Say hello to the Blackberry Macarons Font Trio! Heart-warming Script, Display, and Sans Serif fonts that will brighten your design. Blackberry Macarons Display - includes all caps regular and multilingual letters, punctuation, numbers, and as a bonus the letters A, K, M, Q, R with beautiful swashes to keep your designs attractive :) Blackberry Macarons Script - has all uppercase and lowercase letters, numerals, punctuation, and 42 fancy ligatures as well to add a cheesy flair to your words. Blackberry Macarons Sans - a cute and fun hand-drawn typeface with a little imperfect look that works great to add a handmade touch to your projects. Includes a full set of regular letters, numbers, and punctuation. Sweet and quirky, the Blackberry Macarons Font trio is perfect for recipes, book illustrations, lettering, fun packaging, greeting cards and so much more!

Starline Script is a sweet monoline font, with a casual and dynamic baseline, This font can be used easily and simply, perfect for branding, logos, greeting cards, wedding stationery, quotes and more. It comes with a handy set of OpenType Stylistic Alternates, Ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. These coded with PUA Unicode. Mac users can use Font Book and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: http://youtu.be/iptSFA7feQ0nn

Coal Brush is a bit of a misleading name. It looks as though it was made with a brush, but it was, in fact, made with a almost dried out old marker pen. But a font named ‘dried out old marker pen’ doesn’t really fly, so I decided to pimp the name. There you have it, you can’t even trust an honest typographer! Marker pen or brush, Coal Brush is a very sweet little font. It is all caps, but upper and lower case differ and can be mixed freely. Plus there’s a hidden stash of alternates for the lower case letters and an alternate ampersand! I actually threw that in to make up for my lie. So, use it for your books, your posters, your rap albums, rock operas, grilled food restaurants and designer BBQ sauces. It’s yours for the taking!

California Street is the perfect handwritten font: Sweet, innocent, light and charming, this one-of-a-kind typeface will add a unique charm to any design project! California Street font was created to look as close to a natural handwritten script as possible by including 64 ligatures. With built in Opentype features, this script comes to life as if you are writing it yourself. You can see it in the picture shown. A wide range of swashes (a-z) and alternates (A-Z, a-z) are included so that you can give your logo or name a custom, hand-calligraphy look. This font is available in 10 fonts in 1 typefaces : Thin, Light, Regular, Semi Bold, Bold, Thin Italic, Light Italic, Italic, Semi Bold Italic, Bold Italic and most importantly, California Street is perfect for you.

Schlange is a rich typeface with rounded terminals. The family includes five sans serifs and five slab serifs in weights from ultra liight to bold. Schlange’s personality is determined by an open aperture and quite large lower case characters in comparison with the upper case set. Schlange’s personality is open and friendly, giving a text it’s used for a soft, warm appeal. Schlange will work well as a display type (think titles, short magazine call-outs, ad banners, and such), but it’s not a good choice for extensive bodies of academic text. Available in numerous weights, the typeface provides rich opportunities for mixing and matching and is great for typographic compositions. These qualities make Schlange a dream type for a packaging designer. It will feel at home in design for cosmetics or sweets, postcards, children’s books and menus.

Lacosta is a decorative script typeface, drawn and created by Måns Grebäck during 2020. Perfect for company or product logotypes, or any typographic art that requires that classic custom look. Included in the family is the Lacosta Line typeface, a swash underlined variation of the original font. In addition to being a beautiful, ornamental lettering, it also has a lot of decorative and swash options: Use the symbols [ ] { } _ to create connections, swashes and decorations. Example: Extra[ Sweet] The font contains multiple OpenType functions, and is filled with alternates; stylistic alternates to give extra personality, and contextual alternates to make the letters flow with one another smoothly -- just as a custom logo. Lacosta has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Stevia is a font family designed by Carlos Fabian Camargo Guerrero. Stevia is a sweet font family created to design logos, cards, posters, book covers, blogs, packaging, walls, etc. Stevia is useful to differentiate your designs and stimulate your imagination through 5 fonts drawn with an apparent handmade lettering look. Stevia dingbats has more than 250 special monolineal icons to accompany Stevia Script Black (600 glyphs), Stevia Script Light (470 glyphs), Stevia Subtitles Bold (300 glyphs) and Stevia Subtitles Light (300 glyphs) in quotes, legends and short writings. That’s why you'll get a lot of alternative letters in uppercase, lowercase and opentype numbers as well as ligatures and flourishes ideal for beginning, middle and end of word. In summary Stevia is great for communicating naturalness and freshness in designs that need to be outside conventional typographic norms.

