The typeface Yusyad is designed mainly for a very sentimental and emotional reason. Metaphorically, it is a modest artistic gift offered virtually from the designer to one of his beloved and cherished persons in this life, namely, his loyal and devoting wife. She represents one of the most essential motives for many artistic and non-artistic works that the designer achieved during his life. This was done through her tranquil personality, infinite patience, sincere support, and endless encouragement. The designer's partner (i.e., the significant other) lives with him along with their three children looking both always for a life full of peace, achievements, philanthropy, and of course love. The typeface's name Yusyad is a portmanteau word consists of two morphemes. It is a simple name-meshing for two different names. Those names represent the name of the designer's wife (Yusra) and the name of the designer (Eyad). Yusyad is like an epithet that ties the two partners' honest and eternal relationship until the last day of their lives. Technically, Yusyad is a sans-serif condensed and display typeface. It comprises seven fonts with dual styles and multiple weights. Specifically, it has two main styles, namely, the normal and the inline design. The normal style comes in five weights (i.e., thin, light, regular, bold, and black) whereas the inline style has two weights (i.e., regular and bold). The typeface is designed with more than 700 glyphs or characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish and the Vietnamese languages. The typeface is appropriate for any type of typographic and graphic designs in the web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in movies' or TV-series titles, posters, products’ surfaces, logos, signage, novels, books, and magazines covers, medical packages, as well as the product and corporate branding. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. To end, Yusyad's condensed appearance—especially the inline style—makes it very memorable, eye-catching, and striking for advertising, marketing, and promotional purposes.

Introducing the third reincarnation of TT Chocolates! The popular typeface was updated to stay up-to-date with the latest requirements and trends in design! TT Chocolates is an elegant Humanist sans serif with a dense typesetting and well-balanced proportions similar to the classical tradition. This font's nice and friendly nature makes it seem like something close and familiar. It has earned a reputation among designers as the perfect font for confectionery, but the application range of the TypeType's "sweetest" typeface goes well beyond that! In 2023, we decided to do a full-scale font update referring to extensive sans-serif market research. We figured out where the trends are headed and what users want—this information helped us enhance TT Chocolates. Specifically, we introduced a new Condensed font version, a narrow font style with the authentic proportions of the standard version. At the same time, TT Chocolates Condensed boasts a more expressive personality than the base subfamily, which allows designers to solve even more creative tasks using only one typeface. The third version of TT Chocolates has become even more modern and advanced. A large number of characters, various OpenType features, and stylistic sets make the font suitable for multiple purposes and tasks. TT Chocolates is a perfect match for both branding and layouts. The font's dynamic shapes make it easy to read in small point sizes, allowing the eye to move effortlessly across the line. This typeface can also be used in web design due to the TrueType manual hinting option. TT Chocolates 3.000 includes: 29 font styles: 14 roman, 14 italic, and one variable font; Condensed version consisting of 14 new font styles; Carefully crafted contours; Optimized font rhythm and completely new kerning; Enhanced italics in basic subfamily; Variable font with three axes of variation: width, weight, and slant; 32 OpenType features, counting in 13 new ones; 901 characters in each font style—the character set has grown compared to the previous version, which had 629 characters in each font style; 230+ languages support, including the new ones: 35 Cyrillic-based and 16 Latin-based. Elevate your design's appeal with TT Chocolates!

Juan Bruce’s Noort is not a type family for wayfinding or mapmaking alone, but for clarifying information and engaging readers along their own journey. The information designer’s role is to bring clarity and style to overwhelming amounts of information, which fortunately is Noort’s purpose as well. Hierarchies submit to its will and layering colour only adds more presence to its active posture. Noort’s design uses the proven editorial text features of a large x-height, ample spacing, and low contrast to check all the boxes for paragraph text use. But it’s the long serifs, wide characters, and overall typographic presence that make it resilient and ease the task of reading in small point sizes. These details mean Noort is able to demonstrate importance not only with its five pitch-perfect weights, but with its brindled colour within a layout. Noort’s roman and italic styles play off each other by transplanting their design features. The roman style’s serifs are transferred in substance but expectedly increased in speed in the italic styles. And the italic’s inktraps and separated strokes are echoed amidst the roman’s upright structure. Where digitisation could have removed the influence of the hand, Noort retains the analogue nature of its creation. This antiphonal seeding of details creates a cohesive family that is as fascinating as it is functional. Noort’s axis and serifs have a slightly varying ductus — the directional flow that aids reading and character clarity. Its latent obviousness in text sizes immediately becomes its signature style when bumped up to subhead sizes. And since Noort’s counters are so wide and welcoming, its heavier weights can expand more within themselves than along their exterior edges. Noort’s ten total fonts cover the Latin A Extended glyph set to bring its unbordered, globetrotting sensibilities to your projects. OpenType features include ligatures, fractions, and several figure styles, along with mature-rather-than-overbearing swashes. Aligned with TypeTogether’s commitment to produce high-quality type for the global market, the complete Noort family can set digital and printed works with ease, capitalising on the dual needs of clear information and fascinating textual artistry.

