Dusty Hands - my crunchy legible comic font, originally with a fat marker and then digitally manipulated. I've made 3 versions for you, and they all fit like a glove - use them as they are, or do some layered effects. All versions have the "contextual alternates magic" - and in this case it means 4 slightly different versions of each lowercase letter.

Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.

Angels Cookie is a Modern Fat Handbrushed Font. Angels Cookie is a fun and sweet brushed handwritten font. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, this font will turn any creative idea into a true piece of art! Angels Cookie also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Grafiker means 'Graphic Designer' in German. This fat, colored, uneven font with a 1001 uses was loosely based on the work of designers Oskar Kokoschka (1886 - 1980) and Jean Carlu (1900 - 1997). The glyphs were hand-drawn with a 0.5 roller ball and colored in with Chinese ink, using a stiff brush. The result is a lively, rather unusual font.

The Grimm family is a blackletter inspired graffiti style built for headline and display. The family includes 3 variants: Grimm Regular & Grimm Curves both utilize traditional upper & lowercase letters while the Grimm Fat variation is an all-caps style. All 3 styles include initial, terminal & isolated letter variations as contextual alternates as well as a number of stylistic alternates, ligatures & other embellishments.

Malnor Sans is a normal sans serif family of 18 fonts. With modern style or neo-grotesque, Malnor sans has balanced proportions in every letter, and it's clean, minimal and cool. There are several alternative letters that can be used in both upright and oblique styles. Single story 'a' can give a more geometric impression, even though it is not purely geometric. There is also an alternative double story 'a' with a tail, a double story 'g' and an alternative 'l' that can be applied together via the 'salt' or 'stylistic sets' features for a slightly warmer feel. Malnor Sans currently has around 900 glyphs, including diacritical marks, that support a broad Latin-based language.

Stettinum Nicodemus Pro is a project to revitalize lettering from tenement houses in Szczecin. The project includes the digitization of letter remains from ul. Kaszubska in Szczecin to form functional fonts. The main idea of the project was to preserve the disappearing remnants of Szczecin's typographic past, which, despite the span of glyphs limited by time, can be an inspiration for many future extensions of the already established family. Stettinum Nicodemus Pro Sansum is a family of typefaces consisting of 7 variations. The block structure with a regular structure and a relatively high minuscule allows for many different applications. Versions 700, 800 and 900 are intended for titles, headings and emphasis, typefaces 300 to 600 are text typefaces.

The Alamia type family is a sans serif in 20 weights, ranging from Hair Line to Black with matching italics. Each style contains more than 900 glyphs. Alamia comes with an extended coverage of the Latin and Cyrillic Script. All weights of this family are equipped for complex, professional typography with OpenType Features including: Small Caps, Ligatures, Discretionary Ligatures, Superscript, Subscript, Tabular Figures, Old-Style Figures, Circled Figures, Arrows, Matching currency symbols and fraction.The construction of the characters combines clean grotesque style with modern, that gives the font an organic, warm and friendly touch. The Alamia font family is a perfect choice for body text, branding design, web design, editorial design and more.

Jagerlay was brought to life to cope with diverse and complex data gathered in presentations, corporate identity and other office documents. Its geometric shape and characteristic endings are reminiscent of classic typography from Sci-Fi Movies from the 80's. The simple design makes Jagerlay outstandingly easy to use for every user. Jagerlay pairs with other typefaces in the blink of an eye – it goes well with display, serif or script fonts. The whole family consists of 9 weights and matching italics. Every style has almost 900 glyphs. Jagerlay has many opentype features such as tabular figures, fractions, superscript and subscript, small caps and arrows. Low contrast makes it easy to read. The rest makes it easy to use.

Diploma Script was born from merging classic calligraphy and contemporary tools. The Copperplate style, which served as baseline for the development of the font, mixes harmoniously with brush pen drawing techniques that give Diploma Script a modern touch. The typeface provides elegance and legibility, while preserving characteristic shapes and strokes from the Copperplate style. Diploma Script covers a wide range of uses ranging from titles, logotypes, invitation cards, certificates and labels to small-sized texts. The family comes with initial, medial and terminal alternates that allow user to emphasize specific words. Figures, fractions and symbols are also included. Diploma Script includes a set containing more than 900 characters that support over 200 different languages.

