Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Songbook JNL is based on a promotional blurb from the back of a piece of vintage sheet music. Its interesting style of slab serif lettering with strong Art Deco influence was worthy of re-drawing into a digital typeface. This design is the 900th release from Jeff Levine Fonts since its inception in January of 2006.

SNOWEMBER is a carefully stunning modern calligraphy with snowy effect. It is great for titling, headline, logo, t-shirt designs, mugs, tote bag designs, cards, banners, social media, and anything of craft projects. Features: - Uppercase - Lowercase - Numeral - Punctuation - Alternates - Multilingual - PUA encoded This font is very worthy to add to your collection regards, Abo Daniel Studio

A kind of grunge with that cool wild look so associated with the current trend of today.

Worthe Numerals come out of a time-tested development cycle where House Industries employees ask “What if this could be just a little more…”. After pushing traditional didot forms to the limit, these digits were originally applied to a set of wood blocks. But, who says replenishable Michigan-grown basswood should have all the fun? So we added everything one needs to stylishly set their current currency and credit default swap hedges, while also being able to set the appropriate fractional take from their blog’s micropayment structure. Made to be large, attract attention, and —when needed— drop a shadow, Worthe Numerals brighten the daily drumbeat of numerical gloom. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Argumend | A Humanistic Slab Serif Typeface Argumend is a versatile slab serif typeface with a wide range of Opentype features. Create strong and eye catching headlines with its upper case ligatures or make use of its many weights and true italics to create mindful body copy; either way, Argumend is rich with typographic options to help create attention worthy text.

Sintyabelinda - Sintysbelinda is Signature Font, suitable for any projects such as logos, branding projects, homeware designs, product packaging, mugs, quotes, posters, shopping bags, t-shirts, book covers, name card, invitation cards, greeting cards, label, photography, watermark, special events, and more. stylistic set alternate and swash make this font so classy, this is a font worthy of your collection. Thank you.

I'd like to introduce you Alander! a wonderful signature font. Alander comes with a stylish style and a masculine impression. A little chic and classy, ​​Alander is a worthy addition to your collection of handwritten script fonts. Alander is perfect for many design needs such as merch, T-shirts, titles, book covers, social media posts, websites, events, and many more. Enjoy the font, Thanks!

NewMarker is a hand-drawn font, made with ink brush. It includes basic latin character set, numerals, currency symbols and basic punctuation.

A bold currency typeface that's perfect for replicating the style of money and old stock certificates. Includes drop caps on lowercase characters.

BRIGNELL SLAB is an eight font family designed by Ian Brignell. Curvaceous and dynamic, this unique slab exudes honesty and personality. A slab serif characterized by a soft treatment where normally you would see vertical serifs. This feature allows for a smoother, less toothy, reading effect. Brignell Slab was born in 2008 and was inspired by the logo and custom font Ian designed for Naturalizer. Extended Latin set.

ITC New Winchester is a revival of a typeface that never really had a first release. The original Winchester was an experimental design created by the American type designer W.A. Dwiggins in 1944. Dwiggins was interested in improving the legibility of the English language by reducing the number of ascenders and descenders; to do this, he gave Winchester very short descenders and created uncial forms for a number of letters. The result was a distinctive text typeface that was occasionally used by Dwiggins and Dorothy Abbe in handset form. Fifty years later, Indiana type designer Jim Spiece has turned Dwiggins's experiment into a new family of digital text types. Spiece gave New Winchester a bold weight, as well as small caps (both roman and italic) and old style figures; he also created two forms of the lowercase f, one with and one without an overhang (in metal type, a kern), and a full set of f-ligatures.

Moller has a strong but soft character, with a cheerful and fresh theme, supported by 2 Style. Moller is able to answer your current needs who are designing something great. Moller is a bold and unique display font. Masterfully designed to become a true favorite character, moller is able to answer your current needs who are designing something great Its weight is superior in posters, social media, headlines, magazine titles, clothing, large print formats.

Mystere is a new, hand-drawn font. This is currently a limited set designed for display usage. The font has a crude, yet stylish feel.

Note: Only the regular style in font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Oh Mabuboo is a typeface that combines current technologies with an antique look. The designer's fascination in vintage was the source of inspiration for the design.

Note: only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

Note: Only the regular style in this font family is currently available due the complexity and the resulting memory and performance issues associated with the other styles.

