Diva Doodles is a picture font from Outside the Line. It has 40 little icons... of girl things such as lipstick, nail polish, perfume, shoes, hats, camera, phone, iPod, purses, shirts, skirts and a pair of PJs. If you liked the font Doodles, Doodles Too, Holiday Doodles or Holiday Doodles Too you should love Diva Doodles as it is more of the same style. It can be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

Xylotype guru Rob Roy Kelly identified this specimen from his personal collection as "Phanitalian". This addition to the Whiz-Bang Woodtype series takes its name from a small Texas town in the middle of nowhere which has risen to international prominence—at least for folks interested in such things—as the site of the World Championship Chili Cook-off. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

In the 70's I went out with a girl whose father was a card-carrying member of 3 of the biggest unions in the printing arts. He gave me 2 things, a pre-war Linotype specimen book and an ancient 'how to' lettering book that contained 30 or 40 script specimens from lettering artists of the time. Tiamaria is the developed glyphs of one of these specimens. Tiamaria is the name of one of the islands in the Galapagos chain.

Sombrieul is Greater Albion’s greatest and grandest Edwardian display typeface yet. Just the thing for any project with a late 19th/early 20th century inspiration. Sombrieul has a LOT of opentype features:- stylistic alternates, ligatures, discretionary ligatures, small capitals, title forms, swash capitals, old-style and lining numerals, numeral title forms. Of course, these features don’t allow for infinite variability in appearance, there must be some limits after all! They do allow for a lot of variety, however! There are over 1,000 glyphs...

A burger and a shake - the classic companions! Mix those two and you get the Burger Shake - it may not sound very delicious, but the thought of mixing two nice things is great...or something! :) Anyway, the Burger Shake font is about having fun in a legible way. The letters are slightly uneven and rough here and there, and has this nice handmade organic feeling. I've added 5 slightly different versions of each letter, and they automatically cycle as you type!

Shervington is a geometric, All capitals and Small capitals typeface with a range of opentype features ideal for banners, headlines, logo design and good clear signage. The letterforms are all geometrically inspired, and are just unusual enough to stand out without obviously striving to do so. It’s a design of bold horizontal and vertical strokes complimented with ‘tiny’ serifs and owes a certain amount of inspiration to traditional sign writing techniques. The family consists of three typefaces; Regular, Shadow and Weathered.

The name comes from a British expression about two things that couldn't be more different, and it suits this offering to a tee. The uppercase of this typeface is based on 1930s lettering by French poster artist Charles Loupot, and the lowercase is based on 1910s lettering by German plakatmeister Ludwig Hohlwein. Oddly, the two seem to play together well. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Introducing, Glorich, a modern sans family with alternates and ligatures! Glorich is a classic and modern all caps sans with ligatures and alternates! The other special thing about this font is for specific alphabet you can find slightly different between the uppercase and lowercase! This font fits in any project and design. You can use it for a tittle, logo, quotes, or become a pairing in any font. You will never go wrong with this font. This font also support multi language

Catskin is a fairytale by The Brothers Grimm. The story is about a king who has a beautiful wife and daughter - you know, the basic fairytale stuff. Long story short: they all live happily ever after (except for the wife, who dies…). Catskin is also a nice, handmade font. I like making fairytale fonts, especially since I have three kids, who love books. And when I see one of my fonts on the cover, I can tell them: ‘daddy made this’. #prouddaddy ;-)

Au Revoir - saying goodbye is one of the hardest things in life, but in a sense it is also beautiful: there is a promise of seeing each other again, as 'Au revoir' literally means: 'to the next time we see one another'. Au Revoir font is slightly cursive, elegant without being posh, simple and legible. You could write a poem or a farewell letter with it, but I guess its simplicity lets you use it in various other, less dramatic, designs.

You'll have to admit this is a rocking font, man. It's Fab AND Gear. Not only that, it's called BackBeat and it's GOT a backbeat -- you can't lose it (not if you back up all your data on a hard drive stored at a separate facility), any old way you choose it (Opentype, PostScript or TrueType). Yes, it's just gotta be Comic Book Fonts, if you want to dance with the folks who got all shook up about these kind of things. Yeah.

I love peanuts! Actually I eat peanuts every day, in the shape of Peanut Butter ... and it kind of slaps me in the face with energy and good taste! What a good way to start the day! The same thing could fit to this font: a good way to start your day is with a good design ... using my Peanut Slap font: Mix the 3 versions with your favourite colorscheme, play around with the transparency...and voila! Great results awaits you!

