Based on Herbert Thannhaeuser's 1954 Kurier design, Puma is the digital version of what is possibly the friendliest yet least used heavy brush design. Aside from its utilitarian functionality as a poster and sign font, Puma includes some original and artistic shapes, such as the very gorgeous single-stroke take on the letter P, the humorous knot-and-dash Q, the happy fish-eye e, the casual single-looped f, and the welcoming g. Perfect for shop signs, posters, menu heads, children book covers, fun flyers, and loud but friendly messages altogether. The complete character set is complemented with a second font containing various letter alternates and ligatures.

I am pleased to introduce Brixton Pro, a sophisticated yet approachable typeface that combines the elegance of a suit with the comfort of sneakers. This typeface is designed to make a bold statement while remaining friendly, inviting, and playful. The Brixton Pro collection includes both a serif and a sans-serif typeface (with oblique, and condensed styles available in 4 weights each) that work harmoniously together, providing versatility and flexibility for a wide range of design purposes. These fonts are particularly well-suited for marketing, branding, packaging, and other designs that aim to capture attention and stand out, whether in corporate or non-corporate contexts.

Do you want to maximize your design project? Garden Marker is a beautifully designed font duo to add distinctive touch wherever they are used. This duo projects warm, friendly energy, elegant, as well as slightly cuteness feel. It is versatile enough to be used as title, body or button text. Furthermore, this font duo also offers a special extras i.e. 15 illustrations in total. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuation It is suitable for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing our premium fonts! Happy Designing!

Swish is a contemporary geometric font with two 3D orientations that create an alienating effect. The direction is shifted around the center of the horizontal axis. The font is inspired by the change of perspective that the artist Escher used in his drawings. It is a complete Latin font in which all the accents are present. The unique thing about this font is that it is also a stencil letter. The Swish font is designed to work in any printed and on-screen contexts, including logo design, brand identities, websites, packaging, posters and headlines. Optimized for latin based languages. Leon Hulst for TypeFaith Fonts.

blossom lovely is an elegant monoline script font that works just fine. I've always dreamed of designing a font that feels welcoming, Smooth lines, single weight lines and charming variations of blossom lovely achieve the ideal balance of humanity and clarity. This font is perfect for branding and marketing campaigns that call for personality and friendliness. My goal with this font is to create a readable script font that will serve a variety of purposes. This font maintains personality in creating a consistent character set. It has a handmade taste and provides a hint of authenticity; perfect for your upcoming project. Do not miss!

Omniscient is a narrative font that sees all… it’s everywhere and nowhere, the storyteller and the story, upper and lower case. This godlike font can be first person AND third person, friendly or serious, personable AND impersonal. It knows all the details but will only reveal them when it serves the narrative. The classical characters in Omniscient are all knowing, all seeing, and can even be all singing, all dancing on occasion. Even gods like to let their hair down and have fun. Features three weights with upper & lowercase alphabets, language support for Western & Central Europe, Automatic alternates, Stylistic Alternates & Crossbar I Technology™.

The Waratah flower is the the emblem of the State of New South Wales, Australia and is unique in its color and design. So too is this new contemporary sans serif typeface that bears its name. With a warmth and friendliness that echoes its origin Waratah Gothic is at home in both text and display and has potential to become a font family with a variety of weights and italics. For corporate, packaging or simple one-line display settings Waratah Gothic is sure to please. Waratah Gothic features a generous x-height and subtle rounding on alternate terminals providing a softness that makes for easy reading.

Madanira is a beautiful and modern handwriting font. It features an incredibly classic style, while still keeping a friendly feel. Madanira is the perfect font for making original and outstanding designs. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Madanira will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Comes with a full uppercase, lowercase, numbers and punctuation + standard multilingual support. It’s great for branding, logo designs, lettering, logotype, craft, posters, packaging and much more. We recommend using Adobe Illustrator or Photoshop. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Sofia Soft is the rounded version of the successful Sofia Pro family. This softer variation with rounded strokes gives Sofia Soft a unique geometric sans friendly aspect for display uses, texts and headlines, branding, signage, print, and web design projects. Sofia Soft is the ideal companion to Sofia Pro and improves the versatility of the global font family with optimized spacing and kerning for print and display. Sofia Soft supports extensive languages such as Western European, Central and Eastern European languages. Available in 8 versatile styles, all weights contain the same Opentype features as her sister font with case sensitive forms, stylistic alternates, localized forms, standard ligatures, lining, and oldstyle figures.

Igna Sans is a humanist functional typeface, with a contemporary style, designed to be used in a wide variety of applications such as advertising, corporate projects, branding and retail product design. The font is highly legible when used in a large body of text and well-suited for headings, display use and short text. Its angled strokes and rounded forms give it a smooth feel and make it look friendly and expressive. The Igna Sans family comes in 7 weights, ranging from Extra Light to Black, with matching italics plus alternative glyphs. The font contains a 430-character set that supports 206 different languages.