For our latest Master of Comic Book Art, Roarin' Rick Veitch, we've created a Brat Pack of fonts worthy of a Maximortal! This is The One! This will make your Heartburst! If you Can't Get No Rick Veitch between 1941 and 1963, wipe that Swamp Thing off America's Best Greyshirt, because this font is nothing short of A Miracle, Man! It's Epic! Abraxas and the Earthman and your Army @ Love recommend it.

Script characters should fit together neatly and the connections mustn't look awkward. While this can be accomplished by using dozens of alternate glyphs and OpenType feature coding, there is still something worthy and eloquent about doing it with the simplest character set possible. Tribeca Script is a casual, mono-weight script first drawn as the headline for a Taste of Tribeca poster and later finessed into a font with no pretense of looking hand-rendered.

Otoiwo Grotesk is an extremely versatile sans-serif typeface with a closed aperture. It features whopping 126 styles over 7 widths, each containing 9 weights with corresponding italics. The mood of the family ranges from fairy neutral in Normal and Condensed widths to very flavorful Compressed and Ultra Wide. Rich language support, which includes Cyrillic and spans 131 language ovarall, makes Otoiwo Grotesk a worthy choice for brands that strive to reach international audience.

Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!

Delivery is a bold, geometrical font in square shapes with modern spurs, uppercase and lowercase, accented, additional characters ligatures and stylistic alternates, numbers and punctuations, currency and other symbols.

Kemuning font is a traditional handwriting style font with thin and beautiful lines, this font is a reflection of naturalism, and the beauty that exists in the surrounding environment.

Modernist is a square font with very clean lines that is currently available in 4 weights. Works well in a number of sizes to create a stylish, modern look.

Torch is a spirited, sophisticated sans. With an open flow that embraces and accentuates the beauty of its surroundings, Torch carries a confidence and triumphal whimsy ideal for any celebration.

“For those who regret what keyboards and touch screens have done to their penmanship, typographer Harald Geisler has an answer: Sigmund Freud.” — The Wall Street Journal Sigmund Freud was a neurologist who lived from 1856 to 1939. His research and studies led to the foundation of ‘Psychoanalysis’. When I first saw Freud’s century old letters, I was fascinated by the beauty of these historic manuscripts. It made me smile to imagine a person writing his or her shrink a letter set in Freud’s handwriting. I started to plan creating a font based on his manuscripts. I contacted the Sigmund Freud Museum Vienna and Freud Museum London. To start the creation I selected eight handwritten documents from the archive in Vienna – This selection of specimen was my orientation during the design process. The Samples were created between 1883 to 1938 and are of various character such as handwritten scientific papers, personal letters, notes and a telegram. A successful Kickstarter Campaign "The Sigmund Freud Typeface - A Letter to your Shrink" with over 1400 Backers enabled me to visit the archive in Vienna and study the original manuscripts of Sigmund Freud. After a year of preparation and design work, I finished four alphabets based on Freud’s handwriting. What are the different Versions PRO, Kurrent, #1, #2, #3 and #4 about? “This project gives people the convenience afforded by the computer while maintaining the romantic nostalgia, beauty, and character of letter writing with real handwriting.” — Daniel Vahab, The Huffington Post When you write with your hand, every letter looks a little different. When you write a text on your computer every letter looks exactly the same. In order to make type look like handwriting, I chose four different variations of each letter from Freud’s manuscripts, drew and stored them in the font. The font is then programmed to exchange letters while you are typing. This makes the rendered result on your screen or print look like unique handwriting. PRO While you are typing… the PRO Version actively combines all four alphabets and exchanges them automatically. Through this mechanism never the same two o’s will stand next to each other. With every touch a unique look is generated. This works in certain applications i.e. Word 2010(or newer), Pages, TextEdit, Editor(Pre-installed on Windows 7 or newer), InDesign, Illustrator… →Here you can see an animation of what this effect looks like in action. (Please Note: some applications like LibreOffice, OpenOffice do currently not support this feature. Date: December 2013) #1 #2 #3 and #4 The Sigmund Freud Typeface #1, #2, #3 and #4 each hold one individual lowercase alphabet based on Freud’s handwriting. Kurrent Most of Freud’s correspondence was written in German. Until the 1950′s a different handwriting was taught throughout German speaking countries (Switzerland, Austria, Germany). This style is called Kurrent. The name Kurrent and Cursive derive from the Latin word currere - to run, hurry - both styles were designed to write fast. As you can see in the samples above, Freud practiced both Kurrent and when writing english Cursive (Latin script or Joined-up). Kurrent has three significantly different letters (s,h,e). Use Kurrent to render the authentic look of an historic Sigmund Freud letter in German. Bundle On the Top of this page you can get all six fonts of the Sigmund Freud Typeface Family in a bundle. International Typeface All styles of the Sigmund Freud Typeface feature a wide range of accented letters so you can write to all your friends in Sweden (Bjørn) France (Chloé & Zoë), Ireland (Dáirine), Poland (Łucja), Germany (Jörg) and almost everywhere around the globe (Find a complete list in the tech specs). Usage recommendations I hope that this design will be valuable to you and most of all that you have fun with this typeface! 1. Point Size — To reproduce the size of Sigmund Freud’s handwriting adjust the type size between 18-24 point in your word processor. If you are using an imaging software like Photoshop set the resolution to 300dpi and adjust the point size between 18-24. 2. Line Spacing — Narrow the line hight until swashes of capital letters touch the baseline above. This also happens when you write a letter and gives the document a unique handwritten look. 3. Right Aligned — Freud had the habit to write towards the right edge of the page and start loosely on the left. Set your text alignment to ‘right’ to incorporate this dramatic expression also to your documents. What do other People say about the Sigmund Freud Typeface? “Wouldn’t you love to write a letter to your shrink using the Sigmund Freud typeface?” — Dorothy Tan, Design TAXI ''“JUST DON’T WRITE A LETTER TO YOUR MOTHER WITH IT… …until the reader looks a bit closer, and they see 70+ years of modern science weighing in on turn-of-the-century pop psychology."'' — Mark Willson, Fast Company “Doctor, what does it mean if you dream of creating a font of Freud’s handwriting?” — Ayun Halliday, Open Culture “…geekily romantic, at once artistic and scientific” — Edie Jarolim, Freud’s Butcher “…sympathisch” — Jürgen Siebert, Fontblog !WOW! Thank you for reading the complete font description! You are awesome! If you still have a question please contact me through MyFonts or my website haraldgeisler.com. Credits This project was made possible by the help of 1481 Backers on Kickstarter and the kind support of the Sigmund Freud Museum Vienna and the Freud Museum London. Thank you. All of Freud’s Manuscripts shown are © Sigmund Freud Museum Vienna. Poster Image: IN17 - Sigmund Freud, Germany 1932. © Freud Museum London. Flag Image: IN19 - Sigmund Freud 1930’s. © Freud Museum London.