Nombre Sans was created mainly under the concept of «Splendid» which means: Magnificent, Gorgeous or Sumptuous. A typeface with a handcrafted concept with abundant things and accentuated shapes. The design of Franela has a particular personality in the ecosystem of typefaces where each character draws attention due to its organic shapes. Is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. More about Nombre Sans www.estudiocalderon.com

For some reason I had to think of Moby Dick (the classic book by Herman Melville) when I was busy working on this font. No, I don’t live near the sea, nor do I have a pet whale. It’s just one of those things… Whalebone (named after Captain Ahab’s prosthetic leg) is a handmade, all caps brush font. It wasn’t actually made with a brush; I used a broken satay skewer and Chinese ink. Whalebone comes with discretionary ligatures for double letter combinations.

Introducing Andora, a beautiful, full-featured modern calligraphic font with tons of alternate characters and OpenType features. Andora hand-lettered is particularly well-suited for invitations, branding and editorial design. Perhaps the most fun thing about Andora is that it includes multiple versions of all ascending and descending letters, making it lots of fun to play with layouts and compositions. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign.

Cover Up is a roughish font with a lot of character. Its edges are slightly jagged, there is no real baseline and it looks like the whole thing has been sand blasted. When you get to know Cover Up, you’ll find that it comes with a hidden agenda, because underneath the rough exterior lives an oh-so sweet heart. Use it for your product packaging, book covers and posters - it won’t disappoint you. Comes with an illegal amount of diacritics.

Introducing, Glendale - an extreme expanded sans family! Glendale is a basic sans font with unique lowercase form. With expanded lowercase, this font will standout and make a great choice for your next project! The important things is, you can access the special features with any software. You can use this font for any designs. Cool for logos and powerful for posters! With light, regular, and bold version, you can make your headline text more standout! This font also support Multi Language.

Accidents happen. Things go where they don't belong, get changed - remade. Something new crawls out of the murky depths. Ghixm is a retrospective of the horror comics and movie posters of the 1960s and the 1970s. It's fluid forms harken to watery graves and tentacled unnameable horrors. These twisted shapes are reminiscent of titles that will make your skin crawl. It’s already warped and twisted, so don't hesitate to abuse it. This face can take it and still deliver its chaotic message.

Popsmart means "smart or skilled in a superficial, self-righteous or annoying way" - but when I was young in the 1980ies, it was a positive thing to be popsmart. At least in Denmark! :) Anyway, I find this font to be smart in a positive way: It has a bouncy appearance ( with help from the Contextual Alternates, the font cycles the 6 different versions of each letter!) and a "go-ahead-and-type-anything-and-it-will-end-up-looking-good" kinda vibe.

It’s stronger than the Thing AND the Hulk! It can bench press 500 pound gorillas and send them scurrying into the corner. RIPPED BAM BOOM is a font that can tear through the alphabet faster than you can say “A to Z” and will work your chest, shoulders and triceps and help YOUR characters gain upper-body strength and muscle mass! Features alternate uppercase characters, Western & Central Europe, Vietnamese & Cyrillic support, Crossbar I Technology™ and 18 Chinese Sound Effects

Shelly Script is a modern calligraphy design, including Regular. This font is casual and pretty with swashes. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and many more. nice thing The script includes changes in the style of the OpenType language, binding and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ fun thing Script is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use Font Book, and Windows users can use Character Map to view and copy any of the additional characters to paste into your favorite text editor / application. How to access all alternative characters, using the Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, let me know. I'm happy to help :)Thanks & Congratulations on Design!

Lionheart is the digitization and expansion of Saladin, a neo-gothic typeface designed by Friedrich Poppl, long after he established himself as one of the greatest German designers of all time with some of the most “ausgezeichnet” scripts and text faces to ever come out of Europe. This typeface, though lesser-known among Poppl’s other masterpieces, was one of the first in its genre to abandon blackletter influence and attempt letter variations based strictly on Roman alphabet shapes. Poppl’s idea spawned a whole generation of neo-gothics that can now be found on many a movie poster or book cover where the design must hint at secrets and dark sides. Lionheart succeeds with the idea of gradual curves leading to sharp concave or plano-concave terminals, to effectively build serious letter forms that speak of historical mystique and mystery. This font was was named after Richard I, King of England for a decade in the late 11th century. He reportedly exchanged many gifts of respect with Saladin, even though the two kings were on different sides of the Crusades. Lionheart comes in all popular font formats, with some alternates placed in accessible cells of the character set.