The font is devoted to the historical past of the peoples of Europe, which today is hidden, but which can not be lost forever, because it lives in the genetic memory and hearts of people. Beautiful font in the historical traditions of 17-19 centuries. Elegant, luxurious, sweet. Some forms and combinations of forms are not always ordinary, but always interesting and exciting. - Letters for all Latin alphabets - Letters for all Slavic alphabets - Ligatures. All standard (ff, fi, fj, etc.) as well as fb, fk, tt, ft - Stylistic alternates a, y, g - Ordinals - Fractions - Historical forms of letters s, я - Historical ligatures ss, si, st - Historical Slavic letters - Lowercase alternates for ж, к, я, ect. - National ligatures: German ss, Icelandic and French ae, oe, Dutch ij - Uppercase German SS (Eszett Große) - Currencies: dollar, ruble, euro, pound, cent, yen and more...

Consisting of 5 fonts in 5 weights, it features an extended charset of over 520 glyphs, covering multilingual support, including Western European, Central European, and Southeastern European. Complete with advanced open type features like stylistic alternates, discretionary ligatures, ordinals, small caps, fractions, and case-sensitive forms. The elegant and refined details seen in this font provide a new aesthetic input, satisfy contemporary style, and give a range of choices for luxury typographic projects. This font is perfectly suited for high-impact headlines. Advance open-type features are stunning on logos, branding, magazines, website, etc. Supports languages: Afrikaans, Albanian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Colognian, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kinyarwanda, Kurdish, Latvian, Lithuanian, Lojban, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Morisyen, North Ndebele, Northern Sami, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Turkish, Turkmen, Upper Sorbian, Vunjo, Walloon, Welsh, Western Frisian, Wolof, Xhosa, Zulu

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. Most of the shapes in TessieSpinners suggest a spinning motion. Most do not resemble real world objects. The TessieSpinners fonts contain shapes that can be used to construct tessellation patterns. It has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the “Samples” file here. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations.(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. Make sure the leading is the same as font size or the rows will not line up.)

Magnat is a contrasting sans drawing inspiration from designs from the early twenties century and expands them into an elegant and distinctive contemporary design. Playful elements such as the curvy ear on the lowercase g or the long tail on the uppercase Q break the strictness and add character. The combination of closed apertures with the contrasting strokes create an elegant and distinctive overall appearance. The Magnat family is available in 36 weights including matching italics, divided into 3 subfamilies: Poster, Head and Text. Each has been designed for its individual range of text sizes. The Poster and Head styles with their tight spacing and luxurious shapes are made for impactful headlines and short paragraphs, whereas the text weights are either a great addition for small text sizes or, when set in large sizes, perfectly work as a robust standalone font with a lot of character. Each font style is equipped with many opentype features such as alternate characters, different number sets or case sensitive shapes making it a perfect choice for professional type setting in branding, editorial or digital design.

»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

One of the most unusual sets of antique stencils spotted for sale online comprises a set of twenty-four classic logos of early 20th Century automobile companies. For whatever purpose that is now lost to time, these stencils represented the logos of many of America's finest auto manufacturers; most now just historical memories. The logos were painstakingly redrawn, maintaining the distinctive look of the hand made cutting, although it was an exacting process - some of the images were taken at an angle, and a bit of artistic license had to be used as a compensatory factor. It is to be noted that any and all of the logos presented in this font are the intellectual property of the companies, successors or assignees that may still hold the rights to these symbols. No endorsements by such corporate entities are either expressed or implied. Additionally, it is advised that any use of these logos be restricted to historical or hobby purposes, and they should not be used in a way that would construe any authorized reproduction of the logos in a commercial fashion.

The initial inspiration for the typeface came from examining precisely machined labels on tools of various kinds, from cameras to cars, which need to be perfectly legible at all sizes. Such processes create a distinctly streamlined, clean look that feels both robust and stylish - universal and unique. Technical Rounded VP includes ten diverse styles, offering great versatility. All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages. To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, optional slashed zeros, separate old-style and lining figures, small capitals, and contextual alternates. If you are looking for similar typefaces, note that Technical Rounded VP is the soft counterpart of Technical Standard VP. A stenciled version is also available. They can be used either on their own or together seamlessly.

Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura. All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree. As a result, All Round Gothic became a new font family that covers between 1920s Bauhaus and contemporary design trends comprehensively and one of the most suitable family for any purpose such as text, headline, logo, poster, and animations thanks to clean and legible but soft and friendly letterforms. All Round Gothic includes 5 weights and obliques corresponding to each weight. Why don't you try this family if you got a little bored with classic sans serifs. This font is used in Minions movie.

Introducing Vintage Fonta Hi Designer, Come again to complete your script font collection ...! Vintage Fonta is a classic calligraphy font. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

Fresh Style is a modern script style similar to hand lettering, decorative characters, designed to perfectly blend informal, romantic, sassy, ​​sweet script. Hand-drawn design elements allow you to create tons of beautiful typographic designs in seconds such as branding, logos, web design and editorial, prints, invitations, crafts, quotes and many more. Frest Styles includes alternative OpenType styles, ligatures, and International support for most Western Languages. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. Fresh Style is encoded with Unicode PUA, which allows full access to all additional characters without special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any extra characters to paste into your favorite text editor/app.

The Dutch word “leuk" translates loosely to English as pleasant, jolly, funny, witty, clever, nice, sweet, kind, nice, amusing, entertaining, and funny. Leuk, the font, is a small, highly legible font with a witty, sociable personality that engages it’s readers. My challenge in designing Leuk was to find a unique feature to set apart the font without losing the fundamentals of type design. In the process of doing so, I created a virtual font “smile and wink” in the “o” upper and lowercase with integrated stencil-connecting strokes within the “a,e, k, z, o, ß” to reveal Leuk’s calligraphic roots. Legible and friendly, Leuk is designed for use in advertising, brochures, promotion, book cover design, packaging, and the like. The Leuk family consists of Leuk Light, Leuk Light Italic, Leuk Regular, Leuk Italic, Leuk Bold, Leuk Bold Italic, Leuk Black, Leuk Black Italic in Opentype format.

Introduce Malovely Font! This is a beautiful script font made with love. This font comes in a bold, upright style. With this style you can create an attractive, cute, sweet and firm design. So that it will make your work even more fun! With a style like this, this font will be suitable in use for logo's, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, logo's, t-shirts, book covers, name card, invitation cards, greeting cards, and all your other lovely projects. You can use this font for your job very easily. Because there are many features in it. Contains the complete set of lower and uppercase letters, punctuation, numbers, web fonts, and multilingual support. This font also includes several ligatures and alternative style Stylistic Set For those of you who have software that is capable of working OpenType (Corel Draw / Photoshop / Illustrator / InDesign).

Looking like happy frosting on a cupcake at a twiddle bug party, this bouncy food entry from Canadian designer Haley Fiege turns the original Jellybrush type into organic happiness you can spread on pancakes, ice-cream, sorbets, sauces and condements, oh peanut butter! Yeah, all kinds of sandwich fillings. Anything really. What else? People who own rubber factories. Anybody in the food business, like green grocers or your local bakery. Thrift stores. Falling somewhere between cushions and cat food, this flexible and inviting letter mixes simplicity with organic character and humor for a wide range of uses. Soft Serve’s compact cursive forms and bouncy friendliness draw on artbrush scripts and the typo-italic model of Renaissance Vatican scribe Ludovico Arrighi. A versatile workhorse ideal for: * Dairy & beverage * Sweets & soft drink * Five minute food & sauces * Pet food & accessories * Bathroom & kitchen * Cushions, pillows, rubber & swimming pool, etc.

Beach Sunshine – Clean Version is a fresh and sweet handwritten font. A little bit quirky, this font looks incredibly adept on a wide variety of contexts. Fall in love with its incredibly versatile style and use it to create spectacular designs! This font is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitations or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. Fall in love with its incredibly versatile style and use it to create spectacular designs! Use this font for any crafting project that requires a personalized look! What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfonts – Compatibility Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Prepare to be swept away by the mesmerizing allure of Oceania, the font that will transport your designs to a world of elegance and beauty. Say goodbye to dull and uninspiring typography because Oceania is here to revolutionize your creative endeavors. With its graceful curves and enchanting letterforms, this gorgeous curvy typeface exudes sophistication and charm. Each letter is meticulously crafted to perfection, forming a harmonious dance of curves that will captivate the eyes of your audience. Whether you're designing wedding invitations, crafting stunning logos, or adding a touch of class to your branding materials, Oceania is the secret weapon that will make your designs shine. Dive into the depths of this exquisite font and let its timeless elegance elevate your creations to a whole new level of visual splendor. Get ready to make waves in the design world with the irresistible allure of Oceania!