'Appetizer' is a casual marker font, this font is suitable for a variety of purposes, it is great for logos, craft, prints, text headers, web banners, writing quotes as well as for video editing, animation and other visual presentations. This font is equipped with ligatures and is supported by multi languages, making it worthy of your bringing to any part of the world. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Andron 1 Monetary is a special supplement font containing 120 monetarian and weight measurement characters, both historical and modern. It provides a most comprehensive repertoir of even older currency unit signs as testified in manuscripts and printed sources. Among the most recently launched national currency signs, the Rubel, Manat and Turkish Lira characters are present with their new Unicode values. – All glyphs are drawn in the classical Andron style and blend perfectly with all other Andron fonts. – This font is a valuable addition to your Andron library.

Lost Land is a horror hand drawn font. The font made for cover design, logos, headlines, apparel design, magazine titles etc. Font includes multi-lingual and currency support, numerals, and punctuations.

Heretic surrounds itself with an atmosphere of evil, carnival freakshow and no-nonsense thuggery. Mix the black and condensed weights of this octagonal blackletter together for more interesting, yet disconcerting results.

Sheppaloe is a fresh handwritten font with an elegant and vintage feeling. Sheppaloe includes a full set capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, & punctuation.

Put on your top hat, tie up your white tie, brush off your tails and surrender your serifs at the door! We've popped open a bottle of French Champagne for you, but don't worry, because our latest stylishly handsome, devilishly clever offering doesn't just offer thrills and chills, it’s also Spillproof! So step out and breathe an atmosphere that simply reeks with class and distinction, What a swell font for party invitations, soirees, nightclubs and weddings this is! See the families related to SpillProof: Spills.

Sfondo Fiorito is a digital revival of an antique flourished alphabet. Each letter is surrounded by a different beautiful flower or plant design on a rectangular black background. Includes many accented characters.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.