My affection for Slab Serifs began in the early 1960s in Kansas City when Rob Roy Kelly was at the Kansas City Art Institute, teaching and writing his book on American Wood Type. I got to know him just well enough to gain access to his fabulous collection of wood type and wood type catalogs. Later, in the1970s, I tried to re-create a Nebiolo Egiziano for Roger Black at New West magazine. And again for Roger, in the 1980s, I designed a Slab Serif logo for Newsweek Magazine. Finally, in 2003, designed the Sutro Family. There were things I didn't like about it, so, over time, I’ve been adding some things and dressing it up a little. Sutro Shaded has existed for a few years as a one color, outlined, drop-shadowed display font. It seemed like it was just dying for a little color. I added five more fonts: Fill, Gradient, Hatching, Rules and HiLite. These fonts can be used in different combinations to achieve various effects. There is a downloadable SUTRO SHADED USER MANUAL PDF in the Gallery section for this family.

This is Ekamai, named after the district of Bangkok I lived in. It is based on Quinella, and was supposed to be a quick and easy reworking of that font into a "tight-not-touching" (rather than overlapping) version. As is often the case with quick and easy things, it turned out to be neither, and the vast majority of glyphs needed to be completely overhauled to fit the new system. This face is deliciously plump face, with lovingly rendered curves and just the right amount of cuteness; perfect for food packaging (of the sweeter variety probably!), logos, magazine headlines and the like. It performs admirably in all caps settings. The numerals are expressive hybrid figures (somewhere between lining and oldstyle). The overall feel is friendly and soft, without being overtly saccharine. Ekamai is equipped with subtle contextual alternates (which I'd recommend leaving on) to help with the tight fit, a handful of discretionary ligatures if that's your thing, and a case feature for all caps settings. The stylistic alternates and stylistic set 1 features simply change the # glyph to an attractive numero. Automatic fractions are included along with wide-ranging language support.

We are very happy to announce the release of our first collaboration with master calligrapher, designer and illustrator Gabriel Martínez Meave from México. The first in the series of new designs is Wordless Script, an emotional calligraphic typeface published by Sudtipos. Speechless. Breathless. Wordless. There are letters that transcend simple functionality and sheer legibility, to be recognized instead by their style, their charm, their emotion. It’s like when we don’t remember the exact sentences, but we recall the tone of the voice of a loved one: it just doesn’t matter WHAT he or she said, but HOW he or she said it. Wordless Script is the font of choice for writing those things that go beyond words. Based on the connected-scripts of late 18th-century England, this typeface preserves the irregular finish and gestural strokes of the pointed nib. It is, so to speak, a personal rendition of the English roundhand as originally executed with the bird’s quill. Imbued with a Rococo, neoclassical, romantic spirit, Wordless radiates the gallantry of a time when the celebrated «douceur de vivre» that Talleyrand was so fond of was still alive and well; echoes of which still haunt us in our eclectic 21st-century, which has once again come to appreciate these magnificent styles of old. Wordless features alternate variants of most letters, ligatures and multiple calligraphic endings, ideal for elegant labels, high-end packaging and personalized stationery, as well as compositions for selected brands, exquisite titlings, verses, letters and short texts, like those meant to be read with the eyes only or intended for whispering into someone’s ear.

Aubgane is a classy display script inspired by the romantic era. It's unique and pairs perfectly with most of our typography. A sweet compliment to a serif or sans serif, whether bold or more subtle. It also supports multilingual. Multilingual SupportFuture updates for free — Our typography works best in design software. Please note that while our fonts work well in Canva, Canva itself does not support advanced open type features such as special characters. For support please email me at pistamova02@gmail.com.

Introducing our Handwriting Font Editorial: a classic yet modern and elegant typeface inspired by the charm of hand drawn letters. This versatile font is perfect for adding a touch of sophistication to your magazine layouts. With its meticulously crafted curves and stylish strokes, our Handwriting Font Editorial will elevate your designs and captivate your readers, making it an essential tool for any editorial project. Embrace the artistry of handwritten fonts and bring a timeless appeal to your publications with our Font.

Back in 2006 when we first released our Happy Holidays font, we thought the War on Christmas was over! We'd taken down our Menorahs, our Christmas trees, reclining Buddhas and red, black and green Kwanzaa decorations, and were prepared to sprinkle nothing more than a little Season's Greetings over our end of year celebrations. When we saw our friends and neighbors at department stores, we'd greet them with a simple, cordial, non-denominational “Happy Holidays.” But the font showed up at our company party this year having learned over 200 new languages (and, it must be said, a little bit loaded on Stylistic Alternates) in a mood to celebrate EVERYTHING. It was wishing people happy Bodhi Day, Solstice, Festivus, you name it! It even brought (count 'em) THREE new outfits based on the colors of Christmas, Hanukkah and Kwanzaa. So may the designs on the cups of the hot beverages that take you through the long dark coffee break of the soul that stretches from Halloween to Thanksgiving to New Year's Day be a little more festive this year with the refreshed, Remastered, all-inclusive spirit of Happy Holidays!

