Introducing, Sertona, a trendy bold font with italic alternates! Sertona is a modern and trendy font based sans that have unique looks. This font contains uppercase and lowercase that have different form. You can use the lowercase and uppercase in the same word that will make your text more stand out! And the best of this font is the italic version as the alternates which mean you can combine it all without worrying about the kerning! You can use this font for the magazine, poster, and suitable for headline. This font also support multi language. What you will get: All Caps Font with different uppercase and lowercase Italic version as the alternates. Well Kerned.

Drop Cap One is a drop cap or an initial cap font. Even though it has all the letters of the alphabet it is not an alphabet font to be used for headlines or body copy. It has no kerning or punctuation except a period. It does not have accent marks. There are basically 2 alphabets in this font. The lighter letters are lower case and the darker letters are upper case. The light and dark letters are interchangeable. While a fun desktop font the real inspiration for this font was my need for a webfont for initial caps for blogging. It could also make a great scrapbooking font too. Lots of uses for this quirky little font.

Introduce the Stigo, san serif font which is very simple and clean, has a perfect and attractive impression on the curves and thickness designs that we designed in detail in each letter, if you use this font as a word or sentence it will further strengthen and beautify your design, This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

This font is really interesting for you to use in various sorts of your projects, your project will be good and draw a lot of people’s attention. Refinu san serif font with a unique shape but still comfortable and easy to read. This font is also quite versatile and simple to use, allowing you to complete your tasks swiftly. But, more importantly, using this typeface will ensure that your project is remembered by your entire audience. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

A little-known design by Futura designer Paul Renner gets a long overdue update by Linda Hintz and Toshi Omagari, in this reliable and impactful industrial sans serif. Neue Plak offers more weights and widths than the original 1928 design, extending its use for branding, editorial, logos and UIs. The pair based their updated and extended version on the original Plak wood type, uncovering lost details and incorporating them as alternates – including the choice between open or strikethrough counters. Neue Plak's outwardly stubborn personality is counteracted by unexpected details, which make for an unusual juxtaposition of severe and playful. “It felt like we should pay Paul Renner more tribute,” says Hintz, who spent time researching the typeface in Hamburg's Museum der Arbeit. “The forms themselves are partly quirky, partly really fun, but with a German stiffness that makes for a strange mix.” Neue Plak offers 60 weights, including a new text version that pairs well with the display weights, and allows the design to function in print and digital environments, and for a wide range of uses. Neue Plak Text Variables are font files which are featuring one axis and have a preset instance from Thin to Black.

Stagen is a cloth with a length ranging from 5-10 meters and a width of about 15 cm which is usually used by traditional Javanese women as part of the traditional kebaya dress. The stagen is wrapped around the stomach to help maintain posture and "lock" the jarik cloth on the kebaya. Stagen existed before World War II in Indonesia and became an elegance in the harsh world at that time. Inspired by the rich culture, Stagen is a modern sans serif typeface that has an upright and sturdy impression, with unique curves in it. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 130+ stunning and super easy to use alternates and ligatures. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easly call alternates character using special combination like A.2 R.3 L.A L.a etc so you don't need special software. To get results like the preview just type Sta.gen.

Novel Pro is the humanist Antiqua typeface family within the largely extended award winning Novel Collection, also containing Novel Sans Pro, Novel Sans Hair, Novel Sans Condensed Pro, Novel Display, Novel Display Condensed, Novel Display Extra Condensed, Novel Display Compressed, Novel Display Extra Compressed, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Classic proportions of a Renaissance Antiqua combined with modern details let Novel appear as a friendly and elegant but functional typeface. The almost upright letters of the narrow Italics create a vital contrast to the generous construction of the roman. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 12 weights enable designers to create fine legible typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Pro [914 glyphs] comes in 12 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Appetite Pro Rounded is an extension of the world wide popular display fonts Appetite Pro (2016) and Appetite Rounded (2011). Appetite Pro Rounded consists of 10 weights — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international rounded font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro Rounded font family special designed made in addition for Appetite Pro. Due to the 10 weights rounded font and 10 weights normal weights palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.

Sheesh is a bold and playful font designed with the current trend of combination fonts for daring nostalgia branding trends in mind. It's perfect for branding projects aimed at Gen Z, who are known for their bold and fun style. This font features many stylistic sets and funky icons, making it easy to create eye-catching designs that appeal to this demographic. The font has a modern and fresh look that can add a touch of whimsy to any project. Whether you're creating a logo, a website, or a social media post, Slinky is a font that will help you stand out and make a lasting impression on your target audience.