Okoye occupies a liminal space between the bonkers curviness of 19th-century grotesques and the sandblasted neutrality of 20th-century models. Both extremes are nice, but there’s something to be said for some neutrality with character left in place, yes? Okoye comes in 9 weights, Thin to Black. If you’re using it for interfaces, each weight lines up from 100-900 in the CSS specification you already know, with Regular sitting at 400 and Bold at 700. You’ll see what you expect to see without extra font-weight specification. There’s extensive Latin language support, a set of small caps which mirrors full-size caps (good for control labels), and arrows. Okoye will be your quirkhorse: hardworking, with personality.

Aloe is a characterful and friendly display font family inspired by headlines from 1930’s newspapers and calligraphy. The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts. It features a variable font with weight axis. Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with calligraphy gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects.

Prior to 500 AD the 24-rune Elder Futhark was used in Sweden. From 500 AD until 800 AD there were many Futharks which were transitions from the 24-rune Futhark to one of the 16-rune Futharks. By the end of this period the 24-rune Futhark was completely out of use , and only 16-runes Futharks were in use. By 900 AD two different types of Shorttwigs-Futharks had been born. One was popularized in Norway and the other was used in the west (the British islands). By 1000 AD the adjustment of the runes to the Latin alphabet had begun, and several versions are found up until the Dalrunes, about 1700-1800 AD.

Variable version of 'Glimp' font family Glimp Variable supports 3 axis flexibility across width, weight and italic in a single font. It also comes with the static styles available as options in the font style selection menu. It features rich set of opentype features such as stylistic sets, contextual alternates, case sensitive forms, superscripts, subscripts, fractions, and more. Glimp Variable is made to be your go-to choice for a wide range of projects, whether you're working on branding, web design, print materials, or presentations. It elevates your designs or brand effortlessly, embracing your creative vision. Variable Axis Ranges: Width - wdth - 75 to 100 Weight - wght - 100 to 900 Italic - ital - 0 to 1

Inspired by a trip to Costa Rica and named after its famous beach town, Nosara is a layered vector font that's perfect for projects that require a realistic, hand-painted desert-island look. It comes in three styles: Regular, Outline, and Fill. The styles can be layered to create authentic-looking hand-painted letters and icons—in vector! You can create outlines from this font in order to customize to your heart's desire. Millions of bespoke combinations are possible. This typeface was made by hand, meaning each letter was painted with real paint and digitized, not created on an iPad, which is why this font looks great and has a warm natural quality even at large sizes. Nosara is perfect for packaging, parties, signage, and even looks great in long-form text! Nosara Xtra is a set of pictograms, also in 3 styles that can be layered for the same effect, evoking the imagery and happy vibes of a sunny tropical vacation.

Steiner Special is a revival and expansion of an art nouveau face called Swing, originally designed by Peter Steiner in 1974. Some of the original film type letters were slightly normalized and toned down for concept consistency, though this digital version lacks none of the original face's charm and sunny disposition. This particular kind of art nouveau face is one that appeals very much to kids. Steiner Special can be used in upper-lower or all-upper, and can maintain its enthusiasm and excitement through any bending, stretching, squeezing, warping or any thinkable filter your favourite design program has. Children book covers, candy and cereal packaging, fun headlines and posters for kid events are but few of the possible uses of this font. If you're designing anything for kids, give this font a try and you won't regret it. Steiner Special comes with over 500 glyphs and support for the majority of Latin languages. A full set of ligatures in included, as are a few stylistic alternates.

My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year. Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions. A new font name was born and it stuck to this particular font! Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

Suidae is a fat font family, combined from 3 different style. It's fresh, friendly, fun and full of surprises waiting for you to be discover!. It is also a great mix of boldness and cuteness, so it definitely captures attention while keeping the minimal form of letters. Plus, Suidae is an effective font family for creating amazing headlines, logos & posters with a custom-made feeling.

A bold, friendly, impactful typeface. Ideal for filling with graphics and textures and layering with other type. Named in reference to the generously proportioned Alfred Hitchcock (born in Leytonstone). Leyton was designed to be as fat and punchy as possible without losing legibility. Each character fills up the space – throwing away counters in the process. Discounts available for certain projects – particularly charities and students.

