This is a fun font playful that is perfect for creating your project, it can be used to create a beautiful inscription for t-shirts, children's books, branding, small business, book magazine, stationery, marketing, blog, invitation and more.

Introducing One Heart is a handwritten font, using a brush and ink effects that combine calligraphic brush styles, irregular base lines, rough edges, thick and organic movements. One Heart Script includes 242 characters, ligatures as well as multi-language support. One Heart can be used for various purposes such as posters, logos, t-shirts, signage, business cards, magazines, book covers, wedding invitations, greeting cards,brand projects, product packaging, invitations, news, blogs, everything including personal charm ,etc. Files included: ~One Heart ( otf ) ~One Heart ( ttf ) ~One Heart Swash ( otf ) ~One Heart Swash ( ttf ) To enable OpenType Stylistic Ligatures, you need a program that supports the OpenType feature. such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.How to get access ligatures glyphs from open type fonts : http://youtu.be/iptSFA7feQ0 One Heart is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. You can use the Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).How to access all alternative characters, using Windows Character Map with Photoshop : https://www.youtube.com/watch?v=Go9vacoYmBw Thanks so much for looking and please let me know if you have any questions.

First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Futura’s long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical — and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. NEW: the new Futura W1G versions features a Pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet including Vietnamese, and also several based on Cyrillic and Greek alphabets Futura® font field guide including best practices, font pairings and alternatives.

Stagen is a cloth with a length ranging from 5-10 meters and a width of about 15 cm which is usually used by traditional Javanese women as part of the traditional kebaya dress. The stagen is wrapped around the stomach to help maintain posture and "lock" the jarik cloth on the kebaya. Stagen existed before World War II in Indonesia and became an elegance in the harsh world at that time. Inspired by the rich culture, Stagen is a modern sans serif typeface that has an upright and sturdy impression, with unique curves in it. A simple, yet distinctive, elegant font that can be applied to many areas of design. Coming with 130+ stunning and super easy to use alternates and ligatures. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easly call alternates character using special combination like A.2 R.3 L.A L.a etc so you don't need special software. To get results like the preview just type Sta.gen.

First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Futura’s long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical — and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. NEW: the new Futura W1G versions features a Pan-European character set for international communications. The W1G character set supports almost all the popular languages/writing systems in western, eastern, and central Europe based on the Latin alphabet including Vietnamese, and also several based on Cyrillic and Greek alphabets.

Vasili Vasilyevich Radlof or Wilhelm Radloff (Russian: Василий Васильевич Радлов; German: Wilhelm Radloff; 17 January 1837 - 12 May 1918) was a German-born Russian orientalist and founder of Turcology. Radloff is a German-born Russian Turcologist who researches the Turkish world from different perspectives, opens a new era in the history of Turkology by bringing them to light, and devoted 60 years of his 81-year life to these studies. He published his work known as Radloff's Atlas with a runic font specially developed for the Old Turkish Runic Alphabet. I made the Turkish Runic Font using Radloff's Atlas. I developed this Anglo Saxon Futhark font based on this font and adapted it to Anglo Saxon script.

PKG Roman Capitals is one more of Posterizer KG calligraphic fonts, based on Roman Square Capitals letterforms, also called Capitalis Monumentalis, Inscriptional Capitals, Elegant Capitals and Capitalis Quadrata from (about) 2nd century A.D. All graphemes are taken from calligraphic pages written with brush on traditional calligraphic stile, inspired by epigraphic monuments from the Roman Pantheon, Trajan’s Column, and the Arch of Titus. PKG Roman Capitals font is good guides for any who want to study the beautiful proportions of Roman Capitals. In practice, it can be useful for calligraphic sketches and imitation of Roman (European) historical manuscripts. Font contains good stylistic, morphological and metrical balanced Capitals, Small Caps and all the Latin and Cyrillic glyphs.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

Coleface was created by the British typographer Roy Cole, completed shortly before his death in 2012. It comprises six fonts: Coleface 30, 60, 90 and the italics 33, 66, 99. As with his earlier typeface families - Lina, Zeta and Colophon - Coleface is a highly-readable sans serif typeface that offers significant flexibility in terms of its potential uses. Roy Cole studied typographic design under the tutelage of Emil Ruder at the Gewerbeschule in Basel, at a time when typographic history was being made through the creation of a style that epitomized modernity. Consequently the principles of order, simplicity and legibility, fused with experimentation, became a hallmark of his practice, as exemplified in his last font Coleface.

The inspiration for this typeface family came from my childhood experiences at West Monkton, amidst an historic part of the South West of England. Studies of the original incised capitals of the Trajan column in Rome were analysed and polished for this modern version. The lower case letterforms and numerals were then created in sympathy, taking their proportions from the incised letters of local gravestones. Its name honours not only the area where the original alphabet was conceived and drawn, but also the people responsible for fostering my initial interest in letters. These stylized incised typefaces give a depth to the letterforms that can be exploited in your typography - evoking the carved monumental inscriptions of the Roman era.