Benua font family, a sleek and modern sans serif font designed with unique curved details at the letters a, d, l, m, n, p, and r. These details give the font a distinctive look and feel, creating a cohesive and harmonious design. Closed apertures and generous spacing of the font provide excellent legibility, making it an ideal choice for both print and digital media. Benua also features small caps, which add a touch of elegance and sophistication to any design project. The font comes in 9 weights, from "Thin" to "Black," each equipped with its own italic version, allowing for a range of emphasis and flexibility in design.

Proudly present "Memorebillia - Modern and Stylish Serif Font" Memorebillia is a serif font with ornaments. This font comes with elegant uppercase and lowercase, uppercase and lowercase, number and punctuation, a ton of stylistic alternates and ornaments. you can mix and match stylistic alternate and ornaments to create fun designs with this font. This font perfect for branding/logo, posters, magazines, cricut projects, embroidery and many others. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Beiko Uppercase Greek Font is a decorative display font, made from digitized brush hand lettering. Of course, the uppercase font supports a full set of Greek characters and an extended Latin character set with diacritics. Also, this handwritten font is ideal for handcrafted projects. The hand-brushed organic style of Beiko is ideal for logotypes. In fact, this cute typeface can be your next typeface for your graphic design needs. From Instagram quotes to product packaging, merchandise, and branding projects, this font is so fun to use. Also, it can be used on social media content, for branding, poster design, for children projects, and any other kind of product packaging.

Presenting Grillith fonts. This font is created with a unique combination of each character. looks real and can be used for all your project needs. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Wesley from Jukebox is a geometric sans-serif with a clean and streamlined look. Named after the designer’s paternal grandfather, this font is well suited to any design that needs a sophisticated look. The large x-height helps give the typeface a more approachable feel. The unique lowercase g with its open bowl is a distinctive feature in the font. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

Introducing of our new font Vallocka, digitised from hand painted characters with brush markers. This font is good for logo design, social media, movie titles, book titles, short text (and even long) text, letters, and a good choice when combined with other script, sans, or serif fonts as secondary text font. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that fully support OpenType features and have a Glyphs panel such as Adobe applications or Corel Draw for you Ito make use of all the variations of the glyphs. Hope you enjoy our fonts!

Introducing Bulbis, the latest addition to our font collection. This unique bubble font is inspired by graffiti and street art, infused with a modern layout that is sure to stand out. The font also incorporates a mix of y2k culture and streetwear visuals, which are currently trending in design identities. With its eye-catching appearance, Bulbis captures attention right from the start, drawing the viewer in to explore its fun and dynamic features. The font is versatile and can be used for a variety of design projects, from logos and branding to social media graphics and more. Give your designs a fresh and modern edge with Bulbis font today!

Manila- Modern Elegant Serif Font Manila font is a modern Elegant Serif font with a Elegant , fancy, playful, unique, and versatile vintage sans serif that you can combine to get a beautiful typography. It is a Serif font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Ready 9 Weight (Thin, Extralight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black) Character set A-Z Alternative Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Wish you enjoy our font. :)

Introducing our latest creation, Maretha Font Duo, a set of two fonts designed for good combinations. Script and Sans, 2 different styles that allows you to make a great custom combination of lettering designs. These fonts include some features such like alternates, swashes and ligatures to give you more options accessible in Adobe Photoshop, Illustrator, CorelDraw, etc. Maretha Script also has individual swashes you can apply in any lowercase-letters by pressing 'underscore' and 'number 0-9'. These vintage minimalism fonts are great for any design project such as vintage logos, store fonts, clothing brand, label design, wedding invitations, quotes, craft and much more.

Young Baroque was designed by Doyald Young, and the font first appeared in the ITC library in 1984. It is a delicate and elegant typeface, whose basic forms are those of baroque script. The generous spirals adorning the capital letters give the font its temperament and contrast beautifully with the small, heavily slanted lower case letters. The flowing, graceful characters create an overall image of aristocratic elegance and dignity. This font can be used advantageously for labels, invitations and certificates and its capitals as initials to contrast harmoniously with both serif and sans serif fonts. Young Baroque is best used for headlines or short texts. Featured in: Best Fonts for Tattoos

Benjir Typeface – Display Handwritten Font look with simple, Sport, visual elegance with subtle curves and beautiful bindings, An incredibly versatile font that works both large and small. This font is suitable for a wide variety of projects such as: headlines, logos, labels, branding projects, magazines, home appliance designs, product packaging, mugs, quotes, posters and many more. This font can also be more expressive and fun, thanks to the many alternatives and ligatures that combine harmoniously in this font and make it more attractive and versatile. Try to change alternatives, fasteners and you will get many options for your project that will make it Vintage & Awesome.