Matryoshka is a display layering type family which is inspired by the Russian wooden doll. The family contains eight different weights from XXS (thin) to XXL (fat) + Pregnant (all in one). The design is based on an elaborate and complex grid, so each font fits perfectly into the other. With the Matryoshka family the typographer can create millions of new solutions. Play with it!

Hera Big is a type family in eight weights & 16 fonts. The family explores the motion and fluidity of the ball serif, in an evolution from its previous identity as a counterpart to the slab serif. Informed by great fat-faces from Figgins to Lubalin, but never deferring to precedent by default, Hera is a fresh mix of originality and organic form, never sacrificing function for beauty.

I bought a pair of green gumboots (or Wellingtons) the other day. I have a little wilderness outside and it is quite muddy, so I thought a pair of boots would be a good buy. Gumboots is a handmade comic font. It comes in a regular and a fat style and you can use it for just about anything that needs a bit of comic relief.

Fat, bold, and comfortably bulbous; that's ITC Liverpool, designed by Kevin Bailey. The letterforms are soft and mildly eccentric, characterized by tiny counters that shift around from letter to letter like the highlights on cartoon eyeballs. Some of Liverpool's letters are reminiscent of display lettering from the '30s, yet this exuberant face would also be right at home in the '60s. Not for the typographically timid.

Glupy Retro is a display type font with the style fat below and skinny on top. Use this display font to add that special retro vintage touch to any design idea you can think of! Very suitable for logotype, Stickers, Packaging design, Cricut Project, headlines, brand identity, t shirt or apparel industry, posters, magazines, books, YouTube, Instagram, websites, or any of your creative design projects. Enjoy!

Satiata is fat, single, display font that's full of charm. Tightly spaced, Satiata is designed with condensed proportions which place the font in versatile position – it can be used for posters, titles, outdoor graphics, but equally the same for package, branding or websites. It is recognizable enough to lead every project. Satiata contains extended Latin character map with two stylistic sets and small pack of ligatures.

Rhea is a family of condensed all-caps sans serif fonts. It is equipped with a bunch of accented characters. There are alternate letterforms for M & W, easily accessible via opentype features. Due to its nine styles, ranging from an elegant thin to a blatant fat, it gives you the opportunity to easily define a hierarchy between your headlines or the content on your poster, etc.

Press Grotesk is a handmade sans serif, condensed font that takes inspiration from old letterpress printing processes & handcrafting. The font's slightly imperfect, uneven appearance works perfectly for surfing, skating, motorcycling, coffee shops, health, wellness, adventure brands, and much more. Press Grotesk features 2 weights (fat and skinny), upper- and lowercase, many advanced characters and illustrations in order to achieve a truly hand painted look.

With Quote Note I did my best to make a simple and unsophisticated font. I wanted the letters to come out as if they were made with a fat marker on a note. Well, I'll let you be the judge on how I succeeded. I've added 4 different versions of each lowercase letter and even did a simple complimentary dingbat. And of course there is multilingual support!

Mega Drone is a black and fat display font with unique lowercase. You can use this font for many project that require strong and bold vibes. This font also including icons and catchwords that you can access just from ligature. Just mix the uppercase and lowercase in a word for better looks. This font also suitable for logo and more. Mega Drone also support multi language!

Brain Squeeze is a nice, fat, messy brush font. I made it with one of my late father in law’s prized Chinese brushes and my Chinese ink. If you look through my library, you will notice that I make a lot of fonts using these tools! Brain Squeeze will squeeze your Cabeza for some extra creativity, so what are you waiting for? Use it and have fun!

I have actually never had a sherbet. When I made this font family, I wish I had one, as it was a whopping 38 degrees (Celsius, not Fahrenheit…) outside. Raspberry Sherbet is a cute little font family, consisting of a rounded fat kids font and an inline version. Comes with all the bells & whistles, plus a super duper cooling effect when you use it!

Introducing the "Vanilla Bubble" font, a fat handwriting font with a unique shape plus a few strokes to add a striped impression, this font is made directly by hand so it produces a cute and natural shape. This font is very suitable for all designs such as logos, wedding invitations, greeting cards and others, please try it. If you have any questions, don't hesitate to contact us.

This font is the byproduct of a T-shirt line for a punk/hardcore band I did a while ago. The guys like it skatestyle, so I scribbled their bandname and tagline with fat edding markers, which was so much fun that I decided to make it into a whole font. PiS Wallride features ligatures and OpenType alternates for an even grittier and more authentic feel.