The design of the Jeunesse font family derives from a study of primers which the designer undertook earlier in his career. Jeunesse was designed with the intention of combining excellent legibility and character recognition with the ability to create compact, distinctive words and lines while maintaining basic flourishless letterforms. The sans serif style is pre-dominant in this design, but serifs or rather parts have been added where necessary, mostly at the top left hand parts of the characters, to aid readability. Use Jeunesse as a text and display face. There are also fully sans serif and slab serif versions available which can be used on their own or mixed with each other and the parent fonts.

A new gothic great for books and magazines.

AeroScript is a loose 50s style scribble script.

digitization of a vintage lettering from Delamotte's book

A new gothic; great for books and magazines.

Otsuki-Sama is a sophisticated mix between a serif and sans serif font design. Its elegant balance between heavy contours and subtle lines gives it a modern yet very rich look. Applicable for any type of graphic design, especially for headlines, posters and magazines.

Mars Brands is a beautiful and smooth serif font created for a romantic and lovely look. It is equipped with many ligatures and alternative characters from uppercase to lowercase. Mars Brands is perfect for greeting cards, wedding invitations, posters, logotypes, product branding, and much more.

Double Quick is a fast, handwritten font with excellent legibility. It was designed to look like a quick grocery list, a hasty 'I Love You' note penned down on a Post-it or a home improvement to-do list. Comes with extensive language support.

Grufy is an awesome bold and fun display font that will look stunning on any poster flyer or print. It will put a modern twist on any design project with its urban charm. Use this font for your designs and explore its endless possibilities.

profonts Retroactive Pro is an all-caps texture font with four variations for each letter. This enables the user to create letter graphics that seem to have a unique handmade texture. Ideal for applications which are supposed to have a vintage or distressed look.

Themoment is a Playful Display Font that will make your designs look modern, unique and fun with 23 Ligatures. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

A monoline handwritten script gives a clean and modern look with a natural & stylish flow. an incredible addition to your font library. This font is perfect for creating branding logos, typography quotes, greeting cards, wedding invitations, and more. Thanks and have a wonderful day.

Hand-cut wooden letters belonging to a long-defunct salad bar's signage were offered for sale in an online auction. The casual look of the lettering, the hand crafted feel and the rounded ends made for the perfect inspiration for designing Salad Bar JNL.

Brastagi Signature is a beautiful signature writing font. Its casual charm makes it seem incredibly simple, easy to read, and, ultimately, incredibly versatile. Brastagi Signature will look amazing in any context, whether it's used in a busy background or as a stand-alone title!

Hello Everyone, introduce our new product Font Rockin Rocker This Is A Rough Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.

Hello Everyone, introduce our new product Font Rockin Stncl This Is Rough Stencil Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. That is has charming, authentic and relaxed characteristic more natural look to your text.

Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions.

Caffe Lungo is a beautiful set of handmade fonts. Lungo is very legible, very clear, but has that authentic ‘handmade’ look. Caffe Lungo comes in three weights, each with its own Italic style. I also added ligatures for the g_j and j_j letter combinations.

Vandalust is a unique display font with a graffiti-like appearance. Use this font for any crafting project, apparel design, logotype, advertising, wall decoration, and pretty much anything that requires a personalized look. Take your designs to the next level with this stunning font!

AS Nerd is a contemporary brush script. AS Nerd is a beautiful typeface that mimics true handwriting closely. Use AS Nerd, and your documents will look stunningly beautiful from now on. Perfect for printing your personal thoughts be they silly, pensive or absolutely nonsense!

Bonjour Sidney. A stylish, modern and feminine font that will look awesome on logos, branding materials, wedding and event stationery, social media overlays, cards and so on. Bonjour Sidney includes full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation, ligatures and swashes.

This font duo with modern handwritten look design styles, available on regular and script typeface. Great Banana is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste.

Bealiva is one of my fonts based on a hand lettering project in 2020. It was very inspired from the famous retro typography designs in late 60's until 70's. It includes the extrude look, so you will not have to add it later.

OKABA a sans serif typeface full of personality and taste. A display typeface at its core, complete with several ligatures and alternatives for capital letters. With a clean, minimal, and modern sans typeface. Look elegant by using ligatures for your magazine, brochure and editorial layouts.

Ladylord is a beautiful professional handwritten font that exudes elegance and class which looks stunning. It will add a luxury spark to any design project! This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

Gear Four is a spectacular font with a graffiti style for your design look awesome. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Balibong is a handwritten font with a casual look and vintage style. Balibong will be useful in your designs such as quotes, invitations, menu designs, logos, branding, clothing and some design for in a casual or vintage concept. Balibong also has Multi-Lingual support characters.

Derived from the world famous Rennie Mackintosh Font, the Stems version gives a lightweight look to the genius of Charles Rennie Mackintosh. The “Stems” name is a link to Mackintosh’s love of using floral images in his designs, especially abstracts of the rose and tulip.

The Ponkys is a Strong display font with a graffiti-like appearance. Use this font for any crafting project, apparel design, logotype, advertising, wall decoration, and pretty much anything that requires a personalized look. Take your designs to the next level with this stunning font!