The best thing about Umba is its surprise! UMBA Soft is a mellow sans serif typeface designed by Anita Jürgeleit. Your creation should be soft and gentle and you need a suitable font? Something that should be cuddly, sweet and soft but a serious type family that covers all your concerns? Umba Soft is your match! Your typographic composition will improve with your new favourite font. Thirty styles from thin to bold and matching italics helps you to create a highly appealing design product. Alternates and small caps are accessible in separate styles. There is no need for any special software to use them. The styles will appear in your font menu to make sure you stay aware of the many possibilities that your new font offers. 30 styles Italics Alternates Small Capitals Predefined Fractions Sub-/Superscript Numerator/Denominator Old style figures Tabular figures Ligatures Let’s get in touch! www.typethis.studio

Milana Script is sweet calligraphy font. This font is casual and pretty with swashes. Can used for various purposes such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and more. Milana Script features OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. Milana Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. If you need help or have any questions, please let me know. I'm happy to help. Thanks & Happy Designing!

Underpaid? Overworked? If you like Fritos, Jolt and Mountain Dew in your cubicle, your big warm fuzzy Donkey Kong heart is going to like these fonts a lot. Developed in conjunction with actual Code Monkeys*, this user-defined type IS defined -- it's loud and proud, and available in functional monospace for screen or elegant proportional spacing for print. When your pet project needs a soft, pretty face that's visible from across the office, sit down and pretend to work with CodeMonkeyVariable. Released from the captivity of monospacing, these lovely letters can convey even your wildest story ideas. When your syntax needs to line up on screen, get monospaced out with CodeMonkeyConstant. Copy from other sources and your screen captures will look so sweet you'll no longer have to pray your code complies to specs, because even your login page will look like dynamic rock star programming.

Day after day we are running from here to there, living in a society that does not allow us to slow down for a minute. Having so many things on our minds, we often unnecessarily complicate our problems, and our stress is so great that we forget what happiness is. French Bulldog was made to celebrate the unnoticed precious little moments. A hot coffee in the morning, the sea breeze on your face, the sweet smell of a flower, a nap with your dog, a meeting with friends, the tenderness of a maternal caress, traveling, walking, crying, sharing, feeling, being onesself. French Bulldog creates spontaneity from chaos with different shapes working randomly to form finesse or coarseness, just like a casual hand works a brush and tries to follow the rules with unpredictable results. It is versatile and fresh, friendly and relaxed. Flow in the moment.

Bestowens is the perfect handwritten font: Elegant, Sweet, innocent, light and charming, this one-of-a-kind typeface will add a unique charm to any design project! Bestowens was created to look as close to a natural handwritten script as possible by including 44 ligatures. With built in OpenType features, this script comes to life as if you are writing it yourself. You can see it in the pictures shown. A wide range of swashes (a-z) and alternates (A-Z, a-z) are included so that you can give your logo or name a custom, hand-calligraphy look. This font is available in 10 Styles in 1 typefaces: Thin, Light, Regular, Semi Bold, Bold, Thin Italic, Light Italic, Italic, Semi Bold Italic, Bold Italic and most importantly, Bestowens is perfect for you! don't wait anymore, put it in your shopping basket :) and follow me, because there will be many promos!

Introducing the Smithe Signature font. Smithe's Signature Font, is a classic thin font with an italic style. Here you will get beautiful classic fonts. this font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font would be perfect for logos, branding projects, household designs utensils, product packaging, mugs, quotes, posters, shopping bags, logo, t-shirt, book cover, business card, invitation card, greeting cards, and all your other beautiful projects. Smithe Signature Fonts, including various language support. You can use this font for your work very much easily. Because there are many features in it. Contains a complete set uppercase and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternatives style Set Style For those of you who have capable software OpenType work (Corel Draw / Photoshop / Illustrator / InDesign).

Maldini Script is a classic calligraphy font. This is a classic thin font with an italic style. Here you will get a beautiful classic font. This font is available in several modern swirls that can make your work look elegant, sweet and perfect. With this style, this font will be suitable for logos, branding projects, design of household appliances, product packaging, mugs, quotes, posters, shopping bags, logos, t-shirts, book covers, business cards, invitation cards, greeting cards, and all your other beautiful projects. You can use this font for your work very easily. Because there are many features in it. Contains a complete set of upper and lowercase letters, punctuation, numbers and multilingual support. This font also includes several ligatures and alternative styles Set Stylistic For those of you who have software that is able to work OpenType (Corel Draw / Photoshop / Illustrator / InDesign). Thanks & Happy Designing!