Working at American Type Founders from a Bruce Foundry recutting, Morris Fuller Benton worked out the dramatics of the English Fat Face, and in 1928 produced Ultra Bodoni, a headline spectacular. Using Benton’s 1933 Ultra Bodoni Extra Condensed, Richard Lipton digitized Bodoni FB Bold Condensed, then took compression even further and designed Bodoni FB Bold Compressed, a real technical tour de force; FB 1992

Kush is what happens when you let your fonts sit around watching cartoons and eating cake and ice-cream all day�When their vectors are freed from all constraints and allowed to follow their bliss. Kush has filled its insides to just the other side of contentment and comes to you on a sugar high and with a head full of Looney Tunes. And... It�s two ply! A two-layered display face from Our House Graphics with a plush, organic feel, Kush has 370 glyphs, over two dozen standard and discretionary ligatures, stylistic alternates and a few surprises. Kush Fat and Kush Shade work well independently but together they become a two colour, two layer font. Simply type some text in Kush Shade, copy it and paste it back on top of your original text. Then change the top layer to Kush Fat and adjust the colours to your liking. For best results, use default settings for kerning and tracking (letter spacing).

P22 Barabajagal is a unique take on the display fat face by way of doodling fun. Somewhat informed by the shapes of an early 1970s film type called Kap Antiqua Bold, this font’s aesthetic is the stuff of boundless energy and light humour, where an uncommon “peak” angle drawing perspective results in sturdy trunks, fat bottom curls, and active ascenders eager for mobility in space. This is the kind of font that makes you wonder whether it was drawn with rulers, protractors and compasses, or just by a mad doodler’s crazy-good free hand. Regardless, Barabajagal easily turns the geometry of modern forms into an exercise in sugar-loaded fun. It’s a very good tool to use in design geared at kids and young adults, such as food and toy packaging, books, animation, cartoons and games. Barabajagal comes with over 550 glyphs, lots of alternates, and a few ligatures and swash caps. It also contains extended support for Latin languages.

Baro is a powerful, fun and expressive font, great for loud, cheerful and super-fat headlines and packaging for odd novelty toys. With its bold and distinctive stylized geometric forms, it is ideal for logos, heavy machinery and wacky party invites. Baro had its beginning in a handful of rigidly geometric uppercase letters from an unidentified 1960�s or 70�s era press-down lettering font, which in turn was possibly a revival of a 20�s era Art Deco font. The exercise quickly expanded into a complete typeface with 300+ characters, including several catch words (word glyphs), stylistic alternates, discretionary ligatures, multilingual support and both lining and old style numerals. Baro maintains much of the characteristic geometric rigidity of the original handful of letters, but � With the addition of just a little bit of flare, a bit of cheerfulness breaks through, like a wink and a smile on the face of a fat and otherwise stern policeman.

Gummies - The fat bubble font is a stylish and playful typeface that features rounded and inflated letterforms, resembling bubbles. The letters are often chunky, with exaggerated curves and soft edges, giving them a plump and rounded appearance. This type of font is popular for its fun and whimsical nature, making it suitable for designs targeting a young audience or those looking to create a lighthearted and energetic atmosphere. The thick and rounded letterforms give a sense of friendliness and approachability, adding a touch of playfulness to any text. The fat bubble font is versatile and can be used in various design applications, such as logos, headlines, posters, invitations, stickers, or website headers. It adds a touch of personality and uniqueness to designs, helping them stand out and grab attention. Overall, Gummies font is an eye-catching and cheerful typeface that captures the joy and energy of bubbles, making it a popular choice for designs that want to exude a sense of fun and playfulness.

Fun Signs JNL comprises twenty-six humorous signs from a 1930s-era sales list of products manufactured by the Koehler Sign Company of St. Louis, Missouri. Koehler manufactured a large line of stock cardboard "Blue Signs" (presumably blue backgrounds with white lettering) and alongside the many standard phrases used by various businesses was a list of funny sayings. Such placards were bought by merchants to either evoke interest in their services (such as in a bar or restaurant, or jokingly comment on their business policies (as in credit billing). These novelty signs are a fun addition to a flier, ad, web page or announcement and will leave your readers smiling.