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  1. Dahirus by Runsell Type, $16.00
    Dahirus font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  2. Graffick Wide by Graffiti Fonts, $12.99
    Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.
  3. Fright by Runsell Type, $16.00
    Fright font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  4. Violash by Runsell Type, $16.00
    Violash font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  5. Elah Pro by RodrigoTypo, $29.00
    Elah Pro is a Title Typography, which contains different styles such as Ornaments and Dingbats, special to play and combine and make a much more pleasant and entertaining title.
  6. Yaribe by Runsell Type, $16.00
    Yaribe font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  7. Argafila by Runsell Type, $16.00
    Argafila font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  8. Spikes by Runsell Type, $16.00
    Spikes font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  9. Brackout by Runsell Type, $16.00
    Brackout font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  10. Anderson by Larin Type Co, $12.00
    Anderson is a stylish and unique handwritten font that is easy to remember. It’s great for branding, photo overlays, book covers, magazines, watermarks, business cards, invitations, and much more!
  11. Ufaira by Edcreative, $15.00
    Ufaira is an original handwritten font that can be used in various needs of the network such as screen printing of clothes, posters, films, magazines, banners, books, and more!
  12. Burithan by Runsell Type, $16.00
    Burithan font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  13. HV Cocktail by Harmonais Visual, $12.00
    Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.
  14. Ecbert by Runsell Type, $16.00
    Ecbert font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  15. Stay Kind by Sans And Sons, $12.00
    Stay Kind is Modern Retro with Fun and Groovy Style is perfect for branding, logos, shirts, invitation, stickers, master heads, Cricut projects, social media, posters, magazine, prints and more.
  16. Wayxon by Runsell Type, $16.00
    Wayxon font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  17. Rooters by Letterafandi Studio, $14.00
    Rooters is a Handwritten font. That font is perfect for; logos, greeting cards, package design, brand identity, craft design, any DIY project, book title, packaging, another project, and more.
  18. German by Runsell Type, $16.00
    German font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  19. Bonstar by Runsell Type, $16.00
    Bonstar font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  20. Qalkage by Runsell Type, $16.00
    Qalkage font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  21. Thebeats by Runsell Type, $16.00
    Thebeats font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  22. SpaceMace by Scannerlicker, $33.00
    SpaceMace is a pixel-font designed for print work... or not! It features 950 glyphs, from Basic Latin to Greek and Cyrillic, with ligatures, swashes and much, much more!
  23. Welotils by Runsell Type, $16.00
    Welotils font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  24. Myavit by Runsell Type, $16.00
    Myavit font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  25. Dheatnote by Runsell Type, $16.00
    Dheatnote font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  26. Colaste by Runsell Type, $16.00
    Colaste font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  27. Brooklyn Syndrome by Krakenbox Studio, $12.00
    Brooklyn Syndrome is a modern, cool, squared lettered and bold display font. It will elevate a wide range of crafting ideas, from cards, to branding, labels and much more.
  28. Rakels by Runsell Type, $16.00
    Rakels font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  29. Bestro by Maulana Creative, $17.00
    Give your designs an authentic handcrafted feel. "Bestro" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.
  30. Cigesar by Runsell Type, $16.00
    Cigesar font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  31. Scuad by Runsell Type, $16.00
    Scuad font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  32. Rackham by Scriptorium, $18.00
    Rackham Italic is based on the hand lettered titles of Arthur Rackham from the book English Fairytales. The Rackham font is based on his more familiar title lettering style.
  33. Roxike by Runsell Type, $16.00
    Roxike font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  34. Gargefo by Runsell Type, $16.00
    Gargefo font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  35. Astrolove by Maulana Creative, $15.00
    Give your designs an authentic handcrafted feel. "Astrolove" is perfectly suited to signature, stationery, logo, typography quotes, magazine or book cover, website header, clothing, branding, packaging design and more.
  36. Voina by Runsell Type, $16.00
    Voina font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  37. Qualie by Runsell Type, $16.00
    Qualie font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  38. Quecker by Runsell Type, $16.00
    Quecker font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
  39. Canbera by Viswell, $19.00
    Canbera is an old style serif font, its funky, round, hight-contrast and bold shape with a retro touch is perfect for displayed, head text, logotype and many more.
  40. ITC Johnston by ITC, $29.00
    ITC Johnston is the result of the combined talents of Dave Farey and Richard Dawson, based on the work of Edward Johnston. In developing ITC Johnston, says London type designer Dave Farey, he did “lots of research on not only the face but the man.” Edward Johnston was something of an eccentric, “famous for sitting in a deck chair and carrying toast in his pockets.” (The deck chair was his preferred furniture in his own living room; the toast was so that he’d always have sustenance near at hand.) Johnston was also almost single-handedly responsible, early in this century, for the revival in Britain of the Renaissance calligraphic tradition of the chancery italic. His book Writing & Illuminating, & Lettering (with its peculiar extraneous comma in the title) is a classic on its subject, and his influence on his contemporaries was tremendous. He is perhaps best remembered, however, for the alphabet that he designed in 1916 for the London Underground Railway (now London Transport), which was based on his original “block letter” model. Johnston’s letters were constructed very carefully, based on his study of historical writing techniques at the British Museum. His capital letters took their form from the best classical Roman inscriptions. “He had serious rules for his sans serif style,” says Farey, “particularly the height-to-weight ratio of 1:7 for the construction of line weight, and therefore horizontals and verticals were to be the same thickness. Johnston’s O’s and C’s and G’s and even his S’s were constructions of perfect circles. This was a bit of a problem as far as text sizes were concerned, or in reality sizes smaller than half an inch. It also precluded any other weight but medium ‘ any weight lighter or heavier than his 1:7 relationship.” Johnston was famously slow at any project he undertook, says Farey. “He did eventually, under protest, create a bolder weight, in capitals only ‘ which took twenty years to complete.” Farey and his colleague Richard Dawson have based ITC Johnston on Edward Johnston’s original block letters, expanding them into a three-weight type family. Johnston himself never called his Underground lettering a typeface, according to Farey. It was an alphabet meant for signage and other display purposes, designed to be legible at a glance rather than readable in passages of text. Farey and Dawson’s adaptation retains the sparkling starkness of Johnston’s letters while combining comfortably into text. Johnston’s block letter bears an obvious resemblance to Gill Sans, the highly successful type family developed by Monotype in the 1920s. The young Eric Gill had studied under Johnston at the London College of Printing, worked on the Underground project with him, and followed many of the same principles in developing his own sans serif typeface. The Johnston letters gave a characteristic look to London’s transport system after the First World War, but it was Gill Sans that became the emblematic letter form of British graphic design for decades. (Johnston’s sans serif continued in use in the Underground until the early ‘80s, when a revised and modernized version, with a tighter fit and a larger x-height, was designed by the London design firm Banks and Miles.) Farey and Dawson, working from their studio in London’s Clerkenwell, wanted to create a type family that was neither a museum piece nor a bastardization, and that would “provide an alternative of the same school” to the omnipresent Gill Sans. “These alphabets,” says Farey, referring to the Johnston letters, “have never been developed as contemporary styles.” He and Dawson not only devised three weights of ITC Johnston but gave it a full set of small capitals in each weight ‘ something that neither the original Johnston face nor the Gill faces have ‘ as well as old-style figures and several alternate characters.
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