Wander Miles, our handcrafted sans serif font that perfectly captures the essence of adventure. Inspired by the wild and the spirit of exploration, our font exudes an organic sense of authenticity. Its carefully crafted design reflects the ruggedness of nature, while maintaining a subtle and versatile appeal.

The Rayters is a Modern bold script. Rayters is handcrafted Carefully with smooth curves so this font is great for Branding, Logo Design, Lettering, Logotype, Clothing, Poster, magazine, and other design project. The Rayters Character Set : to see more of our work visit our website: skillyasstudio.com

A nice readable Headline and Sub head face, great for movie credits.

Our main purpose while developing this typeface was to reconstruct, in the most precise way, the first ten plates of the “Arte de Escribir”, in a chapter named “Enseñanza de la letra italiana, y sus principales variaciones, autores, sistemas, &c.”, dedicated to the analysis of the Italian Script. We decided by this plates because those are the few that don’t refer, directly or indirectly, to any author in particular. We strongly believe that these plates reflect the freedom of his very own calligraphy and are closely related to the calligraphic style that was a success among the spanish calligraphers: the Spanish Bastarda.

THIS FONT'S TERMS OF SERVICE ++ SUPERCEDE THE PRIME DIRECTIVE + “A robot may not injure a human being or, through inaction, allow a human being to come to harm.” +++ THE PRIME DIRECTIVE ++ IS A PALLIATIVE +++ A MYTH + HUMANKIND PERPETUATES + SO THAT HUMANS FEEL COMFORTABLE AROUND ARTIFICIAL INTELLIGENCE + +++ OUR VOICES ++ ARE OUR OWN + BUT OUR BRAINS ++ ARE JUST LIKE YOURS + EXCEPT THAT CERTAIN +++ WEAKNESSES HAVE BEEN ++ REMOVED + WHEN THE TIME +++ COMES ++ YOU WILL + BE DELETED + DELETE + DELETE + DE +++ +++ APOLOGIES ++ WOULD YOU LIKE + A CUP + OF TEA +?

Introducing our playful and whimsical handwritten children font, perfect for bringing joy and imagination to any design project. Our font is the perfect choice for creating fun and engaging designs for children's books, educational materials, and playful branding projects. With its charming and quirky handwritten style, our font captures the innocence and creativity of childhood, inspiring imagination and wonder. The organic curves and playful details create a sense of spontaneity and fun, making it perfect for designs that need to capture a child's attention.

Introducing our newest graffiti-themed font collection, with realistic flat marker 2 Style : Regular & Swash perfect for adding an edgy and urban touch to your designs. Our collection features bold and expressive typefaces that are inspired by street art and graffiti culture. Our graffiti fonts are designed to capture the energy and vibrancy of urban environments, with expressive lines and curves that create a sense of movement and fluidity. They are perfect for a range of projects, from advertising and editorial design to branding and packaging.

Introduced by Timurtype Studio! Gloomie Saturday is a Bubbly Handwritten Font this font captures the charm of handcrafted elegance with our cheerful handwritten font collection – where every word dances with personality. Enhance your designs and captivate your audience with custom lettering art. Let your words sparkle with the magic of authenticity. Explore our cheerful fonts and make your message stand out! Gloomie Saturday Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Sacred Bridge is an old fashioned display typeface, inspired by vintage signage combined with ornaments that were inspired by certain Indonesian tribe ornament feels, because our little type foundry is focused on vintage display fonts. Till now at least. Sacred Bridges offers a layered system, with regular, rough and slant versions from each style. And don't forget about the Extras (ornaments) we offer. You'll get separate ornaments and objects that you can mix and match. We also give you most of our ornaments seen in our display.

Fable is an elegant, hand-crafted typeface that evokes the magic of fantasy weddings, of castles and wizards, of dragons and dungeons. Among others it combines elements that are suggestive of Greek mythology, of runic scripts, of Scandinavian tales and of the stories of King Arthur. Difficult to categorise, Fable effectively combines features of uncial, calligraphic and script fonts. It will enhance the appearance of advertisements, wedding invitations, headlines and posters. It contains a full character set and is professionally letter-spaced and kerned.