Moldr, a sans-serif with modular grid structure, inspired from handmade letter to industrial machine mold, Moldr come with 9 weights in complete family, Support many language with standard Adobe Lain 4 glyphs, world-ready and mark2mark support.

Based on the late 1970s artwork by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001). That was the only design created by Mnatsakanyan for Latin and Cyrillic. Digital version with adding the missing characters was designed for ParaType in 2003 by Manvel Shmavonyan. The font name Henman proposed by Mnatsakanyan is formed of the first three letters from the each designer's name: HENrik and MANvel. Some fractured elements make the face informal and a little bit funny. For use in text, advertising and display matter.

Big Neo is a carefree and colorful typeface with a youthful and fun vibe. It's great for creating a happy mood in your designs. You can use it for logos, business cards, posters, headlines, T-shirts, blogs, product packaging, and more. Make your design stand out with Big Neo! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß PUA Encoded and fully accessible without additional design software Simple Installations works on PC & Mac Thank You and Happy Designing!

Letters & Roses it is a chic lettering font with exquisite accents. It is perfect for branding, wedding invitations and invitation cards and much more. It includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks & ligatures Test it out below to see how it could look for your next project! Includes: Regular Script Alt Script Swashes Script Latin languages support Uppercase and lowercase Numbers and punctuation Ligatures Check out my blog: https://www.instagram.com/di.zigner https://pinterest.com/dmitriychirkov7 Enjoy

About family “StenoPro” Short for stenography… The name of the font was taken from the method of high-speed writing (shorthand) with a special alphabet. In shorthand, the rule "write as you hear" applies, that is, spelling is not observed. Capitalization, accents, ghosts, and punctuation except the semicolon are removed. In narrow letters you have the advantage of more words in a limited space… This series is composed and includes dozen fonts with 633 glyphs each, with true italics, and supports of course: Latin, Greek & Cyrillic.

Legatum is a new look at a classical serif Roman font and inspired by Roman sycamore, columns and architectural details of the Eternal City. The shapes of the letters and perfectly balanced high-contrast makes each sign look elegant, sophisticated and eye-catching. Looks great in headlines of posters, text in magazines, books. Also can be used in logos and blog posts. Each font has Latin multi-lingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations and all necessary ligatures and alternates.

Vacui Inspired by the Latin phrase "Horror Vacui", translating to "fear of empty space", the Vacui typeface ironically portrays the meaning from a different perspective. Originally intended to fill an entire surface, this typeface playfully illustrates an alternate reality, embracing space in a new minimal form. The modern aesthetic utilises white space to suggest the shapes and curves of letters that we are familiar with, connecting the dots on a subconscious level while introducing new breathing room to the flow of characters and phrases.

Whoever knew the Red Menace could be such fun? This bold and bouncy face is based on a Cyrillic alphabet presented in the book Schrifti Alphabeti, published in the Soviet Union in 1979. It rollicks and frolicks, and might even fetch your slippers. Special thanks to Charles Barsotti for permission to use The Pup to promote this doggone-good product. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

This family, in normal and bold weights, is based on Advertisers Gothic, designed by Robert Wiebking for Barnhart Brothers & Spindler in 1917. The original might be considered a transitional design between Art Nouveau and Art Deco; this version accentuates the Deco traits, adding a thick-and-thin treatment not found in the original. The large x-height and short descenders allow for compact, commanding headlines with a carefree charm, a.k.a. bell'agio. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Magic Love is an amazing hand lettered script font, looking attractive and natural. Every single letters have been carefully crafted to make your text looks beautiful. This font contains over 260 glyphs, including over 57 alternate characters with swashes. It has over 60 extended Latin characters for multilingual support. Magic Love is suitable for invitations, branding, advertising, poster design and more, and is also PUA encoded so all characters are accessible via Character Map, Font Book, or the font management program of your choice.

The Racoon Quest is an All Caps Display Font with playful ligatures that opens possibilities for more exciting experimental typography. The font is a little Art Deco-is serif. Ideal use is large size for signages, movie or book titles and posters! The Character set contains Western, Eastern and South Eastern European Latin languages, lowercase letters are small caps. There are stylistic alternates and ligatures for both upper and lowercase letters. Hope you'll like this one, enjoy and have fun using this for your designs, Cheers, Roland

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Pilot Point is based on an older font found in Dan X. Solo’s book on Circus Type; the designation fits perfectly. The font gets its name from a small town in Northeast Texas, where several scenes from Arthur Penn’s Bonnie and Clyde were filmed. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Aaaaand here it comes! New sans serif typeface NORTH STAR. Pure geometric forms – this is what makes these fonts look so special. Ad materials, logos, posters and so on so on. The font comes in Regular and Bold, both are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations. Thanks to its geometric shape you can also make an additional effect with combining different colors in the one letter and adding shades. Its easily done in AI after you convert your text to outlines.