Moveri is a lovely sans-serif typeface with powerful curves and a minimalist design. Whatever the theme, this versatile typeface gives a clean and impressive style that’s excellent for branding, digital products, and creative ventures. Moveri fills every room with its beautiful and clean appearance, whether seen up close or from afar. Don’t miss out on this fantastic font — get it right now! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Extra bold, extremely black! Siah font comes with 2 weights and provides a modern and clean sans serif Arabic/Persian type experience for headlines and headings! Siah means "Black" in Persian. This font also supports basic Latin. The complete font family is a great choice for all graphic designers, typographers and visual artists. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Sadyan is a new san serif font with a lovely and graceful shape that can elevate your specific project to new heights. because we carefully and thoroughly develop each letterform in order to create a beautiful, appealing, and versatile blend of words for you to use in your various projects Now is the time to start using this typeface in your various projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Are you looking for a blackletter font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Blacktones-A Blackletter Font Blacktones is a simple blackletter font with big loopy letters. Perfect for adding a touch of whimsy to your already amazing designs. A real head-turner for your presentation, designs, branding, quotes, invitation, website illustrations, and much more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Kalecius-A Blackletter Font Kalecius is a blackletter font designed with a modern vibe. This beautiful runic style typeface help you bring the Soul of the North into your design works! It's ideal font for giving your strong touch. Great for typography posters, apparel design, branding and logo, greeting cards and invitations. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Wavespired is a unique font that combines the playful and jazzy lettering of the 1950s cartoon modern style with a modern and sleek design. This font is perfect for creating eye-catching logos and headings that will stand out in any design project. The font is influenced by the retro vibes of the fifties, but with a fresh and modern twist that makes it ideal for today's design needs. The font is legible and easy to read, making it perfect for headlines, titles, and other design elements that need to be easily understood. The font is perfect for any project that requires a fun, retro-inspired design with a modern twist.

Aerogate is a bold rounded script font inspired by our best selling font called aerokids. Aerogate is a bold rounded script font with a bold vintage style inspired by beautiful classic handwriting. made with care and fun without eliminate characteristics of our font. Aerogate created with a tons of opentype features, contextual alternates, ligatures, and stylistic sets. Make forms at the beginning / end of a word are set automatically. It is smart an it is working in adobe software. This font is perfect for your creative projects such as Logotype, printed quotes, invitations, business cards, product packaging, headers, Letterhead, Apparel , Web design, Magazine, Book, Stickers, Labels etc. Thanks

Introducing "Trace," a captivating display font that seamlessly marries the ancient mystique of Nordic symbols with a bold, futuristic modernity. This unique typeface transcends traditional boundaries, emerging as a striking fusion of historical symbolism and cutting-edge design. "Trace" is not merely a font; it's a visual journey that bridges the past and the future, offering a distinctive and versatile aesthetic. Inspired by Nordic symbols, "Trace" breathes new life into these ancient motifs, infusing them with a sleek and contemporary vibe. Each character carries the rich storytelling heritage of Nordic culture, interpreted through a lens of modern sophistication. The result is a font that is both timeless and forward-thinking, making it an ideal choice for those seeking a balance between tradition and innovation. As a display font, "Trace" commands attention with its bold and commanding presence. Its carefully crafted letterforms embody a sense of strength and purpose, while the subtle Nordic influences add an air of mystery and intrigue. Beyond its role as a traditional typeface, "Trace" transcends expectations by doubling as a symbol font. Unlock a treasure trove of symbolic possibilities, allowing you to weave intricate narratives or create visually stunning patterns that go beyond the constraints of traditional alphabets. Whether you're designing for futuristic branding, creating a visual language for a tech-forward project, or simply seeking a font that tells a story of cultural richness, "Trace" is your creative companion. Versatile and impactful, this font opens doors to a realm where ancient symbols and modern design converge, allowing you to explore uncharted territories in your creative endeavors. Embark on a design journey that spans centuries with "Trace. What you get, you will get: 1. Trace - Clean San serif font including Uppercase & Lowercase (ALL CAPS) characters, 2. Numbers and Punctuation 3. Support Multi language (Western Europe Latin)

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!