATC Oneshot, is a handwritten script font based on neighborhood bodega signage. Contains 160+ glyphs, full alphabet, ligatures, numberals, accents and punctuation. File type included in download is .otf. ATC Oneshot was released in 2019.