Nanami Rounded Pro is the heavily engineered follow up to the hugely successful Nanami and Nanami Rounded font families. Nanami Rounded Pro contains all the wonder of the original Nanami families, but with vastly extended language support including Cyrillic and Extended Latin, leading to a total of 458 carefully crafted glyphs. The original Nanami Rounded was a key font in many a typography collection, but with these new multi-lingual credentials, Nanami Rounded Pro has become a true must-have font for anyone who’s serious about design.

As recently as forty years ago, computers consisted of racks of vacuum tubes, each rack about the size of a refrigerator, with enough racks to fill a good-sized family room required to do routine data processing. This font is based on a monospaced typeface used on a lineprinter from that time, the Unisys 0776. Although its origins are strictly retro, the face retains a timeless techno edge, even today. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Royal Crescent is an all caps display sans with an emphasis on elegance and simplicity. The uniform width is consistent throughout creating low contrast in all three weights. There are slight variations, between a few upper and lowercase characters which can be used interchangeably. Titling was its primary purpose but will prove useful in a variety of situations. Use it for web headers, a magazine, or a luxury logo. This family is equipped with Basic/Extended Latin, punctuation, symbols, diacritics, Cyrillic, kerning, and fractions.

Coche is a different kind of work from Koziupa and Paul. It is a connected script with a strong corporate feeling that aims to fill a gap in modern product branding. Coche means automobile, and one can easily envision a car's logo set with this font. Coche comes loaded with alternates and a complete set of small caps that nicely complement the caps and lowercase. This is the font for the modern designer-as-jockey who loves mix-and-play typography. Coche covers all Latin-based languages.

This is a curvaceous playful casual upright display script (the name inspired by Tibetan yak butter) and is unique due to the tall ascenders and cap heights combined with a small x-height and small cap height. Due to these variations I designed different heights of quote marks for visual consistency. There are five weights and multi Latin language support. This font is perfect for lingerie catalogs, gorgeous cookbooks, curvaceous branding and logo design, callipygian magazine heads, sumptuous restaurant and food designs, flamboyant word poetry and more.

Klartext [plain talking, clear words] A modern monospaced type family of 10 weights. Klartext Mono combines a classical monospaced font and modern monolined sans-serif with a humanistic touch. It is characterized by a large x-height, slightly condensed glyphs with well shaped curves and soft strokes. As a special feature, Klartext contains a bunch of uncommon glyphs like the German capital sharp S, a nice arrowset and a basic phonetic alphabet (20 letters in IPA Extensions, some more in Latin Basic thru Extended B).

Something about the swoopy loops in the uppercase characters of this typeface, originally called "Ronde", reminds one of the signature 'do of a certain real-estate-mogul-turned-TV-celebrity, and so this font was named. Delightfully different, this face can be playful or formal, as suits the the occasion. To complete its nineteenth-century creds, the font includes classic bishops fingers at the ASCII tilde and ASCII circumflex positions. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Fairweather is a fresh air. Clear, transparent, and lucid as if it is the spring and autumn sky. By designed condensed, legible and perspicuous, Fairweather is perfect for titles and captions. But "Title and Captions" are the just examples. Very neutral and plain letter forms make the font versatile. The condensed forms can be very effective for body text in narrow space and the clean and clear letterform doesn't intrude your art works. Consists of nine weights and their matching italics. Supporting almost all latin languages.

Arcas is a display sans with no curves — straight lines only. Unlike many other typefaces with this characteristic, however, it’s built with some asymmetry, which helps it expand beyond the “sports” or “tech” feel that many of those fonts have. Instead, it’s a surprisingly warm and friendly family, ready to lend a unique personality to headlines, posters, and packaging. Supports a wide array of Latin-script languages. OpenType features include ordinals, arbitrary fractions, and case-sensitive punctuation. A set of catchwords is also included.