FIFTEEN YEARS! Hundreds of fonts of Unique Design, Thousands of pages of Fine Lettering, Millions of satisfied customers and Elephantmen served! Yes, this month marks Comicraft's fifteenth anniversary and we're celebrating with the relaunch of the COMICRAFT website and the launch of a brand new font... a font that's not just a bunch of letters arranged in alphabetical order... this one's Carefree, Original, Mirthful and Interesting, it's Clever, it's a little bit Raunchy, a little bit Adventurous, Friendly and Tenacious all at the same time -- and if that doesn't spell COMICRAFT, then we just didn't eat enough chocolate today. COMICRAFT: Stimulating the release of endorphins in your system preferences since 1992.

Melandria script is a magical script font carefully created with a touch of elegance. This is a beautiful combination of timeless elegance and authentic calligraphy. It features an incredibly classic style, while still keeping a friendly feel. Melandria script is the perfect font for making original and outstanding designs. This script supports multilingual and many alternative lowercase and uppercase characters, allowing you to make your design truly unique. The Melandria script is a beautiful, classic calligraphic font which will add a sweet, elegant, and perfect feel to your design. It’s perfect for logo projects, wedding invitation cards, branding, home designs, product packaging, and every other design that needs an elegant typeface.

Introducing Rabble - display typeface - 4 fonts Rabble is fragile and vintage typeface loaded with 4 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular 2 alternate styles Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa Beck. From a few letters of that model, Lalola became an original design and a single font, comprising all the necessary characters for languages based on the Latin alphabet. You can ‘say it loud’ with Lalola, either in lower or uppercase, yet with wit and a unique, distinctive friendly voice. Lalola received already two mentions, the Typefacts’ Best Typefaces of 2013 and the prestigious TDC 2014 Certificate of Excellence.

A heavy weight - softened sans serif that is not only friendly, but easy on the eyes. Good Eatin was inspired by the title screen from the 1942 Warner Bros. cartoon titled, "Dog Tired". The original all capitals setting had a charming & quiet nature to it, which became even more pronounced when drawn out to include a lowercase set. Later expanded upon to include a Small Caps set, Good Eatin Pro achieves a wider, even more electric appeal. Loaded with personality, Good Eatin Pro is joyful and stands out without being an eyesore, and while being based on vintage lettering it has a contemporary feel.

Isidora Soft is a new version of Isidora —a 2016 MyFonts Bestseller. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style, small x-height and classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. Isidora Soft consists of two 7-weight versions: one regular and one alternative which is more expressive and playful compared to its counterpart. Both versions include matching italics, resulting in a total of 28 styles. Isidora Soft contains a set of 452 characters that support over 200 Latin-based languages.

Koya Sans is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The sharp terminals add liveliness and variety to the carefully crafted letterforms. Koya Sans, a highly versatile type family consisting 12 styles that are designed to work equally well on paper and on screen. The family ranges from Thin to Black variations, with complimenting italics. Inspired by a trip to the Buddhist temple of Kōyasan south of Osaka, Japan, this carefully crafted sans serif typeface with its sharp terminals loosely emulating the sharp corners of the temple’s pagoda roof.

Shubbak ('window' in Arabic) is a highly flexible Arabic Sans (Kufic) typeface that was designed to work with a wide range of Latin counterparts. A friendly and human typeface family that is very flexible to use when coupled with many popular fonts you may use. Full set of Arabic, Farsi (Persian) and Urdu character sets as well as a basic Latin set are included. There is also a Variable version of Shubbak. Designed originally by British designer Ruh Al-Alam, further developed by Mohammed Gabr, Muhammad Hadi and then fully expanded by Abdelrahman Farahat. Archetype Foundry aims to help revolutionise and spread the use of beautiful Arabic and multi-lingual typefaces.

Introducing Footle - serif font Footle is gentle and elegant font combined in it regular and italic styles, loaded with multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, numeral, punctuation & Symbol Uppercase letters - regular glyphs Lowercase letters - italic glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Árida pays homage to the Argentinian city of San Juan, located in the semi-desert Cuyo region, where cacti are abundant; a characteristic feature of arid habitats. Árida, inspired by the vegetation of the place, looks sharp and aggressive at large sizes but it also feels friendly at a smaller scale⁠—portraying the dichotomy between humans and nature. Árida comes in 5 weights, ranging from Regular (with a matching italic) to Black. The Regular variant contains 773 glyphs and its Italic counterpart is composed of 939 glyphs. The font also includes small caps, different styles of figures, ligatures, and stylistic and contextual alternates, among other OpenType features.