Conversation Hearts are inspired by the sweethearts and conversation hearts that can be found all over the US and Britain, but not in Germany. A source of endless fun and surprise. As a typographer to me they are also a surprising document of written communication. Most people complain that nowadays the inscriptions are not as sweet as they used to be. While they used to held romantic and promising inscriptions like “Be True” “Sweet Talk”, today they carry “Tweet me” “Ur Hot” and “Party Girl”. So i took this as a motivation to work with conversation sweetheart on a conceptial inspirational and typographical level. The obvious: every letter pressed on the keyboard brings out a conversation heart that starts with the letter - i.e. L = Loverboy, H = Heartless but what to write? Since i didn't want to reproduce the old “Fax me” and “Email me” I had to come up with something new. Something with a personal relation and of course something that I Love - what else could i write in the shape of the heart? So I tried to access my upper subconsciousness and looked for two words for every letter in the alphabet. One for the capital letter pressed and one word for the lowercase letter. Resulting in a Kurt Schwitters worthy assemblage of vocables "Post-office" “Internship” “Zebra” “Answers” etc. It is not easy to read a text set in Conversation Hearts but easier as a text set in Zapf-Dingbats. To sparkle the visual appearance uppercase letters are filled hearts with “carved” inscription, while lowercase letters are an outlined heart with written inscription. Conversations Hearts is a part of the Light Hearted Font Collection that is inspired by a recording of Jean Baudrillard with the title, "Die Macht der Verführung" (The Power of Seduction) from 2006. Further inspiration came from the article, "The shape of the heart: I'm all yours". The heart represents sacred and secular love: a bloodless sacrifice. by British writer Louisa Young printed in EYE magazine (#43) London, 2002.

Perfect in its imperfection, Psychedelic Xylophones is a retro trippy hippie font that brings a hand-lettered groove to your text graphics. It features a large complement of two-character alternate glyphs that adds a subtle sway and an ebb-and-flow that results in some customized surprises and other more subtle variations to your text. It's great for that bendy, melty, warped headline psychedelic poster thing. Try it on retro t-shirt messages and surf/skate graphics, or a daring branding choice for drink or snack packaging. The alternate glyphs are turned on by default but can be over-ridden easily in the Glyphs panel of many popular software packages.

Tricorn Mono is a monospaced font with two styles – regular filled for uppercase and an outline version for the lowercase. Tricorn Mono was first hand drawn (sketched) as an exploration for a headline font and also developed on from a previously unreleased font. It was then expanded to feature multi language support and custom symbols. Tricorn Mono contains unique forms that explores the use of a rigid grid that is tested with negative form to provide legibility and balance. The conceptual design is focused on a modern, futuristic design aesthetic around the gaming, e-sports markets and future technology. Tricorn Mono typeface has been tightly monospaced and intended for use at larger sizes as a display typeface. The font can be tightly stacked to create strong, impactful typographic forms. This 612 glyph font has language support for 87 languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Catalan, Cebuano, Chiga, Cornish, Corsican, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Icelandic, Ido, Indonesian, Interlingua, Irish, Italian, Javanese, Jju, Kabuverdianu, Kalenjin, Kinyarwanda, Lojban, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Northern Sotho, Norwegian Bokmål, Norwegian Nynorsk, Nyanja, Nyankole, Occitan, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sardinian, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, South Ndebele, Southern Sotho, Spanish, Swahili, Swati, Swedish, Swiss German, Taita, Taroko, Teso, Tsonga, Tswana, Vunjo, Walloon, Welsh, Western Frisian, Xhosa and Zulu.

Say it softer with Solitas Serif. Perfect for the designer needing a serif without the stiffness, Solitas Serif will turn your reader’s eye with its slight serifs and rounded corners. This softer version of the curves found in Solitas and Solitas Slab gives your work a subtle yet noticeable charm. Solitas Serif’s 42 rich fonts live comfortably in print and on packaging as well as online. With its soft, pleasant appeal, your reader can move over the typeface with ease. Intermediate weights are available for long amounts of text, and the bold version makes a strong but gentle stance in headlines and subheadings. Altogether, Solitas Serif remains an unimposing and graceful font, despite its large selection of seven weights, three widths, and italic sets. Solitas Serif’s OpenType options include capitals, ligatures, ordinal numbers, fractions, denominators, superscripts and subscripts. Serif also supports Western European, Central European and Eastern European languages. For a sweet approach, charm your reader with simple and soft. Charm them with the subtle Solitas Serif.