By the time that the 13th edition of the Speedball Text Book appeared in 1938, silent movies were a thing of the past; nonetheless, intrepid author Ross F. George included this typeface, originally intended for title cards, in the volume. Elegant and inviting, the occasionally quirky letterforms feature subtle diamond-shaped accents that add just the right touch of sparkle. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

Here's a flashback to the sixties, which originally went by the rather unimaginative name of Triline. It's available in two versions: regular and swash caps. In the swash version, the uppercase Q is a "Qu" ligature; a plain Q is located in the ASCII circumflex position (SHIFT+6 on PC or Mac). Named for the heroine of a medieval romance. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Introducing the Happy Space lettering font - a fun and vibrant addition to any design project. With its playful aesthetic, this font is perfect for creating eye-catching logotypes, memorable branding, engaging product packaging, and attention-grabbing headlines. Imagine your brand standing out in a sea of sameness with the unique personality of Happy Space guiding the way. Happy Space features : Standard Latin All-Caps Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Quta Rounded "derivative typeface from Quta" is a sans serif typeface produced by FoDa foundry, that meets all the needs of professionals who search a family of clean rounded geometric font, very well suited for headlines, newspaper and many purposes. With a basic character set in Five weights with their italics. Quta Rounded covers many features like: -Five main weights (Light, Regular, Medium, Bold and Extra Bold) -Matching italics for all weights. -language support for many Latin-based scripts -Ligatures and many other OpenType features.

A snappy single-stroke alphabet from The New Lone Pine ABC of Showcard and Ticketwriting, which Aussie author C. Milnes suggested should be executed with a well-loaded brush, provided the inspiration for this loose, lilting retro script. Its condensed letterforms and tight spacing allow for larger headlines than most brush scripts, and its bouncing baseline adds an extra dollop of visual fun. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus Central European (Unicode 1250) languages as well.

Zona Black Slab is a geometric slab–serif display black typeface. It is the brother font of Zona Black which was inspired by posters from the late 1920’s. Despite being black it has a tall x–height, making it quite legible even at smaller sizes. Its strong features are clean lines, neat square slabs and distinctive glyphs which tend to look even more beautiful at large sizes. Zona Black Slab supports Latin and Greek characters, ligatures and special characters. The Zona Black Slab awaits you!

Pich is a typeface that imitates vivid and free hand-drawn lettering. Each lowercase letter has three alternates and Contextual Alternates feature substitutes them producing random-like effect. Also you can choose required letter from the Glyphs palette. In addition to this Pich has a set of ligatures (both Latin and Cyrillic). All these features allow Pich to look hand-crafted, unique and natural. The font was initially created for Pichshop company. Pich was selected among Top-100 of Russian design (2010) according to the Kak magazine.

This handwritten font was brought to our attention by one of our customers. Tom Bernard Anyz had offered his handwriting font at dafont.com, a free-font portal for private customers where Toms Handwritten is enjoying great popularity. We liked the design at first glance – it is so innocent and sketch-like, similar to a quick note or message. We reworked and completed Toms Handwritten for professional usage. Apart from the already available Latin character set for West and East, we also added Greek and Cyrillic.

It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps. Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt.

Varstate Slab font family is a collection of fonts inspired by the varsity sports team name's lettering seen on apparel such as Letterman jackets, t-shirts and hoodies. The fonts can be used in combination to provide a variety of design options and different looks in genres such as sports, leisure and industry. The font family consists of fonts in 4 weights; Normal, Semi Light, Light and Extra Light. Each font includes Latin basic characters which includes uppercase, lowercase, numbers, punctuation and much more.

Truly Happy is an ideal font choice for anyone looking to add a bit of fun and playfulness to their projects. This handwritten font has a light and airy feel, making it ideal for any creative project. With its cute and whimsical details, Truly Happy will surely bring a smile to everyone who sees it. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. PUA Encoded and fully accessible without additional design software Simple Installations Works on PC & Mac Cheers.

Kyber Ricon and Kyber Ricon Neu is a Monospaced sans serif family. Design with various width and weight that you can explore and combine creating rhythm and texture for comfortable reading. This font supports more than 400 Latin-based languages and has extensive Cyrillic and Greek support for languages like Russian, Bulgarian, Ukrainian, and many more. In variable version, it allows multiple options when designing, adapting to different composition solutions. Feature Uppercase & Lowercase Number & Symbol International Glyphs (Cyrillic & Greek) Multilingual support Hope you enjoy it.

Experience the vibrant energy of Orange Blast, a playful handwritten display font that can make your designs pop! With its bold and dynamic strokes, this font is perfect for adding a playful yet professional touch to any project. Whether you’re designing logos, posters, or social media graphics, Orange Blast delivers a burst of creativity that captivates and engages your audience. Orange Blast features : Standard Latin Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Hello Girly is the perfect font for all your fun designs. The main font file is equipped with ordinary characters (A-Z, a-z, 0-9, ligature), as well as more than 300+ glyphs to support most Latin-based languages. So you can be sure they will work well together with other fonts! It is suitable for you to use in making t-shirt designs, quotes, labels, packaging, logo type, or long writing. Because we have compiled kerning and matrices that are tailored to your needs.