Mijas Ultra font was designed specially as a headlines and caption text for advertising, packaging and Publishing design. It has strong visual impact, a persuasive personality and seduction appeal throughout its organic shapes. This versatile typeface is quite useful for creating logotypes, a variety of alternates and swash tails in three different styles and length were drawn for most letters, plenty of vowel-focused ligatures, it covers all Latin-based languages. Please refer to quick reference manual included. Mijas is a little white town located at a mountainside above the blue Mediterranean Sea, in the heart of the Costa del Sol. It has high contrast, small counterforms and friendly climate.

JANE ROE is a family of 10 Sans Serif condensed fonts of geometric construction and neo-Gothic style, a friendly typography with maximum readability, specially drawn for the composition of texts of any size for both printing and screen, signage or headlines and where you need savings in horizontal space. This typeface contrasts its neutral aspect with the humanistic modulation of the antlers in the characters, giving the opportunity to compose texts adaptable to any context and concept of design. The typeface includes small letters with support for Latin Extended-A, dynamic fractions, several set of numbers, etc. Look at the PDF with all the functions.

Stefani EHYO was designed ultimately with pure simplicity in mind, to carry an inviting, friendly style. The result is an ultra clean look with versatility: useful for either full bodies of text or for a nice headliner. The simplified smooth forms are highly legible and carefully well-matched, so can even be used over a busy background or at very small point settings. Stefani is extended, containing the full West European diacritics & a full set of ligatures, making it suitable for multilingual environments and publications. Choose Stefani for any application where you want solid readable text, any time you want a pleasant and clean feel to your presentation.

Introducing Gleed - serif typeface - 3 fonts Gleed is versatile and minimal typeface loaded with 3 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Alternate Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Isard is a very agile typeface, honoring its name, which is the name of a type of mountain goat from the Catalan Pyrenees. It is a multipurpose sans serif typeface with a down-to-earht elegance, thought for information design as well as branding. Isard is warm and friendly which also makes it suitable for advertising, packaging, and magazine. It has a contemporary feel to it with its squarish curves, it has being built with legibility in mind, bearing a considerably large x-height. The family covers two scripts, Hebrew and Latin. It has seven weights, from the very sturdy Black to the delicacy of the Thin, with its italics.

Bold as love, Grok is a hand-drawn typeface, assertive but soft. Showy and friendly. It's an all caps font with 2 choices for each letter, accessible via keyboard upper and lower case slots. For that handcrafted look, you know. Turn on the contextual alternates feature to automatically alternate these. Grok originally comes in two cuts: bold and… less-bold :) Later the outline style was added as a gift, a free font. And finally, there's yet a nifty picture font with dozens of dingbats to beautify your words every now and then. Perfectly suited for display uses: packaging, signage, web titlings, editorial design, book covers – and not-only-covers. Grok it?

Introducing "Floure" - a delightful handwritten sans serif font that combines the charm of handwriting with the simplicity of a modern sans serif typeface. With its organic and friendly letterforms, Floure adds a touch of warmth and approachability to your designs. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing our brand new ethnic font "Naluka". Funny, joyful, and unique! The new exploration of the ancient-style font, inspired by the geometric tribal ornaments and wood texture applied to the font as the special effect to gives this font looks more fun and friendly! Naluka is created especially for specific themes such as summer, holiday, tropical, ethnic, cartoon, beach, cultural, children, and many more! This font is suitable for displays, packed with OpenType features that you can combine to express your concept! Font featured: Uppercase Lowercase Numbers & Punctuation Stylistic alternates Stylistic set Custom ligatures Multilingual characters Dingbats font Thank you so much for watching. Good luck and happy designing!

Csemege is a fully cursive even script inspired by Hungary's 60' 70's shop signages of mostly food and grocery stores and restaurants, and their neon light scripts. Csemege means Delicatessen in Hungarian. I have developed this set of characters with Contextual alternates and a few Stylistic alternates to make the letter connections smooth and perfect. It has a friendly look yet decorative and elegant script. For best result please make sure you are using this font with softwares that supports open type features and you have these features turned on: Contextual alternates, Stylistic alternates and Standard ligatures. Language support (accents) : Western European and Hungarian.

Isard is a very agile typeface, honoring its name, which is the name of a type of mountain goat from the Catalan Pyrenees. It is a multipurpose sans serif typeface with a down-to-earht elegance, thought for information design as well as branding. Isard is warm and friendly which also makes it suitable for advertising, packaging, and magazine. It has a contemporary feel to it with its squarish curves, it has being built with legibility in mind, bearing a considerably large x-height. The family covers two scripts, Hebrew and Latin. It has seven weights, from the very sturdy Black to the delicacy of the Thin, with its italics.

Introducing Dree - typeface - 6 serif and display fonts Dree is creative and minimal typeface loaded with 6 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Serif and Display Alternate Italics Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Winsome is a friendly script face that offers virtually endless variation. This charming font balances the casual with the calligraphic, and Winsome’s generous letter spacing and unfussy letterforms are always a pleasure to read. Customizable with over 59 alternates, 466 swash characters, and 89 ligatures, Winsome even includes a disconnected version using the titling feature for even more design versatility. See what’s included! http://bit.ly/1Q11B1U *NOTE* Basic versions DO NOT include swashes, alternates or ornaments This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Binario Soft is a friendly typeface with rounded edges, offering a warm and soft impression. It comes in three weights with matching obliques. Drawn with subtle references to Art Deco, this type is ideal for a clean, warm, and modern look in branding, posters, magazines, and screen-based projects. The light weight is good for short body text. The regular weight exudes confidence, making it suitable for both body and heading text. For impactful headlines, the bold weight is excellent. The clear weight distinction make it easy to create organized text. Binario Soft is a gently rounded version of Binario, which is also available on this vendor’s website.

Leapfrog is a friendly and restless cursive font with no baseline containing 3 glyph variations per character. Each variant of the glyph is slightly different and is replaced randomly as you type, giving the impression of a unique handwriting. The font is suitable for logos, large headlines, posters, signs, children's books and comics. Its character is cheerful, kind and playful due to the random set and rounded stroke endings. Leapfrog contains extended latin, cyrillic, ligatures, peace sign and frog, the total number of characters is 1902. It contains OpenType functions: liga, numr, dnom, calt, ss01, ss02. The font is also case sensitive, has fractions, currency signs, and arrows.

Eurostile Candy is a fun spinoff from Akira Kobayashi's Eurostile Next family. As the name implies, it is based on Eurostile but with many striking new features. Most obviously, the corners and joints have been rounded off to give it a more friendly and softer feel. On top of those changes, the main skeleton of many characters have been modified. Any extra strokes have been removed - such as in the a, s, or t - and joints have been simplified to create even more square shapes - like in the n and r. With these contemporary and futuristic-styled alterations, Eurostile Candy is a cool new design great for many display projects.

A tasteful sans-serif with a delicate italics, ideal for branding and packaging design. Knedle [dumplings] are characterized by carefully balanced proportions and soft stroke endings, which gives the typeface credible yet friendly expression. Italics are not just slanted versions of roman styles, but with their delicate letter shapes and narrower proportions they form a taste-balanced counterpoint. With 14 styles (Latin & Cyrillic) more than 1460 glyphs per font and rich OpenType features (including many stylistic sets) Knedle are perfectly suited for the needs of branding or packaging design. Thanks to their excellent legibility and smart contextual alternates, they can also work surprisingly well as a signage font. Bon appetite!

Introducing Alora - serif typeface - 4 fonts Alora is elegant and fragile typeface loaded with 4 fonts and multilingual support. It's a very versatile font that works great in large and small sizes. Alora is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol Regular Style 1 and 2 Italic Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Ahkio is a brushed disconnected script family of 5 fonts. Ahkio’s roots are in 1930s sign painting and showcard lettering but with a modern and individual twist. Main characteristics are soft, rounded forms and a bit curved stems. Ahkio is a friendly and gentle font that suits well in titles, packages, logos and for example posters. 5 weights makes Ahkio a versatile font that gives you a possibility to add contrast and interest to your typography. Ahkio includes black and white manicules. You can use them easily with OpenType options. Just choose Stylistic set 1 and make sure Standard ligatures are on. Then just type: >> for Blackmaniculeright >> for Whitemaniculeright

Bornholm Tejn is named after a village »Tejn« on the only rocky island in Denmark »Bornholm« Bornholm Tejn Low is the lowercase variant of Bornholm Tejn, released in 2012, the first face in a series of rough stone cut typefaces, that shares proportions, but differs in any other aspect like different pieces of rock. It is a powerful face, but still very friendly. Good for very big sizes, but can be used for small texts, movie titles, cartoons … Bornholm Tejn Low has a large x-height which supports the heavy and black look of the typeface. It contains tabular and proportional old style and lining figures.

Madre Script is a typeface that experiences adopting two building models: the typographic (with repetition of shapes) and the script (with the freedom of writing). The models are presented in a subtle, unobtrusive way and mainly without conflicts. The essence of each personality is present, coexisting harmoniously and enjoying the same stylistic space. After careful evaluation of the connections between characters, intelligent standards have been established for use of the ‘Contextual Alternates - calt’ OpenType feature, that used together with the ‘Ligatures - liga’ feature, offers a gentle and friendly pace. Madre, is therefore, a discreet, near silent ‘scriptypography'. It is the ideal choice for editorial, packaging and branding.